Tempted: The Numb MC

by Olivia Stephens

  This is a work of fiction. Any names, characters, places, events, and incidents are products of the author's imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons—living or dead—is entirely coincidental.

  Tempted copyright @ 2016 by Olivia Stephens. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embedded in critical articles or reviews.

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  TABLE OF CONTENTS

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Chapter Twenty-Seven

  Chapter Twenty-Eight

  Epilogue

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  Chapter One

  Emerald

  As I shuffle by the table where The Numb sit, a shortish, fattish man calls out to me: “Hey sweetheart, how about a kiss with that beer?”

  How about a slap instead? I think.

  But I just giggle, because being a waitress sometimes means you have to giggle when you get heckled like that. It sucks, but nobody ever said that life was fair. I weave through the tables with trays balanced in my hands, propped on my forearms, and cradled in between my inner-elbows. For somebody who doesn’t really want to be a waitress, I’ve definitely picked up a few tricks, that’s for sure.

  “Enjoy your meal,” I tell the family of four.

  The father is a business type. He wears a dark blue suit and an earpiece. You rarely see people wearing things as extravagant as earpieces in Hope’s Spring, California. The woman wears a white shirt so tight her face has turned red, like a finger wrapped in a rubber band. The two children are miniatures of their parents: a boy and a girl dressed like little businesspeople.

  “Excuse me,” the man says, as I lay the last plate on the table.

  I smile my respectful, I-am-here-to-help smile. No matter how many times I smile like this, it never feels real. For the hundredth time tonight, I think: I should be in the kitchen. I’ll never become a decent chef dancing around the tables.

  “Yes, sir?” I say, my voice syrupy sweet.

  “Who are those men?” The way he accents the last syllable makes me think he doesn’t see them as men at all, but rather as affronts to his idea of manners. Can’t say I blame him, exactly. The restaurant is three-thirds full, mostly with couples on their Friday date night. The Joneses and the Underwoods and the Smiths and the Andrews all sit on two-people tables. Plus half a dozen couples I do not recognize. Maybe out-of-towners.

  I lean down. “Don’t let them hear you,” I whisper.

  The man does a double take, looking from his wife and then to me. “Excuse me?” he breathes.

  “They’re The Numb. See that shortish, fattish one? That’s Todd Fox. He’s the leader's brother, Ethan Fox. Todd just got out of prison. They’re celebrating. They’re going to be loud all night, as far as I can tell. But a bit of advice, sir, don’t let them hear you. They can be . . .” I’ve heard the rumors. Everybody in Hope’s Spring has heard the rumors. But I leave my sentence hanging. I don’t want to break my own advice.

  The man swallows. “A motorcycle gang, huh?” he says.

  They all wear the leathers with the sigil of a man impaled with knives, his face crooked into a smile. Message: he don’t feel a thing. The words ‘The Numb’ are scrawled above the man in jagged blood-red letters.

  “A club,” I correct. “Enjoy your meal, sir,” I finish, standing straight and turning away from the table.

  The last thing I need tonight is an out-of-towner making trouble with The Numb.

  There are eleven men sitting around the table.

  I don’t recognize all of them, but I see Ethan and Todd Fox, the one they call Biceps, and the Shotgun brothers. Todd Fox is an uglier version of his younger brother. He’s short where Ethan is tall, fat where Ethan is muscular. Ethan’s blonde hair is ragged, wild, but not so wild and ragged as to make him look unkempt. It’s more like he just rolled out of bed and hasn’t touched a comb. His face is strong, his jaw square, a light sprinkling of blonde hair covering his cheeks. His lips are pensive and his eyes are bright blue.

  Todd has dirty blonde hair which looks wet, it is so greasy. His face is pudgy, squashed. His features seem to collapse into each other. Despite all that, he still looks like Ethan; you would never struggle to believe they’re brothers. Biceps wears a leather jacket with the sleeves cut away, displaying his namesakes. And the Shotgun brothers are both tall, thin, with egg-bald heads and tattoos of shotguns under their left eyes.

  They laugh loudly, pound their drinks on the table, shovel food into their mouths and pay no mind to the other patrons in the restaurant.

  All except for Ethan.

  As I walk back toward the counter, ready to greet any customers who enter, I notice that while the others are like animals in a zoo during feeding time, Ethan sits with his elbows on his knees, his jaw clenched, staring.

  At first I think he is just staring into space. But then I notice that his eyes follow me. Two chips of blue trailing me across the restaurant. His eyes burn into me. I feel his gaze on my neck, on my chest. I have shoulder-length brunette hair, dark brown eyes, and an elfish face. My ears poke out of my hair and I am on the busty side. My breasts are squeezed into my waitress’s shirt and my skirt hugs my bum. My tights are taut around my shapely legs.

