Complete Works of Sherwood Anderson

by Sherwood Anderson

  And then during his second year something happened. There was a young man in one of the upper classes, an athlete of note but at the same time an earnest student, toward whom the Ohio boy’s fancy now turned. It was an entirely sentimental affair, as the man afterward explained and might have done him no harm had he been content never to give it any kind of expression.

  He did however near the end of his second year try to give it expression. For weeks he had been going about, much like a young girl in love, thinking constantly of the athlete, of his splendid rugged figure fine eyes and quick active mind and of how wonderful it would be if he could have an intimate friendship with such a fellow. He dreamed of walks the two might take together in the evenings under the elms that grew on the campus. “I thought he would take my arm or I would take his and we would walk and talk,” Judge Turner said, and I remember that as he spoke he got out of his chair and walked about the room and that his small white hands played nervously over the front of his coat. He seemed not to want to face me as he told the more vital part of his tale but going behind my chair walked up and down the room at my back, and I remember how, although I was then but a boy, I knew he suffered and wanted to put his arms about me as he talked but did not dare. My own heart was filled with sadness so that unknown perhaps to him tears came in my eyes and what part of his tragedy and his words I did not understand I am sure I did dimly sense the meaning of.

  He had, it happened, gone about for months thinking of the older fellow of his college as one much like himself but blessed with a stronger body, greater ability to make his way in the world and no doubt also wanting to give something of himself, or something beautiful outside himself that would represent some spirit of himself, to another man. Once young Turner went to a near-by city and spent a whole afternoon going from shop to shop trying to find some bit of jewelry, a painting or something of the sort he himself thought lovely and that would be within the limits of his own slender means that he might in secret send to the man he so admired.

  “For women I did not care,” the judge said huskily. “To tell the truth I was afraid of women. In a relationship made with a woman one, I thought, risked too much. It might be quite altogether perfect or it might be just nothing at all. To tell the truth I did not then have and never have had enough assurance of fineness in myself to make it possible for me to approach a woman with the object of becoming her lover and I was not then and never have been a strong lustful man and I had, even at that time, put all thought of anything very definite ever happening between myself and a woman utterly aside.

  “I had put the thought aside, and had taken up this other, you see. Between myself and the young athlete I had created in fancy a relation that would never attempt to come to any sort of physical expression. We would live, I dreamed, each his own life, each gathering what beauty might be possible from the great outer world and bringing it as a prize to the other. There would be this man I loved and of whom I asked nothing and toward whom my whole impulse would be forever just to give and give to the very top of my bent.

  “You understand how it was, or rather of course you do not understand now but some day it may be you will,” said the voice coming from the thin lips of the small fat man walking up and down the room behind me in the house in Ohio. “I did a foolish thing,” said the voice. “One day I wrote a note to the man telling something of the dream that had been in my mind and as I had nothing else to send I went to a florist’s and sent him a great bunch of beautiful roses.

  “I got no answer to the note but later he showed it about and all during the rest of my days at the school — and out of a kind of blind determination I stayed on there until I graduated and had got my degree, my expenses after my father’s death being paid by my cousin — during all the rest of my days at the school I was looked upon generally as a — perhaps you do not even know the meaning of the word — I was looked upon as a pervert.

  “There was another and more vulgar word, a word I had seen on the walls of the shed and on the board fence when I was a schoolboy that was also shouted at me. Like my father before me I, in my trouble, took to walking in the streets and in lonely places at night. The word would be shouted at me from the darkness or from the steps of a house as I stumbled along in the darkness and I had not then, as I had when I was a lad, the satisfaction of thinking of myself as another Francisco, as one who could resort to poison powders to assert his own supremacy and to reëstablish himself with himself.

  “I was simply determined I would finish my days in college and would not follow my father’s footsteps in taking my own life — having then and always having had a queer sort of respect, do you see, for life as it manifested itself in my own body — that I would finish my days in that place and that I would then, at the first opportunity, get hold of enough money to make myself respected among the men with whom and in whose company I would in all likelihood have to live out my days.

  “I conceived, do you see, of money-making as the only sure method to win respect from the men of the modern world and as for you, my lad, if you have sensibilities as I suppose you have or I should not have taken the trouble to invite you to my house — as for you, my lad, if an opportunity comes to you, as it did to me when my cousin got me sent South, you had better take advantage of it,” said the judge, coming from behind my chair and standing before me to pour himself another glass of the whisky which he drank this time I noticed without the customary little ceremony of holding it for a moment between his eyes and the light.

  I thought, or I may fancy I then thought, that the judge’s bright birdlike eyes were clouded and looked tired as he said these last words and that his hands as he poured the whisky trembled a little but perhaps the notion but springs from my more mature fancy playing over a dramatic moment in life.

  And at any rate he came to loaf away the next afternoon at the stable and was as he always had been, sitting in silence, listening to the talk that went round and folding his fat little hands over his neatly-waistcoated paunch. And when he spoke he, as always, concealed under so thick a coat of good-natured toleration what sarcasm may have lurked in his words that he won and seemed always to hold the respect of all of his hearers.

