Michelangelo's Notebook

by Paul Christopher

  “I’m on my way. If I’m not there in twenty minutes, call the cops.”

  There was a snorting sound from the other end of the phone line. “Eugene Zubinov never call for cop in his entire life. Not about to start, even for pretty girl like you, Feen. You hurry up your ass and get here quick so Eugene no worry no more, capiche?”

  Finn smiled into the phone. “Capiche,” she answered. She hung up the phone and got back on the Schwinn Lightweight, pausing for a moment to figure out her route. First was one way the wrong way and there was no way she was going to try riding on the sidewalk at this time of night. She could go over to Second, then down into the Financial District, but she’d be heading into a dead zone this late at night; if anything happened to her down there she’d never get help. Instead she turned the bike around and went back down to Avenue A, pumping the pedals full tilt as she sped past her building, then hanging a right, the fat tires hissing on the pavement as she stood up in the seat, getting as much speed as she could. She turned onto Houston and into heavier traffic, even at this time of night, keeping as close to the curb as she could, watching for parked cars opening their doors and keeping her eyes peeled for the dangerous yellow rush of taxis playing thread-the-needle on her left.

  By the time she reached Eldridge Street and turned left, heading toward the bottom of the island, she sensed that someone was on her tail. Every time she zigged or zagged around a car she’d catch a brief glimpse of another bike a hundred yards behind. In the streetlights it gleamed, sleek and expensive-looking, its gold and black molybdenum frame with rams’ horn handlebars and razor-thin racing tires ridden by someone in the full package: skintight black racing shirt with dark Spandex cycle shorts, jet-black riding shoes and a black Kevlar raptor-style helmet, pointed down the back with an opaque angled visor in front. The kind of getup you saw on top-end bicycle couriers during the day running packages and envelopes all over the city, driving like bats out of hell and not giving a damn for anyone else on the road, from buses and garbage trucks right down to other bicycle couriers and even pedestrians.

  He stayed on her tail, never gaining and never falling back, and by the time she got as far as Grand Street she was starting to get frightened. At first she thought the rider’s presence had been simple coincidence—two people going in the same direction—but what bicycle courier is still working at two in the morning? It might have been a cop, but she knew they rode mountain bikes and wore easily identifiable, bright-colored nylon shells. She remembered the awful sound Peter had made just before he died and pedaled faster, the sweat running down her sides and between her breasts. There had to be some way to lose him.

  The best way to lose him was to lose herself. Without pause she swung the bicycle to the right, suddenly finding herself in a dangerous maze of delivery trucks around the big residential block of Confucius Square, known to the people who traveled through it as Confusion. She skidded around a man carrying the gutted corpse of two pigs, threw herself down a narrow alley piled high with boxes of rotting vegetables, then turned again down an even narrower alley packed with wooden crates that went flying as she passed. She heard screaming in Chinese as the clutch of a hand grabbed at her T-shirt and a bottle flipped by in front of her face, smashing loudly into the brick wall on the far side of the alley.

  Sobbing, she swerved, tires almost slipping out from under her as she made the turn onto Pell Street and into the thick of the late-night Chinatown trade. Slaloming around cars, she bounced the old bicycle up onto the sidewalk, sideswiped a display of mysterious fruits and vegetables outside a tiny storefront then cut in front of an old man in a black cap and bedroom slippers, coming so close her shoulder actually brushed the butt end of the hand-rolled cigarette from the man’s slack lips, sending up a trail of sparks.

