Midnight Guardians mf-6

by Jonathon King

“I was startin’ to think maybe I ought to put a FOR SALE sign on your canoe there,” he said, subtle humor in his voice.

  I smiled at the trust it showed. Old Florida country folks do not grant that trust easily to outsiders, and it had taken me some time to earn it from Dan. A few years ago when I was new to the river, I’d brought a tragedy with me. The longtime and locally beloved ranger had been killed by a criminal drawn to this place in part by me. I wasn’t complicit in his death, but I wasn’t blameless, either. And even though I would eventually get retribution for the loss of their friend, the locals did not forget easily.

  “I hope you would have split the asking price with me, Dan,” I said while I unloaded. We shared the joke with complimentary smiles.

  Dan was doing one of those “looky here” strolls around the polished Gran Fury and was about to utter some whooo-eee utterances when Luz Carmen stepped out of the passenger-side door. The ranger quickly took his hat off and said, “Ma’am.”

  I introduced the two and told Dan that Ms. Carmen would be staying out in the shack for a few days “for some peace and quiet.” He nodded and grabbed one of the grocery bags and followed me to the stand of palmetto trees where I stored my canoe.

  “Well, you’ll surely get that, ma’am. We do have quiet in abundance out here.”

  I winced at the language. It always amazed me how so-called country folk can find sophisticated articulation when they want to. Dan’s predecessor, the Old Florida cracker who’d been killed, used this homey technique to his advantage, acting unworldly as a cover while he intensely studied and read everyone he met. I doubted that Dan’s intention was the same, but he’d learned from a master. He knew Sherry, knew we were a couple; the presence of an attractive Latin woman suddenly on the scene would have intrigued him.

  Luz did not respond to his comment, and only stepped closer to me.

  Dan helped me flip my canoe, and while I wiped away some accumulated webs and their weavers-a couple of golden silk spiders that scrambled away into the brush-he went to fetch my paddles, which they kept in the ranger station when I was away. I dragged the sixteen-foot canoe down to the edge of the river and then started packing in the fresh water, canned goods, a couple of bags of ice, and some fresh vegetables and odd perishables from the grocery. Included was a twelve-pack of Rolling Rock in bottles that I never traveled to the shack without.

  Dan returned with my wood-carved paddles and the chemical toilet I ferried to and from the shack, as well. It was originally designed for a sailboat, and worked fine in the backcountry. Because of the pristine nature of this river and its designation as a National Wild and Scenic River, restrictions on pollutants were tight. My adherence to the rules was one of the things that kept the state from tossing me out of the shack, which Billy owned, and which had been grandfathered in when they’d turned the area into a state park.

  While I’d been packing, Luz had twisted her long dark hair into a rope and secured it with some band from her pocket.

  “Have you ever been in a canoe?” I asked, and she held out her hand, motioning me to give her one of the paddles.

  “I have been many times in a dugout on the rivers of my native Bolivia, Mr. Freeman,” she said. “I will be fine.”

  I simply nodded and watched her carefully step into the bow and sit. Before shoving off, I turned to Dan. “Your buddy Joey will be dropping off my truck when he’s finished fixing her,” I said. “Give me a call, eh? We should be out here a couple of days.”

  “Will do, Mr. Freeman,” he said. “Enjoy.”

  Although I always felt a certain internal cleansing every time I came out to the shack, the memories of last year’s damaging trip had not stopped diminishing that feeling. That disastrous outing would stick in my head forever. And as long as Sherry had to live with the loss of her leg, I would have to live with my bad planning and poor choices and foolish perception that modern man is somehow immune from the whims of nature and the whims of the human animal that resides in all of us.

  Still, there was something about the movement of a craft over water, the undulation of liquid over a thin skin of a boat hull, and the leaving of noise and machinery and stop signs and unnatural lighting that calms even the most turbulent soul.

  My river flows from gathered water in an Everglades basin that is well inland, and then follows a twisting path east to the ocean. Because of the ocean tides, the water into which we pushed can be silently swift, or eerily still. Because I was familiar with her watermarks on the shoreline, I guessed we were near slack tide, and wasn’t disappointed when we glided out onto a surface that was flat and seemingly unshifting.

