Complete Works of Frank Norris

by Frank Norris

  Seized with the joyful curiosity of an overgrown boy, he pried off the boards with the corner of his fireshovel. The case was stuffed full of excelsior. On the top lay an envelope addressed to him in Trina’s handwriting. He opened it and read, “For my dear Mac’s birthday, from Trina;” and below, in a kind of post-script, “The man will be round to-morrow to put it in place.” McTeague tore away the excelsior. Suddenly he uttered an exclamation.

  It was the Tooth — the famous golden molar with its huge prongs — his sign, his ambition, the one unrealized dream of his life; and it was French gilt, too, not the cheap German gilt that was no good. Ah, what a dear little woman was this Trina, to keep so quiet, to remember his birthday!

  “Ain’t she — ain’t she just a — just a JEWEL,” exclaimed McTeague under his breath, “a JEWEL — yes, just a JEWEL; that’s the word.”

  Very carefully he removed the rest of the excelsior, and lifting the ponderous Tooth from its box, set it upon the marble-top centre table. How immense it looked in that little room! The thing was tremendous, overpowering — the tooth of a gigantic fossil, golden and dazzling. Beside it everything seemed dwarfed. Even McTeague himself, big boned and enormous as he was, shrank and dwindled in the presence of the monster. As for an instant he bore it in his hands, it was like a puny Gulliver struggling with the molar of some vast Brobdingnag.

  The dentist circled about that golden wonder, gasping with delight and stupefaction, touching it gingerly with his hands as if it were something sacred. At every moment his thought returned to Trina. No, never was there such a little woman as his — the very thing he wanted — how had she remembered? And the money, where had that come from? No one knew better than he how expensive were these signs; not another dentist on Polk Street could afford one. Where, then, had Trina found the money? It came out of her five thousand dollars, no doubt.

  But what a wonderful, beautiful tooth it was, to be sure, bright as a mirror, shining there in its coat of French gilt, as if with a light of its own! No danger of that tooth turning black with the weather, as did the cheap German gilt impostures. What would that other dentist, that poser, that rider of bicycles, that courser of greyhounds, say when he should see this marvellous molar run out from McTeague’s bay window like a flag of defiance? No doubt he would suffer veritable convulsions of envy; would be positively sick with jealousy. If McTeague could only see his face at the moment!

  For a whole hour the dentist sat there in his little “Parlor,” gazing ecstatically at his treasure, dazzled, supremely content. The whole room took on a different aspect because of it. The stone pug dog before the little stove reflected it in his protruding eyes; the canary woke and chittered feebly at this new gilt, so much brighter than the bars of its little prison. Lorenzo de’ Medici, in the steel engraving, sitting in the heart of his court, seemed to ogle the thing out of the corner of one eye, while the brilliant colors of the unused rifle manufacturer’s calendar seemed to fade and pale in the brilliance of this greater glory.

  At length, long after midnight, the dentist started to go to bed, undressing himself with his eyes still fixed on the great tooth. All at once he heard Marcus Schouler’s foot on the stairs; he started up with his fists clenched, but immediately dropped back upon the bed-lounge with a gesture of indifference.

  He was in no truculent state of mind now. He could not reinstate himself in that mood of wrath wherein he had left the corner grocery. The tooth had changed all that. What was Marcus Schouler’s hatred to him, who had Trina’s affection? What did he care about a broken pipe now that he had the tooth? Let him go. As Frenna said, he was not worth it. He heard Marcus come out into the hall, shouting aggrievedly to anyone within sound of his voice:

  “An’ now he breaks into my room — into my room, by damn! How do I know how many things he’s stolen? It’s come to stealing from me, now, has it?” He went into his room, banging his splintered door.

  McTeague looked upward at the ceiling, in the direction of the voice, muttering:

  “Ah, go to bed, you.”

  He went to bed himself, turning out the gas, but leaving the window-curtains up so that he could see the tooth the last thing before he went to sleep and the first thing as he arose in the morning.

