First Family kam-4

by David Baldacci

  "Okay," she said absently, staring out the windshield.

  "Have you seen Horatio lately?"

  Michelle's hand tightened around her cup of Starbucks coffee. "Why did you follow me down to his office?"

  "Because I knew what you were going to do."

  "Which is what exactly?"

  "Break in to try and find out what you told him when you were hypnotized."

  Michelle remained quiet.

  "Did you find out?"

  "It's pretty late to be going over to someone's house."

  "Michelle, I think we need to talk this-"

  "What you need to do, Sean, is not go there."

  Sean stared out at a night that seemed to be closing in on him.

  "You didn't answer my question," she said.

  "You didn't answer mine either," he said in an annoyed tone.

  "So about going over to their house this late?"

  "It's not my call."

  "I thought you were dropping off a birthday present?"

  "I bought the present after she phoned. I suddenly remembered it was her birthday today."

  "Why then?"

  "It might have to do with a job for us."

  "Your really nice family needs a private investigator?"

  "And she didn't want to wait."

  They turned off the winding country road and pulled into the long drive, passing trees on both sides.

  "Boondocks," muttered Michelle.

  "Private," Sean amended.

  The next instant the large house came into view.

  "Nice place," she said. "Your friend obviously does well."

  "Government contracting. The Feds apparently throw money at people."

  "Wow, what a surprise. But the house is dark. You sure you got the time right?"

  Sean eased the car to a stop in front.

  Michelle put down her coffee and pulled out her pistol from its belt holster. "That was a woman's scream."

  "Wait a minute. Don't go off half-cocked," he said, putting a restraining hand on her arm. The crashing sound from inside the house made him reach in the glove box for his own weapon. "Let's confirm before calling the cops."

  "You hit the back, I got the front," Michelle said.

  He climbed out and hustled to the rear of the brick colonial skittering next to the side-load garage and stopping for a few moments to scan the terrain before heading on. After doing her own recon of the area, Michelle was next to the front door a minute later.

  No more screams or crashes. No other vehicles in sight. She could call out, see if everything was okay. Only if it wasn't she might be giving some bad guys a warning. She tried the front door. Locked. Something made her pull her hand back, she wasn't quite sure what, only she was glad she had.

  The bullet blast ripped through the door, sending shards of painted wood spinning into the air. She could actually feel the slugs race past before they riddled Sean's car.

  She leapt off the front porch and did a roll, coming up and hitting full sprint two steps later. Her hand dug into her pocket and her fingers drilled 911 on the keypad. The dispatcher's voice came on. Michelle was about to speak when the garage door blew open and the pickup truck cut a tight turn and bore down on her. She turned, fired at the tires, then the windshield. Her phone flew out of her hand as she catapulted to the side and rolled down an embankment. She landed in a pile of leaves and mud at the bottom of a runoff ditch. She sat forward and looked up.

  And fired.

  Her aim, as usual, was unerring. The bullet hit the man dead in the chest. There was only one problem. Her jacketed 9mm round didn't drop him. He staggered back, then brought his weapon up, took aim, and fired back.

  The only thing that saved Michelle Maxwell that night was that she deduced her attacker was wearing body armor, and then was nimble enough to roll behind a monster oak before the MP5 rounds headed her way. Dozens of slugs slammed into the tree, shredding its bark and sending pieces of oak tailings whipsawing away. Yet wood that thick always won out, even over submachine gun bullets coming in waves.

  She didn't pause, because it only took a practiced hand seconds to eject and then slap in another clip on the MP. She jumped out, both hands on her pistol grip. This time she would aim for the head and drop him for good.

  Only there was no one there for her to kill.

  Mr. MP5 had pinned her down, then fled.

  She cautiously made her way up the slope, her pistol pointed straight ahead. When she heard the truck start to race off she scrambled up, pulling at roots, branches, and vines. The pickup was out of sight by the time she reached the driveway. She hustled toward Sean's car thinking she would take up pursuit, but stopped when she saw steam rising from under the hood. Her gaze drifted to the bullet holes in the sheet metal. They weren't going anywhere.

