Selected Tales and Sketches

by Nathaniel Hawthorne

  So deeply did these reflections affect Georgiana, that she laid her face upon the open volume, and burst into tears. In this situation she was found by her husband.

  “It is dangerous to read in a sorcerer’s books,” said he, with a smile, though his countenance was uneasy and displeased. “Georgiana, there are pages in that volume, which I can scarcely glance over and keep my senses. Take heed lest it prove as detrimental to you!”

  “It has made me worship you more than ever,” said she.

  “Ah! wait for this one success,” rejoined he, “then worship me if you will. I shall deem myself hardly unworthy of it. But, come! I have sought you for the luxury of your voice. Sing to me, dearest!”

  So she poured out the liquid music of her voice to quench the thirst of his spirit. He then took his leave, with a boyish exuberance of gaiety, assuring her that her seclusion would endure but a little longer, and that the result was already certain. Scarcely had he departed, when Georgiana felt irresistibly impelled to follow him. She had forgotten to inform Aylmer of a symptom, which, for two or three hours past, had begun to excite her attention. It was a sensation in the fatal birth-mark, not painful, but which induced a restlessness throughout her system. Hastening after her husband, she intruded, for the first time, into the laboratory.

  The first thing that struck her eye was the furnace, that hot and feverish worker, with the intense glow of its fire, which, by the quantities of soot clustered above it, seemed to have been burning for ages. There was a distilling apparatus in full operation. Around the room were retorts, tubes, cylinders, crucibles, and other apparatus of chemical research. An electrical machine stood ready for immediate use. The atmosphere felt oppressively close, and was tainted with gaseous odors, which had been tormented forth by the processes of science. The severe and homely simplicity of the apartment, with its naked walls and brick pavement, looked strange, accustomed as Georgiana had become to the fantastic elegance of her boudoir. But what chiefly, indeed almost solely, drew her attention, was the aspect of Aylmer himself.

  He was pale as death, anxious, and absorbed, and hung over the furnace as if it depended upon his utmost watchfulness whether the liquid, which it was distilling, should be the draught of immortal happiness or misery. How different from the sanguine and joyous mien that he had assumed for Georgiana’s encouragement!

  “Carefully now, Aminadab! Carefully, thou human machine! Carefully, thou man of clay!” muttered Aylmer, more to himself than his assistant. “Now, if there be a thought too much or too little, it is all over!”

  “Hoh! hoh!” mumbled Aminadab—“look, master, look!”

  Aylmer raised his eyes hastily, and at first reddened, then grew paler than ever, on beholding Georgiana. He rushed towards her, and seized her arm with a gripe that left the print of his fingers upon it.

  “Why do you come hither? Have you no trust in your husband?” cried he impetuously. “Would you throw the blight of that fatal birth-mark over my labors? It is not well done. Go, prying woman, go!”

  “Nay, Aylmer,” said Georgiana, with the firmness of which she possessed no stinted endowment, “it is not you that have a right to complain. You mistrust your wife! You have concealed the anxiety with which you watch the development of this experiment. Think not so unworthily of me, my husband! Tell me all the risk we run; and fear not that I shall shrink, for my share in it is far less than your own!”

  “No, no, Georgiana!” said Aylmer impatiently, “it must not be.”

  “I submit,” replied she calmly. “And, Aylmer, I shall quaff whatever draught you bring me; but it will be on the same principle that would induce me to take a dose of poison, if offered by your hand. ”

  “My noble wife,” said Aylmer, deeply moved, “I knew not the height and depth of your nature, until now. Nothing shall be concealed. Know, then, that this Crimson Hand, superficial as it seems, has clutched its grasp into your being, with a strength of which I had no previous conception. I have already administered agents powerful enough to do aught except to change your entire physical system. Only one thing remains to be tried. If that fail us, we are ruined!”

  “Why did you hesitate to tell me this?” asked she.

  “Because, Georgiana,” said Aylmer, in a low voice, “there is danger!”

  “Danger? There is but one danger—that this horrible stigma shall be left upon my cheek!” cried Georgiana. “Remove it! remove it!—whatever be the cost—or we shall both go mad!”

