The Complete H.P. Lovecraft Collection (Xist Classics)

by H. P. Lovecraft

  Many years ago, when the hillside villa was new and resplendent, there dwelt within it the two sculptors Kalos and Musides. From Lydia to Neapolis the beauty of their work was praised, and none dared say that the one excelled the other in skill. The Hermes of Kalos stood in a marble shrine in Corinth, and the Pallas of Musides surmounted a pillar in Athens, near the Parthenon. All men paid homage to Kalos and Musides, and marvelled that no shadow of artistic jealousy cooled the warmth of their brotherly friendship.

  But though Kalos and Musides dwelt in unbroken harmony, their natures were not alike. Whilst Musides revelled by night amidst the urban gaieties of Tegea, Kalos would remain at home; stealing away from the sight of his slaves into the cool recesses of the olive grove. There he would meditate upon the visions that filled his mind, and there devise the forms of beauty which later became immortal in breathing marble. Idle folk, indeed, said that Kalos conversed with the spirits of the grove, and that his statues were but images of the fauns and dryads he met there—for he patterned his work after no living model.

  So famous were Kalos and Musides, that none wondered when the Tyrant of Syracuse sent to them deputies to speak of the costly statue of Tyché which he had planned for his city. Of great size and cunning workmanship must the statue be, for it was to form a wonder of nations and a goal of travellers. Exalted beyond thought would be he whose work should gain acceptance, and for this honour Kalos and Musides were invited to compete. Their brotherly love was well known, and the crafty Tyrant surmised that each, instead of concealing his work from the other, would offer aid and advice; this charity producing two images of unheard-of beauty, the lovelier of which would eclipse even the dreams of poets.

  With joy the sculptors hailed the Tyrant’s offer, so that in the days that followed their slaves heard the ceaseless blows of chisels. Not from each other did Kalos and Musides conceal their work, but the sight was for them alone. Saving theirs, no eyes beheld the two divine figures released by skilful blows from the rough blocks that had imprisoned them since the world began.

  At night, as of yore, Musides sought the banquet halls of Tegea whilst Kalos wandered alone in the olive grove. But as time passed, men observed a want of gaiety in the once sparkling Musides. It was strange, they said amongst themselves, that depression should thus seize one with so great a chance to win art’s loftiest reward. Many months passed, yet in the sour face of Musides came nothing of the sharp expectancy which the situation should arouse.

  Then one day Musides spoke of the illness of Kalos, after which none marvelled again at his sadness, since the sculptors’ attachment was known to be deep and sacred. Subsequently many went to visit Kalos, and indeed noticed the pallor of his face; but there was about him a happy serenity which made his glance more magical than the glance of Musides—who was clearly distracted with anxiety, and who pushed aside all the slaves in his eagerness to feed and wait upon his friend with his own hands. Hidden behind heavy curtains stood the two unfinished figures of Tyché, little touched of late by the sick man and his faithful attendant.

  As Kalos grew inexplicably weaker and weaker despite the ministrations of puzzled physicians and of his assiduous friend, he desired to be carried often to the grove which he so loved. There he would ask to be left alone, as if wishing to speak with unseen things. Musides ever granted his requests, though his eyes filled with visible tears at the thought that Kalos should care more for the fauns and the dryads than for him. At last the end drew near, and Kalos discoursed of things beyond this life. Musides, weeping, promised him a sepulchre more lovely than the tomb of Mausolus; but Kalos bade him speak no more of marble glories. Only one wish now haunted the mind of the dying man; that twigs from certain olive trees in the grove be buried by his resting-place—close to his head. And one night, sitting alone in the darkness of the olive grove, Kalos died.

  Beautiful beyond words was the marble sepulchre which stricken Musides carved for his beloved friend. None but Kalos himself could have fashioned such bas-reliefs, wherein were displayed all the splendours of Elysium. Nor did Musides fail to bury close to Kalos’ head the olive twigs from the grove.

  As the first violence of Musides’ grief gave place to resignation, he laboured with diligence upon his figure of Tyché. All honour was now his, since the Tyrant of Syracuse would have the work of none save him or Kalos. His task proved a vent for his emotion, and he toiled more steadily each day, shunning the gaieties he once had relished. Meanwhile his evenings were spent beside the tomb of his friend, where a young olive tree had sprung up near the sleeper’s head. So swift was the growth of this tree, and so strange was its form, that all who beheld it exclaimed in surprise; and Musides seemed at once fascinated and repelled.

