“My friend never committed a murder in his life, Splitters, so he won’t dramatize on that score; but he’s been accused of one; and he’s as innocent as you are, who never murdered any thing in your life but Lindley Murray4 and the language of your country.”
“Who’s been murdering somebody?” said the domino-player, passing his left hand through his hair, till his chevelure resembled a turk’s-head broom. “Who’s murdered? I wish everybody was; and that I could dance my favourite dance upon their graves. Blow that double-six; he’s the fellow I ought to play.”
“Perhaps you’ll give us your auburn-haired friend’s name, Darley,” said a gentleman with his mouth full of Welsh rarebit; “he doesn’t seem too brilliant to live; he’d better have gone to the ‘Deadly Livelies,’ in the other street.” The “Deadly Livelies” was the sobriquet of a rival club, which plumed itself on being a cut above the Cherokees. “Who’s dead?” muttered the domino-player. “I wish everybody was, and that I was contracted with to bury ’em cheap. I should have won the game,” he added plaintively, “if I could have picked up that double-six.”
“I suppose your friend wants to be Vice at our next meeting,” said the gentleman with the billiard-cue; who, in default of a row, always complained that the assembly was too quiet for him.
“It wouldn’t be the first time if he were Vice, and it wouldn’t be the first time if you made him Chair,” said Gus. “Come, old fellow, tell them you’re come back, and ask them if they’re glad to see you?”
The red-haired gentleman at this sprang to his feet, threw off the rosy locks and the ferocious whiskers, and looked round at the Cherokees with his hands in his pockets.
“Daredevil Dick!” A shout arose—one brief wild huzza, such as had not been heard in that room—which, as we know, was none of the quietest—within the memory of the oldest Cherokee. Daredevil Dick—escaped—come back—as handsome as ever—as jolly as ever—as glorious a fellow—as thoroughgoing a brick—as noble-hearted a trump as eight years ago, when he had been the life and soul of all of them! such shaking of hands; everybody shaking hands with him again and again, and then everybody shaking hands with everybody else; and the billiard-player wiping his eyes with his cue; and the sleepy gentleman waking up and rubbing the mustard into his drowsy optics; and the domino-player, who, though he execrates all mankind, wouldn’t hurt the tiniest wing of the tiniest fly, even he makes a miraculous effort, picks up the double-six, and magnanimously presents it to Richard.
“Take it—take it, old fellow, and may it make you happy! If I’d played that domino, I should have won the game.” Upon which he executed two or three steps of a Cherokee dance, and relapsed into the aforesaid imbecile imprecations, in mixed French and English, on the inhabitants of a world not capable of appreciating him.
It was a long time before anything like quiet could be restored; but when it was, Richard addressed the meeting.
“Gentlemen, before the unfortunate circumstance which has so long separated us, you knew me, I believe, well, and I am proud to think you esteemed and trusted me.”
Did they? Oh, rather. They jingled all the glasses, and broke three in the enthusiastic protestation of an affirmative.
“I need not allude to the unhappy accusation of which I have been the victim. You are, I understand, acquainted with the full particulars of my miserable story, and you render me happy by thinking me to be innocent.”
By thinking him to be innocent? By knowing him to be innocent! They are so indignant at the bare thought of anybody believing otherwise, that somebody in the doorway, the Smasher himself, growls out something about a—forcible adjective—noise, and the police.
“Gentlemen, I have this day regained my liberty; thanks to the exertions of a person to whom I am also indebted for my life, and thanks also to the assistance of my old friend Gus Darley.”
Everybody here insisted on shaking hands over again with Gus, which was rather a hindrance to the speaker’s progress; but at last Richard went on,—
“Now, gentlemen, relying on your friendship” (hear, hear! and another glass broken), “I am about to appeal to you to assist me in the future object of my life. That object will be to discover the real murderer of my uncle, Montague Harding. In what manner, when, or where you may be able to assist me in this, I cannot at present say, but you are all, gentlemen, men of talent.” (More glasses broken, and a good deal of beer spilt into everybody’s boots.) “You are all men of varied experience, of inexhaustible knowledge of the world, and of the life of London. Strange things happen every day of our lives. Who shall say that some one amongst you may not fall, by some strange accident, or let me say rather by the handiwork of Providence, across a clue to this at present entirely unravelled mystery? Promise me, therefore, gentlemen, to give me the benefit of your experience; and whenever that experience throws you into the haunts of bad men, remember that the man I seek may, by some remote chance, be amongst them; and that to find him is the one object of my life. I cannot give you the faintest index to what he may be, or who he may be. He may be dead, and beyond the reach of justice—but he may live! and if he does, Heaven grant that the man who has suffered the stigma of his guilt may track him to his doom. Gentlemen, tell me that your hearts go with me.”