  They?

  "Sean," she screamed. "Sean!"

  "In here!"

  She sprinted up the steps, kicked open what was left of the shattered front door, and barreled into the living room, her gun making precise grid arcs.

  Sean was kneeling on the floor, hovering over the woman. She was lying on her back. Arms and legs spread-eagled like she was frozen in a jumping jack. Her eyes were open but hard and flat because she was dead. The red hair touched her shoulders. It was easy to see what had killed the woman. Her throat had been shredded.

  "Who is she?"

  "Pam Dutton. The woman we were going to be meeting with."

  Michelle noticed the writing on the woman's bare arms. "What's that?"

  "I'm not sure. It's just a bunch of letters." He leaned closer. "Looks like they used a black Sharpie."

  "Is anybody else in the house?"

  "Let's find out."

  "Can't screw up the crime scene for the cops."

  He countered, "And we can't let someone die who we could otherwise save."

  It only took a few minutes. There were four bedrooms on the top floor, two on each side of the hall set catty-cornered from one another. There was a young girl in the first bedroom they reached. She was unconscious but with no apparent injuries. Her breathing was steady and her pulse weak but steady.

  "Colleen Dutton," said Sean.

  "Drugged?" Michelle said as she gazed down at the little girl.

  Sean lifted the girl's eyelid and noted the dilated pupil. "Looks to be."

  In the second bedroom lay a young boy in the same condition as the girl.

  "John Dutton," said Sean as he checked the child's pulse and pupil. "Drugged too."

  The third bedroom was empty. The last bedroom was the largest. It wasn't empty.

  The man was on the floor. He had on pants, a T-shirt, and was barefoot. One side of his face was swollen and badly bruised.

  "It's Tuck Dutton, Pam's husband." Sean checked his pulse. "Knocked out but his breathing's okay. Looks like he took quite a blow."

  "We really need to call the cops." Michelle grabbed the phone off the nightstand. "Dead. They must've messed with the outside box."

  "Use your cell phone."

  "I lost it when they tried to run me down."

  "When who tried to run you down?"

  "A driver and a guy with a submachine gun. Didn't you see anybody when you came in?"

  He shook his head. "I heard gunfire, then I came in the back door. Then another loud sound."

  "That was them crashing through the garage door. Looks like I had all the fun tonight."

  "Pam dead. Tuck knocked out. John and Colleen drugged."

  "You told me they had three kids."

  "They do. Willa's apparently gone. Her bedroom was the empty one."

  "In the truck? Kidnapping?"

  "Can't be sure. What'd you see?"

  "It was a Toyota Tundra, double cab, dark blue. Didn't see the plates because I was busy trying not to die. Driver and a shooter. Both guys. Oh, and there's at least one bullet hole in the windshield."

  "Did you see them well enough for an ID?"

  "No, but one of them was weari
ng some serious body armor, like military level. Took a jacketed round from my Sig with no problem. And he was wearing a black ski mask, which made an ID problematic."

  "And no sign of a twelve-year-old girl in the truck?"

  "Not that I saw. Probably drugged her too."

  Sean used his cell to call 911 and relay all the information. He slipped it back in his pocket and looked around.

  "What's that?"

  Michelle strode across the room to check out the piece of luggage that was sticking out of the closet. "Garment bag, half open." She bent lower. "It has a tag on it. United Airlines Flight 567 into Dulles with today's date on it." She used a washcloth snatched from the bathroom to cover her hand while she slid the zipper open a few inches and peered inside. "Men's clothes. Must be Tuck's."

  Sean looked down at the unconscious man's bare feet and his T-shirt. "He gets home, probably sees Pam, heads up here to drop his bag, starts to change, and wham."

  "Something is bugging me. That Tundra that came out of the garage. Either it belongs to the Duttons or the bad guys drove their own vehicle in there."

