While Isabel is pouring out the tea, two gentlemen open the shop door, and the bell attached thereto, which should ring but doesn’t, catching in the foremost visitor’s foot, nearly precipitates him headlong into the emporium of the disciple of Esculapius. This foremost visitor is no other than Mr. Peters, and the tall figure behind him, wrapped in a greatcoat, is Daredevil Dick.
“Here I am, Gus!” he cries out, in his own bold hearty voice; “here I am; found your place at last, in spite of the fascinations of half the stale shell-fish in the United Kingdom. Here I am; and here’s the best friend I have in the world, not even excepting yourself, old fellow.”
Gus introduces Richard to his sister Isabel, who has been taught from her childhood to look upon the young man shut up in a lunatic asylum down at Slopperton as the greatest hero, next to Napoleon Buonaparte, that ever the world had boasted. She was a little girl of eleven years old at the time of Dick’s trial, and had never seen her wild brother’s wilder companion; and she looks up now at the dark handsome face with a glance of almost reverence in her deep gray eyes. But Bell is by no means a heroine; and she has a dozen unheroine-like occupations. She has the tea to pour out, and in her nervous excitement she scalds Richard’s fingers, drops the sugar into the slop-basin, and pours all the milk into one cup of tea. What she would have done without the assistance of Mr. Peters, it is impossible to say; for that gentleman showed himself the very genius of order; cut thin bread-and-butter enough for half-a-dozen, which not one of the party touched; re-filled the teapot before it was empty; lit the gas-lamp which hung from the ceiling; shut the door which communicated with the shop and the other door which led on to the staircase; and did all so quietly that nobody knew he was doing anything.
Poor Richard! In spite of the gratitude and happiness he feels in his release, there is a gloom upon his brow and an abstraction in his manner, which he tries in vain to shake off.
A small, round, chubby individual, who might be twelve or twenty, according to the notions of the person estimating her age, removed the tea-tray, and in so doing broke a saucer. Gus looked up. “She always does it,” he said, mildly. “We’re getting quite accustomed to the sound. It rather reduces our stock of china, and we sometimes are obliged to send out to buy tea-things before we can have any breakfast; but she’s a good girl, and she doesn’t steal the honey, or the jujubes,6 or the tartaric acid7 out of the seidlitz-powders,8 as the other one did; not that I minded that much,” he continued; “but she couldn’t read, and she sometimes filled up the papers with arsenic for fear of being found out; and that might have been inconvenient, if we’d ever happened to sell them.”
“Now, Gus,” said Richard, as he drew his chair up to the fireplace and lit his pipe—permission being awarded by Bell, who lived in one perpetual atmosphere of tobacco-smoke—“now, Gus, I want Peters to tell you all about this affair; how it was he thought me innocent; how he hit upon the plan he formed for saving my neck; how he tried to cast about and find a clue to the real murderer; how he thought he had found a clue, and how he lost it.”
“Shall my sister stop while he tells the story?” asked Gus.
“She is your sister, Gus,” answered Richard. “She cannot be so unlike you as not to be a true and pitying friend to me. Miss Darley,” he continued, turning towards her as he spoke, “you do not think me quite so bad a fellow as the world has made me out; you would like to see me righted, and my name freed from the stain of a vile crime?”
“Mr. Marwood,” the girl answered, in an earnest voice, “I have heard your sad story again and again from my brother’s lips. Had you too been my brother, I could not, believe me, have felt a deeper interest in your fate, or a truer sorrow for your misfortunes. It needs but to look into your face, or hear your voice, to know how little you deserve the imputation that has been cast upon you.”
Richard rises and gives her his hand. No languid and lady-like pressure, such as would not brush the down off a butterfly’s wing, but an honest hearty grasp, that comes straight from the heart.
“And now for Mr. Peters’s story,” said Gus, “while I brew a jugful of whisky-punch.”
“You can follow his hands, Gus?” asks Richard.