  As I settled into the stern seat, I watched Luz Carmen’s back and her handling of the paddle. She was perfectly balanced, careful yet strong with her stroke. After a few minutes, she was leaving a nice swirl in the water when she feathered the stroke, and then reached out for the next. I was not only satisfied that she wasn’t going to accidentally flip us; it looked like we might make good time.

  Once we caught a good rhythm, the boat moved smoothly and easily. Because of the load we were carrying, there was little glide, but the prow still cut nicely through the water and left a defined V behind us. I said little except to call out a direction, or to indicate the next curve of land to aim for. Luz only nodded and kept her thoughts to herself. Within an hour, the shoreline had morphed from sandy pines to low grasses spiked with the occasional tall bald cypress.

  Because of the saltwater intrusion caused by man-made canals and the simple thirst of South Florida’s population draining the freshwater aquifer below us, even this protected area showed the signs of nature under siege. The indigenous grasses were being invaded by cattails. The sable palms were losing their foliage, and their trunks were rotting from the creeping salt. Still, being out here was like a massage to the back of my neck, the thumbs of nature rubbing my temples. I realized I was breathing deeply again and was surprised at the way I had somehow forgotten how to do that while living in the city. By the time the banks narrowed and we reached the entry into the deep canopy of trees of the upper river, I was ready to let the shadowed greenness of my home fold over me.

  In minutes, we were in a different world. The light changed: The overhead covering of leaves and cypress boughs created a kind of green cheesecloth, filtering the sun and creating streaks of sunlight that dappled the ferns and pond apple leaves lining the banks. The tea-colored water absorbed the sun, at points glowing as it reflected off spots where the bottom was pure white sand. The temperature fell several degrees, the shade diminishing the heat of the sun and cooling the air enough that it chilled our sweaty skin.

  And the quiet we’d been enjoying was dampened even more by the closeness of thick foliage. A thousand years slipped away-ten thousand.

  While we moved up stream, Luz Carmen sat mesmerized, her paddle resting across her knees, her head turning from side to side. A turtle the size of a dinner plate slipped off a downed tree trunk and disappeared into the water. Twenty yards away, a great blue heron stood on a spur of sand, its snakelike neck and sharp beak pointing out like an Egyptian hieroglyphic dancer. It gave us a few more yards and then spread its five-foot wingspan like a cape and flapped up into the air, disappearing upriver with a harsh squawk.

  Luz couldn’t help herself and turned to see if I had been a witness; I allowed a small smile. She did not, though her eyes were still big from the sighting.

  “My place is about a half-mile more,” I said. “Watch for the cypress knees. The water is kind of low.”

  Luz only nodded her head and put her paddle back in the water, stroking slowly. Farther up, we slid toward a gathering of knees, a protruding part of the cypress’s root system that can gouge the hull of a canoe, but Luz used an impressive J-stroke to avoid them. The maneuver relaxed me. I made a note to ask where she’d learned it. Out here, there would be time to talk. I was confident she couldn’t keep up her silence forever.

  By the time we reached the entrance to my pla
ce, the afternoon light was fading fast. As we approached two towering bald cypress trees that some believed where at least four hundred years old, I directed Luz to steer in between them. Through this entrance, we slipped onto a short channel of still water that led us through some giant ferns and leather-wood shrubs until the water opened up to reveal my shack.

  Built in the early 1900s, the structure is a small, eighteen-foot cube with a spiked roof that sits up in the air on four sturdy pilings. The water surrounds but never touches the “house.” We maneuvered up to the small dock and once I had a strong hand on the deck, Luz expertly balanced herself on one foot on the centerline of the hull, rose, and stepped out. I lashed the boat to the dock. Then without a word of instruction, Luz began accepting the supplies as I handed them up out of the boat.

