The Flaming Forest

by Curwood, James Oliver

  Carrigan found that he could peer between his pack and the rock to where the other warbler was singing—and where his enemy lay watching for the opportunity to kill. It was taking a chance. If a movement betrayed his loophole, his minutes were numbered. But he had worked cautiously, an inch at a time, and was confident that the beginning of his effort to fight back was, up to the present moment, undiscovered. He believed that he knew about where the ambushed man was concealed. In the edge of a low-hanging mass of balsam was a fallen cedar. From behind the butt of that cedar he was sure the shots had come.

  And now, even more cautiously than he had made the tiny opening, he began to work the muzzle of his rifle through the loophole. As he did this he was thinking of Black Roger Audemard. And yet, almost as quickly as suspicion leaped into his mind, he told himself that the thing was impossible. It could not be Black Roger, or one of Black Roger's friends, behind the cedar log. The idea was inconceivable, when he considered how carefully the secret of his mission had been kept at the Landing. He had not even said goodby to his best friends. And because Black Roger had won through all the preceding years, Carrigan was stalking his prey out of uniform. There had been nothing to betray him. Besides, Black Roger Audemard must be at least a thousand miles north, unless something had tempted him to come up the rivers with the spring brigades. If he used logic at all, there was but one conclusion for him to arrive at. The man in ambush was some rascally half-breed who coveted his outfit and whatever valuables he might have about his person.

  A fourth smashing eruption among his comestibles and culinary possessions came to drive home the fact that even that analysis of the situation was absurd. Whoever was behind the rifle fire had small respect for the contents of his pack, and he was surely not in grievous need of a good gun or ammunition. A sticky mess of condensed cream was running over Carrigan's hand. He doubted if there was a whole tin in his kit.

  For a few moments he lay quietly on his face after the fourth shot. His eyes were turned toward the river, and on the far side, a quarter of a mile away, three canoes were moving swiftly up the slow current of the stream. The sunlight flashed on their wet sides. The gleam of dripping paddles was like the flutter of silvery birds' wings, and across the water came an unintelligible shout in response to the rifle shot. It occurred to David that he might make a trumpet of his hands and shout back, but the distance was too great for his voice to carry its message for help. Besides, now that he had the added protection of the pack, he felt a certain sense of humiliation at the thought of showing the white feather. A few minutes more, if all went well, and he would settle for the man behind the log.

  He continued again the slow operation of worming his rifle barrel between the pack and the rock. The near-sighted little sandpiper had discovered him and seemed interested in the operation. It had come a dozen feet nearer, and was perking its head and seesawing on its long legs as it watched with inquisitive inspection the unusual manifestation of life behind the rock. Its twittering note had changed to an occasional sharp and querulous cry. Carrigan wanted to wring its neck. That cry told the other fellow that he was still alive and moving.

  It seemed an age before his rifle was through, and every moment he expected another shot. He flattened himself out, Indian fashion, and sighted along the barrel. He was positive that his enemy was watching, yet he could make out nothing that looked like a head anywhere along the log. At one end was a clump of deeper foliage. He was sure he saw a sudden slight movement there, and in the thrill of the moment was tempted to send a bullet into the heart of it. But he saved his cartridge. He felt the mighty importance of certainty. If he fired once—and missed—the advantage of his unsuspected loophole would be gone. It would be transformed into a deadly menace. Even as it was, if his enemy's next bullet should enter that way—

  He felt the discomfort of the thought, and in spite of himself a tremor of apprehension ran up his spine. He felt an even greater desire to wring the neck of the inquisitive little sandpiper. The creature had circled round squarely in front of him and stood there tilting its tail and bobbing its head as if its one insane desire was to look down the length of his rifle barrel. The bird was giving him away. If the other fellow was only half as clever as his marksmanship was good—