They told him so, not once, but a dozen times; shaking hands with him, and pushing divers liquors into his hand every time. But they got over it at last, and the gentleman with the billiard-cue rapped their heads with that instrument to tranquillize them, and then rose as president, and said,—
“Richard Marwood, our hearts go with you, thoroughly and entirely, and we swear to give you the best powers of our intellects and the utmost strength of our abilities to aid you in your search. Gentlemen, are you prepared to subscribe to this oath?”
They were prepared to subscribe to it, and they did subscribe to it, every one of them—rather noisily, but very heartily.
When they had done so, a gentleman emerges from the shadow of the doorway, who is no other than the illustrious Left-handed one, who had come upstairs in answer to Darley’s summons, just before Richard addressed the Cherokees. The Smasher was not a handsome man. His nose had been broken a good many times, and that hadn’t improved him; he had a considerable number of scars about his face, including almost every known variety of cut, and they didn’t improve him. His complexion, again, bore perhaps too close a resemblance to mottled soap to come within the region of the beautiful; but he had a fine and manly expression of countenance, which, in his amiable moments, reminded the beholder of a benevolent bulldog.
He came up to Richard, and took him by the hand. It was no small ordeal of courage to shake hands with the Left-handed Smasher, but Daredevil Dick stood it like a man.
“Mr. Richard Marwood,” said he, “you’ve been a good friend to me, ever since you was old enough—” he stopped here, and cast about in his mind for the fitting pursuits of early youth—“ever since you was old enough to give a cove a black eye, or knock your friend’s teeth down his throat with a light backhander. I’ve known you down stairs, a-swearin’ at the barmaid, and holdin’ your own agin the whole lot of the Cheerfuls, when other young gents of your age was a-makin’ themselves bad with sweetstuffs and green apples, and callin’ it life. I’ve known you help that gent yonder,” he gave a jerk with his thumb in the direction of the domino-player, “to wrench off his own pa’s knocker, and send it to him by twopenny post next mornin’, seventeen and sixpence to pay postage; but I never know’d you to do a bad action, or to hit out upon a cove as was down.”
Richard thanked the Smasher for his good opinion, and they shook hands again.
“I’ll tell you what it is,” continued the host, “I’m a man of few words. If a cove offends me, I give him my left between his eyes, playful; if he does it agen, I give him my left agen, with a meanin’, and he don’t repeat it. If a gent as I like does me proud, I feels grateful, and when I has a chance I shows him my gratitude. Mr. Richard Marwood, I’m your friend to
the last spoonful of my claret; and let the man as murdered your uncle keep clear of my left mawley,5 if he wants to preserve his beauty.”
CHAPTER VI
MR. PETERS RELATES HOW HE THOUGHT HE HAD A CLUE, AND HOW HE LOST IT
A week after the meeting of the Cherokees Richard Marwood received his mother, in a small furnished house he had taken in Spring Gardens. Mrs. Marwood, possessed of the entire fortune of her murdered brother, was a very rich woman. Of her large income she had, during the eight years of her son’s imprisonment, spent scarcely anything; as, encouraged by Mr. Joseph Peters’s mysterious hints and vague promises, she had looked forward to the deliverance of her beloved and only child. The hour had come. She held him in her arms again, free.
“No, mother, no,” he says, “not free. Free from the prison walls, but not free from the stain of the false accusation. Not till the hour when all England declares my innocence shall I be indeed a free man. Why, look you, mother, I cannot go out of this room into yonder street without such a disguise as a murderer himself might wear, for fear some Slopperton official should recognise the features of the lunatic criminal, and send me back to my cell at the asylum.”
“My darling boy,” she lays her hands upon his shoulders, and looks proudly into his handsome face, “my darling boy, these people at Slopperton think you dead. See,” she touched her black dress as she spoke, “it is for you I wear this. A painful deception, Richard, even for such an object. I cannot bear to think of that river, and of what might have been.”
