The Long Sleep

by Dean R. Koontz

  “My wife,” Joel insisted, taking a step toward her.

  Richard touched him with the tip of the prod.

  He jerked as the electric charge slammed through him like an ice pick in the spine. His knees turned to jelly, quivered. He managed to stay on his feet only because he couldn't bear to have Allison — Annabelle see him fall.

  “Sit down,” Galing said.

  “No.”

  “Be reasonable,” Galing said.

  “Stuff it,” Joel said. He spoke through clenched teeth.

  Richard used the prod again.

  Staggering backwards, gasping for breath, Joel collided with the wall, leaned against it for support. Fireworks had gone off behind his eyes; the afterglow slowly faded. The pain faded. He did not sit down.

  Galing hunkered down himself. “You'll only be shocked again if you stay on your feet.”

  Reluctantly, Joel sat down.

  “You have to be firm with his sort,” Galing told Allison-Annabelle. “You have to keep the upper hand at all times.”

  Although Joel was now down where Galing wanted him, Richard remained standing, the prod ready. He just couldn't wait to use it again.

  The woman stood near the door, wonderfully erotic in the caress of the red and orange candle-light. Her eyes were still wide. She was frightened of him.

  Drugs, Joel thought. They've used drugs on her. She hasn't really turned against you. She isn't one of them.

  Galing said, “You think she's your wife?”

  “I don't think she is. I know it.”

  “How long have you been married?”

  “For at least…”

  “Yes?” Galing smiled.

  But Joel couldn't remember how long it had been. This damned amnesia, or whatever it was…

  “Well? How long?”

  “I can't remember.”

  Nodding solemnly, Galing said, “Do you have children?”

  He wasn't sure. He wiped his sweat-slicked face with both hands, wiped his hands on his trousers. “Look here. I don't remember all of that. I had an accident, a head injury. I've had amnesia ever since.”

  Galing sighed, shook his head sadly. “This is going to hurt you, Joel. You won't like what I've got to say, but you must meet it and face the truth. You must stop fleeing into fantasies like this one.”

  “Fantasies…”

  “You're very ill, Joel.” Galing was terribly concerned. “You have been incarcerated in the Fleming Institute for more than a year now. Do you understand?”

  “I—”

  “You have severe psychological problems,” Galing said. “Until you can grasp that, until you can finally face up to your illness, you are beyond my help. Annabelle isn't your wife. Indeed, this afternoon is only the second time you've ever seen her.

  “That's a lie!”

  “No.”

  “I've slept with her!”

  “I'm afraid you've never slept with her,” Galling said as if he were offended by Joel's obscene fantasies.

  Richard chuckled softly and looked over his shoulder at the woman.

  Joel thought that she winked at Richard and smiled, but he could not see her well enough to be certain. “I don't know what the game is, Galing. But — ”

  “No game, Joel. I just want to cure you.”

  “Bullshit!” He started to get up, sat down again when he saw Richard move in with the prod. “You're no doctor. You're Allison's uncle. I don't know why you keep using your own name from one illusion to the next while she changes hers. And I don't know why she goes along with this — even if she is drugged as you once said she was. She's my wife. And that man's your household servant and cook. He's no hospital orderly. And this is for goddamned sure no hospital, no psychiatric ward! It's a cell!”

  “He's worse than usual,” Galing told the woman.

  Richard nodded.

  Joel looked at the woman. “Allison! Don't you recognize me? Can't you get your head clear long enough to see what they're doing to me?”

  Allison drew back and stood on the threshold of the room as if she would bolt and run if he were to make the slightest move in her direction.

  Frustrated beyond endurance, Joel stood up and grabbed for Galing. He wanted to kill the bastard. Choke him to death and fling him aside, and some way, any way, get the truth. He caught the older man's lapels as Allison screamed, and he slammed Galing against the cell wall.

  Then Richard's prod caught him on the hip. This time, the ice pick twisted in his spine, gouged and tore sensitive nerves. He jumped, dropped Galing, and was flung against the wall. He sagged, grabbed at the stones, kept his feet beneath him.