  NOTE III

  DEFINITION

  “A REALLY HIGH-CLASS horse is one that is consistent, game, intelligents gentle, obedient, courageous, and at all times willing and able to go any route with weight up and maintain a high rate of speed and overcome all ordinary difficulties under adverse conditions.

  “Remember that horses are not machines — Trainer and Cloeker’s Handicap (strictly private).

  A NARROW beam of yellow light against the satin surface of purplish gray wood, wood become soft of texture, touched with these delicate shades of color. The light from above falls straight down the face of a great heavy beam of the wood. Or is it marble rather than wood, marble touched also by the delicate hand of time? I am perhaps dead and in my grave. No, it cannot be a grave. Would it not be wonderful if I had died and been buried in a marble sepulchre, say on the summit of a high hill above a city in which live many beautiful men and women? It is a grand notion and I entertain it for a time. What have I done to be buried so splendidly? Well, never mind that. I have always been one who wanted a great deal of love, admiration and respect from others without having to go to all the trouble of deserving it. I am buried magnificently in a marble sepulchre cut into the side of a large hill, near the top. On a certain day my body was brought hither with great pomp. Music played, women and children wept and strong men bowed their heads. Now on feast days young men and women come up the hillside to look through a small glass opening left in the side of my burial place. It must be through the opening the yellow light comes. The young men who come up the hillside are wishing they could be like me, and the young and beautiful women are all wishing I were still alive and that I might be their lover.

  How splendid! What have I done? The last thing I remember I was working at that place where so many kegs of nail
s had to be rolled down an incline. I was full of beer too. What happened after that? Did I save a besieged city, kill a dragon like Saint George, drive snakes out of the land like Saint Patrick, inaugurate a new and better social system, or what could I have done?

  I am somewhere in a huge place. Perhaps I am standing in that great cathedral at Chartres, the cathedral that Judge Turner told me about when I was a lad and that I myself long afterward saw and that became for me as it has been for many other men and women the beauty shrine of my life. It may be that I am standing in that great place at midnight alone. It cannot be that there is any one with me for I feel very lonely. A feeling of being very small in the presence of something vast has taken possession of me. Can it be Chartres, the Virgin, the woman, God’s woman?

  What am I talking about? I cannot be in the cathedral at Chartres or buried splendidly in a marble sepulchre on a hillside above a magnificent city. I am an American and if I am dead my spirit must now be in a large half-ruined and empty factory, a factory with cracks in the walls where the work of the builders was scamped, as nearly all building was scamped in my time.

  It cannot be I am in the presence of the Virgin. Americans do not believe in either Virgins or Venuses. Americans believe in themselves. There is no need of gods now but if the need arises Americans will manufacture many millions of them, all alike. They will label them “Keep smiling” or “Safety first” and go on their way, and as for the woman, the Virgin, she is the enemy of our race. Her purpose is not our purpose. Away with her!

  The beam of wood I see is just a beam of wood. It was cut in a forest and brought to the factory to support a wall that had begun to give way. No one touched it with careless hurried hands and so it aged as you see, quite beautifully — as trees themselves age. All about me are broken wheels. In the factory the great steam-driven wheels are forever still now.

  Broken dreams, ends of thoughts, a stifled feeling within my chest.

  Aha, you Stephenson, Franklin, Fulton, Bell, Edison — you heroes of my Industrial Age, you men who have been the gods of the men of my day — is your day over so soon? “In the end,” I am telling myself, “all of your triumphs come to the dull and meaningless absurdity, of say a clothespin factory. There have been sweeter men in old times, half forgotten now, who will be remembered after you are forgotten. The Virgin too, will be remembered after you are forgotten. Would it not be amusing if Chartres continued to stand after you are forgotten?”

  Is it not absurd? Because I do not want to work in a warehouse and roll kegs, because I do not want to work in a factory anywhere I must needs go getting gaudy and magnificent and try to blow all factories away with a breath of my fancy. My fancy climbs up and up.

  Democracy shall spread itself out thinner and thinner, it shall come to nothing but empty mouthings in the end. Everywhere, all over the earth, shall be the dreary commercial and material success of, say the later Byzantine Empire. In the West and after the great dukes, the kings and the popes, the commoners — who were not commoners after all but only stole the name — are having their day. The shrewd little money-getters with the cry “democracy” on their lips shall rule for a time and then the real commoners shall come — and that shall be the worst time of all. Oh, the futile little vanity of the workers who have forgotten the cunning of hands, who have long let machines take the place of the cunning of hands!

  And the tired men of the arts. Oh, the cunning smart little men of the arts of New York and Chicago! Painters making advertising designs for soap, painters making portraits of bankers’ wives, story-tellers striving wearily to “make” the Saturday Evening Post or to be revolutionists in the arts. Artists everywhere striving for what?

  Respectability perhaps — to call attention to themselves perhaps.

  They will get — a Ford. On holidays they may go see the great automobile races on the speedway at Indianapolis Indiana. Not for them the flashing thoroughbreds or the sturdy trotters and pacers. Not for them freedom, laughter. For them machines.