  Suddenly every nerve in Carrigan's body tightened. He was positive that he had caught the outline of a human head and shoulders in the foliage. His finger pressed gently against the trigger of his Winchester. Before he breathed again he would have fired. But a shot from the foliage beat him out by the fraction of a second. In that precious time lost, his enemy's bullet entered the edge of his kit—and came through. He felt the shock of it, and in the infinitesimal space between the physical impact and the mental effect of shock his brain told him the horrible thing had happened. It was his head—his face. It was as if he had plunged them suddenly into hot water, and what was left of his skull was filled with the rushing and roaring of a flood. He staggered up, clutching his face with both hands. The world about him was twisted and black, a dizzily revolving thing—yet his still fighting mental vision pictured clearly for him a monstrous, bulging-eyed sandpiper as big as a house. Then he toppled back on the white sand, his arms flung out limply, his face turned to the ambush wherein his murderer lay.

  His body was clear of the rock and the pack, but there came no other shot from the thick clump of balsam. Nor, for a time, was there movement. The wood warbler was cheeping inquiringly at this sudden change in the deportment of his friend behind the shoulder of shale. The sandpiper, a bit startled, had gone back to the edge of the river and was running a race with himself along the wet sand. And the two quarrelsome jays had brought their family squabble to the edge of the timber.

  It was their wrangling that roused Carrigan to the fact that he was not dead. It was a thrilling discovery—that and the fact that he made out clearly a patch of sunlight in the sand. He did not move, but opened his eyes wider. He could see the timber. On a straight line with his vision was the thick clump of balsam. And as he looked, the boughs parted and a figure came out. Carrigan drew a deep breath. He found that it did not hurt him. He gripped the fingers of the hand that was under his body, and they closed on the butt of his service automatic. He would win yet, if God gave him life a few minutes longer.

  His enemy advanced. As he drew nearer, Carrigan closed his eyes more and more. They must be shut, and he must appear as if dead, when the other came up. Then, when the scoundrel put down his gun, as he naturally would—his chance would be at hand. If a quiver of his eyes betrayed him—

  He closed them tight. Dizziness began to creep over him, and the fire in his brain grew hot again. He heard footsteps, and they stopped in the sand close beside him. Then he heard a human voice. It did not speak in words, but gave utterance to a strange and unnatural cry. With a mighty effort Carrigan assembled his last strength. It seemed to him that he brought himself up quickly, but his movement was slow, painful—the effort of a man who might be dying. The automatic hung limply in his hand, its muzzle pointing to the sand. He looked up, trying to swing into action that mighty weight of his weapon. And then from his own lips, even in his utter physical impotence, fell a cry of wonder and amazement.

  His enemy stood there in the sunlight, staring down at him with big, dark eyes that were filled with horror. They were not the eyes of a man. David Carrigan, in this most astounding moment of his life, found himself looking up into the face of a woman.

  III

  For a matter of twenty seconds—even longer it seemed to Carrigan—the life of these two was expressed in a vivid and unforgettable tableau. One half of it David saw—the blue sky, the dazzling sun, the girl in between. The pistol dropped from his limp hand, and the weight of his body tottered on the crook of his under-elbow. Mentally and physically he was on the point of collapse, and yet in those few moments every detail of the picture was painted with a brush of fire in his brain. The girl was bareheaded. Her face was as white as any face he had ever seen, living or d
ead; her eyes were like pools that had caught the reflection of fire; he saw the sheen of her hair, the poise of her slender body—its shock, stupefaction, horror. He sensed these things even as his brain wobbled dizzily, and the larger part of the picture began to fade out of his vision. But her face remained to the last. It grew clearer, like a cameo framed in an iris—a beautiful, staring, horrified face with shimmering tresses of jet-black hair blowing about it like a veil. He noticed the hair, that was partly undone as if she had been in a struggle of some sort, or had been running fast against the breeze that came up the river.