“Dear mother, I have been saved, perhaps, that I may make some atonement for that reckless, wicked past.”
“Only reckless, Richard; never wicked. You had always the same noble heart, always the same generous soul; you were always my dear and only son.”
“You remember what the young man says in the play, mother, when he gets into a scrape through neglecting his garden and making love to his master’s daughter—‘You shall be proud of your son yet.’ ”
“I shall be proud of you, Richard. I am proud of you. We are rich; and wealth is power. Justice shall be done you yet, my darling boy. You have friends——”
“Yes, mother, good and true ones. Peters—you brought him with you?”
“Yes; I persuaded him to resign his situation. I have settled a hundred a year on him for life—a poor return for what he has done, Richard; but it was all I could induce him to accept, and he only agreed to take that on condition that every moment of his life should be devoted to your service.”
“Is he in the house now, mother?”
“Yes, he is below; I will ring for him.”
“Do, mother. I must go over to Darley, and take him with me. You must not think me an inattentive or neglectful son; but remember that my life has but one business till that man is found.”
He wrung her hand, and left her standing at the window watching his receding figure through the quiet dusky street.
Her gratitude to Heaven for his restoration is deep and heartfelt; but there is a shade of sadness in her face as she looks out into the twilight after him, and thinks of the eight wasted years of his youth, and of his bright manhood now spent on a chimera; for she thinks he will never find the murderer of his uncle. How, after eight years, without one clue by which to trace him, how can he hope to track the real criminal?
But Heaven is above us all, Agnes Marwood; and in the dark and winding paths of life light sometimes comes when and whence we least expect it.
If you go straight across Blackfriars Bridge, and do not suffer yourself to be beguiled either by the attractions of that fashionable transpontine1 lounge, the “New Cut,” or by the eloquence of the last celebrity at that circular chapel some time sacred to Rowland Hill2—if you are not a man to be led away by whelks and other piscatorial delicacies, second-hand furniture, birds and bird-cages, or easy shaving, you may ultimately reach, at the inland end of the road, a locality known to the inhabitants of the district of Friar Street. Whether, in any dark period of our ecclesiastical history, the members of the mother church were ever reduced to the necessity of living in this neighbourhood I am not prepared to say. But if ever any of the magnates of the Catholic faith did hang out in this direction, it is to be hoped that the odours from the soap-boiler’s round the corner, the rich essences from the tallow manufactory over the way, the varied perfumes from the establishment of the gentleman who does a thousand pounds a week in size, to say nothing of such minor and domestic effluvia as are represented by an amalgamation of red herrings, damp corduroy, old boots, onions, washing, a chimney on fire, dead cats, bad eggs, and an open drain or two—it is to be hoped, I say, that these conflicting scents did not pervade the breezes of Friar Street so strongly in the good old times as they do in these our later days of luxury and refinement.
Mr. Darley’s establishment, ordinarily spoken of as the surgery parexcellence, was perhaps one of the most pretending features of the street. It asserted itself, in fact, with such a redundancy of gilt letters and gas burners, that it seemed to say, “Really now, you must be ill; or if you’re not, you ought to be.” It was not a very large house, this establishment of Mr. Darley’s, but there were at least half-a-dozen bells on the doorpost. There was Surgery; then there was Day and Night (Gus wanted to have Morning and Afternoon, but somebody told him it wasn’t professional); then there was besides surgery, day, and night bells, another brilliant brass knob, inscribed “Visitors,” and a ditto ditto, whereon was engraved “Shop.” Though, as there was only one small back-parlour beyond the shop into which visitors ever penetrated, and as it was the custom for all such visitors to walk straight through the aforesaid shop into the aforesaid parlour without availing themselves of any bell whatever, the brass knobs were looked upon rather in the light of a conventionality than a convenience.
But Gus said they looked like business, especially when they were clean, which wasn’t always, as a couple of American gentlemen, friends of Darley’s, were in the habit of squirting tobacco-juice at them from the other side of the way, in the dusky twilight; the man who hit the brass oftenest out of six times to be the winner, and the loser to stand beer all the evening—that is to say, until some indefinite time on the following morning, for Darley’s parties seldom broke up very early; and to let the visitors out and take the morning milk in was often a simultaneous proceeding in the household of our young surgeon.
