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The Incompleat Enchanter

Page 14

by L. Sprague De Camp


  “Well, the first detail I’d like to know something about is what new wrinkles in theory you have in mind.”

  Chalmers settled himself and took on his lecture-room manner. “As I see it, our universes have a relation analogous to that of a pencil of parallel vectors,” said he. “The vectors themselves represent time, of course. That gives us a six-dimensional cosmos — three in space, one in time, and two which define the relationships of one universe of the cosmos to another.

  “You know enough mathematics to be aware that the ‘fourth dimension’, so called, is only a dimension in the sense of a measurable quality, like colour or density. The same applies for the interuniversal dimensions. I maintain —”

  “Whoa!” said Shea. “Is there an infinite number of universes?”

  “Ahem — I wish you would learn to avoid interruptions, Harold. I used to believe so. But now I consider the number finite, though very large.

  “Let me continue. I maintain that what we call ‘magic’ is merely . . . the physics of some of these other universes. This physics is capable of operating along the interuniversal dimensions —”

  “I see,” Shea interrupted again. “Just as light can operate through interplanetary space, but sound requires some such conducting medium as air or water.”

  “The analogy is not perfect. Let me continue. You know how the theme of conjuring things up and making them disappear constantly recurs in fairy tales. These phenomena become plausible if we assume the enchanter is snatching things from another universe or banishing them to one.”

  Shea said: “I see an objection. If the laws of magic don’t operate in the conducting medium of our universe, how’s it possible to learn about them? I mean, how did they get into fairy stories?”

  “The question is somewhat obvious. You remember my remarking that dements suffered hallucinations because their personalities were split between this universe and another? The same applies to the composers of fairy stories, though to a lesser degree. Naturally, it would apply to any writer of fantasy, such as Dunsany or Hubbard. When he describes some strange world, he is offering a somewhat garbled version of a real one, having its own set of dimensions quite independent of ours.”

  Shea sipped his highball in silence. Then he asked: “Why can’t we conjure things into and out of this universe?”

  “We can. You successfully conjured yourself out of this one. But it is probable that certain of these parallel universes are easier of access than others. Ours —”

  “Would be one of the hard kind?”

  “Ahem. Don’t interrupt, please. Yes. Now as to the time dimension, I’m inclined to think we can travel among universes only at right angles to the pencil of space-time vectors, if you follow my use of a . . . a somewhat misleading analogy.

  “However, it appears likely that our vectors are curved. A lapse of time, along the inner side of the curve would correspond to a greater lapse of time along the outer. You know the theme in certain fairy tales — the hero comes to fairyland, spends three days, and returns to find he has been gone three minutes or three years.

  “The same feature would account for the possibility of landing in someone’s imagined idea of the future. This is clearly a case where a mind has been running along one of the outer curved vectors at a speed which has outstripped the passage of time along our own inner side of the curve. The result — Harold, are you following me?”

  Shea’s highball glass had rolled onto the rug with a gentle plunk, and the suspicion of a snore came from his chair. Fatigue had caught up with him at last.

  * * *

  Next week-end, Harold Shea went up to Cleveland. He was approaching this second time-journey with some misgivings. Chalmers was an astute old bird — no doubt about that, A good theorist. But it was the pursuit of the theory rather than its result that interested the old boy. How would he work out as a companion in a life of arduous adventure — a man of fifty-six, who had always led a sedentary life, and for that matter, who always seemed to prefer discussion to experience —

  Well, too late to pull out now, Shea told himself, as he entered the shop of the Montrose Costume Co. He asked to see medieval stuff. A clerk, who seemed to think that the word “medieval” had something to do with pirates, finally produced an assortment of doublets and hose, feathered hats, and floppy boots of thin yellow leather. Shea selected a costume that had once been worn by the leading man in De Koven’s Robin Hood. It had no pockets, but a tailor could be found to remedy that. For Chalmers, he bought a similar but plainer outfit, with a monkish robe and attached hood. Chalmers was to go as a palmer, or pilgrim, a character which both felt would give him some standing.