“Every twist and turn of them. He and I had many a confab about you, old fellow, before we went out fishing,” said Gus, looking up from the pleasing occupation of peeling a lemon.
“Now for it, then,” said Richard; and Mr. Peters accordingly began.
Perhaps, considering his retiring from the Slopperton police force a great event, not to say a crisis, in his life, Mr. Peters had celebrated it by another event; and, taking the tide of his affairs at the flood, had availed himself of the water to wash his hands with. At any rate, the digital alphabet was a great deal cleaner than when, eight years ago, he spelt out the two words, “Not guilty,” in the railway carriage.
There was something very strange to a looker-on in the little party, Gus, Richard, and Bell, all with earnest eyes fixed on the active fingers of the detective—the silence only broken by some exclamation at intervals from one of the three.
“When first I see this young gent,” say the fingers, as Mr. Peters designates Richard with a jerk of his elbow, “I was a-standin’ on the other side of the way, a-waitin’ till my superior, Jinks, as was as much up to his business as a kitting,”—(Mr. Peters has rather what we may call a fancy style of orthography, and takes the final g off some words to clap it on to others, as his taste dictates)—“a-waitin,’ I say, till Jinks should want my assistance. Well, gents all—beggin’ the lady’s parding, as sits up so manly, with none of yer faintin’ nor ’steriky9 games, as I a’most forgot she was a lady—no sooner did I clap eyes upon Mr. Marwood here, a-smokin’ his pipe, in Jinks’s face, and a-answerin’ him sharp, and a-behavin’ what you may call altogether cocky, than I says to myself, ‘They’ve got the wrong un. My fust words and my last about this ’ere gent, was, ‘They’ve got the wrong un.’ ”
Mr. Peters looked round at the attentive party with a glance of triumph, rubbed his hands by way of a full-stop, and went on with his manual recital.
“For why?” said the fingers, interrogatively, “for why did I think as this ’ere gent was no good for this ’ere murder; for why did I think them chaps at Slopperton had got on the wrong scent? Because he was cheeky? Lor’ bless your precious eyes, miss” (by way of gallantry he addresses himself here to Isabel), “not a bit of it! When a cove goes and cuts another cove’s throat off-hand, it ain’t likely he ain’t prepared to cheek a police-officer. But when I reckoned up this young gent’s face, what was it I see? Why, as plain as I see his nose and his moustachios—and he ain’t bad off for neither of them,” said the fingers, parenthetically—“I see that he hadn’t done it. Now, a cove what’s screwed up to face a judge and jury, maybe can face ’em, and never change a line of his mug; but there isn’t a cove as lives as can stand that first tap of a detective’s hand upon his shoulder as tells him, plain as words, ‘The game is up.’ The best of ’em, and the pluckiest of ’em, drops under that. If they keeps the colour in their face—which some of ’em has got the power to do, and none as never tried it on can guess the pain—if they can do that ’ere, the perspiration breaks out wet and cold upon their for’eds, and that blows ’em. But this young gent—he was took aback, he was surprised, and he was riled, and used bad language; but his colour never changed, and he wasn’t once knocked over till Jinks, unbusiness-like, told him of his uncle’s murder, when he turned as white as that ’ere ’ed of Bon-er-part.” Mr. Peters, for want of a better comparison, glanced in the direction of a bust of the victor of Marengo,10 which, what with tobacco-smoke and a ferocious pair of burnt cork moustachios, was by no means the whitest object in creation.
“Now, what a detective officer’s good at, if he’s worth his salt, is this ’ere: when he sees two here and another two there, he can put ’em together, though they might be a mile apart to anybody not up to the trade, and make ’em into four. So, thinks I, the
gent isn’t took aback at bein’ arrested; but he is took aback when he hears as how his uncle’s murdered. Now, if he’d committed the murder, he’d know of it; and he might sham surprise, but he wouldn’t be surprised; and this young gent was knocked all of a heap as genuine as—” Mr. Peters’s ideas still revert to the bust of Napoleon—“as ever that ’ere forring cove was, when he sees his old guard scrunched up small at the battle of Waterloo.”
