A Feast for Dragons

by George R. R. Martin

“Oh.” Podrick did not know what to make of a dog named Dog, plainly. The boy chewed on that a while, then said, “I used to have a dog when I was little. I called him Hero.”

  “Was he?”

  “Was he what?”

  “A hero.”

  “No. He was a good dog, though. He died.”

  “Dog keeps me safe upon the roads, even in such trying times as these. Neither wolf nor outlaw dare molest me when Dog is at my side.” The septon frowned. “The wolves have grown terrible of late. There are places where a man alone would do well to find a tree to sleep in. In all my years the biggest pack I ever saw had fewer than a dozen wolves in it, but the great pack that prowls along the Trident now numbers in the hundreds.”

  “Have you come on them yourself?” Ser Hyle asked.

  “I have been spared that, Seven save me, but I have heard them in the night, and more than once. So many voices . . . a sound to curdle a man’s blood. It even set Dog to shivering, and Dog has killed a dozen wolves.” He ruffled the dog’s head. “Some will tell you that they are demons. They say the pack is led by a monstrous she-wolf, a stalking shadow grim and grey and huge. They will tell you that she has been known to bring aurochs down all by herself, that no trap nor snare can hold her, that she fears neither steel nor fire, slays any wolf that tries to mount her, and devours no other flesh but man.”

  Ser Hyle Hunt laughed. “Now you’ve done it, septon. Poor Podrick’s eyes are big as boiled eggs.”

  “They’re not,” said Podrick, indignant. Dog barked.

  That night they made a cold camp in the dunes. Brienne sent Podrick walking by the shore to find some driftwood for a fire, but he came back empty-handed, with mud up to his knees. “The tide’s out, ser. My lady. There’s no water, only mudflats.”

  “Stay off the mud, child,” counseled Septon Meribald. “The mud is not fond of strangers. If you walk in the wrong place, it will open up and swallow you.”

  “It’s only mud,” insisted Podrick.

  “Until it fills your mouth and starts creeping up your nose. Then it’s death.” He smiled to take the chill off his words. “Wipe off that mud and have a slice of orange, lad.”

  The next day was more of the same. They broke their fast on salt cod and more orange slices, and were on their way before the sun was wholly risen, with a pink sky behind them and a purple sky ahead. Dog led the way, sniffing at every clump of reeds and stopping every now and then to piss on one; he seemed to know the road as well as Meribald. The cries of terns shivered through the morning air as the tide came rushing in.

  Near midday they stopped at a tiny village, the first they had encountered, where eight of the stilt-houses loomed above a small stream. The men were out fishing in their coracles, but the women and young boys clambered down dangling rope ladders and gathered around Septon Meribald to pray. After the service he absolved their sins and left them with some turnips, a sack of beans, and two of his precious oranges.

  Back on the road, the septon said, “We would do well to keep a watch tonight, my friends. The villagers say they’ve seen three broken men skulking round the dunes, west of the old watchtower.”

  “Only three?” Ser Hyle smiled. “Three is honey to our swordswench. They’re not like to trouble armed men.”

  “Unless they’re starving,” the septon said. “There is food in these marshes, but only for those with the eyes to find it, and these men are strangers here, survivors from some battle. If they should accost us, ser, I beg you, leave them to me.”

  “What will you do with them?”

  “Feed them. Ask them to confess their sins, so that I might forgive them. Invite them to come with us to the Quiet Isle.”

  “That’s as good as inviting them to slit our throats as we sleep,” Hyle Hunt replied. “Lord Randyll has better ways to deal with broken men—steel and hempen rope.”

  “Ser? My lady?” said Podrick. “Is a broken man an outlaw?”

  “More or less,” Brienne answered.

  Septon Meribald disagreed. “More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They’ve heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know.

  “Then they get a taste of battle.

  “For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they’ve been gutted by an axe.

  “They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that’s still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.

  “If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they’re fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it’s just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don’t know where they are or how to get back home and the lord they’re fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world . . .

  “And the man breaks.

  “He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well.”

  When Meribald was finished a profound silence fell upon their little band. Brienne could hear the wind rustling through a clump of pussywillows, and farther off the faint cry of a loon. She could hear Dog panting softly as he loped along beside the septon and his donkey, tongue lolling from his mouth. The quiet stretched and stretched, until finally she said, “How old were you when they marched you off to war?”

  “Why, no older than your boy,” Meribald replied. “Too young for such, in truth, but my brothers were all going, and I would not be left behind. Willam said I could be his squire, though Will was no knight, only a potboy armed with a kitchen knife he’d stolen from the inn. He died upon the Stepstones, and never struck a blow. It was fever did for
him, and for my brother Robin. Owen died from a mace that split his head apart, and his friend Jon Pox was hanged for rape.”

