Executioner 022 - Hawaiian Hellground

by Pendleton, Don

  It was going to be a hair-splitter, for damn sure.

  Bolan stepped into the open and cut sand at their feet with a burst from the chattergun.

  Smiley Dublin took a dive to the side, yelling something at the hula girls as she did so. The Chinese whirled into the confrontation, the realisation of doom pulling at those not-so inscrutable features.

  A bawling and milling erupted from the water's edge, with a brandishing of arms and a confusion of alarmed commands. Bolan gave them to the first swell before fingering the little gadget at his belt.

  The two explosions came as one just as the canoes lifted into the swell. Bolan saw the twin flash and glimpsed hurtling fragments before the outriggers disappeared beyond the wall of water.

  also by Don Pendleton

  THE EXECUTIONER: MIAMI MASSACRE

  THE EXECUTIONER: ASSAULT ON SOHO

  THE EXECUTIONER: CHICAGO WIPEOUT

  THE EXECUTIONER: VEGAS VENDETTA

  THE EXECUTIONER: CARIBBEAN KILL

  THE EXECUTIONER: CALIFORNIA HIT

  THE EXECUTIONER: BOSTON BLITZ

  THE EXECUTIONER: WASHINGTON I.O.U.

  THE EXECUTIONER: SAN DIEGO SIEGE

  THE EXECUTIONER: PANIC IN PHILLY

  THE EXECUTIONER: NIGHTMARE IN NEW YORK

  THE EXECUTIONER: JERSEY GUNS

  THE EXECUTIONER: TEXAS STORM

  THE EXECUTIONER: DETROIT DEATHWATCH

  THE EXECUTIONER: FIREBASE SEATTLE

  THE EXECUTIONER: NEW ORLEANS KNOCKOUT

  and published by Corgi Books

  Don Pendleton

  Executioner 22:

  HAWAIIAN HELLGROUN D

  CORGI BOOKS

  A DIVISION OF TRANSWORLD PUBLISHERS LTD

  EXECUTIONER 22: HAWAIIAN HELLGROUND

  A CORGI BOOK 0 552 10302 0

  First publication in Great Britain

  PRINTING HISTORY

  Corgi edition published 1976

  Copyright © 1975 by Pinnacle Books Inc.

  Corgi Books are published by Transworld Publishers Ltd., Century House, 61-63 Uxbridge Road

  ,

  Ealing, London, W.5.

  Made and printed in Great Britain by

  Hunt Barnard Printing Ltd., Aylesbury, Bucks.

  Scanned By CrazyAl, v1.0 2009

  This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.

  As MB would wish,

  this book is dedicated to those at Puowaina. Live on!

  dp

  If I cannot bend Heaven, I shall move Hell.

  —Virgil

  I would not attempt to command Heaven—but Hell I'll commandeer!

  —Mack Bolan

  Prologue

  A tall, unmoving silhouette in black stood at the' upper rim of the ancient crater known as the Punchbowl—officially, the National Memorial Cemetery of the Pacific, 'the battle monument to the nation's war dead. The Hawaiian word is Puowaina, translating literally as "Hill of Sacrifice."

  Mack Bolan knew a thing or two about sacrifice in warfare.

  Row upon row of stark white crosses marked the end of the trail for many other warriors who had made the ultimate sacrifice.

  Bolan's brothers lay there—thousands of them.

  He felt the movement of that place, identified with it, shivering lightly under the gently sighing wind that swept his face with the ghostly "hello" from thousands of dead young, men.

  "Live on," he replied quietly, and turned his gaze briefly to the light show below and afar—Pearl Harbor, Honolulu, Waikiki, finally Diamond Head looming as the natural horizon southward.

  Paradise, sure—for some.

  But not for Mack Bolan.

  All of Bolan's trails led to hell, with no detours through paradise. That was hellground down there, and that was all it could be. The enemy was there.

  Like ants at a picnic, they swarmed upon everything that was sacred, noble, or even good in the human experience—and there was much good to be looted from this youngest state of the union, this experiment in paradisiacal living.