  He fought with himself to hold that picture of her, to utter some word, make some movement. But the power to see and to live died out of him. He sank back with a queer sound in his throat. He did not hear the answering cry from the girl as she flung herself, with a quick little prayer for help, on her knees in the soft, white sand beside him. He felt no movement when she raised his head in her arm and with her bare hand brushed back his sand-littered hair, revealing where the bullet had struck him. He did not know when she ran back to the river.

  His first sensation was of a cool and comforting something trickling over his burning temples and his face. It was water. Subconsciously he knew that, and in the same way he began to think. But it was hard to pull his thoughts together. They persisted in hopping about, like a lot of sand-fleas in a dance, and just as he got hold of one and reached for another, the first would slip away from him. He began to get the best of them after a time, and he had an uncontrollable desire to say something. But his eyes and his lips were sealed tight, and to open them, a little army of gnomes came out of the darkness in the back of his head, each of them armed with a lever, and began prying with all their might. After that came the beginning of light and a flash of consciousness.

  The girl was working over him. He could feel her and hear her movement. Water was trickling over his face. Then he heard a voice, close over him, saying something in a sobbing monotone which he could not understand.

  With a mighty effort he opened his eyes.

  "Thank LE BON DIEU, you live, m'sieu," he heard the voice say, as if coming from a long distance away. "You live, you live—"

  "Tryin' to," he mumbled thickly, feeling suddenly a sense of great elation. "Tryin'—"

  He wanted to curse the gnomes for deserting him, for as soon as they were gone with their levers, his eyes and his lips shut tight again, or at least he thought they did. But he began to sense things in a curious sort of way. Some one was dragging him. He could feel the grind of sand under his body. There were intervals when the dragging operation paused. And then, after a long time, he seemed to hear more than one voice. There were two—sometimes a murmur of them. And odd visions came to him. He seemed to see the girl with shining black hair and dark eyes, and then swiftly she would change into a girl with hair like blazing gold. This was a different girl. She was not like Pretty Eyes, as his twisted mind called the other. This second vision that he saw was like a radiant bit of the sun, her hair all aflame with the fire of it and her face a different sort of face. He was always glad when she went away and Pretty Eyes came back.

  To David Carrigan this interesting experience in his life might have covered an hour, a day, or a month. Or a year for that matter, for he seemed to have had an indefinite association with Pretty Eyes. He had known her for a long time and very intimately, it seemed. Yet he had no memory of the long fight in the hot sun, or of the river, or of the singing warblers, or of the inquisitive sandpiper that had marked out the line which his enemy's last bullet had traveled. He had entered into a new world in which everything was vague and unreal except that vision of dark hair, dark eyes, and pale, beautiful face. Several times he saw it with marvelous clearness, and each time he drifted away into darkness again with the sound of a voice growing fainter and fainter in his ears.

  Then came a time of utter chaos and soundless gloom. He was in a pit, where even his subconscious self was almost dead under a crushing oppression. At last a star began to glimmer in this pit, a star pale and indistinct and a vast distance away. But it crept steadily up through the eternity of darkness, and the nearer it came, the less there was of the blackness of night. From a star it grew into a sun, and with the sun came dawn. In that dawn he heard the singing of a bird, and the bird was just over his head. When Carrigan opened his eyes, and understanding came to him, he found himself under the silver birch that belonged to the wood warbler.

  For a space he did not ask himself how he had come there. He was looking at the river and the white strip of sand. Out there were the rock and his dunnage pack. Also his rifle. Instinctively his eyes turned to the balsam ambush farther down. That, too, was in a blaze of sunlight now. But where he lay, or sat, or stood—he was not sure what he was doing at that moment—it was shady and deliciously cool. The green of the cedar and spruce and balsam was close about him, inset with the silver and gold of the thickly-leaved birch. He discovered that he was bolstered up partly against the trunk of this birch and partly against a spruce sapling. Between these two, where his head rested, was a pile of soft moss freshly torn from the earth. And within reach of him was his own kit pail filled with water.