“Heaven knows, Peters,” said Richard, taking his pipe out of his mouth, and looking up from his stooping position over the fire, “Heaven knows you were right; I did feel my heart turn cold when I heard of that good man’s death.”
“Well, that they’d got the wrong un I saw was as clear as daylight—but where was the right un? That was the question. Whoever committed the murder did it for the money in that ’ere cabinet: and sold agen they was, whoever they was, and didn’t get the money. Who was in the house? This young gent’s mother and the servant. I was nobody in the Gardenford force, and I was less than nobody at Slopperton; so get into that house at the Black Mill I couldn’t. This young gent was walked off to jail and I was sent about my business—my orders bein’ to be back in Gardenford that evenin’, leavin’ Slopperton by the three-thirty train. Well, I was a little cut up about this young gent; for I seed that the case was dead agen him; the money in his pocket—the blood on his sleeve—a cock-and-a-bull story of a letter of introduction, and a very evident attempt at a bolt—only enough to hang him, that’s all; and, for all that, I had a inward conwiction that he was as hinnercent of the murder as that ’ere plaster-of-Paris stattur.” Mr. Peters goes regularly to the bust for comparisons, by way of saving time and trouble in casting about for fresh ones.
“But my orders,” continued the fingers, “was positive, so I goes down to the station to start by the three-thirty; and as I walks into the station-yard, I hears the whistle, and sees the train go. I was too late; and as the next train didn’t start for near upon three hours, I thought I’d take a stroll and ’av a look at the beauties of Slopperton. Well, I strolls on, promiscuous like, till I comes to the side of a jolly dirty-looking river; and as by this time I feels a little dry, I walks on, lookin’ about for a public; but ne’er a one do I see, till I almost tumbles into a dingy little place, as looked as if it did about half-a-pint a-day reg’lar, when business was brisk. But in I walks, past the bar; and straight afore me I sees a door as leads into the parlour. The passage was jolly dark; and this ’ere door was ajar; and inside I hears voices. Well, you see, business is business, and pleasure is pleasure; but when a cove takes a pleasure in his business, he gets a way of lettin’ his business habits come out unbeknownst when he’s takin’ his pleasure: so I listens. Now, the voice I heerd fust was a man’s voice; and, though the place was a sort of crib such as nobody but navvies or such-like would be in the habit of going to, this ’ere was the voice of a gentleman. I can’t say as I ever paid much attention to grammar myself, though I daresay it’s very pleasant and amusin’ when you enter into it; but, for all that, I’d knocked about in the world long enough to know a gent’s way of speakin’ from a navvy’s, as well as I know’d one tune on the accordion from another tune. It was a nice, soft-spoken voice too, and quite melodious and pleasant to listen to; but it was a-sayin’ some of the cruelest and hardest words as ever was spoke to a woman yet by any creature with the cheek to call hisself a man. You’re not much good, my friend, says I, with your lardy-dardy ways and your cold-blooded words, whoever you are. You’re a thin chap, with light hair and white hands, I know, though I’ve never seen you; and there’s very little in the way of wickedness that you wouldn’t be up to on a push. Now, just as I was a-thinkin’ this, he said somethin’ that sent the blood up into my face as hot as fire—‘I expected a sum of money, and I’ve been disappointed of it,’ he said; and before the girl he was a-talkin’ to could open her lips, he caught her up sudden—‘Never you mind how,’ he says, ‘never you mind how.’
“He expected a sum of money, and he’d been disappointed of it! So had the man who had murdered this young gent’s uncle.