  “The War of the Ninepenny Kings?” asked Hyle Hunt.

  “So they called it, though I never saw a king, nor earned a penny. It was a war, though. That it was.”

  * * *

  Sansa

  Once, when she was just a little girl, a wandering singer had stayed with them at Winterfell for half a year. An old man he was, with white hair and windburnt cheeks, but he sang of knights and quests and ladies fair, and Sansa had cried bitter tears when he left them, and begged her father not to let him go. “The man has played us every song he knows thrice over,” Lord Eddard told her gently. “I cannot keep him here against his will. You need not weep, though. I promise you, other singers will come.”

  They hadn’t, though, not for a year or more. Sansa had prayed to the Seven in their sept and old gods of the heart tree, asking them to bring the old man back, or better still to send another singer, young and handsome. But the gods never answered, and the halls of Winterfell stayed silent.

  But that was when she was a little girl, and foolish. She was a maiden now, three-and-ten and flowered. All her nights were full of song, and by day she prayed for silence.

  If the Eyrie had been made like other castles, only rats and gaolers would have heard the dead man singing. Dungeon walls were thick enough to swallow songs and screams alike. But the sky cells had a wall of empty air, so every chord the dead man played flew free to echo off the stony shoulders of the Giant’s Lance. And the songs he chose . . . He sang of the Dance of the Dragons, of fair Jonquil and her fool, of Jenny of Oldstones and the Prince of Dragonflies. He sang of betrayals, and murders most foul, of hanged men and bloody vengeance. He sang of grief and sadness.

  No matter where she went in the castle, Sansa could not escape the music. It floated up the winding tower steps, found her naked in her bath, supped with her at dusk, and stole into her bedchamber even when she latched the shutters tight. It came in on the cold thin air, and like the air, it chilled her. Though it had not snowed upon the Eyrie since the day that Lady Lysa fell, the nights had all been bitter cold.

  The singer’s voice was strong and sweet. Sansa thought he sounded better than he ever had before, his voice richer somehow, full of pain and fear and longing. She did not understand why the gods would have given such a voice to such a wicked man. He would have taken me by force on the Fingers if Petyr had not set Ser Lothor to watch over me, she had to remind herself. And he played to drown out my cries when Aunt Lysa tried to kill me.

  That did not make the songs any easier to hear. “Please,” she begged Lord Petyr, “can’t you make him stop?”

  “I gave the man my word, sweetling.” Petyr Baelish, Lord of Harrenhal, Lord Paramount of the Trident, and Lord Protector of the Eyrie and the Vale of Arryn, looked up from the letter he was writing. He had written a hundred letters since Lady Lysa’s fall. Sansa had seen the ravens coming and going from the rookery. “I’d sooner suffer his singing than listen to his sobbing.”

  It is better that he sings, yes, but . . . “Must he play all night, my lord? Lord Robert cannot sleep. He cries . . .”

  “. . . for his mother. That cannot be helped, the wench is dead.” Petyr shrugged. “It will not be much longer. Lord Nestor is making his ascent on the morrow.”

  Sansa had met Lord Nestor Royce once before, after Petyr’s wedding to her aunt. Royce was the Keeper of the Gates of the Moon, the great castle that stood at the base of the mountain and guarded the steps up to the Eyrie. The wedding party had guested with him overnight before beginning their ascent. Lord Nestor had scarce looked at her twice, but the prospect of him coming here terrified her. He was High Steward of the Vale as well, Jon Arryn’s trusted liege man, and Lady Lysa’s. “He won’t . . . you won’t let Lord Nestor see Marillion, will you?”

  Her horror must have shown on her face, since Petyr put down his quill. “On the contrary. I shall insist on it.” He beckoned her to take the seat beside him. “We have come to an agreement, Marillion and I. Mord can be most persuasive. And if our singer disappoints us and sings a song we do not care to hear, why, you and I need only say he lies. Whom do you imagine Lord Nestor will believe?”

  “Us?” Sansa wished she could be certain.

  “Of course. Our lies will profit him.”

  The solar was warm, the fire crackling merrily, but Sansa shivered all the same. “Yes, but . . . but what if . . .”

  “What if Lord Nestor values honor more than profit?” Petyr put his arm around her. “What if it is truth he wants, and justice for his murdered lady?” He smiled. “I know Lord Nestor, sweetling. Do you imagine I’d ever let him harm my daughter?”

  I am not your daughter, she thought. I am Sansa Stark, Lord Eddard’s daughter and Lady Catelyn’s, the blood of Winterfell. She did not say it, though. If not for Petyr Baelish it would have been Sansa who went spinning through a cold blue sky to stony death six hundred feet below, instead of Lysa Arryn. He is so bold. Sansa wished she had his courage. She wanted to crawl back into bed and hide beneath her blanket, to sleep and sleep. She had not slept a whole night through since Lysa Arryn’s death. “Couldn’t you tell Lord Nestor that I am . . . indisposed, or . . .”