  His eyes move over me, up and down, openly staring at me.

  A shiver moves through my body. I feel like I’m being watched by a wolf.

  My mind is unruly tonight.

  I try and focus on my work, but it’s difficult when my mind is a staging area for so many other problems.

  I know that Amy, my sister, is at home climbing the walls. Amy was a drug addict until recently. She’s in recovery, but not the rehab kind. No, she tried that, got the t-shirt, and then fled. Now I’m her rehab, and it isn’t an easy task. I’m constantly worried that she’s run from the apartment to score. Maybe she’s shooting up in my bedroom. Maybe she’s found some scumbag who’s willing to take advantage of her in exchange for some drugs.

  And then there are the selfish concerns, like why the hell aren’t I in the kitchen when I’m far superior as a chef than I’ll ever be as a waitress? That one's on Geno Watson, my boss. A man so creepy he makes snakes look good in comparison.

  And at the back of my mind—always—is my art. An artist’s burden, I guess, is to always be thinking about it. Painting is my craft. I keep thinking about the pieces I have hanging in the local gallery at the end of Main Street, which makes me proud. But then I think about the fact that not one of my pieces has ever sold, and the pride wanes.

  Add to that the fact that I’m $2,000 in the hole with rent and bil
ls, and keeping my attention on the mundane routine of the restaurant is impossible.

  I let out a long sigh and want nothing more than to collapse into a bubble bath and let all of this soak away.

  The restaurant is almost at capacity and I shuffle around, taking orders for drinks and carrying them to the table, on auto-pilot.

  After about an hour—it is now nine o’clock, an early autumn night with the wind whistling outside of the restaurant—I look back to The Numb’s table.

  Ethan Fox is still watching me, his eyes narrowed, almost like he’s trying to puzzle me out.

  “Sweetheart!” Todd Fox calls, waving his hand at me, five thick fingers beckoning me over.

  I walk from the bar, past two tables at which couples sit, and to The Numb’s table.

  Standing with my notepad and pen at my side, my other hand fidgeting nervously, I say, “Yes, sir?”

  The table is a graveyard for beer and whiskey. Glasses upon glasses stack on the table, until every inch of its surface is glittering with empty glass. The restaurant’s lights are set in sconces in the wall; yellow light bounces off the glasses, causing the long table to become its own source of light.

  “Sir?” Todd throws his head back and laughs raucously. He wipes a tear from his cheek. The rest of them laugh, too. All of them except Ethan, who continues to watch me with his wolfish eyes, his unflinching gaze. I am more discomfited by Ethan’s expression than the laughter. At least I understand the laughter. I have no idea what to think about Ethan’s expression, about his focus on me.

  “Don’t call me sir, honey,” Todd says once his laughter has passed. “There’s no need to be so distant, is there? I’ve been locked in a cage for what seems like my entire life!” He pounds his fist on the table. The glasses lurch up and then clatter back down. He taps his knee. “Why don’t you come and sit on my lap, eh? Show me what freedom really means.”

  I swallow, a tennis ball shifting down my throat. I don’t take trash like this from men. It’s the reason I’m not in the kitchen right now. All I’d have to do is take a little sexism with a healthy side of harassment from Geno and I could be in the kitchen, turning this place into a Michelin-star-worthy establishment. But I’m not, because my mother taught me to not take this kind of trash. But my father taught me something equally important: Never let them see they’ve gotten to you.

  “I am sorry, sir,” I say, my voice level, the voice of an unperturbed woman. Even though I feel quite a bit away from unperturbed. “This isn’t that kind of establishment. It is my understanding that there is a strip club thirty miles north of here. Just follow the signs. I am sure a lady there—for the right fee—would be more than willing—”

  “Oh, baby, none so hot as you!” Todd grins, showing yellow, crooked teeth. “Don’t be a tease, baby girl.”

  “Yeah, sweet thing,” Biceps says. Biceps’ voice is deep like the rumble of a train. “He’s done his time like a man. Give him a reward.”

  I sigh. There’s no getting through to men when they’re like this.

  “Would you like to order any more drinks?” I ask.

  “I’m not done asking you, sweet sexy thing, to sit on my lap!”

  Todd makes as though to stand, gripping the edge of the table and half-rising to his feet.

  Ethan reaches forward and touches his brother’s arm. When Todd looks at him, Ethan shakes his head, slowly. Todd squints, confused, and then Ethan shakes his head again. Todd heaves a heavy sigh and collapses back into the seat. It happens so fast I don’t register the fact Ethan just stepped in for me until Todd cries: “More drinks, then! Whiskey and beer all round!”

  The table cheers, all except for Ethan, who watches, stares, eyes penetrating me.

  “Yes, sir.”

  I retreat from the table to the bar.

  Nine o’clock turns to ten o’clock, and ten to half past ten.