  Three years after the death of Kalos, Musides despatched a messenger to the Tyrant, and it was whispered in the agora at Tegea that the mighty statue was finished. By this time the tree by the tomb had attained amazing proportions, exceeding all other trees of its kind, and sending out a singularly heavy branch above the apartment in which Musides laboured. As many visitors came to view the prodigious tree, as to admire the art of the sculptor, so that Musides was seldom alone. But he did not mind his multitude of guests; indeed, he seemed to dread being alone now that his absorbing work was done. The bleak mountain wind, sighing through the olive grove and the tomb-tree, had an uncanny way of forming vaguely articulate sounds.

  The sky was dark on the evening that the Tyrant’s emissaries came to Tegea. It was definitely known that they had come to bear away the great image of Tyché and bring eternal honour to Musides, so their reception by the proxenoi was of great warmth. As the night wore on, a violent storm of wind broke over the crest of Maenalus, and the men from far Syracuse were glad that they rested snugly in the town. They talked of their illustrious Tyrant, and of the splendour of his capital; and exulted in the glory of the statue which Musides had wrought for him. And then the men of Tegea spoke of the goodness of Musides, and of his heavy grief for his friend; and how not even the coming laurels of art could console him in the absence of Kalos, who might have worn those laurels instead. Of the tree which grew by the tomb, near the head of Kalos, they also spoke. The wind shrieked more horribly, and both the Syracusans and the Arcadians prayed to Aiolos.

  In the sunshine of the morning the proxenoi led the Tyrant’s messengers up the slope to the abode of the sculptor, but the night-wind had done strange things. Slaves’ cries ascended from a scene of desolation, and no more amidst the olive grove rose the gleaming colonnades of that vast hall wherein Musides had dreamed and toiled. Lone and shaken mourned the humble courts and the lower walls, for upon the sumptuous greater peristyle had fallen squarely the heavy overhanging bough of the strange new tree, reducing the stately poem in marble with odd completeness to a mound of unsightly ruins. Strangers and Tegeans stood aghast, looking from the wreckage to the great, sinister tree whose aspect was so weirdly human and whose roots reached so queerly into the sculptured sepulchre of Kalos. And their fear and dismay increased when they searched the fallen apartment; for of the gentle Musides, and of the marvellously fashioned image of Tyché, no trace could be discovered. Amidst such stupendous ruin only chaos dwelt, and the representatives of two cities left disappointed; Syracusans that they had no statue to bear home, Tegeans that they had no artist to crown. However, the Syracusans obtained after a while a very splendid statue in Athens, and the Tegeans consoled themselves by erecting in the agora a marble temple commemorating the gifts, virtues, and brotherly piety of Musides.

  But the olive grove still stands, as does the tree growing out of the tomb of Kalos, and the old bee-keeper told me that sometimes the boughs whisper to one another in the night-wind, saying over and over again, “Οἶδα! Οἶδα!—I know! I know!”

  The Tree on the Hill

  I.

  Southeast of Hampden, near the tortuous Salmon River gorge, is a range of steep, rocky hills which have defied all efforts of sturdy homesteaders. The canyons are too deep a
nd the slopes too precipitous to encourage anything save seasonal livestock grazing. The last time I visited Hampden the region—known as Hell’s Acres—was part of the Blue Mountain Forest Reserve. There are no roads linking this inaccessible locality with the outside world, and the hillfolk will tell you that it is indeed a spot transplanted from his Satanic Majesty’s front yard. There is a local superstition that the area is haunted—but by what or by whom no one seems to know. Natives will not venture within its mysterious depths, for they believe the stories handed down to them by the Nez Perce Indians, who have shunned the region for untold generations, because, according to them, it is a playground of certain giant devils from the Outside. These suggestive tales made me very curious.

  My first excursion—and my last, thank God!—into those hills occurred while Constantine Theunis and I were living in Hampden the summer of 1938. He was writing a treatise on Egyptian mythology, and I found myself alone much of the time, despite the fact that we shared a modest cabin on Beacon Street, within sight of the infamous Pirate House, built by Exer Jones over sixty years ago.