  “Heaven knows, your words are too true,” said Aylmer, sadly. “And now, dearest, return to your boudoir. In a little while, all will be tested.”

  He conducted her back, and took leave of her with a solemn tenderness, which spoke far more than his words how much was now at stake. After his departure, Georgiana became wrapt in musings. She considered the character of Aylmer, and did it completer justice than at any previous moment. Her heart exulted, while it trembled, at his honorable love, so pure and lofty that it would accept nothing less than perfection, nor miserably make itself contented with an earthlier nature than he had dreamed of. She felt how much more precious was such a sentiment, than that meaner kind which would have borne with the imperfection for her sake, and have been guilty of treason to holy love, by degrading its perfect idea to the level of the actual. And, with her whole spirit, she prayed, that, for a single moment, she might satisfy his highest and deepest conception. Longer than one moment, she well knew, it could not be; for his spirit was ever on the march—ever ascending—and each instant required something that was beyond the scope of the instant before.

  The sound of her husband’s footsteps aroused her. He bore a crystal goblet, containing a liquor colorless as water, but bright enough to be the draught of immortality. Aylmer was pale; but it seemed rather the consequence of a highly wrought state of mind, and tension of spirit, than of fear or doubt.

  “The concoction of the draught has been perfect,” said he, in answer to Georgiana’s look. “Unless all my science have deceived me, it cannot fail. ”

  “Save on your account, my dearest Aylmer,” observed his wife, “I might wish to put off this birth-mark of mortality by relinquishing mortality itself, in preference to any other mode. Life is but a sad possession to those who have attained precisely the degree of moral advancement at which I stand. Were I weaker and blinder, it might be happiness. Were I stronger, it might be endured hopefully. But, being what I find myself, methinks I am of all mortals the most fit to die. ”

  “You are fit for heaven without tasting death!” replied her husband. “But why do we speak of dying? The draught cannot fail. Behold its effect upon this plant!”

  On the window-seat there stood a geranium, diseased with yellow blotches, which had overspread all its leaves. Aylmer poured a small quantity of the liquid upon the soil in which it grew. In a little time, when the roots of the plant had taken up the moisture, the unsightly blotches began to be extinguished in a living verdure.

  “There needed no proof,” said Georgiana, quietly. “Give me the goblet. I joyfully stake all upon your word.”

  “Drink, then, thou lofty creature!” exclaimed Aylmer, with fervid admiration. “There is no taint of imperfection on thy spirit. Thy sensible frame, too, shall soon be all perfect!”

  She quaffed the liquid, and returned the goblet to his hand.

  “It is grateful,” said she, with a placid smile. “Methinks it is like water from a heavenly fountain; for it contains I know not what of unobtrusive fragrance and deliciousness. It allays a feverish thirst, that had parched me for many days. Now, dearest, let me sleep. My earthly senses are closing over my spirit, like the leaves round the heart of a rose, at sunset. ”

  She spoke the last words with a gentle reluctance, as if it required almost more energy than she could command to pronounce the faint and lingering syllables. Scarcely had they loitered through her lips, ere she was lost in slumber. Aylmer sat by her side, watching her aspect with the emotions proper to a man, the whole value of
whose existence was involved in the process now to be tested. Mingled with this mood, however, was the philosophic investigation, characteristic of the man of science. Not the minutest symptom escaped him. A heightened flush of the cheek—a slight irregularity of breath—a quiver of the eyelid—a hardly perceptible tremor through the frame—such were the details which, as the moments passed, he wrote down in his folio volume. Intense thought had set its stamp upon every previous page of that volume; but the thoughts of years were all concentrated upon the last.

  While thus employed, he failed not to gaze often at the fatal Hand, and not without a shudder. Yet once, by a strange and unaccountable impulse, he pressed it with his lips. His spirit recoiled, however, in the very act, and Georgiana, out of the midst of her deep sleep, moved uneasily and murmured, as if in remonstrance. Again, Aylmer resumed his watch. Nor was it without avail. The Crimson Hand, which at first had been strongly visible upon the marble paleness of Georgiana’s cheek now grew more faintly outlined. She remained not less pale than ever; but the birth-mark, with every breath that came and went, lost somewhat of its former distinctness. Its presence had been awful; its departure was more awful still. Watch the stain of the rainbow fading out of the sky; and you will know how that mysterious symbol passed away.

