Gaslit Nightmares
Page 17
‘Very,’ said the second.
‘Capital luck,’ said the first, with a wink to his companion.
‘Great,’ replied the second, with a slight nod of intelligence.
‘Another glass here; quick’ – said the first speaker. And in five minutes more, the father had unconsciously yielded up his own son into the hangman’s hands.
Slowly and heavily the time dragged along, as the brother and sister, in their miserable hiding – place, listened in anxious suspense to the slightest sound. At length, a heavy footstep was heard upon the stair; it approached nearer; it reached the landing; and the father staggered into the room.
The girl saw that he was intoxicated, and advanced with the candle in her hand to meet him; she stopped short, gave a loud scream, and fell senseless on the ground. She had caught sight of the shadow of a man, reflected on the floor. They both rushed in, and in another instant the young man was a prisoner, and handcuffed.
‘Very quietly done,’ said one of the men to his companion, ‘thanks to the old man. Lift up the girl, Tom – come, come, it’s no use crying, young woman. It’s all over now, and can’t be helped.’
The young man stooped for an instant over the girl, and then turned fiercely round upon his father, who had reeled against the wall, and was gazing on the group with drunken stupidity.
‘Listen to me, father,’ he said, in a tone that made the drunkard’s flesh creep. ‘My brother’s blood, and mine, is on your head: I never had kind look, or word, or care, from you, and alive or dead, I never will forgive you. Die when you will, or how, I will be with you. I speak as a dead man now, and I warn you, father, that as surely as you must one day stand before your Maker so surely shall your children be there, hand in hand, to cry for judgment against you.’ He raised his manacled hands in a threatening attitude, fixed his eyes on his shrinking parent, and slowly left the room; and neither father nor sister ever beheld him more, on this side of the grave.
When the dim and misty light of a winter’s morning penetrated into the narrow court, and struggled through the begrimed window of the wretched room, Warden awoke from his heavy sleep, and found himself alone. He rose, and looked round him; the old flock mattress on the floor was undisturbed; every thing was just as he remembered to have seen it last; and there were no signs of any one, save himself, having occupied the room during the night. He inquired of the other lodgers, and of the neighbours; but his daughter had not been seen or heard of. He rambled through the streets, and scrutinized each wretched face among the crowds that thronged them, with anxious eyes. But his search was fruitless, and he returned to his garret when night came on, desolate and weary.
For many days he occupied himself in the same manner, but no trace of his daughter did he meet with, and no word of her reached his ears. At length he gave up the pursuit as hopeless. He had long thought of the probability of her leaving him, arid endeavouring to gain her bread in quiet, elsewhere. She had left him at last to starve alone. He ground his teeth, and cursed her!
He begged his bread from door to door. Every halfpenny he could wring from the pity or credulity of those to whom he addressed himself, was spent in the old way. A year passed over his head; the roof of a jail was the only one that had sheltered him for many months. He slept under archways, and in brickfields – any where, where there was some warmth or shelter from the cold and rain. But in the last stage of poverty, disease, and houseless want, he was a drunkard still.
At last, one bitter night, he sank down on a door-step faint and ill. The premature decay of vice and profligacy had worn him to the bone. His cheeks were hollow and livid; his eyes were sunken, and their sight was dim. His legs trembled beneath his weight, and a cold shiver ran through every limb.
And now the long-forgotten scenes of a misspent life crowded thick and fast upon him. He thought of the time when he had a home – a happy, cheerful home – and of those who peopled it, and flocked about him then, until the forms of his elder children seemed to rise from the grave, and stand about him – so plain, so clear, and so distinct they were that he could touch and feel them. Looks that he had long forgotten were fixed upon him once more; voices long since hushed in death sounded in his ears like the music of village bells. But it was only for an instant. The rain beat heavily upon him; and cold and hunger were gnawing at his heart again.
He rose, and dragged his feeble limbs a few paces further. The street was silent and empty; the few passengers who passed by, at that late hour, hurried quickly on, and his tremulous voice was lost in the violence of the storm. Again that heavy chill struck through his frame, and his blood seem to stagnate beneath it. He coiled himself up in a projecting doorway, and tried to sleep.
But sleep had fled from his dull and glazed eyes. His mind wandered strangely, but he was awake, and conscious. The well-known shout of drunken mirth sounded in his ear, the glass was at his lips, the board was covered with choice rich food – they were all before him: he could see them all, he had but to reach out his hand, and take them – and, though the illusion was reality itself, he knew that he was sitting alone in the deserted street, watching the rain-drops as they pattered on the stones; that death was coming upon him by inches – and that there were none to care for or help him.