If he had been a surgeon only, he would surely have been a Sir Benjamin Brodie;3 for when it is taken into account that he could play the piano, organ, guitar, and violoncello, without having learned any of those instruments; that he could write a song, and compose the melody to it; that he could draw horses and dogs after Herring4 and Landseer;5 make more puns in one sentence than any burlesque writer living; make love to half-a-dozen women at once, and be believed by every one of them; sing a comic song, or tell a funny story; name the winner of the Derby safer than any prophet on that side of the water; and make his book for the Leger with one hand while he wrote a prescription with the other; the discriminating reader will allow that there was a good deal of some sort of talent or other in the composition of Mr. Augustus Darley.
In the twilight of this particular autumn evening he is busily engaged putting up a heap of little packets labelled “Best Epsom Salts,” while his assistant, a very small youth, of a far more elderly appearance than his master, lights the gas. The half-glass door that communicates with the little back-parlour is ajar, and Gus is talking to some one within.
“If I go over the water to-night, Bell—” he says.
A feminine voice from within interrupts him—“But you won’t go to-night, Gus; the last time you went to that horrid Smasher’s, Mrs. Tompkins’s little boy was ill, and they sent into the London Road for Mr. Parker. And you are such a favourite with everybody, dear, that they say if you’d only stay at home always, you’d have the best practice in the neighbourhood.”
“But, Bell, how can a fellow stay at home night after night, and perhaps half his
time only sell a penn’orth of salts or a poor man’s plaster? If they’d be ill,” he added, almost savagely, “I wouldn’t mind stopping in; there’s some interest in that. Or if they’d come and have their teeth drawn; but they never will: and I’m sure I sell ’em our Infallible Anti-toothache Tincture; and if that don’t make ’em have their teeth out, nothing will.”
“Come and have your tea, Gus; and tell Snix to bring his basin.”
Snix was the boy, who forthwith drew from a cupboard under the counter the identical basin into which, when a drunken man was brought into the shop, Gus usually bled him, with a double view of obtaining practice in his art and bringing the patient back to consciousness.
The feminine occupant of the parlour is a young lady with dark hair and grey eyes, and something under twenty years of age. She is Augustus Darley’s only sister; she keeps his house, and in an emergency she can make up a prescription—nay, has been known to draw a juvenile patient’s first tooth, and give him his money back after the operation for the purchase of consolatory sweetstuffs.
Perhaps Isabel Darley is just a little what very prim young ladies, who have never passed the confines of the boarding-school or the drawing-room, might call “fast.” But when it is taken into consideration that she was left an orphan at an early age, that she never went to school in her life, and that she has for a very considerable period been in the habit of associating with her brother’s friends, chiefly members of the Cherokee Society, it is not so much to be wondered at that she is a little more masculine in her attainments, and “go-ahead” in her opinions, than some others of her sex.
The parlour is small, as has before been stated. One of the Cherokees has been known to suggest, when there were several visitors present and the time arrived for their departure, that they should be taken out singly with a corkscrew. Other Cherokees, arriving after the room had been filled with visitors, had been heard to advise that somebody should go in first with a candle, to ascertain whether vitality could be sustained in the atmosphere. Perhaps the accommodation was not extended by the character of the furniture, which consisted of a cottage piano, a chair for the purposes of dental surgery, a small Corinthian column supporting a basin with a metal plug and chain useful for like purposes; also a violoncello in the corner, a hanging bookshelf—(which was a torture to tall Cherokees, as one touch from a manly head would tilt down the shelves and shower the contents of Mr. Darley’s library on the head in question, like a literary waterfall)—and a good-sized sofa, with that unmistakable well, and hard back and arms, which distinguish the genus sofa-bedstead. Of course tables, chairs, china ornaments, a plaster-of-Paris bust here and there, caricatures on the walls, a lamp that wouldn’t burn, and a patent arrangement for the manufacture of toasted cheese, are trifles in the way of furniture not worth naming. Miss Darley’s birds, again, though they did spill seed and water into the eyes of unoffending visitors, and drop lumps of dirty sugar sharply down upon the noses of the same, could not of course be considered a nuisance; but certainly the compound surgery and back-parlour in the mansion of Augustus Darley was, to say the least, a little too full of furniture.
The Trail of the Serpent Page 27
