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Beethoven: Anguish and Triumph

Page 129

by Swafford, Jan


  wars (1790s/early 1800s), [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>]

  See also specific individuals

  Franklin, Benjamin, [>], [>], [>]

  Franz II, Holy Roman Emperor

  France/war and, [>], [>], [>], [>], [>]–[>]

  reign, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]

  Frederick the Great, King of Prussia, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Frederick William II, King of Prussia, [>], [>], [>]

  Freemasons

  banning, [>]

  Beethoven and, [>], [>], [>]

  as elite, [>]

  Enlightenment ideals and, [>], [>], [>]

  members/membership, [>], [>]

  Schiller’s “Ode to Joy,” [>]

  society description/agenda, [>]–[>]

  Freymüthige (journal), [>], [>], [>]

  Friedrich Wilhelm II/III, kings of Prussia, [>], [>], [>]

  Fries, Count, [>], [>]

  fugue

  overview, [>]–[>]

  sections/components, [>]–[>]

  types, [>]–[>]

  funeral of Beethoven. See death of Beethoven

  Für Elise (Beethoven), [>], [>]

  Fux, Johann Joseph, [>]–[>], [>]

  Galeazzi, Francesco, [>]–[>]

  Galitzin, Nicolai, Prince, [>], [>], [>]

  Galitzin Quartets (Beethoven)

  B-flat Major/alternative finale for, [>], [>]–[>], [>], [>]–[>]

  description, [>]–[>], [>]

  Grosse Fuge, [>], [>]–[>], [>], [>], [>], [>]–[>]

  payment and, [>]–[>]

  Gelinek, Joseph, Abbé, [>]–[>]

  Gellert, Christian Fürchetegott, [>], [>], [>]

  General Musical Magazine. See Allgemeine Musikalische Zeitung (AMZ/General Musical Magazine)

  genius

  definitions/descriptions, [>]–[>], [>]

  use of term, [>]

  Genzinger, Marianne von, [>]

  Germany

  “benevolent despots” and, [>], [>]

  government and, [>]–[>], [>]

  social songs, [>]

  Gesellschaft der Musikfreunde, Vienna, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Gewandhaus (Leipzig) concerts, [>], [>]

  Ghost Trio (Beethoven), [>], [>], [>], [>]. See also Piano Trios, op. [>] (Beethoven)

  Giannatasio, Cajetan/family, [>]–[>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>], [>]–[>], [>]

  Giannatasio, Fanny

  Beethoven and, [>]–[>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]

  illness, [>]

  Gleichenstein, Ignaz von, Baron, [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]

  Gluck, [>], [>], [>], [>], [>], [>], [>]

  Goethe, Johann Wolfgang von

  Beethoven and, [>]–[>], [>], [>], [>]–[>], [>], [>]

  Freemasons and, [>]

  influence/significance, [>], [>], [>], [>], [>], [>]

  meeting Beethoven, [>]–[>]

  wife’s conflict with Bettina, [>]–[>]

  work/views of, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>]

  See also Egmont music (Beethoven)

  “Good, the True, and the Beautiful, the,” [>], [>], [>], [>]

  Gossec, F. J., [>], [>], [>]

  Graf, Conrad/piano, [>], [>], [>]

  Griesinger, George August, [>], [>], [>]

  Grillparzer, Franz, [>], [>], [>]–[>], [>]–[>], [>], [>], [>]–[>]

  Grosse Fuge (Beethoven), [>], [>]–[>], [>], [>], [>], [>]–[>]

  Grossmann, Gustav F. W.

  background, [>], [>], [>], [>]

  Illuminati, [>]

  leaving Bonn, [>]

  Neefe and, [>], [>], [>], [>]

  recommendations for teachers, [>], [>], [>]

  Grossmann-Hellmuth Company, [>]

  Guarneri instruments, [>], [>]

  Guicciardi, Julie, [>]–[>], [>]–[>], [>], [>], [>]–[>]