Suddenly, he started up, in the extremity of terror. He had heard his own voice shouting in the night air, he knew not what, or why. Hark! A groan! – another! His senses were leaving him: half-formed and incoherent words burst from his lips; and his hands sought to tear and lacerate his flesh. He was going mad, and he shrieked for help till his voice failed him.
He raised his head, and looked up the long dismal street. He recollected that outcasts like himself, condemned to wander day and night in those dreadful streets, had sometimes gone distracted with their own loneliness. He remembered to have heard many years before that a homeless wretch had once been found in a solitary corner, sharpening a rusty knife to plunge into his own heart, preferring death to that endless, weary, wandering to and fro. In an instant his resolve was taken, his limbs received new life; he ran quickly from the spot, and paused not for breath until he reached the river-side.
He crept softly down the steep stone stairs that lead from the commencement of Waterloo Bridge, down to the water’s level. He crouched into a corner, and held his breath, as the patrol passed. Never did prisoner’s heart throb with the hope of liberty and life half so eagerly as did that of the wretched man at the prospect of death. The watch passed close to him, but he remained unobserved; and after waiting till the sound of footsteps had died away in the distance, he cautiously descended, and stood beneath the gloomy arch that forms the landing-place from the river.
The tide was in, and the water flowed at his feet. The rain had ceased, the wind was lulled, and all was, for the moment, still and quiet – so quiet that the slightest sound on the opposite bank, even the rippling of the water against the barges that were moored there, was distinctly audible to his ear. The stream stole languidly and sluggishly on. Strange and fantastic forms rose to the surface, and beckoned him to approach; dark gleaming eyes peered from the water, and seemed to mock his hesitation, while hollow murmurs from behind, urged him onwards. He retreated a few paces, took a short run, desperate leap, and plunged into the river.
Not five seconds had passed when he rose to the water’s surface – but what a change had taken place in that short time, in all his thoughts and feelings! Life – life – in any form, poverty, misery, starvation – anything but death. He fought and struggled with the water that closed over his head, and screamed in agonies of terror. The curse of his own son rang in his ears. The shore – but one foot of dry ground – he could almost touch the step. One hand’s breadth nearer, and he was saved – but the tide bore him onward, under the dark arches of the bridge, and he sank to the bottom.
Again he rose, and struggled for life. For one instant – for one brief instant – the buildings on the river’s banks, the lights on the bridge through which the curre
nt had borne him, the black water, and the fast flying clouds, were distinctly visible – once more he sank, and once again he rose. Bright flames of fire shot up from earth to heaven, and reeled before his eyes, while the water thundered in his ears, and stunned him with its furious roar.
A week afterwards the body was washed ashore, some miles down the river, a swollen and disfigured mass. Unrecognised and unpitied, it was borne to the grave; and there it has long since mouldered away!
Luella Miller
MARY E. WILKINS-FREEMAN
Holding a place as she does in the leading ranks of American regional authors, Mary Eleanor Wilkins-Freeman has gained lasting recognition more for her New England stories than her tales of the supernatural. Born in Massachusetts in 1852, she started her writing career with poetry but, while employed as secretary to the novelist Oliver Wendell Holmes, she fell under the influence of the fiction market and started writing novels and short stories herself. Before her death in 1930, she produced a dozen novels and over two hundred short stories. Several volumes of her tales are worth finding, among them SILENCE (1898), CINNAMON ROSES (1901), THE POT OF GOLD (1892) and the late volume A FAR AWAY MELODY (1922). Her best ghost stories were all in THE WIND IN THE ROSE BUSH (1903), from which comes ‘Luella Miller’. This is a vampire story but of a kind you won’t have read before. Forget about the blood and the stakes; Luella Miller’s vampirism was of another kind altogether but no less deadly, and no less scary.
Close to the village street stood the one-storey house in which Luella Miller, who had an evil name in the village, had dwelt. She had been dead for years, yet there were those in the village who, in spite of the clearer light which comes on a vantage-point from a long-past danger, half believed in the tale which they had heard from their childhood. In their hearts, although they scarcely would have owned it, was a survival of the wild horror and frenzied fear of their ancestors who had dwelt in the same age with Luella Miller. Young people even would stare with a shudder at the old house as they passed, and children never played around it as was their wont around an untenanted building. Not a window in the old Miller house was broken: the panes reflected the morning sunlight in patches of emerald and blue, and the latch of the sagging front door was never lifted, although no bolt secured it. Since Luella Miller had been carried out of it, the house had had no tenant except one friendless old soul who had no choice between that and the far-off shelter of the open sky. This old woman, who had survived her kindred and friends, lived in the house one week, then one morning no smoke came out of the chimney, and a body of neighbours, a score strong, entered and found her dead in her bed. There were dark whispers as to the cause of her death, and there were those who testified to an expression of fear so exalted that it showed forth the state of the departing soul upon the dead face. The old woman had been hale and hearty when she entered the house, and in seven days she was dead; it seemed that she had fallen a victim to some uncanny power. The minister talked in the pulpit with covert severity against the sin of superstition; still the belief prevailed. Not a soul in the village but would have chosen the almshouse rather than that dwelling. No vagrant, if he heard the tale, would seek shelter beneath that old roof, unhallowed by nearly half a century of superstitious fear.