  When we were set, I looked carefully at the weatherworn steps of my staircase. Out here in the swamplike humidity, anyone using the steps would leave a visible footprint behind, like a sunrise golfer on a dewy morning. Yes, the rain might wash away the markings, but I still used the early warning system as a way to tell if I’d had visitors. Today it looked clean, so I picked up some of the bags and headed up. At the top, while I keyed the padlock on the front door, I pointed out the oak barrel and nozzle that I used for a shower.

  “A rain barrel shower is something you’ll never forget if you’re a city kid,” I said to Luz, who had gathered her own bag and followed me up.

  “I remember,” she said, looking up at the contraption, which was little more than a short length of hose leading from a gasketed hole in the bottom of the barrel. Only one of the four roof gutters fed water into the open top, but it was always enough.

  It’s a crude device, and rare. But when I looked at Luz Carmen to explain her comment about recollecting such a thing, she turned without offering more. I didn’t probe. I reminded myself that I knew very little of this woman and her life, both past and present. If she was going to open up, she’d do it on her time.

  When I pushed the door open and stepped into my shack, I was met by the odor of must and mildew, inescapable in this environment. I dropped the bags and immediately went to the windows, opening the sashes one at a time for air flow and pushing open the Bahama shutters to let in the remaining light outside. Then I lit the kerosene lantern and placed it in the middle of the big, door-size table that dominated the middle of the room. The light spread a coppery glow throughout the place.

  Luz was still standing just inside the door, her bag in her hand.

  I nodded toward the bunk beds against the opposite wall.

  “If you don’t mind, I like the lower one,” I said. When Sherry had come out, we put both mattresses together on the floor and dealt with the gap in the middle. That was obviously not in the plan this time.

  Saying nothing, Luz deftly swung her bag in an arc up onto the top bunk. Again, I was surprised by her athleticism. Then she did a sweep of the place: the two mismatched pine armoires where my clothing and books were stored; the row of cupboards; the butcher block countertop; a pre-electric ice box at one end, and slop sink at the other; and the walled-off corner where the chemical toilet would be kept. I didn’t have to explain that it wasn’t much.

  “It was originally built by a visiting industrialist from the northeast who used it for hunting and fishing trips,” I said, feeling a need to say something in the cabin’s defense. “Then in the 1950s, it was used by scientists who were studying the Everglades, mapping the moving water and doing marine population surveys.”

  Luz nodded her head as if it made perfect sense.

  “Billy either bought it or accepted it in payment from some client. I rent it from him.”

  Again, she barely acknowledged me. I was starting to feel like a babbling idiot. I went back out and brought up the rest of the supplies.

  When everything was put away, I rekindled the fire in the potbellied stove, scooped out coffee from a three-pound can into my old metal pot, and waited for the boil. Luz had taken a seat in one of two straight-backed chairs that flanked the table and was seemingly watching the flame of the kerosene lantern that I’d set in front of her. The shadows played on her face, creating an even deeper sense of sadness, if that were possible after losing a brother and blaming yourself for his death.

  I sat down on the opposite side of the table and determined that I would not say “so how are you holding up” or some other inane comment.

  Outside the night buzz had begun, with myriad insects, lizards, and bats doing the whole nocturnal dance of “eat and be eaten.” When I first moved out here from Philadelphia, I thought the sounds would drive me crazy. My urban ear was in tune, or able to tune out, the constant sound of cars and horns, yelps and sirens, late-night television through an open window and predawn garbage trucks in nearby alleys. I thought I could sleep through anything. But the sound of nature in its nighttime chaos was so unsettling it took me months to rejigger my brain.

  “You get used to it,” I said, making a passing comment on what I was listening to without thought of what Luz was tragically carrying in her own head. She cut her eyes up into mine. And if she’d said “fuck you” to my face, she would have been justified. “The night sounds, I mean,” I said quickly, trying to cover.

  Her face relaxed, but only a bit.

  “I have heard it before, when I was a girl. We would visit with my aunt in Rurrenabaque, where the jungles are thick and the animal life is abundant.”

  “In Bolivia?”

  “Yes. My parents lived just outside La Paz. But my mother’s people came from the area to the north on the Rio Beni, which is very junglelike.”