  The morning of June 23rd found me walking in those oddly shaped hills, which had, since seven o’clock, seemed very ordinary indeed. I must have been about seven miles south of Hampden before I noticed anything unusual. I was climbing a grassy ridge overlooking a particularly deep canyon, when I came upon an area totally devoid of the usual bunch-grass and greaseweed. It extended southward, over numerous hills and valleys. At first I thought the spot had been burned over the previous fall, but upon examining the turf, I found no signs of a blaze. The nearby slopes and ravines looked terribly scarred and seared, as if some gigantic torch had blasted them, wiping away all vegetation. And yet there was no evidence of fire. . . .

  I moved on over rich, black soil in which no grass flourished. As I headed for the approximate center of this desolate area, I began to notice a strange silence. There were no larks, no rabbits, and even the insects seemed to have deserted the place. I gained the summit of a lofty knoll and tried to guess at the size of that bleak, inexplicable region. Then I saw the lone tree.

  It stood on a hill somewhat higher than its companions, and attracted the eye because it was so utterly unexpected. I had seen no trees for miles: thorn and hackberry bushes clustered the shallower ravines, but there had been no mature trees. Strange to find one standing on the crest of the hill.

  I crossed two steep canyons before I came to it; and a surprise awaited me. It was not a pine tree, nor a fir tree, nor a hackberry tree. I had never, in all my life, seen one to compare with it—and I never have to this day, for which I am eternally thankful!

  More than anything it resembled an oak. It had a huge, twisted trunk, fully a yard in diameter, and the large limbs began spreading outward scarcely seven feet from the ground. The leaves were round, and curiously alike in size and design. It might have been a tree painted on a canvas, but I will swear that it was real. I shall always know that it was real, despite what Theunis said later.

  I recall that I glanced at the sun and judged the time to be about ten o’clock a.m., although I did not look at my watch. The day was becoming warm, and I sat for a while in the welcome shade of the huge tree. Then I regarded the rank grass that flourished beneath it—another singular phenomenon when I remembered the bleak terrain through which I had passed. A wild maze of hills, ravines, and bluffs hemmed me in on all sides, although the rise on which I sat was rather higher than any other within miles. I looked far to the east—and I jumped to my feet, startled and amazed. Shimmering through a blue haze of distance were the Bitterroot Mountains! There is no other range of snow-capped peaks within three hundred miles of Hampden; and I knew—at this altitude—that I shouldn’t be seeing them at all. For several minutes I gazed at the marvel; then I became drowsy. I lay in the rank grass, beneath the tree. I unstrapped my camera, took off my hat, and relaxed, staring skyward through the green leaves. I closed my eyes.

  Then a curious phenomenon began to assail me—a vague, cloudy sort of vision—glimpsing or day-dreaming seemingly without relevance to anything familiar. I thought I saw a great temple by a sea of ooze, where three suns gleamed in a pale red sky. The vast tomb, or temple, was an anomalous color—a nameless blue-violet shade. Large beasts flew in the cloudy sky, and I seemed to hear the pounding of their scaly wings. I went nearer the stone temple, and a huge doorway loomed in front of me. Within that portal were swirling shadows that seemed to dart and leer and try to snatch me inside that awful darkness. I thought I saw three flaming eyes in the shifting void of a doorway, and I screamed with mortal fear. In that noisome depth, I knew, lurked utter destruction—a living hell even worse than death. I screamed again. The vision faded.

  I saw the round leaves and the sane earthly sky. I struggled to rise. I was trembling; cold perspiration beaded my brow. I had a mad impulse to flee; run insanely from that sinister tree on the hill—but I checked the absurd intuition and sat down, trying to collect my senses. Never had I dreamed anything so realistic; so horrifying. What had caused the vision? I had been reading several of Theunis’ tomes on ancient Egypt. . . . I mopped my forehead, and decided that it was time for lunch. But I did not feel like eating.

  Then I had an inspiration. I would take a few snapshots of the tree, for Theunis. They might shock him out of his habitual air of unconcern. Perhaps I would tell him about the dream. . . . Opening my camera, I took half a dozen shots of the tree, and every aspect of the landscape as seen from the tree. Also, I included one of the gleaming, snow-crested peaks. I might want to return, and these photos would help. . . .