  She came out onto Doyers Street and pulled hard left, still seeing her pursuer’s reptilian helmet out of the corner of her eye. He was closer, less than a hundred feet, and now he was making no pretense about following her. Directly ahead of her was the intersection of Doyers Street and Bowery, the lights at the corner just going from yellow to red. Heart pounding and lungs aching she put out her last bit of strength, pushing as hard as she could on the pedals. Reaching the intersection just as the light went to red, she squeezed her eyes tightly shut, said a quick prayer and sailed across the opening. Eyes still closed, she heard the screaming of brakes and blaring horns followed by the satisfying crush of metal against metal. Without the time or the inclination to look back and see what kind of havoc she had wreaked, she kept on going across Kimlau Square and onto Division Street, then turned onto Market, following it down toward the East River in the shadow of the bridge, finally turning directly under the giant structure and in front of the grimy front entrance of the Coolidge Hotel. Panting hard, she dropped down off the bike, pushing it through the creaking wooden double doors and finally came to a stop.

  Eugene, skinny, dark and dressed in a poorly fitting shiny black suit and a white collarless shirt stepped out from behind the birdcagelike enclosure at the bottom of the stairs.

  “You are in trouble, Feen?”

  “Get rid of the bike for me. If a guy comes in here dressed in Spandex bicycle shorts and one of those dinosaur helmets, you never saw me.”

  “Dinosaur helmets?”

  “Stick with the Spandex.” She yanked her bag out of the carrier basket, still breathing hard. “Get me a key and I’ll love you forever, Yevgeny.” She held the fat-tired bike while the young man ran back to his cage, grabbed a key from the half-empty rack on the wall and trotted back to her, holding it out like one of the Magi bearing a gift. He was very definitely staring at the sweat stain between her boobs.

  “Fourth floor, in the back, very private.”

  “Thanks, Eugene.” She leaned over the bike, kissed him on the cheek, then left him holding the bike as she ran for the stairs. The young man followed her with his eyes, a small, happy smile lingering on his lips. After a few moments he sighed and wheeled the bicycle around in the tiny lobby of the hotel and pushed it through a doorway leading to the office behind his perch in the birdcage.

  “Feen,” he whispered quietly to himself, lost in some dreamy, damp-eyed adolescent fantasy. “Feen.”

  11

  Room 409 at the Coolidge was slightly larger than a prison cell and only a little better decorated. The room was roughly twelve by twelve with a single, small grimy window looking out into the tangle of steel supports for the bridge and a minuscule, cluttered view of the East River beyond. There was a faded square of blue carpeting on a wood floor, a brown metal bed and a beige three-drawer dresser with a crazed mirror.

  Through the wall she could hear somebody else’s bed squeaking and a headboard rhythmically striking the adjoining wall between them as a male voice repeated the words “Oh Mama, oh Mama” over and over again. There was a small bathroom done in shades of orange, with a used condom and the fizzled butt of a cigarette floating in the toilet bowl and two cockroaches standing motionless in the bottom of the tub. There were two separate faucets on the old porcelain sink and both of them dripped.

  Finn dropped her bag on the narrow bed, went back to the door and made sure it was firmly locked. Then she went into the bathroom, ignored the toilet and splashed her face with lukewarm water from the taps. She looked at herself briefly in the cracked and chipped mirror on the front of the medicine chest then looked away again.

  Her boyfriend’s getting his throat slit and then her being chased halfway down the city in the middle of the night didn’t do much for her appearance. Tense and exhausted didn’t begin to describe it. She could probably pack a lunch in the bags under her eyes and imitate a raccoon while she was doing it. She used her sleeve to dry off her face rather than one of the gray Coolidge towels on the plastic bar beside the sink. Finn went back into the bedroom, flicked off all forty watts of the overhead light and lay down on the old iron bed. Light from a neon sign washed in the window, which was partially open with a screen inser
t in the bottom. “Oh Mama” next door had changed to “Oh God,” but at least Finn had to give him credit for stamina. Outside and over her head, trucks rumbled over the old steel bridge and cars made smaller, insectlike sounds as their wheels spun over the grated surface of the road. “Oh God” changed to “I’m gonna let it go!” And then he did, in a series of incoherent grunts and squeals, and finally he was silent. She fluffed up the tiny pillow behind her head and looked at her watch. It was three o’clock in the morning.