  Most of the couples have gone home, and now only three tables remain. The Numb are still in full swing, laughing, cheering, drinking like fish. Across the other side, an elderly couple drinks coffee, talking quietly. Beside them, a lone man—a trucker, I guess, by his gnarled hands and low-pulled cap—nurses his second beer.

  I stand at the bar, talking with Billy Dunbar, the kid who helps out on Friday nights and weekends. I’m not sure if a sixteen-year-old should be serving alcohol, but Geno Watson can pay him less than he can an adult, so of course he doesn’t care if it’s moral or legal.

  “That one looks scary,” Billy whispers.

  “Which one?” I whisper back.

  We’re across the restaurant from The Numb, they’re loud, and yet we still whisper. But The Numb are a force to be reckoned with in Hope’s Spring. If you talk about them, it’s in whispers.

  “The one with blonde hair. He’s the leader, isn’t he?”

  I nod. “I think so.”

  “Why is he looking at you like that?”

  “What do you mean?”

  Billy runs a hand through his shaggy mop of black hair. “Come on, Emerald, he’s been staring at you all night. Do you know him?”

  “I know of him. But I’ve never spoken to him in my life.”

  “Either he wants to kill you, or he likes you.”

  “I don’t know which would be worse,” I mutter. “I’ve got too much to think about, kid, without adding the leader of The Numb onto it.”

  “I suppose—”

  “Hey!” Geno’s voice is a nail on a chalkboard, screeching from the kitchen door.

  Billy scurries away to the opposite end of the bar and immediately begins to clear some glasses.

  I turn and face Geno. He stands with his hands propped on the top of the doorframe, so that his beer belly hangs over his jeans. He’s a short man, with an awful comb over which always seems to be stuck down with sweat. His eyes rove over me, but not in the same way Ethan’s have been all night. When Geno’s eyes rove over me, it’s like hundreds of insects are scurrying across my skin.

  I think of all the times he has groped the other waitresses. Samantha and Kristina and Violet and Brittany . . . all of them, I am sure. He gropes them and laughs when they squirm under his grasp. I’m not certain, but I think I’m the only waitress here that he hasn’t groped, that doesn’t take his nonsense.

  He watches me for a few seconds—his tongue licking his lips as a man does before tucking into a big meal—and then barks, “Back to work,” before leaping back into the kitchen.

  Back to work? I think. The place is almost empty, you old pervert.

  But I move around the restaurant, doing what service people all over the States do once the real work is done: pretend to be busy. Wiping down tables. Pushing in chairs. Folding napkins.

  At fifteen minutes past eleven o’clock, a man walks into the restaurant and approaches The Numb’s table. He’s a young Mexican man who wears baggy cream chinos and a red-and-green plaid shirt. His shoes are shiny to the point of being reflective. I’m sure if I got ahold of them I could touch up my makeup in their mirror glimmer.

  The Numb stop laughing and cheering and watch the Mexican man. Ethan holds his hands up and speaks for the first time tonight. “Business,” he says, and then rises to his feet. “Carry on. I’ll deal with it.”

  “Yes, boss,” half a dozen bikers say at once.

  Ethan nods and steps away from his seat, meeting the Mexican just beside the table. The Mexican leans in and whispers something in Ethan’s ear, and Ethan nods again. Business, I think, and for some reason a tingling sensation moves from the base of my spine, up my back, to my neck. Goose pimples appear on my skin. Maybe it’s because I know whatever business he’s dealing with, it’s probably illegal. And he doesn’t look worried in the least. He looks in charge. I didn’t think anybody could control that table of screaming jackals, but with a few short words Ethan did.

  After a short exchange, Ethan and the Mexican make toward the exit.

  Then Ethan stops at the exit, pats the Mexican on the back, says something I can’t he
ar, and then turns. The Mexican leaves the restaurant.

  I think Ethan is going to head back to the table, but instead he walks toward the bar, where I stand helping Billy wrap the cutlery for tomorrow.

  Maybe he wants another drink?

  But then he’s standing before me, close enough to touch, his blue eyes trained on me. He’s so tall that I have to crane my head to look up at him. And he is wide with muscle. An immovable man. A solid man.

  “Thank you for your service tonight,” he says.

  He reaches inside of his jacket, takes out an envelope, and holds it out to me.

  I stare down at it, my mouth falling open. The envelope is unsealed. The green of money pokes out of the top of it. At least one hundred notes.

  “Take it,” he says.

  His voice is cocky and cynical, as though he knows the punch line of a joke the rest of us can’t even guess the setup of. But beneath the cockiness, there is a note of command. This is a man who knows how to get his way. His face is implacable, his eyes narrowed, his mouth set in a straight line. As I look down at the envelope, I notice that his knuckles are grazed and red. A dangerous man. A man who’s been fighting.