  "They might have done it so no one would see them put Willa in it."

  "In the boondocks? At this hour? You can't even see another house from here. I'm not even sure there is another house."

  "And why take Willa and not one of the other kids?"

  "And why would they kill the mom and leave everyone else alive?"

  Sean tried to rouse Tuck, but got no response.

  "Better leave him alone. He might have some internal injuries."

  They walked back downstairs and then Sean veered toward the kitchen and through it into the garage. There were three garage doors. In one bay was a late-model Mercedes four-door sedan. In another bay was a Chrysler minivan. The third bay was empty.

  Michelle pointed to the destroyed garage door. "Truck was parked in this space, obviously. Do you know if the Duttons owned a blue Tundra?"

  "No. But the odds are it was theirs."

  "Because the bay is clear?"

  "Right. Just about every garage is packed with all sorts of crap, sometimes even including a car. The fact that all the bays were clean meant they had three vehicles, otherwise the third bay would be used for storage."

  "Wow, you really are a detective."

  Sean put his hand on the hood of the Mercedes. "Warm."

  Michelle ran her finger over one of the car's tires. "Tread's wet. We had some rain this evening. Must be Tuck coming from the airport."

  They walked back to the living room and stared down at Pam Dutton. Sean used his elbow to flick on the light switch, pulled out his notepad, and copied down the letters on the woman's arm.

  Michelle bent lower and examined Pam's hands. "Looks like she's got some blood and skin under her nails. Most likely defensive trace."

  "Noticed that too. Hope they can trip something on a DNA database."

  Michelle said, "But shouldn't there be more blood?"

  Sean examined the body more closely. "You're right. The rug should be covered. Looks like they severed her carotid. She would've bled out pretty fast."

  Michelle saw it first, the plastic piece protruding out from under the dead woman's elbow. "Is that what I think it is?"

  Sean nodded. "It's an empty vial." He glanced over at his partner. "Did they take her blood with them?"

  CHAPTER 3

  TALBOT'S WAS HAVING A SALE. Diane Wohl had left work at four to take advantage. A new dress, a few blouses, maybe some slacks, a scarf. She'd just gotten a raise at work and wanted to put it to good use. There was nothing wrong with pampering yourself every once in a while. She parked her car in the shopping mall garage and walked about four hundred feet to the store. She left two hours later after trying on several outfits and buying two bags full of clothing, doing her patriotic duty to stimulate an otherwise lousy economy.

  She hopped in the car after tossing her bags in the passenger seat. She was hungry and was thinking about picking up some Chinese take-out on the way home. She had just put the key in the ignition when she felt the small circle of metal against her head. A strong odor made her forget about kung pao chicken with all white meat and egg drop soup. It was a mixture of gun oil and cigarettes.

  "Drive," the voice said quietly but firmly. "Or you're dead."

  She drove.

  An hour later the suburbs had disappeared. The only thing visible was lined asphalt, a harvest moon, and walls of trees. Not another car, not another person. Diane Wohl was completely alone with whatever monster was sitting in the back of her Honda.

  He spoke again. "Turn off here."

  Her gut tightened and stomach acid driven by fear heaved up her throat.

  The car bumped along the dirt road for a few minutes. The mass of trees seemed to swallow up the car.

  "Stop."

  Diane slid the gearshift lever to park. As she pulled her hand back the woman eyed her purse with a sideways glance. Her cell phone was in there. If she could somehow turn it on. Or her keys. She had a big wad of them. She could pull them; gouge him in the eyes like she'd seen on TV shows. Only she was so terrified she couldn't. Her entire body was trembling like she had Parkinson's.

  The monster of few words said, "Out."

  She didn't move. Her throat was crusted dry but she managed to say, "If you want my car and my money you can have them. Just please don't hurt me. Please."

  The monster was not persuaded. "Out." He wedged the gun muzzle against the back of her head. A piece of her hair caught against the bump of the gunsight and was pulled out root and all. Tears trickled down the woman's cheeks as she confronted the last few minutes of her life. It was like all the warnings had said:

  Know your surroundings. Be alert. It only takes a second.