  Richard prodded him again.

  He sagged, clutching his invisible wound. Through sweat and tears, he saw the manservant's wide smile, and he was suddenly charged with hatred. Only half recovered from the electric shock, he launched himself at Richard.

  The orderly backstepped and jammed the blunt head of the prod into Joel's gut.

  He was thrown backwards as if he'd been struck by a sledgehammer. Richard had apparently turned up the current. The blow was brutal, irresistible. He fell to the floor.

  “Thank God!” Allison said. “Thank God!”

  Is she relieved that it's all over for me, that there's no more suffering for me? Joel wondered.

  “I was so scared,” she said breathlessly.

  Or is she just relieved that I didn't get a chance to push in Richard's pretty face?

  He stared at the damp floor in front of his face until it no longer whirled around in tight little circles.

  “It's over now,” Galing said to the woman.

  Gagging, sobbing, Joel tried to get up. But Richard delivered another shock to his hip, knocking him flat. “Rotten… bastards…” he gasped. He felt as if his pelvis had been torn loose. His stomach and groin were on fire. Pain played like schools of silverfish, swam up his spine and darted this way and that in the pool of his brain. As the tide of agony swelled over him, the prod touched his face and brought a rainbow of light, color, shimmering bubbles of heat and pain. Darkness…

  In the dream, he was in a dark bedroom, lying in bed with Allison. She was naked, cuddled against him, moving against him, kissing and touching him. Her thighs opened to him, guided him, received him. They moved together with ecstatic rhythm, two warm bubbles settling through gelatin… And then the light came on, and he was looking at an Allison who had no face: no eyes, nose, mouth, nothing but a smooth plasticity from ear to ear…

  He woke, screaming.

  When he had recovered from the nightmare, he found that Galing and the others had gone. The door was closed, the room was lighted only by the flickering candle; he was alone.

  He heard a lone rat scampering beneath the grill which covered the floor drain.

  He wept. That was unmanly, he supposed, a sign of weakness. But he didn't hate himself for it. He was alone, Terribly, awfully alone in a world he'd never made. No one would listen — or believe him even if they did listen. Not even Allison. Crying was called for. Tears were a sign of compassion; and his tears were the only compassion he would get.

  X

  Later, he wondered if they might be telling the truth. As difficult and disheartening to accept as it might be — wasn't it just possible that he was stark raving mad? Out of his mind? Beyond the fringe? That would explain so much. He had seen impossible things, after all. He had seen a faceless man…

  But if he were mad rather than the victim of some incredible plot, why couldn't he remember anything at all about his life beyond that moment when he woke up on the pod couch in the white-walled room? Didn't madmen recall the past? In brief moments of lucidity, didn't the insane remember family, friends, past achievements and disasters? Surely they didn't remember only their fantasies. If he were mad, then the pod chamber was a delusion. It would seem real to him, of course. But surely his memory would consist of more than the fevers of his sick mind.

  On the other hand, who was to say that this cell
was real? It could be another illusion, as gaseous as all the others that had come before it. And if it were illusory, so was all the Gating, in the guise of a psychiatrist, had told him about himself just a few minutes ago.

  What was he to believe, then?

  Illusion?

  Madness?

  Or was it something else altogether, something much more complicated — and dangerous?

  He paced from one end of the cell to the other, trying to work out a solution. His footsteps echoed off the stone walls like hammer blows from an anvil. In the end, it came down to one question: Is the paranoid man really insane when he believes that people are plotting against him — and people really are plotting against him?

  He stopped near the leaping flame of the candle, knelt, and examined his hands. They were filthy. His fingernails were cracked and chipped. One of them was half torn from the flesh beneath, and blood was caked under all of them. His knuckles were skinned and dirty; the blood had dried in those abrasions.

  Paranoia? Reality?