  According to her mother, anthropology and archaeology were guesswork and personal interpretation backed up by a smidgen of logic to make it look more scientific. She tried to apply the same system to her present situation. At first there didn’t seem to be any connection between Peter’s and Crawley’s murders, but the disappearance of the doodles beside the phone and being followed by Raptor Head had changed that. Following her meant that he’d been watching the apartment, waiting for her. He probably had been willing to wait for the entire night. Following her in the morning would have been easier with all the traffic, and there was a good chance he wouldn’t have been detected. The real question was why he was following her at all. The only connection she could see was the Michelangelo drawing: someone was so hell-bent on covering up the fact that it existed they were willing to kill—and more than once—to see that the secret was kept.

  Finn frowned and yawned. That sort of made sense, but the logic didn’t really hold up. Why come after her once she’d talked to the cop? And anyway, all Crawley had to do was hide or even destroy the drawing and the secret would have been safe, because the computer and all the material about the drawing’s provenance said it was by Santiago Urbino, a sixteenth-century secondrater. The only proof one way or the other lay in the digital chip in her camera. She stared into the gloom at her pack nestled at the end of the bed. Could that be it? Did Raptor Head or whomever he worked for know about the shots she’d taken? It was impossible; the file room at the gallery had been empty when she’d photographed the drawing and she hadn’t told anyone what she’d done, not even Peter. Finn yawned again. She had one last card to play, but that would have to wait for tomorrow. Next door she heard the sound of laughter and the sound of bedsprings creaking as one of the couple got up. She grimaced. At least someone had enjoyed their evening.

  12

  Finn knew she must have fallen asleep because she was suddenly awake. The sounds outside had faded to an occasional truck muttering its way across the bridge over her head. Thankfully her sleep had been deep and dreamless. She glanced at her watch, simultaneously aware that she’d slept in her clothes. She looked at the dial of the Timex and it took a little while for it to sink in. It was six in the morning and there was light coming in through the grimy window. “Oh Mama, oh God, I’m going to let it go” was quiet in the next room.

  So what had woken her up? She stiffened on the bed, all her nerves jangling at full alert as she concentrated. Squeaks and creaks normal for an old building, rumbling echoes from the bridge, a distant siren and a scratching sound. Mice, or worse, in the walls? Rats? She’d heard of New York rats, even seen a few. Great big filthy things with yellow teeth sometimes so long they’d pierced their own lower lip. It was the stuff of bad horror movies at the drive-in.

  No. Not a Hollywood rat. She let her eyes go wide and stared at a point in the air halfway between the bed and the ceiling, the same kind of thing she did in a life drawing class, concentrating on nothing, waiting for the sound to come again. And it did. Not scratching, but an insistent rubbing sound, metal on wood. She sat up quietly and looked at the door. There it was—a square tongue of metal moving slowly up and down the crack of the door, looking for the hasp of the lock. A steel ruler. Somebody was trying to get in and she doubted that it was Eugene. Raptor Head? More likely. She swung her legs off the bed and reached out, grabbing her pack. Here was one of those situations you never see in movies: the woman is about to get raped or murdered by the guy with jackknives for fingers coming through the door and she has to pee so bad she knows she’ll wet her pants in another second.

  “Shit,” she whispered. She cleared her throat loudly and then thumped her feet on the floor. The scratching stopped, the gleaming end of the ruler frozen. On tiptoes she slipped into the bathroom and pulled down her jeans and panties. Without letting her bum anywhere near the toilet seat she squatted over the bowl, peed and wiped faster than she’d ever done in her life.

  She turned and flushed, pulling up her panties and jeans, watching the condom and the cigarette butt swirl desultorily away along with the two cockroaches who seemed to have moved into the toilet and formed a suicide pact while she was sleeping. She buttoned up her jeans, slipped out of the bathroom and grabbed her pack. Finn stared at the door. The straightedge was still there, not moving. She leaned over the bed and pressed down, making the bedsprings squeak, then heaved a dramatic sigh as though she were settling herself for sleep again. She moved over to the window and waited, her eyes on the door.