  The costume company’s assortment of arms and armour proved not only phony but impractical. The chain mail was knitted woollens dipped in aluminium paint. The plate was sheets of tin-can thinness. The swords had neither edge, balance, nor temper. The antique shops had nothing better; their antique weapons were mostly civil War cavalry sabres. Shea decided to use his own fencing épée. It had a rather stiff blade, and if he unscrewed the point d’arrêt, ground the end down to a sharp point, and contrived some kind of sheath, the weapon would do till he got something better.

  The most serious question, as he explained to Chalmers on his return, was concern with the formulas of the magic they intended to use on their arrival. “How do you expect to read English in the land of Faerie when I couldn’t in Scandinavia?” he demanded.

  “I’ve allowed for that,” Chalmers replied. “You forget that mathematics is a . . . a universal language, independent of words.”

  “All right. But will your mathematical symbols mean the same things?”

  “Glance at this sheet, Harold. Knowing the principles of symbolic logic to begin with, I can look over this pictured equation with an apple at the left and a great many apples at the right, and thus realize it means that an apple belongs to the class of apples. From that I shall infer that the horseshoe-shaped symbol in the centre means ‘is a member of the class of’.”

  “You think that’ll work, honest? But, say, how do we know that you and I will land in the same part of the Faerie world?”

  Chalmers shrugged. “For that matter, how do we know we shan’t land in Greek mythology? There are still laws of this method of transference to be worked out. We can only hold on to each other, read the formulas in chorus, and hope for the best.”

  Shea grinned. “And if it doesn’t work, what the hell? Well, I guess we’re ready.” He inhaled deeply. “If P equals not-Q, Q implies not-P. which is equivalent to saying either P or Q but not both. But if not-P is not implied by not-Q — Come in, Mrs. Ladd.”

  Shea’s landlady opened the door, and opened her mouth to say something, But the something failed to come forth. She stared agape at a pair of respectable psychologists, standing side by side in medieval costumes, with rucksacks on their shoulders. They were holding hands and with their free hands holding sheets of paper. Chalmers purpled with embarrassment.

  Shea bowed easily. “We’re doing an experiment, Mrs. Ladd. We may be away for some time. If Mr. Bayard asks for us, let him in and tell him he can look at the papers in the top right-hand drawer. And you might mail this letter. Thanks.” He explained to Chalmers: “It’s to Gert; to tell her not to waste her money by setting Johnson after us.”

  “But, Mr. Shea — ” said the landlady.

  “Please, Mrs. Ladd. You can sit down and watch if you like. Let’s go, Doctor — a conclusion can he drawn concerning the relation between two classes even if the evidence refers only to a part of some third class to which both are related. Whatever is predicated affirmatively or negatively of a class may be predicated in like manner of everything asserted to be contained in that class —”

  Mrs. Ladd watched, ample bosom heaving. Her eyes bulged from her head: she’d have material for backfence conversation for months to come.

  Pfmp! There was a movement of air, muttering the papers on the table and whirling ashes from the
ash trays. Mrs. Ladd, pulling herself together, moved a trembling hand through the space where her stangely dressed lodgers had stood.

  It met no resistance.

  Chapter Two

  CHALMERS SPOKE FIRST. “Astounding! I should have thought the passage more difficult.”

  “Uh-huh.” Shea looked around, sniffing the air with his head up. “Looks like a plain forest to me. Not as cold as the last one, thank God.”

  “I . . . I suppose so. Though I’m sure I don’t know what type of tree that is.”

  “I’d say some kind of eucalyptus,” replied Shea “That would mean a warm, dry climate. But look where the sun is. That means late afternoon, so we better get started.”

  “Dear me, I suppose so. Which direction would you suggest?”

  “Dunno, but I can find out.” Shea dropped his rucksack and swarmed up the nearest tree. He called down: “Can’t see much. No, wait, there’s a slope off that direction.” He waved an arm, almost lost his footing, and slid down again in a small torrent of bark and leaves.

  They started towards the slope in the hope that it represented a river valley, where they could expect to find human habitations. After half a mile a scraping sound halted him wordlessly. They crept forward, peering. A tall, spotted buck was rubbing its horns against a tree. It flung up its head as it heard them, gave a sneezelike snort, and leaped gracefully away.