  He moved himself cautiously and raised a hand to his head. His fingers came in contact with a bandage.

  For a minute or two after that he sat without moving while his amazed senses seized upon the significance of it all. In the first place he was alive. But even this fact of living was less remarkable than the other things that had happened. He remembered the final moments of the unequal duel. His enemy had got him. And that enemy was a woman! Moreover, after she had blown away a part of his head and had him helpless in the sand, she had—in place of finishing him there—dragged him to this cool nook and tied up his wound. It was hard for him to believe, but the pail of water, the moss behind his shoulders, the bandage, and certain visions that were reforming themselves in his brain convinced him. A woman had shot him. She had worked like the very devil to kill him. And afterward she had saved him! He grinned. It was final proof that his mind hadn't been playing tricks on him. No one but a woman would have been quite so unreasonable. A man would have completed the job.

  He began to look for her up and down the white strip of sand. And in looking he saw the gray and silver flash of the hard-working sandpiper. He chuckled, for he was exceedingly comfortable, and also exhilaratingly happy to know that the thing was over and he was not dead. If the sandpiper had been a man, he would have called him up to shake hands with him. For if it hadn't been for the bird getting squarely in front of him and giving him away, there might have been a more horrible end to it all. He shuddered as he thought of the mighty effort he had made to fire a shot into the heart of the balsam ambush—and perhaps into the heart of a woman!

  He reached for the pail and drank deeply of the water in it. He felt no pain. His dizziness was gone. His mind had grown suddenly clear and alert. The warmth of the water told him almost instantly that it had been taken from the river some time ago. He observed the change in sun and shadows. With the instinct of a man trained to note details, he pulled out his watch. It was almost six o'clock. More than three hours had passed since the sandpiper had got in front of his gun. He did not attempt to rise to his feet, but scanned with slower and more careful scrutiny the edge of the forest and the river. He had been mystified while cringing for his life behind the rock, but he was infinitely more so now. Greater desire he had never had than this which thrilled him in these present minutes of his readjustment—desire to look upon the woman again. And then, all at once, there came back to him a mental flash of the other. He remembered, as if something was coming back to him out of a dream, how the whimsical twistings of his sick brain had made him see two faces instead of one. Yet he knew that the first picture of his mysterious assailant, the picture painted in his brain when he had tried to raise his pistol, was the right one. He had seen her dark eyes aglow; he had seen the sunlit sheen of her black hair rippling in the wind; he had seen th
e white pallor in her face, the slimness of her as she stood over him in horror—he remembered even the clutch of her white hand at her throat. A moment before she had tried to kill him. And then he had looked up and had seen her like that! It must have been some unaccountable trick in his brain that had flooded her hair with golden fire at times.

  His eyes followed a furrow in the white sand which led from where he sat bolstered against the tree down to his pack and the rock. It was the trail made by his body when she had dragged him up to the shelter and coolness of the timber. One of his laws of physical care was to keep himself trained down to a hundred and sixty, but he wondered how she had dragged up even so much as that of dead weight. It had taken a great deal of effort. He could see distinctly three different places in the sand where she had stopped to rest.

  Carrigan had earned a reputation as the expert analyst of "N" Division. In delicate matters it was seldom that McVane did not take him into consultation. He possessed an almost uncanny grip on the working processes of a criminal mind, and the first rule he had set down for himself was to regard the acts of omission rather than the one outstanding act of commission. But when he proved to himself that the chief actor in a drama possessed a normal rather than a criminal mind, he found himself in the position of checkmate. It was a thrilling game. And he was frankly puzzled now, until—one after another—he added up the sum total of what had been omitted in this instance of his own personal adventure. Hidden in her ambush, the woman who had shot him had been in both purpose and act an assassin. Her determination had been to kill him. She had disregarded the white flag with which he had pleaded for mercy. Her marksmanship was of fiendish cleverness. Up to her last shot she had been, to all intent and purpose, a murderess.