  Folding the camera, I returned to my cushion of soft grass. Had that spot beneath the tree a certain alien enchantment? I know that I was reluctant to leave it. . . .

  I gazed upward at the curious round leaves. I closed my eyes. A breeze stirred the branches, and their whispered music lulled me into tranquil oblivion. And suddenly I saw again the pale red sky and the three suns. The land of three shadows! Again the great temple came into view. I seemed to be floating on the air—a disembodied spirit exploring the wonders of a mad, multi-dimensional world! The temple’s oddly angled cornices frightened me, and I knew that this place was one that no man on earth had ever seen in his wildest dreams.

  Again the vast doorway yawned before me; and I was sucked within that black, writhing cloud. I seemed to be staring at space unlimited. I saw a void beyond my vocabulary to describe; a dark, bottomless gulf teeming with nameless shapes and entities—things of madness and delirium, as tenuous as a mist from Shamballah.

  My soul shrank. I was terribly afraid. I screamed and screamed, and felt that I would soon go mad. Then in my dream I ran and ran in a fever of utter terror, but I did not know what I was running from. . . . I left that hideous temple and that hellish void, yet I knew I must, barring some miracle, return. . . .

  At last my eyes flew open. I was not beneath the tree. I was sprawled on a rocky slope, my clothing torn and disordered. My hands were bleeding. I stood up, pain stabbing through me. I recognized the spot—the ridge where I had first seen the blasted area! I must have walked miles—unconscious! The tree was not in sight, and I was glad. . . . Even the knees of my trousers were torn, as if I had crawled part of the way. . . .

  I glanced at the sun. Late afternoon! Where had I been? I snatched out my watch. It had stopped at 10:34. . . .

  II.

  “So you have the snapshots?” Theunis drawled. I met his gray eyes across the breakfast table. Three days had slipped by since my return from Hell’s Acres. I had told him about the dream beneath the tree, and he had laughed.

  “Yes,” I replied. “They came last night. Haven’t had a chance to open them yet. Give ’em a good, careful study—if they aren’t all failures. Perhaps you’ll change your mind.”

  Theunis smiled; sipped his coffee. I gave him the unopened envelope and he quickly broke the seal and withdrew the pictures. He glanced at the first one, and the smile faded from his leonine face. He
crushed out his cigarette.

  “My God, man! Look at this!”

  I seized the glossy rectangle. It was the first picture of the tree, taken at a distance of fifty feet or so. The cause of Theunis’ excitement escaped me. There it was, standing boldly on the hill, while below it grew the jungle of grass where I had lain. In the distance were my snow-capped mountains!

  “There you are,” I cried. “The proof of my story—”

  “Look at it!” Theunis snapped. “The shadows—there are three for every rock, bush, and tree!”

  “He was right. . . . Below the tree, spread in fanlike incongruity, lay three overlapping shadows. Suddenly I realized that the picture held an abnormal and inconsistent element. The leaves on the thing were too lush for the work of sane nature, while the trunk was bulged and knotted in the most abhorrent shapes. Theunis dropped the picture on the table.

  “There is something wrong,” I muttered. “The tree I saw didn’t look as repulsive as that—”

  “Are you sure?” Theunis grated. “The fact is, you may have seen many things not recorded on this film.”

  “It shows more than I saw!”

  “That’s the point. There is something damnably out of place in this landscape; something I can’t understand. The tree seems to suggest a thought—beyond my grasp. . . . It is too misty; too uncertain; too unreal to be natural!” He rapped nervous fingers on the table. He snatched the remaining films and shuffled through them, rapidly.

  I reached for the snapshot he had dropped, and sensed a touch of bizarre uncertainty and strangeness as my eyes absorbed its every detail. The flowers and weeds pointed at varying angles, while some of the grass grew in the most bewildering fashion. The tree seemed too veiled and clouded to be readily distinguished, but I noted the huge limbs and the half-bent flower stems that were ready to fall over, yet did not fall. And the many, overlapping shadows. . . . They were, altogether, very disquieting shadows—too long or short when compared to the stems they fell below to give one a feeling of comfortable normality. The landscape hadn’t shocked me the day of my visit. . . . There was a dark familiarity and mocking suggestion in it; something tangible, yet distant as the stars beyond the galaxy.