  But he was restless during the night. Every now and then he was awakened by noises to which he had long since become accustomed. Now it was the cackling of the geese in the deserted market across the street; now it was the stoppage of the cable, the sudden silence coming almost like a shock; and now it was the infuriated barking of the dogs in the back yard — Alec, the Irish setter, and the collie that belonged to the branch post-office raging at each other through the fence, snarling their endless hatred into each other’s faces. As often as he woke, McTeague turned and looked for the tooth, with a sudden suspicion that he had only that moment dreamed the whole business. But he always found it — Trina’s gift, his birthday from his little woman — a huge, vague bulk, looming there through the half darkness in the centre of the room, shining dimly out as if with some mysterious light of its own.

  CHAPTER 9

  Trina and McTeague were married on the first day of June, in the photographer’s rooms that the dentist had rented. All through May the Sieppe household had been turned upside down. The little box of a house vibrated with excitement and confusion, for not only were the preparations for Trina’s marriage to be made, but also the preliminaries were to be arranged for the hegira of the entire Sieppe family.

  They were to move to the southern part of the State the day after Trina’s marriage, Mr. Sieppe having bought a third interest in an upholstering business in the suburbs of Los Angeles. It was possible that Marcus Schouler would go with them.

  Not Stanley penetrating for the first time into the Dark Continent, not Napoleon leading his army across the Alps, was more weighted with responsibility, more burdened with care, more overcome with the sense of the importance of his undertaking, than was Mr. Sieppe during this period of preparation. From dawn to dark, from dark to early dawn, he toiled and planned and fretted, organizing and reorganizing, projecting and devising. The trunks were lettered, A, B, and C, the packages and smaller bundles numbered. Each member of the family had his especial duty to perform, his particular bundles to oversee. Not a detail was forgotten — fares, prices, and tips were calculated to two places of decimals. Even the amount of food that it would be necessary to carry for the black greyhound was determined. Mrs. Sieppe was to look after the lunch, “der gomisariat.” Mr. Sieppe would assume charge of the checks, the money, the tickets, and, of course, general supervision. The twins would be under the command of Owgooste, who, in turn, would report for orders to his father.

  Day in and day out these minutiae were rehearsed. The children were drilled in their parts with a military exactitude; obedience and punctuality became cardinal virtues. The vast importance of the undertaking was insisted upon with scrupulous iteration. It was a manoeuvre, an army changing its base of operations, a veritable tribal migration.

  On the other hand, Trina’s little room was the centre around which revolved another and different order of things. The dressmaker came and went, congratulatory visitors invaded the little front parlor, the chatter of unfamiliar voices resounded from the front steps; bonnet-boxes and yards of dress-goods littered the beds and chairs; wrapping paper, tissue paper, and bits of string strewed the floor; a pair of white satin slippers stood on a corner of the toilet table; lengths of white veiling, like a snow-flurry, buried the little work-table; and a mislaid box of artificial orange blossoms was finally discovered behind the bureau.

  The two systems of operation often clashed and tangled. Mrs. Sieppe was found by her harassed husband helping Trina with the waist of her gown when she should have been slicing cold chicken in the kitchen. Mr. Sieppe packed his frock coat, which he would have to wear at the wedding, at the very bottom of “Trunk C.” The minister, who called to offer his congratulations and to make arrangements, was mistaken for the expr
essman.

  McTeague came and went furtively, dizzied and made uneasy by all this bustle. He got in the way; he trod upon and tore breadths of silk; he tried to help carry the packing-boxes, and broke the hall gas fixture; he came in upon Trina and the dress-maker at an ill-timed moment, and retiring precipitately, overturned the piles of pictures stacked in the hall.

  There was an incessant going and coming at every moment of the day, a great calling up and down stairs, a shouting from room to room, an opening and shutting of doors, and an intermittent sound of hammering from the laundry, where Mr. Sieppe in his shirt sleeves labored among the packing-boxes. The twins clattered about on the carpetless floors of the denuded rooms. Owgooste was smacked from hour to hour, and wept upon the front stairs; the dressmaker called over the banisters for a hot flatiron; expressmen tramped up and down the stairway. Mrs. Sieppe stopped in the preparation of the lunches to call “Hoop, Hoop” to the greyhound, throwing lumps of coal. The dog-wheel creaked, the front door bell rang, delivery wagons rumbled away, windows rattled — the little house was in a positive uproar.

