Book Read Free

Housman Country

Page 51

by Peter Parker


  Humphrey Clucas, Through Time and Place to Roam (University of Salzburg, 1995)

  Samuel Taylor Coleridge, The Table Talk and Omniana of Samuel Taylor Coleridge (George Bell and Sons, 1884)

  Robert Colls and Philip Dodd (ed.), Englishness: Politics and Culture 1880–1920 (Croom Helm, 1986)

  Cyril Connolly, Enemies of Promise (Routledge and Kegan Paul, 1938) [Penguin, 1961]

  Wendy Cope, Life, Love and The Archers (Two Roads, 2014)

  Ian Copley, George Butterworth and His Music (Thames Publishing, 1985)

  Julian Critchley and David Paterson, Borderlands (Peak Publishing, 1993)

  William Darling, The Private Papers of a Bankrupt Bookseller (Oliver and Boyd, 1931)

  W.H. Davies, The Soul’s Destroyer and Other Poems (Alston Rivers, 1907)

  ______ Autobiography of a Super-Tramp (A.C. Fifield, 1908) [OUP, 1980]

  Marcel De Cleene and Marie Claire Lejeune, Compendium of Symbolic and Ritual Plants in Europe, 2 vols (Man and Culture Publishers, Ghent, 1999–2003)

  Paul Delaney, The Neo-pagans (Macmillan, 1987)

  Colin Dexter, Last Seen Wearing (Macmillan, 1976)

  ______ The Riddle of the Third Mile (Macmillan, 1983)

  ______ The Wench is Dead (Macmillan, 1989)

  ______ The Jewel That Was Ours (Macmillan, 1991)

  ______ The Way Through the Wood (Macmillan, 1992)

  ______ The Daughters of Cain (Macmillan, 1994)

  ______ Death Is Now My Neighbour (Macmillan, 1996)

  ______ The Remorseful Day (Macmillan, 1999)

  Keith Douglas, The Letters, ed. Desmond Graham (Carcanet, 2000)

  Linda Dowling, Hellenism and Homosexuality in Victorian Oxford (Cornell University Press, 1994)

  Brian Doyle, English and Englishness (Routledge, 1989)

  Edward Elgar, A Future for English Music and Other Lectures, ed. Percy M. Young (Dennis Dobson, 1968)

  Carl Engel, An Introduction to the Study of National Music (Longmans, Green, Reader and Dyer, 1866)

  ______ The Literature of National Music (Novello, Ewer, 1879)

  George Farquhar, The Recruiting Officer (Bloomsbury, 2011)

  Penelope Fitzgerald, The Knox Brothers (Macmillan, 1977) [Fourth Estate, 2002]

  ______ A House of Air: Selected Writings (Flamingo, 2003)

  The Letters of Penelope Fitzgerald, ed. Terence Dooley (Fourth Estate, 2008)

  Anthony Fletcher, Life, Death and Growing Up on the Western Front (Yale University Press, 2013)

  Lewis Foreman, From Parry to Britten: British Music in Letters, 1900–1945 (Batsford, 1987)

  ______ (ed.) The John Ireland Companion (Boydell Press, 2011)

  E.M. Forster, A Room with a View (Edward Arnold, 1908) [Penguin, 1955]

  ______ The Longest Journey (Edward Arnold, 1907)

  ______ Howards End (Edward Arnold, 1910) [Penguin, 1941]

  ______ Aspects of the Novel (Edward Arnold, 1927) [Penguin, 1962]

  ______ The Eternal Moment (Sidgwick and Jackson, 1928)

  ______ Abinger Harvest (Edward Arnold, 1936) [Abinger Edition, André Deutsch, 1996]

  ______ Maurice (Edward Arnold, 1971) [Abinger Edition, André Deutsch, 1999]

  ______ The Prince’s Tale and Other Uncollected Writings (André Deutsch, 1998)

  ______ Commonplace Book, ed. Philip Gardner (Scolar Press, 1981)

  ______ Selected Letters of E.M. Forster: Volume One 1879–1920, ed. Mary Lago and P.N. Furbank (William Collins, 1983)

  ______ Selected Letters of E.M. Forster: Volume Two, 1921–1970, ed. Mary Lago and P.N. Furbank (William Collins, 1985)

  ______ The Creator as Critic and Other Writings by E.M. Forster, ed. Jeffrey M. Heath (Dundurn Press, 2008)

  ______ The Journals and Diaries of E.M. Forster, ed. Philip Gardner, 3 Vols (Pickering and Chatto, 2011)

  H. Rex Freston, The Quest of Truth and Other Poems (Blackwell, 1916)

  J.W. Froude, Oceana (Longmans, Green and Co., 1886)