  Bolan had met them, this enemy, in many other places. This was to be the 22nd major campaign of the war. He'd never expected to live through the first. The combat trail had led him to many cities, many regions—but somehow he'd never expected it to bring him here, to this garden island. It had. And he was here, simply because the enemy was here—in massive force.

  He'd come to the Punchbowl simply to commune awhile with his dead brothers, to say "hello" and "goodbye"—and perhaps to remind himself that Mack Bolan also lay there, in effect if not in fact.

  All that had held meaning to the life of Mack Bolan had indeed ceased to exist many hard battles ago—all that was left was the mission itself and the hardcase warrior whom the entire world had come to know as the Executioner.

  He lived only to kill

  Yeah. And what a hell of an excuse for life. Several times he had been tempted to check it in, to let it go, to resign the mission and life itself. It could be so easy ... so damn easy. Every cop in the Western world wanted his hide. The entire world of organized crime wanted his head—the bounties for which had now pyramided to a half-million bloody bucks. Sure, it would be easy. Just let go. Just relax the vigil, for so much as a heartbeat—and, yeah, that heart would never beat again.

  But it was also hard for Mack Bolan to die. There was a job to be done. He was probably the only man living who had even an outside chance to do that job. So, sure ... it was harder to die than to live.

  So whoever said that life was just for laughs?

  Life was, for living, and a guy lived the hand that was dealt him. Those men beneath those crosses down there—they'd lived their hand to the bitter end.

  Mack Bolan could do no less.

  "I consecrate you," he quietly told them, then the Executioner went down to meet the enemy.

  1: Aloha

  Every war has to begin somewhere. For the Hawaiian mob, it began at the plush apartment of Paul Angliano, the drug trade's chief distributor for the Waikiki district. It had been a lucrative territory, with daily receipts averaging in the fifty-thousand-dollar range. Even so, it was a small beginning for a raging war which would rock that entire island state.

  The Mafia boss of Waikiki was standing beside an open wall safe when the door exploded inward and Black Death strode into that room. Angliano had perhaps a single heartbeat to see what had come for him —and the final image recorded upon those doomed eyes could have been no more than a duplication of the same death image which had overhung and haunted the Mafia world from the beginning of Mack Bolan's personal war: a tall figure clad in black, a face chiselled from ice, a black pistol extended and silently chugging a pencil of flame—then a nasty red fountain erupted from between those shocked eyes and Paul John Angliano sloppily departed the world of men.

  A military medal clattered to the desk as the only other occupant of the room—one Joey Puli, a Polynesian—staggered clear of the falling body and raised both hands in a desperate stretch for survival.

  "Wait, wait!" Puli yelped, his horrified gaze bouncing from the remains of Angliano to another crumpled form which lay beyond the shattered doorway.

  "I'll need a reason to wait," the voice of death responded.

  "Hell, I—I don't even know the man!"

  "Not good enough, Joey." The Beretta coughed again, sending a quiet whistler zipping into the floor between the guy's feet.

  "Okay, okay!" Puli yelled, dancing backwards and coming to rest with his shoulders pressed to the wall. The devil in black had called his name. It was clearly no time fo
r cute games. His life hung on a heartbeat, and Joey Puli knew it.

  "I'm listening," said cold Judgment.

  "Okay, I work here," Puli admitted weakly. "Messenger."

  "Runner," Bolan corrected him.

  "Sure, yeah. I pick up things and deliver things."

  The death gaze flicked to the military medal that lay on the desk. "Pick that up and deliver it, then," the icy voice commanded.

  A grin engulfed the terror of the runner's face as he replied, "Sure, man. Anything you say. Who gets it?"

  "Oliveras gets it."

  The grin shrank. "I'm not sure I know-?'

  "You know," Bolan told him. "And I'll know when he gets it. If he doesn't get it, Joey, then it's yours to die with."

  "He'll get it," the guy said in a choked voice. "Take off," Bolan quietly commanded.

  Puli snatched the medal from the desk and bolted from the room. Bolan went immediately to the wall safe and transferred its contents to his pouch—then lost no time getting out of there himself.

