Wine of Honour

by Barbara Beauchamp

  Barbara Beauchamp

  Wine of Honour

  I wonder how many women today are back in their pre-war ruts. For how many was the war merely a temporary disarrangement and for how many others has it meant complete re-adjustment, an entirely new set of circumstances? This is a stupid thought for me to have when, even in my own case, I don’t know the answer.

  Helen Townsend and neighbour Laura Watson are unlikely friends as a result of serving together in the ATS. Helen is married to the local doctor, but has spent much of the war with her lover Brian, and both men are now due back from active service. Laura, stuck caring for her domineering father, is already missing the freedoms that war offered. They and many others in their village are just beginning to adjust to the unexpected challenges of peace.

  In Wine of Honour, Barbara Beauchamp seems somehow to have recognized how unique and fleeting were the details of life in the days and weeks just after the end of World War II, and to have set out to carefully document them—with particular focus on the experiences of women. The result is an incomparable, fly-on-the-wall vision of a fascinating time and place.

  FM38

  TO

  NORAH C. JAMES

  . . . . “ARRIVAL.—N. arrival, advent; landing; de-, disem-barcation; reception, welcome, vin d’honneur,” . . .

  Roget’s Thesaurus of English Words and Phrases

  Contents

  Cover

  Title Page/About the Book

  Dedication

  Epigraph

  Contents

  Introduction by Elizabeth Crawford

  Part I

  Part II

  Part III

  Part IV

  About the Author

  Titles by Barbara Beauchamp

  Furrowed Middlebrow Titles

  Copyright

  Introduction

  As a reviewer explained, ‘Wine of Honour takes its title from the thesaurus listing of synonyms for “arrival”, which includes “reception”, “welcome” and, finally, “vin d’honneur”’ (The Sphere, 29 June 1946). Set in an English village immediately after the end of the Second World War, Barbara Beauchamp’s novel charts the arrival back home of demobilised men and women and the effect their return has on their families and, indeed, on the pre-war social order. This was a subject of which the author was acutely aware, having herself only recently been demobilised from the Auxiliary Territorial Service (ATS).

  Barbara Proctor Beauchamp (1909-1974) was born in Surrey, the eldest child of a stockbroker, and brought up and educated in France and Switzerland, where her parents had a chalet at Château d’Oex. Her younger brother and sister, twins, died young; Alice aged 21 in 1934 and Philip killed in Singapore in 1942. Before the war Barbara was a freelance journalist and by 1940 was the author of three novels, two of which were set in Switzerland. She was adventurous and athletic, photographed for Tatler (5 February 1936) taking part in a skiing event. However by late 1939, when her photograph appeared in Bystander (6 December) and The Sketch (20 December), she had joined the Auxiliary Fire Service as a driver. The following year she joined the ATS, becoming a Senior Commander, the equivalent of an Army major, and for a while was in charge of the ATS Publicity Branch. We can be sure that Wine of Honour, her first novel since 1939, draws richly on her service experience.

  Barbara Beauchamp assembles her cast in the village of Kirton in the late summer of 1945, after the general election has brought a Labour government to power. This hits the local gentry, the Gurneys, particularly hard as they come to realise that their inherited family wealth has all but disappeared. ‘What with the taxes which nobody could afford and the high price of living, the Manor was already run out of capital.’ The elder son, Peter, who in pre-war days frittered and gambled away whatever money he made in the City, initially found some significance in his wartime service. He had joined up as an ordinary seaman but was later made an officer and then, as his brother Brian commented, ‘started to slip badly once he’d got rings on’. Drink was his solace. Brian has had a long affair during the war with Helen Townsend, the wife of the village GP. As one character comments, ‘Faithfulness was unfashionable during the war’. Helen, the novel’s central character, was a captain in the ATS and now awaits the return of her husband from service with the Royal Army Military Corps in the Far East, the war having separated them for five years.