  “And that’s where you learned to use a canoe paddle?” I said, grateful that she was even speaking.

  “Yes, in dugouts. My many cousins taught me. It was the way they traveled to most places. And they fished at night, spearing the ranas , uh, frogs.”

  “Ahh, frogs’ legs,” I said with an honest appreciation of the delicacy I had out in the Glades with my old friend Nate Brown after a night of spotting them with bright lights, and then spearing them with barbed spears. Maybe Luz saw my own slight smile; a pleasant twitch played at the corner of her mouth, remembering.

  “Yes. We would cook them over the open fire in the night with the sparks flying up into the stars.” She was staring into the flame now, seeing her past.

  “And gator tail?” I said, trying to string some conversation together.

  “No. No alligator,” she said. “I saw your alligator on the way in, a small one, up on the bank.”

  She had a sharp eye. I had missed seeing any of the many gators that live along the river.

  “We have caimans in Rurrenabaque-dark and nasty. We were always afraid of them as children. They were much too ugly and dangerous, or so we thought. But we have freshwater dolphins there. When they are young, they have very pink skin-very pretty, prettier than your gray ones.”

  She was reaching for more pleasant memories, a good sign, I thought.

  “Did you and your brother see them together? The pink dolphins, I mean?”

  “A few times, when he was young; then our parents moved closer to the city and worked all the time. But the neighborhoods in La Paz are not that different from parts of Miami. I went to school and Andres went to the streets, to his friends and their street ways. It was after I came here and had a job that I brought him to live in America.”

  To save him, I thought, but didn’t go there.

  “So is your family still in Bolivia?” I said instead, thinking family connection in a time of grief.

  “Some distant relatives-but our parents are gone.”

  Nice try, Max. I pushed away from the table and went to my so-called kitchen.

  “Are you hungry? I can heat something up. Soup, maybe?”

  “No thank you,” Luz said.

  I busied myself, finding a saucepan and going through my cupboard. It may be ironic in this place of water and so close to the sea, but my favorite soup is still the
canned Bookbinder’s lobster bisque from Philadelphia, which I buy a case at a time in a market in Fort Lauderdale and leave here. Billy would disown me if I asked for it at his place. Sherry only wrinkles her nose at any mention of the stuff; when I’m here, I indulge. You have to thicken the bisque by adding milk, so I always like to eat it the first day I come out, when I’ve just brought fresh milk for the cooler.

  I pushed a few more pieces of dry pine into the stove to get the heat up and then opened the can, mixed it in the pan, and set it to simmer. Fortunately, the shack is built in the style of Old Florida dwellings. The inside ceiling is no ceiling at all. The roof slants up in four planes like a pyramid, the triangles coming together twenty feet above and meeting at a cupola that’s vented at the top. The heat inside the cabin rises to the top and vents, thus creating a vacuum. And because the entire structure is raised above the water on stilts, the cool shaded air beneath is drawn up-natural air-conditioning. I have never felt overwhelmed by heat out here.

  “There are some books in the armoire on the left,” I said to Luz, letting an apologetic tone invade my voice. “I read a lot out here, and even if Mr. Manchester is constantly warning me that the hardbacks are going to rot in the humidity, I still keep a few at hand.”

  She looked up from the table at me, and I felt I had to prompt her and nodded my head at the stand-up wardrobe.

  “Help yourself.”

  I couldn’t stand the thought of watching her stare at the lantern frame all night.

  She rose and went to the armoire and began browsing the piles of books on the high shelf as I kept stirring my soup. You can ruin it if you let it scald. I kept cutting looks at Luz as she carefully fingered each volume, sliding them out of their tight space, studying the covers, sometimes pulling one down and perusing the flap copy to get a sense of the story. A lot of what I kept here was Florida history, books on the wildlife of the southern United States, and travel books by Jonathan Raban, Peter Matthiessen, and Paul Theroux. I have some fiction, mostly southern stuff by Tom Franklin and some collections of Harry Crews. I was only a bit surprised when she returned to the table with a copy of Gabriel Garcia Marquez’s Chronicle of a Death Foretold.