  A full minute passed and then the sawing motion of the ruler began again. Pushing the pack up onto one shoulder Finn quietly pulled up on the window. She was surprised when it slid easily. She grabbed at the screen insert, easing it to the floor. With the window wide open she stuck her head out to see if there was any way to escape; if not, she’d have to stand by the door and belt the guy with her pack when he finally slipped the lock.

  Outside the window there was a fire escape landing and another section of stairs that led to the roof. It wasn’t much but it was better than nothing. She threw one leg through the opening, ducked her head and stepped out onto the fire escape. It seemed to shiver as she put her weight on it—she could actually see the rusty bolts pulling away from the brick wall. She began to climb as quietly as she could.

  There was a curved handle at the top. She grabbed it and pulled herself up and onto the roof. She’d been expecting some kind of doorway leading down to a stairway, but there was nothing—just a rippling, wobbly-looking expanse of tarred roof with puddles here and there.

  There were half a dozen toilet standpipes and a curved vent stack, but that was it. She’d gone from the room below into the frying pan up here. There was no fire; things couldn’t get any worse. Then they did. She clearly heard a loud clang as somebody stepped out onto the fire escape. It had to be Raptor Head. Finn figured she had about thirty seconds before he’d be joining her on the roof.

  To the left, glittering in the early morning sun she could see the windows of the curving Confucius Tower. To the right was the dirty streak of the East River and the mosaic of rooftops between the river and the Coolidge. She could scream for help, it wasn’t likely to get her any. She was on her own.

  Five feet over her head were the lowest girders of the Manhattan Bridge. She ran to the middle of the roof, scrambled up the curving air vent and then reached up with both hands. She grabbed the broad girder, flipped her legs up and gripped the flanges on either side of the girder with her sneakers. Gathering her strength, she pulled herself higher, arching her back and then flipping herself over so that she was lying belly-down on the beam.

  Once on the girder, she got up into a crouch and looked across to the fire escape. She could just see the top of the black helmet. She stood and ran, keeping to the center of the girder, drawing in her breath sharply as the Coolidge roof suddenly disappeared and she was four stories above the sidewalk.

  Every now and again she ran into a vertical girder and had to stop and edge around it. The farther out over thin air she got the harder her heart beat and the more unsure of herself she became. The empty space under the bridge was mostly a repository for abandoned cars, and if she fell now that’s what she’d hit first. She risked a look back and to her horror saw Raptor Head playing acrobat on the girders as well, except he didn’t seem even remotely nervous as he deftly made his way around the verticals, barely slowing down.

  He was gaining, and Finn knew she didn’t have a hope of reaching the far abutment to the brid
ge where she could finally climb down. It took him five minutes but he was eventually only a dozen yards behind her and moving fast. At the next vertical she’d have to slow down again and she’d lose even more time; they’d wind up being on the same girder. She heard a faint clicking sound from behind her, and terrified, she turned. She’d heard the sound before—last night, just before Peter had died.

  Behind her the blank-faced man in the black helmet and skintight bicycle shorts was moving, poised and perfectly balanced along the girder, a long thin knife in his right hand, held between thumb and forefinger like a portrait painter’s sable brush. He moved easily toward the last vertical between them and started to swing around it, one-handed. She heard a giggling, shallow laugh echoing from inside the helmet and something in her snapped. Instead of running from the dark, sinister figure in his obscenely revealing outfit she did the exact opposite, rushing back along the girder, stripping off her pack with one hand, her fiery hair blowing wildly in the wind as she swung the pack as hard as she could, catching Raptor Head right between the legs as he swung around the vertical.

  He screamed as the knapsack connected with his groin, losing his balance at the worst possible moment. He lost the knife, the blade twinkling in the sunlight as it twisted and turned its way toward the ground, bouncing off the broken windshield of an old car before flipping off into a thin stand of weeds beside a tire. Raptor Head held on for half a second more before he found himself too overbalanced to pull himself back to the safety of the girder.