  Minutes later the Executioner was at a darkened window of a high-rise hotel near Ala Wai Harbor. It was a carefully pre-selected "fire base" with an unobstructed view of another high-rise building far down the beach. A gleaming Weatherby Mark IV mounted in a swivel tripod shared, that window with the marksman. The impressive weapon was equipped with a 20-power scope, a Startron model especially designed for night targeting. In the scope's field of vision, another window was framed—nearly a thousand meters downrange. This one was brightly lighted and revealed one half of a sizable room—a luxury pad, even for Waikiki. Nothing human was moving through that field of vision, however, as Bolan checked and double-checked the calibrated range marks of the crosshairs. He grunted with satisfaction, doggedly ran another calculation on the trajectory graph which had been laboriously set up for this mission, then he checked once again the lateral stops on the swivel mount.

  Finally, fully satisfied with his preparations, Bolan bent once again to the eyepiece of the scope and patiently waited.

  That was the name of the game now. Wait. For targets.

  The whole thing now depended entirely upon Joey Puli.

  The object of Bolan's concern was at that moment checking in to the swank diggings of Frank Oliveras, the reputed heroin king of the islands. "Listen," he reported urgently into the house phone, "this is Joey Puli. You know. Angliano. Listen—he just got smeared. Know what I mean? I got to see Mr. Oliveras damn quick. His life might depend on it."

  Puli smirked at the security man and handed the telephone to him. A moment later he was passed through to the elevator to begin the quick ascent to the upper levels. Both hands in his pockets, the little runner mentally rehearsed his speech to the great man while nervously fingering the outlines of the military medal.

  He stepped from the elevator and into the rough hands of a reception committee, by whom he was frisked, then unceremoniously led into the apartment and shoved onto a chair in a small reception hall. The men promptly withdrew, leaving him there alone. The room was a mere cubicle, windowless, with a massive door at either end. The hard chair on which he sat was the only piece of furniture. A heavy mirror was set into the wall opposite the chair. Puli gazed into the mirror, then quickly averted his eyes as a chill seized the nape of his neck with some instinctive awareness that eyes other than his own were staring back at him from that "mirror." He fidgeted, lit a cigarette, put it out, returned both hands to his pockets —then, on impulse, he produced the medal and began examining it.

  Immediately, the inner door opened and two stony-faced men entered. Torpedoes, these—it was stamped all over them.

  Puli was roughly frisked again and one of the Men snatched the medal.

  "Hey, wait," the islander complained weakly, "That's for—"

  "What's your name again?" asked the one who had taken the medal.

  "Puli, Joey. I work for—I worked for--"

  "What do you want here?"

  "I got to see Mr. Oliveras. It's okay, I'm connected.

  I worked for Angliano. That's what I got to see Mr. Oliveras about. Angles is dead."

  "So what?"

  Puli's gaze shifted nervously between the two men. "So I was there, that's so what. The guy blasted his head away." Uncomfortable eyes fell to the bull's-eye cross which was resting on the torpedo's palm. "He left that behind."

  The men exchanged glances. The one with the medal said, "He left you, too."

  "Yeah," Puli said, shuddering.

  "Why?"

  The little guy shuddered again. "I guess he figured I wasn't worth the price of a bullet."

  The silent torpedo snickered coldly. The other said, "Baby-sit him, Charley," and departed.

  "Sit down," the other sneered.

  Puli returned to the chair.

  A full minute passed—a very uncomfortable minute for Joey Puli, under the glassy gaze of his "baby sitter." Then the voice of the other man came from a speaker concealed somewhere in the wall: "Charley. Meet us in the office."

  The visitor was escorted through a succession of darkened rooms, across a small garden-terrace patio, and into "the office." It was a large, oblong room with two entire walls of glass, obviously situated at the corner of the building, providing a spectacular view of both the beach area and the open sea. A huge mahogany desk was set across the corner, between the windows. Someone was seated at that desk, but Puli was looking directly into the bright glow of a desk lamp which was angled his way, and he could see only an indistinct form back there.