  Sophie Fuller and Lloyd Whitesell (ed.), Queer Episodes in Music and Modern Identity (University of Illinois Press, 2002)

  Paul Fussell, The Great War and Modern Memory (OUP, 1975)

  ______ Wartime (OUP, 1989)

  Philip Gardner (ed.), A.E. Housman: The Critical Heritage (Routledge, 1992)

  Mark Girouard, The Return to Camelot (Yale University Press, 1981)

  Bryan N.S. Gooch and David S. Thatcher, Musical Settings of Late Victorian and Modern British Literature: A Catalogue (Garland, 1976)

  A.S.F. Gow, A.E. Housman: A Sketch (CUP, 1936)

  Richard Perceval Graves, A.E. Housman: The Scholar Poet (OUP, 1979)

  Robert Graves, Fairies and Fusiliers (William Heinemann, 1917)

  ______ Selected Poems, ed. Paul O’Prey (Penguin, 1986)

  Steven J. Green and Katharina Volk (ed.), Forgotten Stars: Rediscovering Manilius’ Astronomica (OUP, 2011)

  Ivor Gurney, War Letters, ed. R.K.R. Thornton (Hogarth Press, 1984)

  ______ Collected Poems of Ivor Gurney, ed. P.J. Kavanagh (OUP, 1982)

  ______ Stars in a Dark Night: The Letters of Ivor Gurney to the Chapman Family, ed. Anthony Boden (Alan Sutton, 1986)

  ______ Collected Letters, ed. R.K.R. Thornton (The Mid-Northumberland Arts Group and Carcanet Press, 1991)

  Thomas Burns Haber, The Manuscript Poems of A.E. Housman (University of Minnesota Press, 1955)

  ______ The Making of A Shropshire Lad (University of Washington Press, 1966)

  ______ A.E. Housman (Twayne, 1967)

  John Haffenden, Viewpoints (Faber, 1981)

  Keith Hale (ed.) Georgian Poetry (Watersgreen House, 2014)

  Thomas Hardy, The Life of Thomas Hardy (Macmillan, 1994)

  Alexandra Harris, Weatherland (Thames and Hudson, 2015)

  Linda Hart, Once They Lived in Gloucestershire: A Dymock Poets Anthology (revised edition, Green Branch Press, 2000)

  L.P. Hartley, The Go-Between (Hamish Hamilton, 1953)

  F.W. Harvey, A Gloucestershire Lad (Sidgwick and Jackson, 1917)

  Christopher Hassall, Rupert Brooke (Faber, 1964)

  H.R. Haweis, Music and Morals (Longmans, Green and Co., 1871)

  William Hazlitt, Selected Essays, ed. George Sampson (CUP, 1917)

  David Heathcote, A Shell Eye on England (Libri Publishing, 2011)

  Simon Heffer, Like the Roman: The Life of Enoch Powell (Weidenfeld and Nicolson, 1998)

  Joan Henry, Yield to the Night (Victor Gollancz, 1954)

  Rachel Hewitt, Map of a Nation (Granta, 2010)

  Dominic Hibberd, Owen the Poet (Macmillan Press, 1986)

  ______ Wilfred Owen (Weidenfeld and Nicolson, 2002)

  Geoffrey Hill, Collected Critical Writings (OUP, 2008)

  ______ Broken Hierarchies: Poems 1952–2012 (OUP, 2013)

  Lionel Hill, Lonely Waters (Thames Publishing, 1985)

  Alan W. Holden and J. Roy Birch (ed.), A.E. Housman: A Reassessment (Macmillan Press, 2000)

  Anthony and Ben Holden (ed.), Poems That Make Grown Men Cry (Simon and Schuster, 2014)

  Matthew Hollis, Now All Roads Lead to France (Faber, 2011)

  Laurence Housman, A.E.H. (Jonathan Cape, 1937)

  ______ The Unexpected Years (Jonathan Cape, 1937)

  ______ (ed.) War Letters from Fallen Englishmen (Victor Gollancz, 1930)

  Alun Howkins, The Death of Rural England (Routledge, 2003)

