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Robert Ludlum - Aquatain Progression.txt

Page 72

by The Aquitaine Progression [lit]


  him from coming to us."

  "You couldn't. It was the gesture he had to make.

  Put some business where the son is. Very touching."

  "With an unnecessary will that you much too

  generously charged him only two hundred dollars for,

  and some crazy disposition of his war medals to

  three differentnshtutions for which you refused to

  bill him on patriotic grounds?"

  "We were in the same theater of operations."

  "Where?"

  "Europe."

  "Come on, Nate. He's my father and I love him

  but I also know he's off the wall. Take him out of a

  vintage prop and he's not sure where he is. Pan Am

  got their money's worth, not in any administrative

  sense, but because he was a pistol at conventions."

  Nathan Simon had gripped his glass that late

  afternoon at "21," and when he spoke, the quiet

  thunder of a deeply troubled man poured forth.

  "You have respect for your father do you hear me,

  Joel? My friend Roger offered a gesture to his son,

  for it was all he had, all he could imagine. I had a

  great deal more and I didn't know how to make such

  gestures. I only gave commands.... He said I could

  still do it. I'm going to take up flying."

  Simon would help him only if he was convinced

  there was substance to his case. But he would legally

  lean over backwards in the negative if he thought a

  relationship or personal sentimentality was being

  used to manipulate him. Of course, if an indictment

  followed, he would rush in for the defense after the

  fact. That was professional; those were his ethics.

  And by now Valerie would have sent him the

  envelope with the dossiers and their awesome

  implications. They were the substance Simon

  required. Knowing Val, she would have sent them

  down by car, the great American postal service

  having

  460 ROBERT LUDLUM

  given rise to a score of competitors who eschewed

  the taxpayer's dollar. Joel's d' cisionwas made. Since

  there was a five-hour time difference, he would wait

  until early evening and then call Nathan Simon. He

  was functioning again.

  The tram came to the last stop before its return

  run. At least he was the only one left on board; he

  walked up the aisle, got off and saw another. He got

  on. Sanctuary.

  A hundred streets and a dozen crisscrossed

  canals later, he looked out the window, encouraged

  by the seedy neighborhood he saw, washed clean on

  the surface but with the promise of far more

  interesting bacteria below. There was a row of

  pornography shops, their wares in magnified displays

  in the storefronts. Above, in open windows, garishly

  painted girls stood provocatively, brassieres slipped

  on and off lethargically, faces bored but pelvises

  churning. The crowds in the streets were animated,

  some curious, some feigning shock, others interested

  in buying. There was a carnival atmosphere, one

  into which he could melt, thought Converse, as he

  got out of his seat and went to the door.

  He wandered aro~md the streets, astonished,

  even embarrassed, as he always was when sex was

  paraded so publicly. He enjoyed sexual encounters

  and never lacked for them, but for him the privacy

  of the acts was intrinsic to their fulfillment. He

  could no more walk through one of those neon-lit

  doors up-to-heaven than he could have performed

  a bowel movement on the curb.

  There was a cafe across the street; it was above

  a canal, tables on the sidewalk, dark within. What

  struck him was the crowd that hovered around the

  doorway, many people simply glancing in and going

  on, drawn briefly to some curious oddity inside.

  Regardless, it was the crowd that attracted him;

  there was anonymity in numbers. He crossed the

  thoroughfare, weaved his way through the crowd

  and went inside. Sleep might be out of the question,

  but he needed food. He had not eaten a real meal

  in nearly three days. He found a small empty table

  in the back of the room, and was stunned that a

  television set, clamped above on the wall, was

  blaring inanities. He could not understand. There

  was no television in the Netherlands during the

  afternoons" How many times had he heard

  colleagues and friends remark that one of the most

  civilised aspects of traveling in Holland was the

  absence of the idiot box until seven o'clock in the

  evening? Conversely, there were those sports

  enthusiasts who bemoaned the fact that cer

  THE AQUITAINE PROGRESSION 461

  tain events were not shown, but on the whole the

  verdict came down in favor of Dutch civility and

  restraint. Yet here was a television set in full

  operation. It undoubtedly accounted for those

  curious passersby on the street who glanced inside,

  shaking their heads in bewilderment as they went on

  their way.

  Then Joel saw the folded card on the table, the

  announcement in four languages, English first.

  In accord with the advances in teknology we are

  pleased to bring our patrons and visitors from

  outside

  the Netherlands recordings of our national pro

  grams.

  Video tapes! It was a come-on, an innovative ploy to

  lure customers; this was the district for it. And he

  understood why the English language was first: e

  pluribus unum. Let's not lose touch with the tube.