  Shea said: “If he’s just getting rid of his velvet, it ought to be late summer or early fall.”

  “I wasn’t aware you were so much of a woodsman, Harold.”

  “What the hell, Doc . . . Doctor, I’ve been having practice. What’s that?”

  Something far off had gone “Ow-ooh,” a sort of musical grunt, as though somebody had casually scraped the C string of a cello.

  Chalmers fingered his chin. “It sounds remarkably like a lion. I trust we need not expect to encounter lions in this country.

  The noise came again, louder. “Don’t bet on it, Doctor,” said Shea. “If you remember your Spenser, there were plenty of lions around; also camels, bears, wolves, leopards, and aurochs, as well as human fauna like giants and Saracens. Not to mention the Blatant Beast, which had the worst qualities of all and slandered people besides. What worries me is whether lions can climb trees.”

  “Merciful Heavens! I don’t know about lions, but I’m afraid I shouldn’t be equal to much climbing. Let’s hurry.”

  They strode on through the wood, a wood of open glades with little underbrush and no recognizable paths. A little breeze came up to make the leaves whisper overhead. The coughing roar of the lion came again, and Shea and Chalmers, without realizing, stepped up their pace to a trot. They glanced at each other and slowed down again.

  Chalmers puffed: “It’s good for a man of my age to have a little . . . uh . . . exercise like this.”

  Shea grinned with one side of his mouth. They came out onto the edge of a meadow that stretched a couple of hundred yards downhill. At the bottom of the valley, more trees evidently concealed a stream. Shea scrambled up another tree for a look. Beyond the stream and its wide, shallow vale stood a castle, small in the distance and yellow in the low sun, with pennants writhing lazily from its turrets. He called down the news.

  * * *

  “Can you make out the devices on any of the pennants?” Chalmers answered. “I was . . . I am . . . not altogether inexpert in matters of heraldry. It might be wise to learn something of the character of the institution.”

  “Nor a damn thing,” said Shea, and swung himself down. “Air’s too quiet and she’s too far away. Anyhow, I’d rather take a chance on the castle than on being part of a lion’s breakfast. Let’s go.”

  * * *

  In the tone of an announcer offering the express for East Chicago, Laporte, and South Bend on Track 18, a voice cried at them: “Who would enter Castle Caultrock?”

  There was nobody in sight, but the travellers’ eyes caught a flash of metal on one of the projecting balconies where the drawbridge chains entered the wall. Shea shouted back the rehearsed answer: “Travellers, to wit, Harold Shea, gentleman and squire, and Reed Chalmers, palmer!” Wonder what they’d say about the “gentleman,” thought Shea, if they knew my father was head bookkeeper of a meat-packing concern?

  The answer floated back: “This is a castle of deeds and ladies. The holy palmer may enter in the name of God, but no gentleman unless he be accompanied by his fair dame, for such is the custom of this place.”

  Shea and Chalmers looked at each other. The latter was smiling happily. “Perfect selectivity!” he murmured. “This is exactly right; right at the beginning of Spenser’s fourth book —” his voice trailed off and his face fell. “I don’t quite know what to do about your being left out —”

  “Go ahead in. I’ve slept in the open before.”

  “But —” Just then a movable section in the bars of the portcullis creaked outward, and a man in armour stumbled through, apparently pushed from behind. There was a shout of derisive laughter. A horse was squeezed through the opening behind. The man took the reins and came towards them. He was a small man with close-cropped hair. A scar intersected one corner of a mouth drawn into a doleful expression. “Hi,” said Shea. “Did they throw you out?”

  “I high Hardimour. Aye; it is even the hour of vespers, and being ladyless I am put forth from the fair entertainment within.” He smiled wryly. “And what hight you? Nay, tell me not now; for I see my dinner and bed approach, mounted on the back of a jennet.”

  The travellers turned to follow Hardimour’s eyes behind them. Across the even meadow came a pair of horses, bearing an armoured knight and his lady. The latter rode sidesaddle, clad in rich garments of a trailing, impractical kind.