  Almost every day of the week now Trina was obliged to run over to town and meet McTeague. No more philandering over their lunch now-a-days. It was business now. They haunted the house-furnishing floors of the great department houses, inspecting and pricing ranges, hardware, china, and the like. They rented the photographer’s rooms furnished, and fortunately only the kitchen and dining-room utensils had to be bought.

  The money for this as well as for her trousseau came out of Trina’s five thousand dollars. For it had been finally decided that two hundred dollars of this amount should be devoted to the establishment of the new household. Now that Trina had made her great winning, Mr. Sieppe no longer saw the necessity of dowering her further, especially when he considered the enormous expense to which he would be put by the voyage of his own family.

  It had been a dreadful wrench for Trina to break in upon her precious five thousand. She clung to this sum with a tenacity that was surprising; it had become for her a thing miraculous, a god-from-the-machine, suddenly descending upon the stage of her humble little life; she regarded it as something almost sacred and inviolable. Never, never should a penny of it be spent. Before she could be induced to part with two hundred dollars of it, more than one scene had been enacted between her and her parents.

  Did Trina pay for the golden tooth out of this two hundred? Later on, the dentist often asked her about it, but Trina invariably laughed in his face, declaring that it was her secret. McTeague never found out.

  One day during this period McTeague told Trina about his affair with Marcus. Instantly she was aroused.

  “He threw his knife at you! The coward! He wouldn’t of dared stand up to you like a man. Oh, Mac, suppose he HAD hit you?”

  “Came within an inch of my head,” put in McTeague, proudly.

  “Think of it!” she gasped; “and he wanted part of my money. Well, I do like his cheek; part of my five thousand! Why, it’s mine, every single penny of it. Marcus hasn’t the least bit of right to it. It’s mine, mine. — I mean, it’s ours, Mac, dear.”

  The elder Sieppes, however, made excuses for Marcus. He had probably been drinking a good deal and didn’t know what he was about. He had a dreadful temper, anyhow. Maybe he only wanted to scare McTeague.

  The week before the marriage the two men were reconciled. Mrs. Sieppe brought them together in the front parlor of the B Street house.

  “Now, you two fellers, don’t be dot foolish. Schake hands und maig ut oop, soh.”

  Marcus muttered an apology. McTeague, miserably embarrassed, rolled his eyes about the room, murmuring, “That’s all right — that’s all right — that’s all right.”

  However, when it was proposed that Marcus should be McTeague’s best man, he flashed out again with renewed violence. Ah, no! ah, NO! He’d make up with the dentist now that he was going away, but he’d be damned — yes, he would — before he’d be his best man. That was rubbing it in. Let him get Old Grannis.

  “I’m friends with um all right,” vociferated Marcus, “but I’ll not stand up with um. I’ll not be ANYBODY’S best man, I won’t.”

  The wedding was to be very quiet; Trina preferred it that way. McTeague would invite only Miss Baker and Heise the harness-maker. The Sieppes sent cards to Selina, who was counted on to furnish the music; to Marcus, of course; and to Uncle Oelbermann.

  At last the great day, the first of June, arrived. The Sieppes had packed their last box and had strapped the last trunk. Trina’s two trunks had already been sent to her new home — the remodelled photographer’s rooms. The B Street house was deserted; the whole family came over to the city on the last day of May and stopped over night at one of the cheap downtown hotels. Trina would be married the following evening, and immediately after the wedding supper the Sieppes would leave for the South.

  McTeague spent the day in a fever of agitation, frightened out of his wits each time that Old Grannis left his elbow.

  Old Grannis was delighted beyond measure at the prospect of acting the part of best man in the ceremony. This wedding in which he was to figure filled his mind with vague ideas and half-formed thoughts. He found himself continually wondering what Miss Baker would think of it. During all that day he was in a reflective mood.

  “Marriage is a — a noble institution, is it not, Doctor?” he observed to McTeague. “The — the foundation of society. It is not good that man should be alone. No, no,” he added, pensively, “it is not good.”