  At least the tapes were in Dutch; it helped, but not

  much.

  Straight whisky helped, too, but again not much.

  The anxiety of the hunted came back and he kept

  turning his head toward the entrance, at any moment

  expecting to see one of the foot soldiers of Aquitaine

  walk through the door, out of the sunlight and into

  the cave to find him. He went to the men's room at

  the rear of the cafe, removed his jacket, placed the

  gun with the silencer in the inside pocket, and tore

  his left sleeve. He filled one of the two basins with

  cold water, and then he plunged his face into it,

  pouring the water through his hair over the back of

  his neck. He felt a vibration, a sound! He whipped

  his head up, gasping, frightened, his hand

  insdncbvely reaching for his coat on a hook. A portly

  middle-aged man nodded and went to a urinal.

  Quickly Joel looked at the teeth marks on his arm;

  they were like a dog bite. He drained the sink,

  turned on the hot water faucet, and with a paper

  towel squeezed and blotted the painful area until

  blood emerged from the broken skin. It was the best

  he could do; he had done much the same thing a

  lifetime ago when attacking water rats swam through

  the bars of his bamboo cage. Then in another kind

  of panic, he had learned that rats could be

  frightened. And killed. The man at the urinal turned

  and went out the door, glancing uncomfortably at


  Converse.

  Joel layered a paper towel over the teeth marks,

  put on his coat and combed his hair. He opened the

  door and went

  462 ROBERT LUDLUM

  back to his table, once again annoyed by the blaring

  television on the wall.

  The menu, like the announcement about the

  television, was in four languages, the last Oriental,

  undoubtedly Japanese. He was tempted to go for

  the largest, rarest piece of meat he could find, but

  here his pilot's control dictated otherwise. He'd had

  no solid sleep in days oddly enough since his

  imprisonment at I eifhelm's compound, where the

  sleep itself had been greatly induced by the huge

  quantities of very decent food, all part of the

  healing process for a deflecting pawn. A heavy meal

  would make him drowsy, and one did not By a jet

  going six hundred miles an hour in that condition.

  At the moment his air speed was approaching Mach

  I. He ordered filet of sole and rice; he could always

  order twice. And one more whisky.

  The voice! Oh, Christ. The voice! He was

  hallucinating! He was going mad! He was hearing a

  voice an echo of a voice he could not possibly be

  hearing!

  ". . . Actually, I think it's a national disgrace, but

  like so many others, I speak only English."

  "Frau Converse "

  "Miss Fraulein I think that's

  right Charpentier, if you don't mmd.''

  "Dames en heron . . .'' a third voice broke in

  quietly, authoritatively, speaking Dutch.

  Converse gasped for the air he could not find,

  gripping his wrist, closing his eyes with such

  intensity that every muscle in his face was in pain,

  twisting his neck away from the source of the

  terrible, horrible hallucination.

  "I'm in Berlin on business I'm a consultant for

  a firm in New York '

  "Mevrouw Con verse, of juffronw Charpen tier,

  coals use . . . ~,

  Joel was now sure that he was mad, insane! He

  was hearing the impossible. Ilearing! He spun

  around and looked up. The television screen! It was

  Valerie! She was there!

  "Whatever you S.ly, Fraulein Charpentier, will

  be accurately translated, I can assure you."

  "Coals juJfrouw (>harpentier zoduist zei . . ." The

  third voice, the voice in Dutch.

  "I haven't seen my former husband in several

  years three or four, I'd say. Actually, we're

  strangers. I can only express the shock my whole

  country feels...."

  THE AQUITAINE PROGRESSION 463

  '7uffrouw Charpentier, de uroogere mevronw Con-

  ~erse . . . "

  ' . . . he was a deeply disturbed man, subject to

  extreme depressions, but I never imagined anything

  like this."

  "Hid most mentaal gestoord zidn . . ."

  "There's no connection between us, and I'm

  surprised you learned I was flying to Berlin. But I

  appreciate the chance to clear the air, as we say."

  "Mevrouw Converse gelooft . . . "

  "In spite of the dreadful circumstances over which,

  of ourse, I had no control, I'm delighted to be in

  your beautiful city. Half-city, I guess, but yours is the

  beautiful part. And I :lear the Bristol-Kempinski....

  I'm terribly sorry, that's what Ale call a 'plug' and I

  shouldn't. '

  "It is a landmark, Fraulein Charpentier. It is not

  verboten ver here. Do you feel at all threatened?"

  "Mevrouw Converse, vault u rich bedreigd?"