  A rasping voice from that direction asked, "What'd you say your name was?"

  "Joey Puli. Are you Mr. Oliveras?"

  "Shut up!"

  "Yessir."

  "You just tell what I ask you."

  "Yessir."

  "What's this about Angliano?"

  "He's dead."

  "Why?"

  Puli continued to gaze stoically into the blinding lamp as he explained, "I'd just brought in the evening receipts. Mr. Angliano was putting them in the safe when this guy came busting in. He was a—God, I don't know how to describe him. He wasn't no street-corner junkie, that's for sure. Big tall guy. Black gun with a silencer—and he sure knew what to do with it. Come to think, he was black all over. I mean, his clothes and everything, not his skin. White man. Didn't say anything, just raised that black gun and put a bullet between Mr. Angliano's eyes. Then he threw that medal on the desk and turned the gun on me. I talked him out of it. But he got Tommy Dragon before he came in—I mean, into the office. Tommy was on door duty. I saw him laying there with his brains oozing out, and I knew right away this guy was kill crazy. Anyway, I just cooled it, and—"

  "What kind of medal, Joey?" the man at the desk rasped.

  "Some kind of soldier's medal. The guy took it away from me, the guy that—"

  "A marksman's medal."

  "Is that what it is?"

  "You didn't know that?"

  "No sir, I never was in the army. I don't know—"

  "Who'd this guy say he was?"

  "What guy? You mean the guy that took it or—" "Dummy! You're a dummy!"

  "Sir?" Things were getting out of hand. Joey Puli was beginning to sweat. This was crazy. These people were pure crazy.

  "Did you really expect to get away with this kind of shit?"

  "What? Aw no, no! You got me wrong, Mr. Oliveras! I'm giving you this straight on the level! What d'you think I did? You think I did this myself and just made up a story? You think I'd come here after I done something like that?"

  "Shut up!"

  "Well, I just—"

  Someone stepped up from the rear and slapped Puli with an open hand across the back of his head. The runner caught his breath and closed his mouth with a snap.

  The rasping voice from the desk was telling him, "You know how many times this has been tried, dummy? You know how many punks have tried cashing in on this guy's reputation? You think we just automatically start shaking and shitting if somebody just says the guy'
s in town? What do you take us for? You must take me for some—shit, you don't even think you have to mention the name! You just come dancing in here with this goddam piece of junk in your hand, and I'm gonna kiss you like a hero!"

  "What name?" Puli moaned. "I don't know what you're talking about! The guy came in and shot up the joint! He gave me the damned medal and told me to bring it here! That's all I know!"

  "You're a punk! So now you're saying he told you to bring it here!"

  "Yessir, I thought I said that already. I didn't want —listen, I was scared to come here. But the guy said it was my only out. He said I either bring the thing here and give it to you or I die with it myself. I don't even know what's going on, I swear."

  "This so-called guy says you're to bring it to me? By name, he says me?"

  "If you're Mr. Oliveras, yessir, that's right. He says you."

  "Who'd he say he was?"

  "God, sir, he didn't say. He acted like he didn't need to say. He just says I should take it to Oliveras or die with it myself."

  "Yourself?"

  "Yessir."

  "You mean, like, instead of myself!"

  "Well . . . maybe. I don't r'member. God, look, I'm standing there in Mr. Angliano's brains. The guy turns the gun on me." The little runner was beginning to crumble under the strain. His eyes rolled as he continued, "Hey, God, you gotta see this guy to believe him. I was scared shit! I mean I never been so scared in my life! You gotta see this guy! You never saw such eyes! And cold—listen, that guy was solid ice. He—"

  “Big guy, you say?" asked a calm voice behind him It was the torpedo who'd taken the medal.

  Puli half-turned to the sound of that voice as he replied, "Yessir, very tall. Big, but not fat. I mean—across the shoulders, the chest—powerful, big, but—and all dressed in black. Eyes like . like . . ."

  A heavy sigh came from the desk to punctuate Puli's awed search for words. "What do you think, Oscar?" Oliveras rasped.