  “He will want to hear your account of Lysa’s death.”

  “My lord, if . . . if Marillion tells what truly . . .”

  “If he lies, you mean?”

  “Lies? Yes . . . if he lies, if it is my tale against his, and Lord Nestor looks in my eyes and sees how scared I am . . .”

  “A touch of fear will not be out of place, Alayne. You’ve seen a fearful thing. Nestor will be moved.” Petyr studied her eyes, as if seeing them for the first time. “You have your mother’s eyes. Honest eyes, and innocent. Blue as a sunlit sea. When you are a little older, many a man will drown in those eyes.”

  Sansa did not know what to say to that.

  “All you need do is tell Lord Nestor the same tale that you told Lord Robert,” Petyr went on.

  Robert is only a sick little boy, she thought, Lord Nestor is a man grown, stern and suspicious. Robert was not strong and had to be protected, even from the truth. “Some lies are love,” Petyr had assured her. She reminded him of that. “When we lied to Lord Robert, that was just to spare him,” she said.

  “And this lie may spare us. Else you and I must leave the Eyrie by the same door Lysa used.” Petyr picked up his quill again. “We shall serve him lies and Arbor gold, and he’ll drink them down and ask for more, I promise you.”

  He is serving me lies as well, Sansa realized. They were comforting lies, though, and she thought them kindly meant. A lie is not so bad if it is kindly meant. If only she believed them . . .

  The things her aunt had said just before she fell still troubled Sansa greatly. “Ravings,” Petyr called them. “My wife was mad, you saw that for yourself.” And so she had. All I did was build a snow castle, and she meant to push me out the Moon Door. Petyr saved me. He loved my mother well, and . . .

  And her? How could she doubt it? He had saved her.

  He saved Alayne, his daughter, a voice within her whispered. But she was Sansa too . . . and sometimes it seemed to her that the Lord Protector was two people as well. He was Petyr, her protector, warm and funny and gentle . . . but he was also Littlefinger, the lord she’d known at King’s Landing, smiling slyly and stroking his beard as he whispered in Queen Cersei’s ear. And Littlefinger was no friend of hers. When Joff had her beaten, the Imp defended her, not Littlefinger. When the mob sought to rape her, the Hound carried her to safety, not Littlefinger. When the Lannisters wed her to Tyrion against her will, Ser Garlan the Gallant gave her comfort, not Littlefinger. Littlefinger never lifted so much as his little finger for her.

  Except to get me out. He did that for me. I thought it was Ser Dontos, my poor old drunken Florian, but it was Petyr all the while. Littlefinger was only a mask he had to wear. Only sometimes Sansa found
it hard to tell where the man ended and the mask began. Littlefinger and Lord Petyr looked so very much alike. She would have fled them both, perhaps, but there was nowhere for her to go. Winterfell was burned and desolate, Bran and Rickon dead and cold. Robb had been betrayed and murdered at the Twins, along with their lady mother. Tyrion had been put to death for killing Joffrey, and if she ever returned to King’s Landing the queen would have her head as well. The aunt she’d hoped would keep her safe had tried to murder her instead. Her uncle Edmure was a captive of the Freys, while her great-uncle the Blackfish was under siege at Riverrun. I have no place but here, Sansa thought miserably, and no true friend but Petyr.

  That night the dead man sang “The Day They Hanged Black Robin,” “The Mother’s Tears,” and “The Rains of Castamere.” Then he stopped for a while, but just as Sansa began to drift off he started to play again. He sang “Six Sorrows,” “Fallen Leaves,” and “Alysanne.” Such sad songs, she thought. When she closed her eyes she could see him in his sky cell, huddled in a corner away from the cold black sky, crouched beneath a fur with his woodharp cradled against his chest. I must not pity him, she told herself. He was vain and cruel, and soon he will be dead. She could not save him. And why should she want to? Marillion tried to rape her, and Petyr had saved her life not once but twice. Some lies you have to tell. Lies had been all that kept her alive in King’s Landing. If she had not lied to Joffrey, his Kingsguard would have beat her bloody.

  After “Alysanne” the singer stopped again, long enough for Sansa to snatch an hour’s rest. But as the first light of dawn was prying at her shutters, she heard the soft strains of “On a Misty Morn” drifting up from below, and woke at once. That was more properly a woman’s song, a lament sung by a mother on the dawn after some terrible battle, as she searches amongst the dead for the body of her only son. The mother sings her grief for her dead son, Sansa thought, but Marillion grieves for his fingers, for his eyes. The words rose like arrows and pierced her in the darkness.