  As the novel opens Helen is having tea with resolutely middle-class Laura Watson, also recently demobilised from the ATS and once more at the beck and call of her cantankerous father. Unlike Helen, she looks back on service life with longing. As she later explains to a group of former comrades, ‘I just know that I loved it and I miss it terribly. It was the companionship and freedom.’ They agree that when they were in the ATS ‘We were all in it together and working for the same thing’, while now ‘It’s cut-throat competition and every woman out for herself.’ This conversation takes place in a London club recently formed for former service women, to which ‘only women in the upper income groups could afford to belong.’ On entering Laura was relieved to note that the staff ‘were very definitely of the ex-orderly category.’ She had been worried she would be waited on by a fellow officer. Here, at least, the pre-war order prevailed.

  However back in Kirton the Cock and Pheasant, the village’s venerable public house, was witnessing what before the war would have been an unnatural mixing of classes. Helen, Laura, and Brian Gurney and his sister were seated with Dick Cobb, the landlord’s son, as though he was now an equal and, as his father mused, ‘There were others, too, villagers, all of them ex-service. A queer mix up for the saloon bar at the Cock and Pheasant.’ In fact Dick Cobb is the one character on whom the war has wrought the most obvious harm, mentally and physically. From the ranks, to which he was fitted by his station in life, he was promoted to captain when awarded an MC, subsequently suffering severe head and leg wounds. When Laura Watson was told that he was regularly pulled up by the police who thought he was an imposter for wearing his ribbons, she suddenly realised ‘Dick Cobb didn’t look like an officer; he looked like the lanky country lad he was, blunt featured and rough, honest and working class. Why hadn’t she thought of this before? . . . For the first time in her life Laura sensed the burning indignation of injustice.’

  Over the course of the next few months we follow the lives of these and other characters as they re-adapt to ‘civvie street’, both in Kirton and Bloomsbury, where two of the inhabitants have flats and where ‘The blitz scars of Guilford Street were healed with fresh green weeds.’ At the heart of the novel is Helen’s readjustment to married life as she and her husband rediscover each other. ‘It is, of course, a new life. New, that is, in our reactions to each other. The routine has not changed beyond the revolution – or evolution – which a war and a peace inevitably bring to the community life of a nation.’

  While writing Wine of Honour Barbara Beauchamp was living not in a bucolic English village but at 9 Cumberland Gardens, Islington, a quiet enclave close to King’s Cross, in the house she shared with her partner, Norah James, to whom the novel is dedicated. Norah was also a novelist, notorious as the author of Sleeveless Errand which, when published in 1929, had been censored on the grounds of obscenity. In this post-Second World War period Norah’s publisher was Macdonald & Co., suggesting it was not a coincidence that the same firm published Wine of Honour. The two women wrote at least one short play together, broadcast on the BBC Home Service in 1947, and one book, Greenfingers and the Gourmet, which combined instructions for growing a wide range of vegetables with a ‘number of specially good recipes in which these vegetables played an important part’. They had been partners since at least 1939 when Norah dedicated her autobiography, I Lived in a Democracy, to Barbara, but by
the early 1960s appear to have separated and for the remainder of her life Barbara shared a home with Dr Millicent Dewar, a renowned psychoanalyst. Barbara continued her journalism career after the war, for a time reviewing novels for provincial newspapers and herself publishing three further novels, the last in 1958.

  Elizabeth Crawford

  PART I

  I, Helen Townsend, am going to have tea with Laura Watson. She and I have little in common and I am always surprised when the threads of our lives get intertwined. But they do. It might be said that Laura and I have woven a colourful, if sober, pattern during the past six years. A strictly austerity pattern, of course.

  The Watsons live in an adapted cottage at the end of Pilferer’s Lane. As I walk through Kirton High Street, round the Cock and Pheasant Arms—Lily Cobb is hanging Tommy’s smalls on the line in the yard—and turn into Pilferer’s Lane where the honeysuckle intrudes over the hawthorn hedges, I am conscious of being much less of a foreigner than I was two months ago.