  Meirion Hughes and Robert Stradling, The English Musical Renaissance 1840–1940: Constructing a National Music (Manchester University Press, 2001)

  John Hullah (ed.) The Song Book (Macmillan, revised edition, 1892)

  Douglas Hurd, Memoirs (Little, Brown, 2003)

  Michael Hurd, The Ordeal of Ivor Gurney (OUP, 1978)

  Gerald B. Hurst, With Manchesters in the East (Manchester University Press, 1918)

  Alfred H. Hyatt, The Footpath Way (T.N. Foulis, 1906)

  H. Montgomery Hyde, The Trials of Oscar Wilde (Dover, 1973)

  Clyde K.
Hyder, A Concordance of the Poems of A.E. Housman (Peter Smith, 1966)

  Andrew Jackson, A Fine View of the Show (Lulu, 2009)

  Henry James, The Tragic Muse (Macmillan, 1890)

  Keith Jebb, A.E. Housman (Seren Books, 1992)

  C.E.M. Joad, A Charter for Ramblers (Hutchinson, 1934)

  Graham Johnson, Britten, Voice and Piano (Ashgate/Guildhall School of Music and Drama, 2003)

  Thomas Jones, A Diary with Letters, 1931–1950 (OUP, 1954)

  Maude Karpeles, Cecil Sharp: His Life and Work (Routledge and Kegan Paul, 1967)

  ______ An Introduction to English Folk Song (OUP, 1973)

  John Keats, The Letters of John Keats 1814–1821, Vol. 2, ed. Hyder Edward Rollins (Harvard University Press, 1958)

  ______ Letters of John Keats, ed. Sidney Colvin (Macmillan, 1891)

  Michael Kennedy and Joyce Bourne (ed.) Concise Oxford Dictionary of Music (OUP, 1996)

  W.P. Ker, The Dark Ages (Charles Scribner, 1904)

  Paul Kildea, Benjamin Britten: A Life in the Twentieth Century (Allen Lane, 2013)

  ______ (ed.) Britten on Music (OUP, 2003)

  Rudyard Kipling, Barrack-Room Ballads (Methuen, 1892)

  Ronald Knox, Patrick Shaw-Stewart (William Collins, 1920)

  Constant Lambert, Music Ho! (Faber, 1934) [Penguin, 1948]

  William Langland, Piers the Plowman, ed. W.W. Skeat (OUP, tenth edition, 1923)

  Philip Larkin, Required Writing: Miscellaneous Pieces 1955–1982 (Faber, 1983)

  ______ (ed.) The Oxford Book of Twentieth-Century English Verse (OUP, 1973)

  ______ Collected Poems, ed. Anthony Thwaite (Faber, 1988)

  ______ Selected Letters of Philip Larkin, 1940–1985, ed. Anthony Thwaite (Faber, 1992)

  B.J. Leggett, Housman’s Land of Lost Content (University of Tennessee Press, 1970)

  ______ The Poetic Art of A.E. Housman: Theory and Practice (University of Nebraska Press, 1978)

  E.V. Lucas, The Open Road (Grant Richards, 1899)

  Andrew Lycett, Rudyard Kipling (Weidenfeld and Nicolson, 1999)

  John Lyon and Peter McDonald (ed.), Geoffrey Hill: Essays on His Later Work (OUP, 2012)

  Henry Maas, A.E. Housman: Spoken and Unspoken Love (Greenwich Exchange, 2012)

  J.W. Mackail, Select Epigrams from the Greek Anthology (revised edition, Longmans, Green and Co., 1906)

  Louis MacNeice, Modern Poetry (OUP, 1938) [second edition, OUP, 1968]

  ______ Letters of Louis MacNeice, ed. Jonathan Allison (Faber, 2010)

  S.P.B. Mais, Oh! To Be in England (Grant Richards, 1922)

  ______ This Unknown Island (Putnam, 1932)

  Norman Marlow, A.E. Housman: Scholar and Poet (Routledge and Kegan Paul, 1958)

  Em Marshall, Music in the Landscape (Robert Hale, 2011)

  John Masefield, The Collected Poems of John Masefield (William Heinemann, 1923)

  ______ Grace Before Ploughing (William Heinemann, 1966)

  David Matless, Landscape and Englishness (Reaktion, 1998)

  David Matless, Andrew Leyshon and George Revill (ed.), The Place of Music (The Guilford Press, 1998)