There was only one person in the village who had actually known Luella Miller. That person was a woman well over eighty, but a marvel of vitality and unextinct youth. Straight as an arrow, ‘with the spring of one recently let loose from the bow of life, she moved about the streets, and she always went to church, rain or shine. She had never married, and had lived alone for years in a house across the road from Luella Miller’s.
This woman had none of the garrulousness of age, but never in all her life had she ever held her tongue for any will save her own, and she never spared the truth when she essayed to present it. She it was who bore testimony to the life, evil, though possibly wittingly or designedly so, of Luella Miller, and to her personal appearance. When this old woman spoke – and she had the gift of description, although her thoughts were clothed in the rude vernacular of her native village – one could seem to see Luella Miller as she had really looked. According to this woman, Lydia Anderson by name, Luella Miller had been a beauty of a type rather unusual in New England. She had been a slight, pliant sort of creature, as ready with a strong yielding to fate and as unbreakable as a willow. She had glimmering lengths of straight, fair hair, which she wore softly looped round a long, lovely face. She had blue eyes full of soft pleading, little slender, clinging hands, and a wonderful grace of motion and attitude.
‘Luella Miller used to sit in a way nobody else could if they sat up and studied a week of Sundays,’ said Lydia Anderson, ‘and it was a sight to see her walk. If one of them willows over there on the edge of the brook could start up and get its roots free of the ground, and move off, it would go just the way Luella Miller used to. She had a green shot silk she used to wear, too, and a hat with green ribbon streamers, and a lace veil blowing across her face and out sideways, and a green ribbon flyin’ from her waist. That was what she came out bride in when she married Erastus Miller. Her name before she was married was Hill. There was always a sight of‘l’s’ in her name, married or single. Erastus Miller was good lookin’, too, better lookin’ than Luella. Sometimes I used to think that Luella wa‘n’t so handsome after all. Erastus just about worshipped her. I used to know him pretty well. He lived next door to me, and we went to school together. Folks used to say he was waitin’ on me, but he wa‘n’t. I never thought he was except once or twice when he said things that some girls might have suspected meant somethin’. That was before Luella came here to teach the district school. It was funny how she came to get it, for folks said she hadn’t any education, and that one of the big girls, Lottie Henderson, used to do all the teachin’ for her, while she sat back and did embroidery work on a cambric pocket-handkerchief. Lottie Henderson was a real smart girl, a splendid scholar, and she just set her eyes by Luella, as all the girls did. Lottie would have made a real smart woman, but she died when Luella had been here about a year – just faded away and died: nobody knew what ailed her. She dragged herself to that schoolhouse and helped Luella teach till the very last minute. The committee all knew how Luella didn’t do much of the work herself, but they winked at it. It wa’n’t long after Lottie died that Erastus married her. I always thought he hurried it up because she wa‘n’t fit to teach. One of the big boys used to help her after Lottie died, but he hadn’t much government, and the school didn’t do very well, and Luella might have had to give it up, for the committee couldn’t have shut their eyes to things much longer. The boy that helped her was a real honest, innocent sort of fellow, and he was a good scholar, too. Folks said he overstudied, and that was the reason he was took crazy the year after Luella married, but I don’t know. And I don’t know what made Erastus Miller go into consumption of the blood the year after he was married: consumption wa’n’t in his family. He just grew weaker and weaker, and went almost bent double when he tried to wait on Luella, and he spoke feeble, like an old man. He worked terrible hard till the last trying to save up a little to leave Luella. I’ve seen him out in the worst storms on a wood-sled – he used to cut and sell wood – and he was hunched up on top lookin’ more dead than alive. Once I couldn’t stand it: I went over and helped him pitch some wood on the cart – I was always strong in my arms. I wouldn’t stop for all he told me to, and I guess he was glad enough for the help. That was only a week before he died. He fell on the kitchen floor while he was gettin’ breakfast. He always got the breakfast and let Luella lay abed. He did all the sweepin’ and the washin’ and the ironin’ and most of the cookin’. He couldn’t bear to have Luella lift her finger, and she let him do for her. She lived like a queen for all the work she did. She didn’t even do her sewin’. She said it made her shoulder ache to sew, and poor Erastus’s sister Lily used to do all her sewin’. She said it made her shoulder ache to sew, and poor Erastus’s sister Lily used to
do all her sewin’. She wa’n’t able to, either; she was never strong in her back, but she did it beautifully. She had to, to suit Luella, she was so dreadful particular. I never saw anythin’ like the fagottin’ and hemstitchin’ that Lily Miller did for Luella. She made all Luella’s weddin’ outfit, and that green silk dress, after Maria Babbit cut it. Maria she cut it for nothin’, and she did a lot more cuttin’ and fittin’ for nothin’ for Luella, too. Lily Miller went to live with Luella after Erastus died. She gave up her home, though she was real attached to it and wa‘n’t a mite afraid to stay alone. She rented it and she went to live with Luella right away after the funeral.’