  The little knight vaulted to his saddle with a lightness that was surprising, considering the weight of his hardware. He shouted, “Defend yourself, knight, or yield me your lady!” and snapped down his visor with a clang.

  The smaller horse, with the woman, swung to one side. Shea gave a low whistle as he got a look at her: a slim, pale girl, with features as perfect as a cameo, and delicately rounded eyebrows. The other rider, without a word, whipped a cloth covering from his shield, revealing a black field on which broken spear points were picked out with silver. He swung a big black lance into position.

  Heads appeared along the battlements of the castle. Shea felt Chalmers pluck at his sleeve. “That Sir Hardimour is in for trouble,” said the older psychologist. “Sable, semé of broken spears is the bearing of Britomart.”

  Shea was watching the knights, who had spurred their horses to a heavy gallop. Wham! went lances against shields, and there were sparks in the fading light. The head of the little knight from the castle went back, his feet came up, and he turned a somersault through the air. He landed on his head with the sound of thirty feet of chain being dropped on a manhole cover.

  The stranger knight reined in and brought his horse back at a walk. Shea, followed by Chalmers, ran to where Sir Hardimour sprawled. The little knight seemed to be out cold. As Shea fumbled with unfamiliar fingers at his helmet fastenings, he sat up groggily and helped get it off. He drew in a long breath.

  “By’r Lady,” he remarked with a rueful grin, “I have stood before Blandamour of the Iron Arm, but that was as rude a dint as ever I took.” He looked up as the knight who had overthrown him approached. “It seems I was too ambitious. To whom do I owe the pleasure of a night with the crickets?”

  The other pulled up his visor to reveal a fresh young face. “Certes,” he said in a light, high-pitched voice, you are a very gentle person, young sir, and shall not spend a night with the crickets and bugbears if I can help it. Ho, warder!”

  The castle guard’s head came through the gate in the portcullis. “Your worship,” he said.

  “Have I fairly gained admittance to Castle Caultrock as the knight of this lady?”

  “That is most true.”

  The knight of the shivered spears on their field of black p
ut both hands up to his own helmet and lifted it off. A sunburst of golden hair burst forth and flowed down to his — her — waist. Behind him Shea beard Chalmers chuckle, “I told you it was Britomart.” He remembered that Britomart was the warrior girl who could beat most of the men in the Faerie Queene.

  She was speaking: “Then I declare I am the lady of this good knight who has been overthrown, and since he has a lady he may enter.”

  The warder looked worried and scratched his chin. “The point is certainly very delicate. If you are her knight — and yet his lady — how can she be your lady and he your knight? Marry I warrant me this is a case Sir Artegall himself could not unravel. Enter, all three!”

  Shea spoke up: “Beg pardon, miss, but I wonder if I could arrange to go in as your friend’s man?”

  “That you may not, sir,” she replied haughtily. “She shall be no man’s lady till I restore her to her husband; for this is that Lady Amoret who was foully stolen from her spouse’s arms by Busyrane, the enchanter. If you wish to be her knight, you must even try Sir Hardimour’s fate against me.”

  “Hm-m-m,” said Shea. “But you’re going in as Sir Hardimour’s lady?” They nodded. He turned to the latter. “If I had a horse and all the fixings, Sir Knight, I’d fight you for the privilege of being Miss Britomart’s man. But as it is I’ll challenge you to a round on foot with swords and without armour.”

  Hardimour’s scarred face registered an astonishment that changed to something like pleasure. “Now, that is a strange sort of challenge —” he began.

  “Yet not unheard of,” interrupted the statuesque Britomart. “I mind me that Sir Artegall fought thus against three brothers at the Ford of Thrack.”

  Chalmers was plucking at Shea’s sleeve again. “Harold, I consider it most unwise —”

  “Shh! I know what I’m doing. Well, Sir Knight, how about it?”

  “Done,” Sir Hardimour unbuckled himself from his chrysalis of steel. He stepped forward, his feet feeling uncertainly on the smooth grass which he was used to crossing in metal shoes.

 

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