  “Huh? Yes, yes,” McTeague answered, his eyes in the air, hardly hearing him. “Do you think the rooms are all right? Let’s go in and look at them again.”

  They went down the hall to where the new rooms were situated, and the dentist inspected them for the twentieth time.

  The rooms were three in number — first, the sitting-room, which was also the dining-room; then the bedroom, and back of this the tiny kitchen.

  The sitting-room was particularly charming. Clean matting covered the floor, and two or three bright colored rugs were scattered here and there. The backs of the chairs were hung with knitted worsted tidies, very gay. The bay window should have been occupied by Trina’s sewing machine, but this had been moved to the other side of the room to give place to a little black walnut table with spiral legs, before which the pair were to be married. In one corner stood the parlor melodeon, a family possession of the Sieppes, but given now to Trina as one of her parents’ wedding presents. Three pictures hung upon the walls. Two were companion pieces. One of these represented a little boy wearing huge spectacles and trying to smoke an enormous pipe. This was called “I’m Grandpa,” the title being printed in large black letters; the companion picture was entitled “I’m Grandma,” a little girl in cap and “specs,” wearing mitts, and knitting. These pictures were hung on either side of the mantelpiece. The other picture was quite an affair, very large and striking. It was a colored lithograph of two little golden-haired girls in their nightgowns. They were kneeling down and saying their prayers; their eyes — very large and very blue — rolled upward. This picture had for name, “Faith,” and was bordered with a red plush mat and a frame of imitation beaten brass.

  A door hung with chenille portieres — a bargain at two dollars and a half — admitted one to the bedroom. The bedroom could boast a carpet, three-ply ingrain, the design being bunches of red and green flowers in yellow baskets on a white ground. The wall-paper was admirable — hundreds and hundreds of tiny Japanese mandarins, all identically alike, helping hundreds of almond-eyed ladies into hundreds of impossible junks, while hundreds of bamboo palms overshadowed the pair, and hundreds of long-legged storks trailed contemptuously away from the scene. This room was prolific in pictures. Most of them were framed colored prints from Christmas editions of the London “Graphic” and “Illustrated News,” the subject of each picture inevitably involving very alert fox terriers and very pretty moon-faced little girls.

  Back of the bedroom wa
s the kitchen, a creation of Trina’s, a dream of a kitchen, with its range, its porcelain-lined sink, its copper boiler, and its overpowering array of flashing tinware. Everything was new; everything was complete.

  Maria Macapa and a waiter from one of the restaurants in the street were to prepare the wedding supper here. Maria had already put in an appearance. The fire was crackling in the new stove, that smoked badly; a smell of cooking was in the air. She drove McTeague and Old Grannis from the room with great gestures of her bare arms.

  This kitchen was the only one of the three rooms they had been obliged to furnish throughout. Most of the sitting-room and bedroom furniture went with the suite; a few pieces they had bought; the remainder Trina had brought over from the B Street house.

  The presents had been set out on the extension table in the sitting-room. Besides the parlor melodeon, Trina’s parents had given her an ice-water set, and a carving knife and fork with elk-horn handles. Selina had painted a view of the Golden Gate upon a polished slice of redwood that answered the purposes of a paper weight. Marcus Schouler — after impressing upon Trina that his gift was to HER, and not to McTeague — had sent a chatelaine watch of German silver; Uncle Oelbermann’s present, however, had been awaited with a good deal of curiosity. What would he send? He was very rich; in a sense Trina was his protege. A couple of days before that upon which the wedding was to take place, two boxes arrived with his card. Trina and McTeague, assisted by Old Grannis, had opened them. The first was a box of all sorts of toys.

  “But what — what — I don’t make it out,” McTeague had exclaimed. “Why should he send us toys? We have no need of toys.” Scarlet to her hair, Trina dropped into a chair and laughed till she cried behind her handkerchief.

  “We’ve no use of toys,” muttered McTeague, looking at her in perplexity. Old Grannis smiled discreetly, raising a tremulous hand to his chin.

  The other box was heavy, bound with withes at the edges, the letters and stamps burnt in.