  Arthur Mee, Enchanted Land (Hodder and Stoughton, 1936)

  ______ Shropshire: County of the Western Hills (Hodder and Stoughton, 1939)

  Vera Mendel, Francis Meynell and John Goss (ed.), The Week-End Book (The Nonesuch Press, 1928 revised edition)

  Edward Mendelson, Early Auden (Faber, 1981)

  ______ Later Auden (Faber, 1999)

  Wendy Moffatt, E.M. Forster: A New Life (Bloomsbury, 2010)

  Jean Moorcroft-Wilson, Siegfried Sassoon: The Making of a War Poet. A Biography (1886-1918) (Duckworth, 1998)

  ______ Edward Thomas: From Addlestrop to Arras (Bloomsbury, 2015)

  Michael Morpurgo (ed.) Only Remembered (Jonathan Cape, 2014)

  Morrissey, Autobiography (Penguin, 2013)

  H.V. Morton, In Search of England (Methuen, 1927)

  Alice Munro, Too Much Happiness (Chatto and Windus, 2009)

  Anthony Murphy, Banks of Green Willow (Cappella Archive, 2012)

  Murray’s Handbook for Shropshire, Cheshire and Lancashire (John Murray, 1870)

  Music in England. The Proposed Royal College of Music (John Murray, 1882)

  P.G. Naiditch, Problems in the Life and Writings of A.E. Housman (Krown and Spellman, 1995)

  ______ The Centenary of ‘A Shropshire Lad’: The Life and Writings of A.E. Housman (University College, London, 1996)

  ______ An Index to Archie Burnett’s Commentary on ‘The Poems of A.E. Housman’ (The Housman Society, 1998)

  ______ Additional Problems in the Life and Writings of A.E. Housman (Sam: Johnson’s Publishers, 2005)

  Robert Nichols (ed.), Anthology of War Poetry, 1914–1918 (Nicholson and Watson, 1943)

  Rev. J. Nightingale, The Beauties of England and Wales, Vol. XIII, Part I (J. Harris, Longman and Co, etc., 1813)

  Cyril Norwood, The English Tradition in Education (John Murray, 1929)

  Sonia Orwell and Ian Angus (ed.), The Collected Essays, Journalism and Letters of George Orwell, Volume 1 (Secker and Warburg, 1968)

  Harold Owen, Journey from Obscurity, Vol. 1 (OUP, 1963)

  Wilfred Owen, Poems (Chatto and Windus, 1920)

  ______ Collected Letters, ed. Harold Owen and John Bell (OUP, 1967)

  ______ The Poems of Wilfred Owen, ed. John Stallworthy (Chatto and Windus, 1985)

  Norman Page, A.E. Housman: A Critical Biography (Macmillan, 1983)

  F.T. Palgrave, The Golden Treasury (Macmillan, 1891 ed.) [Penguin, 1991]

  Christopher Palmer, Herbert Howells: A Study (Novello, 1978)

  Peter Parker, The Old Lie (Constable, 1987)

  Walter Pater, Studies in the History of the Renaissance (Macmillan, 1873)

  Mark Peel, Land of Lost Content: The Biography of Anthony Chenevix-Trench (The Pentland Press, 1996)

  Michael Peele, Shropshire in Poem and Legend (Wilding and Son, 1923)

  Walker Percy, The Moviegoer (Alfred A. Knopf, 1961) [Methuen, 2004]

  Nikolaus Pevsner, The Buildings of England: Shropshire (Penguin, 1958)

  John Piper and John Betjeman (ed.), Shropshire: A Shell Guide (Faber, 1951)

  George Plimpton (ed.), Writers at Work: The Paris Review Interviews, 4th Series (1976) [Penguin, 1977]

  Frank Prewett, Selected Poems of Frank Prewett, ed. Bruce Meyer and Barry Callaghan (Exile Editions, 2000)

  Propertius, The Poems, translated by Guy Lee (OUP, 1994)

  John Pugh, Bromsgrove and the Housmans (The Housman Society, 1974)

  Brian Reade (ed.), Sexual Heretics (Routledge and Kegan Paul, 1970)

  Mary Renault, The Charioteer (Longmans, Green and Co, 1953) [Virago, 2013]

  Ernest Rhys (ed.), The Old Country (J.M. Dent, 1917)

  Grant Richards, Author Hunting (Hamish Hamilton, 1934)