  Guicciardi, Susanna, Countess, [>], [>]–[>], [>]

  Hammerklavier Sonata (Beethoven)

  Beethoven’s deafness and, [>]

  publications and, [>]

  writing/description, [>]–[>], [>], [>]

  Handel

  death, [>]

  music/significance, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]

  Hansmann, Father, [>]–[>]

  Harp Quartet (Beethoven), [>]–[>], [>], [>], [>]

  harpsichord vs. clavichord, [>]

  Härtel, Gottfried, [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]

  See also Breitkopf & Härtel

  Haslinger, Tobias/publisher, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Hauschka, Vincenz, [>]–[>], [>]

  Haydn, Joseph

  Beethoven and, [>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>], [>]

  Beethoven on studying with, [>], [>]

  Beethoven studying with/relationship, [>]–[>], [>], [>]–[>], [>]–[>]

  Beethoven’s C Minor Trio and, [>]–[>], [>]

  Bonn visits, [>]–[>], [>]–[>]

  correspondence with Max Franz, [>]–[>]

  Creation, The, [>], [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]

  decline, [>]–[>], [>], [>]–[>], [>]

  description/as teacher, [>]–[>]

  England trip (1794–1795), [>]–[>], [>], [>]

  Freemasons and, [>], [>], [>], [>]

  Marx on, [>], [>]

  mistresses/Genzinger and, [>]

  Mozart and, [>], [>], [>], [>]

  musical form and, [>], [>], [>]

  Seasons, The, [>], [>], [>], [>], [>]–[>]

  status, [>], [>]–[>], [>], [>], [>], [>]

  works/views of, [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>]

  See also specific works

  hearing loss. See Beethoven, Ludwig van, and health/hearing problems

  Heiligenstadt Testament/letter

  background/text, [>]–[>]

  fate of, [>]

  Heine, Heinrich, [>], [>]

  Hiller, Ferdinand, [>], [>]

  Hiller, J. A., [>], [>]

  Himmel, Friedrich Heinrich, [>], [>]

  Hoffmann, E. T. A.

  background/views, [>], [>], [>]

  Beethoven/reviews and, [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>]

  writings, [>]–[>], [>], [>]–[>], [>], [>]

  Hoffmeister, Franz Anton, [>]–[>], [>]–[>], [>], [>], [>]–[>]

  Holy Roman Empire

  Archbishop Electors and, [>], [>], [>]

  “Austria” (1700s), [>]

  description (1700s), [>]–[>], [>]

  emperor selection, [>], [>]–[>]

  emperor’s residence, [>]

  end of, [>]–[>]

  “Germany” (1700s), [>]

  government/rule and, [>]–[>]

  Habsburgs and, [>]

  Rhine and, [>]

  Holz, Karl

  alcohol/Beethoven and, [>], [>], [>]

  background/music, [>]–[>], [>]–[>]

  Beethoven and, [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]

  on Mozart/Beethoven music, [>]

  horse of Beethoven, [>]

  Hugo, Victor, [>]

  Hume, David, [>]

  Hummel, Johann Nepomuk, [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]

  Illuminati

  Beethoven and, [>], [>], [>], [>]

  beginnings, [>], [>]

  Bonn
lodge, [>]–[>], [>]–[>], [>]

  collapse/banning, [>]

  description, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Freemasons and, [>], [>]

  “Immortal Beloved,” [>], [>]–[>], [>], [>], [>]

  industrial revolution beginnings, [>]

  Intelligenzblatt (newspaper), [>], [>], [>]

  Jan Sobieski, King of Poland, [>]

  Jefferson, Thomas, [>], [>]

  Jesuits

  education and, [>]

  pope’s dissolution of (1773), [>]

  revival after dissolution, [>]

  John Broadwood & Sons gift to Beethoven, [>]–[>], [>], [>], [>]

  Joseph II, Holy Roman Emperor

  death, [>]

  decrees/reign, [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]

  description, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Enlightenment, [>], [>], [>]

  Joseph II, Holy Roman Emperor (cont.)