  Cautiously, he massaged his stomach and his right hip, cursed the electric prod that had left him with such tenderness. Hell, this was no illusion. No delusion. If he pinched himself, he would be hurt. This was painfully real.

  And this was no mental hospital. Only in the Dark Ages could a mental patient be confined to a dungeon. A modern institution had clean beds, nurses, electric lights, medicines, curious specialists and sympathetic doctors.

  None of this did him any good. He was no closer to the truth. If insanity wasn't the answer to those strange events, what was?

  He recalled Allison's alleged ability to shape illusions from the air itself. A form of telepathy, she'd said. Was that what these weird adventures were: merely fragments of his lover's imagination?

  No. Impossible. If she were creating illusions, she would not build elaborate castles of pain and confusion; the experience would be pleasant. This ordeal was not the work of a friend or a lover. Besides, she had told him about her peculiar ESP talents in the middle of one of these illusions. Wasn't that an unlikely thing to do? Wouldn't she have been afraid of shattering the illusion — if illusion it was? Therefore, when she'd told him about her talent, he had not been dreaming. It was that simple. Furthermore, he knew, on an instinctive level, that everything he had been through in the last couple of days was genuine; as bizarre, as inexplicable as it might be, it contained not a single shred of fantasy.

  But if it were real, why was Allison cooperating with the others? Was any drug effective enough to turn her into a malleable zombie that Galing could use as he wished?

  That was a difficult question, but it was one that would have to wait for an answer. He had no time for it now.

  For the time being only one thing should interest him: escape. The only hope he had of regaining his perspective was to be free of them, out of their control. Free, he could explore this place, find out if he was still in the same building with the pods, and come to some understanding of the nature of the game.

  At the cell door once more, he looked in both directions along the corridor. It was deserted and quiet. The only movement out there was the fluttering of candle flames; the only sound was a steady drip-drip-drip of water.

  He tested the door and found it locked. He hadn't expected anything else — yet, as he applied his weight the hinges groaned even though the door did not move. And when he relaxed, they rattled and grated noisily on their fittings. Examining them closely he saw that all three of the hinges were loose at one edge. The bolts that held the wide hinge flanges to the stone wall were all badly turned; they wiggled in their bores.

  Returning to the tiny barred window in the door, he studied the hall again. Silence. Dripping water. Candlelight. No one had heard the hinges rattling.

  He knelt and began to work with the bottom bolt on the lowest of the three hinge plates. He twisted and tugged at it, jammed it back and forth in its hole in the stone. Powdered granite puffed out, dusted his fingers. Inch by grudging inch, the bolt came free, until he held it in his hand. He took the second bolt out of the flange, then the third. For a moment he was thrilled, flushed with success. If he were diligent — and quiet enough not to draw their attention — within an hour he would have the other six bolts free. Then he could lift the oak door out of its frame, set it against the wall, and—

  — that was wrong. All wrong.

  You stupid ass, he thought.

  It was a trap.

  The hinge bolts had not been loose earlier. When he had first regained consciousness in this place, after he had frightened off the rat, he had tried the door. He'd shaken it pretty hard. Nothing had rattled. It had been as solid and immovable as the entrance to a bank vault. Nor had the door made any unusual noise when Henry Galing paid his little visit. And if the bolts were loose then, they would have squeaked like hell as the door was pulled all they way open. So… Figure it… If the bolts were less secure now than they had been, there was only one explanation: Galing and Richard had loosened them for him.

  Very neat.

  He couldn't figure how they'd done it, for he hadn't seen any of them touch the hinges. Had Allison-Annabelle pried them out of place while his attention was diverted to Galing and Richard? No. She'd always been in the doorway, standing, stiff and scared. When the prod had been shoved into his face — could he have passed out long enough for the job to be done? He thought he'd been unconscious for only a few seconds. But it might have been minutes. Christ, it might have been hours! However they'd managed it, here was a boldly offered escape route.

  Obviously, if they wanted him to go out this way, he must not oblige them.