Then this old woman, Lydia Anderson, who remembered Luella Miller, would go on to relate the story of Lily Miller. It seemed that on the removal of Lily Miller to the house of her dead brother, to live with his widow, the village people first began to talk. This Lily Miller had been hardly past her first youth, and a most robust and blooming woman, rosy-cheeked, with curls of strong, black hair overshadowing round, candid temples and bright dark eyes. It was not six months after she had taken up her residence with her sister-in-law that her rosy colour faded and her pretty curves became wan hollows. White shadows began to show in the black rings of her hair, and the light died out of her eyes, her features sharpened, and there were pathetic lines at her mouth, which yet wore always an expression of utter sweetness and even happiness. She was devoted to her sister; there was no doubt that she loved her with her whole heart, and was perfectly content in her service. It was her sole anxiety lest she should die and leave her alone.
‘The way Lily Miller used to talk about Luella was enough to make you mad and enough to make you cry,’ said Lydia Anderson. ‘I’ve been in there sometimes toward the last when she was too feeble to cook and carried her some blanc-mange or custard – somethin’ I thought she might relish, and she’d thank me, and when I asked her how she was, say she felt better than she did yesterday, and asked me if I didn’t think she looked better, dreadful pitiful, and say poor Luella had an awful time takin’ care of her and doin’ the work – she wa‘n’t strong enough to do anythin’ – when all the time Luella wa‘n’t liftin’ her finger and poor Lily didn’t get any care except what the neighbours gave her, and Luella eat up everythin’ that was carried in for Lily. I had it real straight that she did. Luella used to just sit and cry and do nothin’. She did act real fond of Lily, and she pined away considerable, too. There was those that thought she’d go into a decline herself. But after Lily died, her Aunt Abby Mixter came, and then Luella picked up and grew as fat and rosy as ever. But poor Aunt Abby begun to droop just the way Lily had, and I guess somebody wrote to her married daughter, Mrs. Sam Abbot, who lived in Barre, for she wrote her mother that she must leave right away and come and make her a visit, but Aunt Abby wouldn’t go. I can see her now. She was a real good-lookin’ woman, tall and large, with a big, square face and a high forehead that looked of itself kind of benevolent and good. She just tended out on Luella as if she had been a baby, and when her married daughter sent for her she wouldn’t stir one inch. She’d always thought a lot of her daughter, too, but she said Luella needed her and her married daughter didn’t. Her daughter kept writin’ and writin’, but it didn’t do any good. Finally she came, and when she saw how bad her mother looked, she broke down and cried and all but went on her knees to have her come away. She spoke her mind out to Luella, too. She told her that she’d killed her husband and everybody that had anythin’ to do with her, and she’d thank her to leave her mother alone. Luella went into hysterics, and Aunt Abby was so frightened that she called me after her daughter went. Mrs. Sam Abbot she went away fairly cryin’ out loud in the buggy, the neighbours heard her, and well she might, for she never saw her mother again alive. I went in that night when Aunt Abby called for me, standin’ in the door with her little green-checked shawl over her head. I can see her now. “Do come over here, Miss Anderson,” she sang out, kind of gasping for breath. I didn’t stop for anythin’. I put over as fast as I could, and when I got there, there was Luella laughin’ and cryin’ all together, and Aunt Abby trying to hush her, and all the time she herself was white as a sheet and shakin’ so she could hardly stand. “For the land sakes, Mrs. Mixter,” says I, “you look worse than she does. You ain’t fit to be up out of your bed.”