  ______ Housman: 1897–1926 (OUP, 1941)

  Clive Richardson, Till Ludlow Tower Shall Fall: Ludlow’s Sacrifice in World War One (Ludlow Historical Research Group, 2010)

  Christopher Ricks (ed.), A.E. Housman: A Collection of Critical Essays (Prentice-Hall, 1968)

  Maisie Robson, An Unrepentant Englishman (The King’s England Press, 2005)

  Byron Rogers, The Last Englishman: The Life of J.L. Carr (Aurum Press, 2003)

  William Rothenstein, Men and Memories: Recollections of William Rothenstein 1872–1900 (Faber, 1931)

  ______ Men and Memories: Recollections of William Rothenstein 1900–1922 (Faber, 1932)

  Trevor Rowley, The Shropshire Landscape (Hodder and Stoughton, 1972)

  Julian Rushton, Elgar: ‘Enigma’ Variations (CUP, 1999)

  Saki, The Complete Works of Saki (Bodley Head, 1980)

  Raphael Samuel, Island Stories (Verso, 1998)

  Siegfried Sassoon, The Weald of Youth (Faber, 1942)

  ______ Meredith (Constable, 1948)

  ______ The War Poems, ed. R. Hart-Davis (Faber, 1983)

  ______ Dia
ries 1915–1918, ed. Rupert Hart-Davis (Faber, 1983)

  ______ Diaries 1923–1925, ed. Rupert Hart-Davis (Faber, 1985)

  ______ Selected Letters of Siegfried Sassoon and Edmund Blunden, 1919–1967, ed. Carol Z. Rothkopf (3 vols, Pickering and Chatto, 2012)

  Dorothy L. Sayers, Strong Poison (Victor Gollancz, 1930)

  Camilla Schofield, Enoch Powell and the Making of Postcolonial Britain (CUP, 2013)

  Bill Schwarz, The White Man’s World (OUP, 2011)

  Tony Scotland, Lennox and Freda (Michael Russell, 2010)

  Martin Seymour-Smith, Robert Graves: His Life and Works (Hutchinson, 1982)

  Cecil Sharp, English Folk Song: Some Conclusions (fourth edition, E.P. Publishing, 1965)

  Robin Shaw, Housman’s Places (The Housman Society, 1995)

  ______ (ed.) Three Bromsgrove Poets (The Housman Society, 2003)

  Jon Silkin (ed.), The Oxford Book of War Poetry (OUP, 1984)

  Wayne Smith (ed.), George Butterworth: Memorial Volume (Centenary Edition, YouCaxton Publications, 2015)

  Charles Sorley, The Letters of Charles Sorley (CUP, 1919)

  ______ Marlborough and Other Poems (CUP, 1919)

  Walter Southgate, That’s the Way It Was (New Clarion Press, 1982)

  Jon Stallworthy, Louis MacNeice (Faber, 1995)

  Tom Stoppard, The Invention of Love (Faber, 1997)

  Claude J. Summers, E.M. Forster (Frederick Ungar, 1983)

  Katherine Swift, The Morville Hours (Bloomsbury, 2008)

  Arthur Symons, Days and Nights (Macmillan, 1889)

  ______ Silhouettes (revised edition, Leonard Smithers, 1896)

  Katharine E. Symons et al., Alfred Edward Housman: Recollections (Henry Holt and Co, 1937)

  Stephen Tallents, Man and Boy (Faber, 1943)

  Annette Tapert (ed.), Despatches from the Heart (Hamish Hamilton, 1984)

  Edward Thomas, Richard Jefferies (Hutchinson, 1909)

  ______ This England (OUP, 1915)

  ______ The Last Sheaf (Jonathan Cape, 1928)

  ______ The Childhood of Edward Thomas (Faber, 1938)

  ______ (ed.) The Pocket Book of Poems and Songs for the Open Road (E. Grant Richards, 1907) [Jonathan Cape, 1928]

  ______ The Annotated Collected Poems, ed. Edna Longley (Bloodaxe, 2008)

  H.W. Timperley, Shropshire Hills (J.M. Dent, 1947)

  Alwyn W. Turner, The Last Post (Aurum Press, 2014)

  Edmund Vale, Shropshire (Robert Hale, 1949)

  Elizabeth Vandiver, Stand in the Trench, Achilles (OUP, 2010)

  Vincent Waite, Shropshire Hill Country (Dent, 1970)

 

‹ Prev