  “By Heaven, it is well nigh gone!” said Aylmer to himself, in almost irrepressible ecstasy. “I can scarcely trace it now. Success! Success! And now it is like the faintest rose-color. The slightest flush of blood across her cheek would overcome it. But she is so pale!”

  He drew aside the window-curtain, and suffered the light of natural day to fall into the room, and rest upon her cheek. At the same time, he heard a gross, hoarse chuckle, which he had long known as his servant Aminadab’s expression of delight.

  “Ah, clod! Ah, earthly mass!” cried Aylmer, laughing in a sort of frenzy. “You have served me well! Matter and Spirit—Earth and Heaven—have both done their part in this! Laugh, thing of senses! You have earned the right to laugh.”

  These exclamations broke Georgiana’s sleep. She slowly unclosed her eyes, and gazed into the mirror, which her husband had arranged for that purpose. A faint smile flitted over her lips, when she recognized how barely perceptible was now that Crimson Hand, which had once blazed forth with such disastrous brilliancy as to scare away all their happiness. But then her eyes sought Aylmer’s face, with a trouble and anxiety that he could by no means account for.

  “My poor Aylmer!” murmured she.

  “Poor? Nay, richest! Happiest! Most favored!” exclaimed he. “My peerless bride, it is successful! You are perfect!”

  “My poor Aylmer!” she repeated, with a more than human tenderness. “You have aimed loftily!—you have done nobly! Do not repent, that, with so high and pure a feeling, you have rejected the best that earth could offer. Aylmer—dearest Aylmer—I am dying!”

  Alas, it was too true! The fatal Hand had grappled with the mystery of life, and was the bond by which an angelic spirit kept itself in union with a mortal frame. As the last crimson tint of the birth-mark-that sole token of human imperfection—faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere, and her soul, lingering a moment near her husband, took its heavenward flight. Then a hoarse, chuckling laugh was heard again! Thus ever does the gross Fatality of Earth exult in its invariable triumph over the immortal essence, which, in this dim sphere of half-development, demands the completeness of a higher state. Yet, had Aylmer reached a profounder wisdom, he need not thus have flung away the happiness, which would have woven his mortal life of the self-same texture with the celestial. The momentary circumstance was too strong for him; he failed to look beyond the shadowy scope of Time, and living once for all in Eternity, to find the perfect Future in the present.

  Egotism;3 or, The Bosom-Serpent

  FROM THE UNPUBLISHED “ALLEGORIES OF THE HEART”

  “HERE he comes!” shouted the boys along the street.—“Here comes the man with a snake in his bosom!”

  This outcry, saluting Herkimer’s ears, as he was about to enter the iron gate of the Elliston mansion, made him pause. It was not without a shudder that he found himself on the point of meeting his former acquaintance, whom he had known in the glory of youth, and whom now, after an interval of five years, he was to find the victim either of a diseased fancy, or a horrible physical misfortune.

  “A snake in his bosom!” repeated the young sculptor to himself. “It must be he. No second man on earth has such a bosom-friend! And now, my poor Rosina, Heaven grant me wisdom to discharge my errand aright! Woman’s faith must be strong indeed, since thine has not yet failed.”

  Thus musing, he took his stand at the entrance of the gate, and waited until the personage, so singularly announced, should make his appearance. After an instant or two, he beheld the figure of a lean man, of unwholesome look, with glittering eyes and long black hair, who seemed to imitate the motion of a snake; for, instead of walking straight forward with open front, he undulated along the pavement in a curved line. It may be too fanciful to say, that something, either in his moral or material aspect, suggested the idea that a miracle had been wrought, by transforming a serpent into a man; but so imperfectly, that the snaky nature was yet hidden, and scarcely hidden, under the mere outward guise of humanity. Herkimer remarked that his complexion had a greenish tinge over its sickly white, reminding him of a species of marble out of which he had once wrought a head of Envy, with her snaky locks.