  Freemasons and, [>]

  memorial/cantata and, [>]–[>]

  relatives, [>], [>], [>]–[>]

  Josephstadt Theatre opening (1822), [>]–[>]

  Junker, Karl Ludwig, [>], [>]

  Kanne, Friedrich August, [>], [>]–[>]

  Kant, Immanuel

  influence/significance, [>], [>], [>]

  as professor, [>]–[>], [>]

  University of Bonn and, [>]

  works/views of, [>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]

  Kapellmeister offer to Beethoven (in Cassel), [>], [>]–[>], [>], [>]

  Keglevics, Babette, [>]–[>]

  Keverich, Maria Magdalene, [>], [>]–[>]. See also Beethoven, Maria van (Keverich)

  keys

  emotional resonance and, [>], [>]–[>]

  temperament and, [>]–[>]

  tuning and, [>]–[>], [>]

  Kielmansegge, Countess von, commission offer, [>]–[>]

  King Stephan music (Beethoven), [>], [>]

  Kinsky, Caroline, Princess, [>]

  Kinsky, Ferdinand, Prince, [>], [>], [>], [>], [>], [>], [>]

  Klein, Franz, [>]–[>], [>]

  Klinger, Friedrich Maximilian, [>]

  Klöber, August von, [>]–[>]

  Klopstock, Friedrich Gottlieb, [>], [>], [>], [>]–[>]

  Knight’s Ballet (Beethoven), [>]–[>]

  Koch family/Zehrgarten, [>], [>], [>], [>], [>]–[>], [>]

  Koch, Willibald, Friar, [>]

  Körner, Christian Gottfried, [>], [>]

  Kotzebue, August, [>], [>], [>]

  Kraft, Nikolaus, [>], [>], [>]

  Kreutzer, Rodolphe, [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]

  Kreutzer Sonata (Beethoven), [>]–[>], [>], [>], [>], [>], [>], [>], [>]

  Krumpholz, Wenzel, [>], [>]–[>], [>], [>], [>], [>]–[>]

  Kügelgen brothers, painters, [>], [>]

  Kuhlau, Friedrich, [>]–[>]

  lead poisoning possibilities, [>], [>], [>]

  Lebewohl, Das/“The Farewell” (Beethoven), [>], [>], [>], [>]–[>]

  Leipzig and Enlightenment, [>]–[>]

  Leonore (Beethoven). See Fidelio (Beethoven)

  Leopold II, Holy Roman Emperor, [>], [>], [>], [>]

  Les adieux. See Lebewohl, Das/“Farewell, The” (Beethoven)

  Lesegesellschafts/reading societies, [>], [>], [>], [>], [>]

  Lessing, Gottfried Ephraim, [>], [>], [>]–[>]

  Leym, Johann Georg, [>]–[>]

  Leym, Maria Magdalene, [>], [>], [>]. See also Beethoven, Maria van (Keverich)

  Lichnowsky, Karl, Prince

  background/description, [>], [>]–[>], [>]

  Beethoven and, [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>]

  illness/death, [>], [>], [>]

  practical joke/consequences, [>]–[>]

  quarrel with Beethoven/consequences, [>]–[>], [>], [>]–[>], [>], [>]

  string instruments gift to Beethoven, [>]

  trip with Beethoven, [>]

  Lichnowsky, Maria Christine, Princess

  background, [>]–[>]

  Beethoven and, [>]–[>], [>], [>], [>], [>], [>], [>]–[>]

  Lichnowsky, Moritz

  background, [>]

  Beethoven and, [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]

  life mask/bust of Beethoven (Klein), [>]–[>], [>]

  Lind, Jenny, [>]

  Linke, Joseph, [>], [>], [>], [>]–[>]

  Liszt, Franz, [>], [>]