“Not much in this, perhaps. But why was he so frightened at the thoughts of her asking him how he expected the money, and how he’d bin disappointed? There it got fishy. At any rate, says I to myself, I’ll have a look at you, my friend; so in I walks, very quiet and quite unbeknownst. He was a-sittin’ with his back to the door, and the young woman he was a-talkin’ to was standin’ lookin’ out of the winder; so neither of ’em saw me. He was buildin’ up some cards into a ’ouse, and had got ’em up very high, when I laid my hand upon his shoulder sudden. He turned round and looked at me.” Mr. Peters here paused, and looked round at the little group, who sat watching his fingers with breathless attention. He had evidently come to a point in his narrative.
“Now, what did I see in his face when he looked at me? Why, the very same look that I missed in the face of this young gent when Jinks took him in the mornin’. The very same look that I’d seen in a many faces, and never know’d it differ, whether it came one way or another, always bein’ the same look at bottom—the look of a man as is guilty of what will hang him and thinks that he’s found out. But as you can’t give looks in as evidence, this wasn’t no good in a practical way; but I says to myself, if ever there was anything certain in this world since it was begun, I’ve come across the right un: so I sits down and takes up a newspaper. I signified to him that I was dumb, and he took it for granted that I was deaf as well—which was one of those stupid mistakes your clever chaps sometimes fall into—so he went on a-talking to the girl.
“Well, it was a old story enough, what him and the girl was talkin’ of; but every word he said made him out a more cold-blooded villain than the last.
“Presently he offered her some money—four sovereigns. She served him as he ought to have been served, and threw them every one slap in his face. One cut him over the eye; and I was glad of it. ‘You’re marked, my man,’ thinks I, ‘and nothin’ could be handier agen I want you.’ He picked up three of the sovereigns, but for all he could do he couldn’t find the fourth. So he had the cut (which was a jolly deep un) plastered up, and he went away. She stared at the river uncommon hard, and then she went away. Now I didn’t much like the look she gave the river, so as I had about half an hour to spare before the train started, I followed her. I think she knew it; for presently she turned short off into a little street, and when I turned into it after her she wasn’t to be seen right or left.
“Well, I had but half an hour, so I thought it was no use chasin’ this unfortunate young creature through all the twistings and turnings of the back slums of Slopperton; so after a few minutes’ consideration, I walked straight to the station. Hang me if I wasn’t too late for the train again. I don’t know how it was, but I couldn’t keep my mind off the young woman, nor keep myself from wonderin’ what she was a-goin’ to do with herself, and what she was a-goin’ to do with that ’ere baby. So I walks back agen down by the water, and as I’d a good hour and a half to spare, I walks a good way, thinking of the young man, and the cut on his forehead. It was nigh upon dark by this time, and foggy into the bargain. Maybe I’d gone a mile or more, when I comes up to a barge what lay at anchor quite solitary. It was a collier, and there was a chap on board, sittin’ in the stern, smokin’, and lookin’ at the water. There was no one else in sight but him and me; and no sooner does he spy me comin’ along the bank than he sings out,
“ ‘Hulloa! Have you met a young woman down that way?’
“His words struck me all of a heap somehow, comin’ so near upon what I was a-thinkin’ of myself. I shook my head; and he said,
“ ‘There’s been some unfort’nate young girl down here tryin’ to dround her baby. I see the little chap in the water, and fished him out with my boat-hook. I’d seen the girl hangin’ about here, just as it was a-gettin’ dark, and then I heard the splash when she threw the child in; but the fog was too thick for me to see anything ashore by that time.�
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“The barge was just alongside the bank, and I stepped on board. Not bein’ so fortunate as to have a voice, you know, it comes awkward with strangers, and I was rather put to it to get on with the young man. And didn’t he sing out loud when he came to understand I was dumb; he couldn’t have spoke in a higher key if I’d been a forriner.
“He told me he should take the baby round to the Union; all he hoped he said, was, that the mother wasn’t a-goin’ to do anything bad with herself.
“I hoped not too; but I remembered that look of hers when she stood at the window staring out at the river, and I didn’t feel very easy in my mind about her.
The Trail of the Serpent Page 28