  The wretched being approached the gate, but, instead of entering, stopt short, and fixed the glitter of his eye full upon the compassionate, yet steady countenance of the sculptor.

  “It gnaws me! It gnaws me!” he exclaimed.

  And then there was an audible hiss, but whether it came from the apparent lunatic’s own lips, or was the real hiss of a serpent, might admit of discussion. At all events, it made Herkimer shudder to his heart’s core.

  “Do you know me, George Herkimer?” asked the snake-possessed.

  Herkimer did know him. But it demanded all the intimate and practical acquaintance with the human face, acquired by modelling actual likenesses in clay, to recognize the features of Roderick Elliston in the visage that now met the sculptor’s gaze. Yet it was he. It added nothing to the wonder, to reflect that the once brilliant young man had undergone this odious and fearful change, during the no more than five brief years of Herkimer’s abode at Florence. The possibility of such a transformation being granted, it was as easy to conceive it effected in a moment as in an age. Inexpressibly shocked and startled, it was still the keenest pang, when Herkimer remembered that the fate of his cousin Rosina, the ideal of gentle womanhood, was indissolubly interwoven with that of a being whom Providence seemed to have unhumanized.

  “Elliston! Roderick!” cried he, “I had heard of this; but my conception came far short of the truth. What has befallen you? Why do I find you thus?”

  “Oh, ‘tis a mere nothing! A snake! A snake! The commonest thing in the world. A snake in the bosom—that’s all,” answered Roderick Elliston. “But how is your own breast?” continued he, looking the sculptor in the eye, with the most acute and penetrating glance that it had ever been his fortune to encounter. “All pure and wholesome? No reptile there? By my faith and conscience, and by the devil within me, here is a wonder! A man without a serpent in his bosom!”

  “Be calm, Elliston,” whispered George Herkimer, laying his hand upon the shoulder of the snake-possessed. “I have crossed the ocean to meet you. Listen!—let us be private—I bring a message from Rosina!—from your wife!”

  “It gnaws me! It gnaws me!” muttered Roderick.

  With this exclamation, the most frequent in his mouth, the unfortunate man clutched both hands upon his breast, as if an intolerable sting or torture impelled him to rend it open, and let out the living mischief, even were it intertwined with his own life. He then freed himself from Herkimer’s grasp, by a subtle motion, and gliding through the gate, took refuge in his
antiquated family residence. The sculptor did not pursue him. He saw that no available intercourse could be expected at such a moment, and was desirous, before another meeting, to inquire closely into the nature of Roderick’s disease, and the circumstances that had reduced him to so lamentable a condition. He succeeded in obtaining the necessary information from an eminent medical gentleman.

  Shortly after Elliston’s separation from his wife—now nearly four years ago—his associates had observed a singular gloom spreading over his daily life, like those chill, grey mists that sometimes steal away the sunshine from a summer’s morning. The symptoms caused them endless perplexity. They knew not whether ill health were robbing his spirits of elasticity; or whether a canker of the mind was gradually eating, as such cankers do, from his moral system into the physical frame, which is but the shadow of the former. They looked for the root of this trouble in his shattered schemes of domestic bliss—wilfully shattered by himself—but could not be satisfied of its existence there. Some thought that their once brilliant friend was in an incipient stage of insanity, of which his passionate impulses had perhaps been the forerunners; others prognosticated a general blight and gradual decline. From Roderick’s own lips, they could learn nothing. More than once, it is true, he had been heard to say, clutching his hands convulsively upon his breast—“It gnaws me! It gnaws me!”—but, by different auditors, a great diversity of explanation was assigned to this ominous expression. What could it be, that gnawed the breast of Roderick Elliston? Was it sorrow? Was it merely the tooth of physical disease? Or, in his reckless course, often verging upon profligacy, if not plunging into its depths, had he been guilty of some deed, which made his bosom a prey to the deadlier fangs of remorse? There was plausible ground for each of these conjectures; but it must not be concealed that more than one elderly gentleman, the victim of good cheer and slothful habits, magisterially pronounced the secret of the whole matter to be Dyspepsia!