  "No, not really. We've had nothing to do with

  each other or so long."

  My God! Val had come over to find him! She

  was sending him a signal signals! She spoke every

  bit as fluent German Is the interviewer! They kept in

  touch every month; they had lunch together six

  weeks ago in Boston! Everything she was saying was

  a lie and in those lies was the code. Their coder

  Reach me!

  PART THREE

  27

  Joel was stunned, but he had to control his panic

  and try to isolate the words, the phrases. The

  message was in them! The Bristol-Kempinski was a

  hotel in West Berlin, he knew that. It was something

  else she had said, something that should trigger a

  memory one of their memories. What was it?

  I haven't seen my former husband in years.... No,

  only one of the lies. He was a deeply disturbed man....

  Less a lie, but not what she was trying to tell him.

  Actually, we're strangers.... There's no connection

  between us....Another lie, but with some truth in it....

  Stop it! What was it! ... Before, earlier.... I'm a

  consultant.... That was it! .

  "May I speak with Miss Charpenher, pleased My

  name is Mr. Whistletoe, Bruce Whistletoe. I'm the

  confidential consultant for Springtime antiperspirant

  for which your agency is doing some artwork, and it's

  urgent, most urgent!" Con molta forza.

  Val's secretary had been a talker, a marvelous

  spreader of in-house gossip, and whenever Joel and

  Valerie had wanted an extra hour for lunch or even

  a day, he would make such a phone call. It never

  failed. If a demanding vice-president (one of dozens)

  wanted to know where she was, the excitable

  secretary would tell of an urgent call from one of

  those outside watchdogs of a very large account. It

  was enough for any ulcer-prone executive, and

  Valerie's understated professionalism took care of

  the rest. She would say "things" were under control

  and rarely did a relieved account man pursue what

  might give him an acid attack.

  She was telling him to use the tactic in case the

  police were monitoring her calls. He would have

  done so in any event; she was simply reminding him,

  warning him.

  The interview was over, the last few minutes

  obviously a recap in Dutch, the camera frozen on a

  still frame of Vale

  467

  468 ROBERT LUDIUM

  rie's face. When had the tape been made? How

  long had she been in Berlin? t~oddamn it, why

  couldn't he understand anything unless it was

  spoken in English? When she lied about her

  inability to speak German, Val had said it was a

  national disgrace. She was right, but she might have

  gone further; it was a national disorder rooted in

  arrogance. He looked around the cafe for a

  telephone; there was one on the rear wall several

  feet from the door to the men's room, but he hadn't

  the vaguest idea of how to use it! His frustrations

  grew swirling into circles of panic. Suddenly he

  heard his name.

  ''De Amerikaanse moordenuar Converse is

  advocaut. Hid iseen ex-pilootuitl:te Vietnamese oorlog.

  Fen anderadvocant hen Fransman, en e.en friend van

  Converse. . ."

  Joel looked up at the screen bewildered, at once

  shocked then paralysed. There was a film clip, a

  hand-held camera entered an office door and

  focused on a body slumped over a desk, str
eams of

  blood spreading from the head like a hideous

  Medusa wig. Oh, Christ! It was Rene!

  As the recognition came an insert appeared on

  the upper left of the screen. It was a photograph of

  Mattilon then another photograph was suddenly

  inserted on the right. It was he, the

  moordenaarAmerikoans, JoeLConverse. The Dutch

  newscast had connected two events, the interview

  with Val and a death in France. Neither language

  nor diagrams were necessary. Rene had been killed

  and he had been named the killer. It answered the

  question; it was the reason Aquitaine had put out

  the word that an assassin was heading for Paris.

  He was a giver of death; it was his gift to new

  and old friends. Rene Mattilon, Edward Beale. . .

  Avery Fowler. And to enemies he did not know,

  could not evaluate, either as enemies or as

  individuals a man in a tan overcoat in a Paris cel-

  lar, a guard above a riverbank on the Rhine, a pilot

  on a train a memorably unmemorable face at the

  base of a landfill pyramid, a chauffeur moments

  later who had actually befriended him in a stone

  house with bars in the windows . . . an old woman

  who had played her role brilliantly in a raucous rail-

  way car. Death. He was either the distant observer

  or the execuboner, all in the unholy name of

  Aquitaine. He was back back in the camps and the

  jungles that he had sworn never to return to. He

  could only survive and hope that someone better

  than himself would provide the solutions. But at the

  moment, death was both his closest ally and his

  most hostile adversary. He wanted to collapse into

  nothingness let some

  THE AQUITAINE PROGRESSION 469

 

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