  “living machines” craze, [>]–[>]

  See also Maelzel, Johann Nepomuk

  Lobkowitz, Prince

  background/description, [>], [>]–[>], [>]

  Beethoven and, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]

  Concerts for Enthusiasts and, [>]–[>]

  financial problems of, [>], [>]

  Lobkowitz quartets (Beethoven), [>], [>], [>], [>]–[>]

  Lorenz, Canon, [>]

  Louis XVI, King of France, [>], [>], [>], [>], [>], [>]

  Louis XVIII, King of France, [>], [>]

  Luchesi, Andrea, Kapellmeister, [>], [>], [>], [>]

  “Ludwig” spelling variations, [>]

  Maelzel, Johann Nepomuk, [>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>]

  stealing Beethoven’s music/unauthorized performances, [>]–[>]

  Magazin der Musik, [>], [>]

  Mähler, Willibrord Joseph, [>]–[>]

  Malfatti, Johann, [>]–[>], [>], [>], [>], [>], [>]

  Malfatti, Therese/family and Beethoven, [>]–[>], [>], [>]–[>], [>], [>], [>]

  Maria Theresa, Empress, [>], [>], [>]

  Marie Antoinette, [>], [>], [>], [>], [>]

  Marseillaise, La, [>], [>], [>], [>], [>]

  Marx, Adolph Bernard

  Beethoven’s response to, [>]

  elevating Beethoven and music, [>]–[>]

  “sonata form” and, [>], [>], [>]–[>]

  Masons. See Freemasons

  Mass in C (Beethoven/Esterházy commissioned), [>], [>]–[>], [>], [>], [>]

  Mastiaux, J. G. von, [>]

  Matthisson, Friedrich von, [>], [>], [>], [>], [>]

  Maximilian Franz

  austerity and, [>]

  Beethoven and, [>], [>], [>], [>], [>], [>]–[>], [>]

  Bonn spa, [>]–[>]

  as coadjutor of the Electorate of Bonn, [>]–[>]

  death, [>]

  description, [>]–[>]

  as Elector of Bonn, [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>]–[>], [>]

  Enlightenment and, [>], [>], [>]–[>], [>]

  family of, [>], [>], [>]

  Joseph II and, [>], [>], [>], [>]

  Kapelle/music and, [>], [>], [>]–[>], [>]–[>]

  Mozart and, [>]–[>]

  war/departures from Bonn and, [>], [>], [>], [>], [>]–[>]

  Maximilian Friedrich, Archbishop Elector of Cologne

  Belderbusch and, [>]–[>], [>], [>]

  death, [>]

  description/character, [>]

  Electoral Sonatas (Beethoven) and, [>], [>]

  government style/Enlightenment, [>]–[>], [>]

  mistress of, [>]

  music and, [>]

  Neefe and, [>]

  rebuilding residence following fire (1777), [>]

  successor, [>]–[>]

  Méhul, E. N., [>], [>], [>]

  Meinertzhagen family, [>]

  Mendelssohn, Felix, [>], [>], [>]

  Mergentheim trip, [>]–[>]

  Messiah (Handel), [>], [>], [>], [>], [>], [>], [>]

  metronome (Maelzel), [>], [>], [>]

  Metternich, Clemens von

  background, [>]

  Napoleon and, [>], [>], [>], [>]

  regime of, [>], [>], [>],
[>], [>], [>], [>], [>], [>], [>], [>]

  Metternich family, [>]–[>]

  Meyer, Friedrich, [>], [>]–[>], [>]

  Meyerbeer, Giacomo, [>], [>]

  Milder, Anna, [>], [>], [>], [>], [>]

  Minorite order, [>]–[>]

  minuet-scherzo, [>]

  Missa solemnis (Beethoven)

  Agnus Dei, [>]–[>]

  background/Beethoven’s views of, [>]–[>]

  begging Beethoven for Vienna premiere, [>]–[>]

 

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