  In my pocket I have a letter from Brian, and in my head I have the thought of Gyp, who is my husband. The one hurts whilst the other worries me. I know that I am in a muddle. But who isn’t these days? I am untidy and for the first time for a great many years I have got to plan for myself instead of merely trying to carry out the decrees of others.

  Laura’s father is leaving Vine Cottage as I reach the gate. He is going to tea with the vicar—that is what Laura said when she asked me to come round today. It is funny the way some people always remain true to one’s first impressions of them. I remember the first time I saw Mr. Watson. It was, I suppose, about two years before the war, just after Gyp had bought the practice and a few months after our marriage when we came to live in Kirton.

  There is a sort of pleasure in hating at first sight, the satisfaction of meeting a stranger’s glance and being quite sure you will never like him. I have not changed in my feeling towards Mr. Watson. He has the mannerisms and physical features I most dislike in men. He creeps like the ivy on his cottage walls—there is no vine—and he is acquisitive, materially and emotionally.

  I notice again how much the war has changed him. Outwardly, he is softened; his white hair flutters gently in the breeze as he raises his hat to me. Mrs. Watson died in 1943—she’d been ailing since the first time Gyp was called in to see her before the war. Laura was given two months on the reserve when her mother died. We were both at the Training Centre in Nottingham at the time; I had a Company and she was the Assistant Adjutant. Since then Mr. Watson has grown old. His eyes are watery and he moves more slowly.

  But I know he is just the same. He is still acquisitive and his claws are on Laura now. Not that Laura needs claws to hold her.

  Mr. Watson smiles and says:

  “I hear we are soon to have the doctor back, Mrs. Townsend?”

  “Yes,” I reply and Brian’s letter in my pocket screws itself into a crumpled ball. But it is only my hands playing stupid tricks.

  “We shall welcome him back; he is a good doctor,” Mr. Watson continues and I wonder if he glimpses the turmoil his words arouse in me.

  Laura sees me from the window and I am rescued.

  The Watsons’ drawing-room is busy with satinwood tables, gilt-framed watercolours, china ornaments and pink chintz. Laura makes me sit in the wing-backed chair facing the window while she goes to bring in tea. I am not allowed to help because Laura is like that. Maybe it is also because, in the A.T.S., I was always senior in rank and army habits will die hard with her. It seems rather silly when we are both over thirty and Laura has been demobilized for several months. The Release Scheme they called it or Re-allocation of manpower during the Interim Period. As a married woman I re-allocated myself two months ago when I knew Gyp was on his way home. Otherwise I think I should have stayed on.

  Laura comes back with the tea and soon we are talking a great deal. Laura loves talking; nothing is trivial enough for her to spare words over.

  “And so,” she says, “we thought we would give her a trial. She’s an ex-W.R.N.S., which Father approves of. He always wished I’d been one instead of A.T.S. And she can cook, although she wasn’t one in the service. We’ll keep Mrs. Boulter on in the mornings for the heavy work until we see what the new girl can manage. She was medically boarded out, you know. Nerves, I believe. It will really be almost like old times to have someone living in again.”

  “It will give you time to breathe for a change,” I say quickly as she pauses to do so.

  “What, me?”

  I watch her big, capable hands pouring hot water from a silver kettle into the Queen Anne teapot.

  “Yes, I suppose I shall have more time to do things,” she muses.

  “What sort of things?” I ask, because I prefer to keep the conversation on her than, possibly, me.

  “Oh, well, the garden, you know, and . . . just things,” she finishes doubtfully.

  “I thought you wanted to take up relief work abroad? I remember you put your name down for U.N.R.R.A. at one time.”

  “And then withdrew it. Yes, I would like to but I don’t honestly think Father could manage alone without me.”

  “He did for a number of years,” I say, crossly, because we have had this argument before.

  “But Helen, it’s different now,” Laura exclaims, “that was during the war, and everybody had to manage somehow then. Besides, I used to get home very regularly on leave, you remember?”