  He would take the script and tear it up. This was his play now, his stage. He was ready for a bit of dramatic improvisation.

  He thought: there is another way out of here,

  Henry. I would much prefer to use the door. But there is another way.

  That was a problem with stage settings. They were not as formidable as the real item. They could always collapse on you in the middle of a crucial scene. If this had been a real prison cell, the men who had built it would have made damned sure that the only way out was through the front door. But this was a jerry-rigged cell, not a bad stage setting, a nifty piece of theater, but a poor reality.

  He went to the drainage grill that was set in the center of the cobbled floor. So far as he could tell, the iron work was not welded in place. Kneeling, he hooked his fingers in the grid and strained against it. Wedged in place, partly cemented by grime, it would not at first budge. He pulled harder, grunted as his tender hip and stomach suddenly flushed full of new pain. Without warning, the grid came away, almost knocked him backwards. He took it from its chiseled niche and put it quietly to one side.

  The storm drain smelled like a dead horse lying on a compost heap on a hot July day. A cool draft rose from it, rich with sarcophagus odors.

  He leaned away from it and gasped for fresh air. Gagging, he considered using the door even if they were expecting him to go that way. He didn't want to have to face the incredible stench and limitless darkness of that tunnel. Especially the darkness: it had a very real quality of evil in it. Then he remembered the candle in the pan by the door, and he went to fetch it.

  He placed the pan and the stubby candle on the edge of the drain opening. The orange flame leaped up, forked like a snake's tongue. It danced wildly as the draft caught it, and it caused his shadow to cavort demonically on the stone walls. A thin string of soot wriggled lazily toward the ceiling. Most of the light was wasted: it filled every corner of the cell but it didn't illuminate the pit beneath him.

  Lying on his stomach, he eased himself backwards and slid into the drain feet first. Balanced on his stomach on the rude stone edge of the hole, he gripped the cell floor with both hands and lowered himself all the way down.

  However, even when he was hanging full length from the lip of the drain, his feet did not touch the floor of the tunnel. What would happen when he let go? He had a
brief but vivid vision of himself falling head over heels down a mile-long shaft into the black bowels of the earth. He would scream and flail the whole way down, to no purpose.

  He began to sweat.

  The door didn't seem like such a bad way to leave anymore. Not even if Galing did want him to go that way…

  He stretched as best he could, kicked his feet, tried to find the tunnel floor. Ke kicked empty air.

  You can't hang here forever, he told himself.

  His muscles ached from scarless wounds. His hip was throbbing and hot. His stomach felt as if it were tearing away from the rest of him, and he thought he might be sick any second now. Sweat ran into his eyes. He blinked, licked salty lips, looked up at the well lighted cell…

  “Oh, what the hell,” he whispered.

  He let go.

  The tunnel floor was inches beneath his feet, and he met it like a cat landing on its feet. It didn't even jar him.

  He reached up and brought the candle down with him, looked at the slimy gray-brown walls. It wasn't very pleasant, but it was better than the cell

  No one called out overhead. He knew that he was going to get out clean and easy.

  He turned quickly into the right-hand branch of the tunnel and walked away from that place.

  XI

  He was afraid of rats. He remembered only too well the size, strength, and potential ferocity of the specimen that had been contentedly gnawing on his shoe when he woke in the prison cell. When he'd met it's glittering red eyes he had seen no fear in it; indeed, he felt that it was carefully, brazenly sizing him up, calculating its chances if it were to attack. If it hadn't been alone, if another rat had been with it… How many of its relatives lived down here in the drains? Dozens? Hundreds? If they were to come after him, not one at a time but in legions, he knew that he would not be able to save himself.

  Then, when he was hardly more than a dozen steps into the drain, he saw the rat. It was sitting in the middle of the tunnel floor, facing him. He almost turned and ran before he realized that something was wrong with it. Its eyes were dark brown circles; they were no longer bloodshot, no longer red and glittering. And it was absolutely motionless, as if it were dead — except that it was on its feet and not in any posture of death.