  From Talbot's to death on a lonely strip of dirt.

  She opened the car door and started to slide out, her hand clutching her purse. She gasped and let go when the gloved fingers closed around her wrist.

  "You won't need that."

  She closed the door behind her.

  Her hopes sank when he joined her outside the car. She had been praying that he would merely climb over the front seat and take her Honda, instead of stealing her life.

  He was older, with thick, longish white hair that looked sweaty and dirty. And his face appeared carved from solid rock with rivulets running all over the surface. He was older, but he was also a big, tall man, well over two hundred pounds with broad shoulders and huge, veined hands. He towered over the petite Wohl. Even without the weapon she had no chance against him. His gun was pointed right at her head. The fact that he wasn't wearing a mask terrified her; she could clearly see his face.

  He doesn't care. Doesn't care if I know who he is. He's going to kill me. Rape and then kill me. And leave me out here. She started to sob.

  "Please don't do this," she said as he took a step forward and she took a step back, bracing for the attack.

  She never noticed the other man come up behind her. When he touched her shoulder, she shrieked and turned. He was smaller and wiry, his Hispanic features clearly defined. Yet she never saw this because he held up the canister and the dense mist hit her squarely in the face.

  Choking, Diane took a deep breath to clear her lungs. It didn't work; her senses quickly leaving her, she slumped in his arms. They put her in the back of a rental van parked nearby and drove off.

  CHAPTER 4

  THE LAW ENFORCEMENT ARMY was here in full, splendid force. Sean and Michelle watched from one corner of the pine needle-strewn yard as cops, techs, and suits swarmed over the stricken Dutton home like ants on a carcass. In certain important respects that analogy was exact.

  The ambulances had come and taken the living members of the Dutton family to the hospital. Mrs. Dutton was still inside enduring the swarm. The only doctor she would be seeing later was one who would cut her up even more than she was already.

  Sean and Michelle had been questioned three times by uniforms and then tie-and-j
acket homicide detectives. They methodically gave detailed answers and notebooks were filled up with their descriptions of the night's horrific events.

  Michelle's attention turned to two black sedans skidding into the driveway. When the men and women popped out she said to Sean, "Why's the FBI here?"

  "Didn't I mention? Tuck Dutton is the First Lady's brother."

  "The First Lady? As in Jane Cox, wife of President Cox?"

  Sean just gave her a look.

  "So that means her sister-in-law was murdered and her niece was kidnapped?"

  "You'll probably see the news trucks pull up any minute," he said. "And the answer would be, 'No comment.' "

  "So Pam Dutton wanted to hire us. Any idea why?"

  "No."

  They both watched as the Fibbies talked to the local detectives and then marched inside the house. Ten minutes later they came back out and headed toward Sean and Michelle.

  She said, "They don't look too happy about us being here."

  They weren't. It was clear after the first three minutes that the FBI agents were having a hard time believing that the two had been summoned by Pam Dutton but didn't know why.

  Sean said for the fourth time, "Like I said, I'm a friend of the family. She called me and said she wanted to meet. I have no idea why. That's why we were coming tonight. To find out."

  "At this hour?"

  "She set the time."

  "If you're so close to them maybe you have an idea who could have done this," one of them said. He was a medium-sized guy with a thin face, buffed shoulders, and an apparently permanent sour expression that made Michelle think he was either plagued by ulcers or had jumpy intestines.

  "If I had any idea I would've told the county suits when they asked me. Any sign of the truck? My partner here put a round through the windshield."

  "And why does your partner carry a gun?" Sour Face asked.

  Sean slowly reached in his pocket and pulled out his ID. Michelle did the same along with her concealed weapons permit.

  "Private detectives?" Sour Face managed to make it sound like "child molester" before handing the IDs back.

  "And former Secret Service," Michelle said. "Both of us."