  Long ago that Judge Turner had corrupted my mind. He played me a hell of a trick. I have been going about trying to have thoughts. What a fool I have been! I have read many books of history, many stories of men’s lives. Why did I not go to college and get a safe education? I might have worked my way through and got my mind fixed in a comfortable mold. There is no excuse for me. I shall have to pay for my lack of a proper training.

  In the next room to the one in which I am lying two men are talking.

  FIRST VOICE. “He took straw, ground it, put it into some kind of rubber composition. The whole was mixed up together and subjected to an immense hydraulic pressure. It came out a tough kind of composition that can be made to look like wood. It can be grained like wood. He will get rich. I tell you he is one of the great minds of the age.”

  SECOND VOICE. “We shall have prohibition after a while and then you’ll see how it will turn out. You can’t down the American mind. Some fellow will make a drink, a synthetic drink. It won’t cost much to make. Perhaps it can be made out of crude oil like gasoline and then the Standard will take him up. He’ll get rich. We Americans can’t be put down, I’ll tell you that.”

  FIRST VOICE. “There is a man in New York makes Car wheels out of paper. It is ground, I suppose, and made into a kind of mush and then is subjected to an immense hydraulic pressure. The wheels look like iron.”

  SECOND VOICE. “Do you suppose he paints them black like iron?”

  FIRST VOICE. “It’s a great age we live in. You can’t down machinery. I read a book by Mark Twain. He knocked theories cold, I’ll tell you what. He made out all life was just a great machine.”

  Where am I? Am I dreaming or am I awake? It seems to me that I am somewhere in a great empty place. I shall have one of my terrible fits of depression if I am not careful now. Sometimes I walk gayly along the streets and talk to men and women gayly but there are other times when I am so depressed that all the muscles of my body ache. I am like one on whose back a great beast sits. Now it seems to me I am in a huge empty place. Has the roof of a factory in which I was at work at night fallen in? There is a long shaft of yellow light falling down a beam of wood or marble.

  Thoughts flitting, an effort to awaken out of dreams, voices heard, voices talking somewhere in the distance, the figures of men and women I have known flashing in and out of darkness. There is a tiny faint voice speaking:— “The money-makers will grow weary and disgusted with their own money-making and labor shall have lost all faith, all sense of the cunning of the hand. The factory hands shall rule. What a mess it will be!”

  Where am I? I am in a bed somewhere in a room in a workers’ rooming house. Two young mechanics live in the next room and now they are getting out of bed and are talking cheerfully. Once on cold nights monks awoke in cold cells in monasteries and muttered prayers to God. Now in a cold room two young mechanics proclaim their faith in new gods.

  Words in a brain trying to come into consciousness out of heavy sleep. “Service! They make a point of service,” says one of the young men’s voices. My brain, a voice in my own brain, chattering:— “The woman who had been taken in adultery came to wash with her hands the tired feet of the Christ. She wiped his feet with her long hair and poured precious ointment upon them.” A distorted thought born of the effort to awaken from a heavy dream:— “Many men and women are going along a street. They all have long hair and bear vessels of precious ointment. They are going to wash the feet of a Rockefeller, of ‘Bet a million’ Gates, of a Henry Ford or the son of a Henry Ford, the gods of the new day.”

  And now the dream again. Again the great empty place. I cannot breathe. There is a great black bell without a tongue, swinging silently in darkness. It swings and swings, making a great arch and I await silent and frightened. Now it stops and descends slowly. I am terrified. Can nothing stop the great descending iron bell? It stops and hangs for a moment and now it drops suddenly and I am a prisoner under the great iron bell.

  NOTE IV


  WITH A FRANTIC effort I am awake. I am in my laborers’ rooming house and Nora, who is my friend, has been trying to clean the wall paper in my room. She takes bits of bread dough and rubs the walls. The paper on the walls was originally yellow but time and coal soot have made it almost black. Light is struggling in through a window, wiped clean by Nora but yesterday, but already nearly black again. The morning sun is playing on the wall.

  Nora’s lover does not come home although he writes whenever his ship comes to port. The ship carries ore from Duluth to Chicago and one may be quite sure he does not sleep much of the time in a clean berth nor smell in his nostrils the clean sea air, as I represented things to Nora when I wanted her to take better care of my room. Nora has tried. That idea of mine was a purely literary one but it has made Nora and myself friends.

  She fancies the notion of having someone to care for, to do things for, and so do I. It is a literary triumph for me and I instinctively like literary triumphs. We are much together and as the time is a black one for me she makes life livable. Nora is a true modern, not fussy, not making a great brag and bluster about it as did so many of the “moderns” in the arts I was to see later in New York. In my day I was to see a time when if a man wrote ten honest paragraphs or painted three honest paintings he immediately set himself up as a persecuted saint and wept if Mr. Sumner of New York or the Watch and Ward Club of Boston did not descend upon him. Most “moderns” of the arts I was later to see regretted the day of the passing of the Inquisition. They did not hanker to be burned at the stake but would have loved having it done to them, as in the moving picture, with some sort of mechanical cold flame. As for Nora she wanted to know all I thought, all I felt. She was not afraid I would “ruin” her. She knew how to look out for herself.