  I do remember. Could I ever forget Laura’s leaves, her sleeping out passes, her days off—all arranged to suit Mr. Watson, not Laura or the Unit or the war effort.

  “In any case,” Laura continues calmly, “he’s got used to me being at home again now. I couldn’t really go away, not abroad, not for years on end which it might mean.”

  I help myself to some home-made plum cake—Laura is an excellent cook—and I wonder how many women today are back in their pre-war ruts. For how many was the war merely a temporary disarrangement and for how many others has it meant complete re-adjustment, an entirely new set of circumstances? This is a stupid thought for me to have when, even in my own case, I don’t know the answer.

  Laura is still talking.

  “And anyhow, I don’t suppose I’d be any good at relief work. Now you would be, Helen. You’d be so much more able to deal with out of the ordinary happenings, and I’m sure relief work would be full of those. You’d be able to cope; I shouldn’t. You remember how I always got in a panic in the A.T.S. when I couldn’t find any rules or regulations to cover the situation? You always knew what to do, by instinct or something.”

  “What nonsense!” I am laughing. Laura is a very capable woman. I look at her rather heavy face. She has remarkable eyes and a lovely smooth skin. She looks placid and full of strength, and I wonder if many people have told her she is beautiful. I think not, because her looks are too static. It’s mostly plain women with mobile mouths who get themselves called beautiful.

  Laura is looking at me in a speculative way, so I hurry on.

  “Do you remember Peggy Travers?” I ask, and realize my mistake at once. Peggy and Laura were my subalterns when I had the company which worked for the Commando Training unit in Scotland. They were there with Brian. But it is too late now. I go on, self-consciously, “I heard from her last week. She’s with the Allied Control Commission in Germany.”

  “How interesting.” But I can see that Laura is not interested. Her thoughts are elsewhere. I prattle on, foolishly.

  “She says it’s pure Alice in Wonderland. They’re so enveloped with red tape and barbed wire that at times she finds it difficult to remember whether she’s on the outside, looking in, or the inside, looking out.”

  “She always exaggerated,” Laura replies, and switches back to herself. “Helen, I’ve been thinking that I might get some part-time work at the Government Training Centre at Little Copse. Have you heard about it?”

  “Vaguely. Tell me more.”

  “It’s carpentering and cabinet making. They
have a large instructional and catering staff. I thought there might be something on the welfare side I could do. Not full time, of course, because of Father.”

  I feel irritated with Laura, but I am not going to start an argument.

  “I think it would be a good idea if they have anything of that sort which is part time,” I reply. Laura looks pleased.

  “Little Copse is only five miles away. I could bicycle there and back in the summer and Father might let me use the car during the winter.”

  “Have you talked to him about it yet?” I ask.

  “No. I thought I’d discuss it with you first. You do really think it would be a good plan?”

  I repeat that I do, and it occurs to me that Angela Worthing works at the Little Copse Training Centre. I mention it.

  “You remember her, Laura? Oh, no, you wouldn’t. I came across her at Godstone and you weren’t there—one of the rare occasions when they didn’t post us to the same group.”

  “Was she an officer?”

  “She wasn’t in the A.T.S. She was one of the education people’s civilian lecturers. She stayed in the mess once or twice. I rather liked her.”

  “What does she do at Little Copse?”

  “I believe she’s secretary to the Director, or whatever they call the head man there. And she still does lecturing on outside subjects. I met her in Dimstone about three weeks ago. I’ll give you an introduction if you like. She’ll certainly be able to tell you what your chances are if you’re seriously considering a job.”

  “Helen, would you? That would be lovely.” Laura is so delighted that I feel mean because I am sure her idea will come to nothing. Mr. Watson will see to that. But she continues to enthuse.

  “If only you were going there too,” she exclaims, “I got so used to us working together during the war, I shall feel quite lost on my own. But of course you don’t want a job, do you? I hear Gyp will be home next month?”