The Novels of Nora Roberts, Volume 2

by Nora Roberts

  The Novels of Nora Roberts, Volume 2

  Sanctuary

  Homeport

  The Reef

  River's End

  Carolina Moon

  Nora Roberts,

  Table of Contents

  Sanctuary

  Homeport

  The Reef

  River's End

  Carolina Moon

  THE BERKLEY PUBLISHING GROUP

  Published by the Penguin Group

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  Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

  Copyright © 1997 by Nora Roberts.

  All rights reserved.

  No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.

  BERKLEY is a registered trademark of Penguin Group (USA) Inc. The “B” design is a trademark belonging to Penguin Group (USA) Inc.

  PRINTING HISTORY

  Jove mass-market edition / May 1998 Berkley trade paperback edition / July 2007

  eISBN : 978-1-101-14612-5

  Library of Congress Cataloging-in-Publication Data

  Roberts, Nora.

  Sanctuary / Nora Roberts.

  p. cm.

  eISBN : 978-1-101-14612-5

  I. Title.

  PS3568.O243S-31986 CIP

  813’.54—dc20

  http://us.penguingroup.com

  To the Ladies of the Lounge

  Table of Contents

  Title Page

  Copyright Page

  Dedication

  PART ONE

  ONE

  TWO

  THREE

  FOUR

  FIVE

  SIX

  SEVEN

  EIGHT

  NINE

  TEN

  PART TWO

  ELEVEN

  TWELVE

  THIRTEEN

  FOURTEEN

  FIFTEEN

  SIXTEEN

  SEVENTEEN

  EIGHTEEN

  NINETEEN

  PART THREE

  TWENTY

  TWENTY-ONE

  TWENTY-TWO

  TWENTY-THREE

  TWENTY-FOUR

  TWENTY-FIVE

  TWENTY-SIX

  TWENTY-SEVEN

  TWENTY-EIGHT

  TWENTY-NINE

  THIRTY

  EPILOGUE

  PART ONE

  When weather-beaten I come back ...

  My body a sack of bones; broken within . . .

  —John Donne

  ONE

  SHE dreamed of Sanctuary. The great house gleamed bride-white in the moonlight, as majestic a force breasting the slope that reigned over eastern dunes and western marsh as a queen upon her throne. The house stood as it had for more than a century, a grand tribute to man’s vanity and brilliance, near the dark shadows of the forest of live oaks, where the river flowed in murky silence.

  Within the shelter of trees, fireflies blinked gold, and night creatures stirred, braced to hunt or be hunted. Wild things bred there in shadows, in secret.

  There were no lights to brighten the tall, narrow windows of Sanctuary. No lights to spread welcome over its graceful porches, its grand doors. Night was deep, and the breath of it moist from the sea. The only sound to disturb it was of wind rustling through the leaves of the great oaks and the dry clicking—like bony fingers—of the palm fronds. The white columns stood like soldiers guarding the wide veranda, but no one opened the enormous front door to greet her.

  As she walked closer, she could hear the crunch of sand and shells on the road under her feet. Wind chimes tinkled, little notes of song. The porch swing creaked on its chain, but no one lazed upon it to enjoy the moon and the night.

  The smell of jasmine and musk roses played on the air, underscored by the salty scent of the sea. She began to hear that too, the low and steady thunder of water spilling over sand and sucking back into its own heart.

  The beat of it, that steady and patient pulse, reminded all who inhabited the island of Lost Desire that the sea could reclaim the land and all on it at its whim.

  Still, her mood lifted at the sound of it, the music of home and childhood. Once she had run as free and wild through that forest as a deer, had scouted its marshes, raced along its sandy beaches with the careless privilege of youth.

  Now, no longer a child, she was home again.

  She walked quickly, hurrying up the steps, across the veranda, closing her hand over the big brass handle that glinted like a lost treasure.

  The door was locked.

  She twisted it right, then left, shoved against the thick mahogany panel. Let me in, she thought as her heart began to thud in her chest. I’ve come home. I’ve come back.

  But the door remained shut and locked. When she pressed her face against the glass of the tall windows flanking it, she could see nothing but darkness within.

  And was afraid.

  She ran now, around the side of the house, over the terrace, where flowers streamed out of pots and lilies danced in chorus lines of bright color. The music of the wind chimes became harsh and discordant, the fluttering of fronds was a hiss of warning. She struggled with the next door, weeping as she beat her fists against it.

  Please, please, don’t shut me out. I want to come home.

  She sobbed as she stumbled down the garden path. She would go to the back, in through the screened porch. It was never locked—Mama said a kitchen should always be open to company.

  But she couldn’t find it. The trees sprang up, thick and close, the branches and draping moss barred her way.

  She was lost, tripping over roots in her confusion, fighting to see through the dark as the canopy of trees closed out the moon. The wind rose up and howled and slapped at her in flat-handed, punishing blows. Spears of saw palms struck out like swords. She turned, but where the path had been was now the river, cutting her off from Sanctuary. The high grass along its slippery banks waved madly.

  It was then she saw herself, standing alone and weeping on the other bank.

  It was then she knew she was dead.

  JO fought her way out of the dream, all but felt the sharp edges of it scraping her skin as she dragged herself to the surfac
e of the tunnel of sleep. Her lungs burned, and her face was wet with sweat and tears. With a trembling hand, she fumbled for the bedside lamp, knocking both a book and an overfilled ashtray to the floor in her hurry to break out of the dark.

  When the light shot on, she drew her knees up close to her chest, wrapped her arms around them, and rocked herself calm.

  It was just a dream, she told herself. Just a bad dream.

  She was home, in her own bed, in her apartment and miles from the island where Sanctuary stood. A grown woman of twenty-seven had no business being spooked by a silly dream.

  But she was still shaking when she reached for a cigarette. It took her three tries to manage to light a match.

  Three-fifteen, she noted by the clock on the nightstand. That was becoming typical. There was nothing worse than the three A.M. jitters. She swung her legs over the side of the bed and bent down to pick up the overturned ashtray. She told herself she’d clean up the mess in the morning. She sat there, her oversized T-shirt bunched over her thighs, and ordered herself to get a grip.

  She didn’t know why her dreams were taking her back to the island of Lost Desire and the home she’d escaped from at eighteen. But Jo figured any first-year psych student could translate the rest of the symbolism. The house was locked because she doubted anyone would welcome her if she did return home. Just lately, she’d given some thought to it but had wondered if she’d lost the way back.

  And she was nearing the age her mother had been when she had left the island. Disappeared, abandoning her husband and three children without a second glance.

  Had Annabelle ever dreamed of coming home, Jo wondered, and dreamed the door was locked to her?

  She didn’t want to think about that, didn’t want to remember the woman who had broken her heart twenty years before. Jo reminded herself that she should be long over such things by now. She’d lived without her mother, and without Sanctuary and her family. She had even thrived—at least professionally.

  Tapping her cigarette absently, Jo glanced around the bedroom. She kept it simple, practical. Though she’d traveled widely, there were few mementos. Except the photographs. She’d matted and framed the black-and-white prints, choosing the ones among her work that she found the most restful to decorate the walls of the room where she slept.

  There, an empty park bench, the black wrought iron all fluid curves. And there, a single willow, its lacy leaves dipping low over a small, glassy pool. A moonlit garden was a study in shadow and texture and contrasting shapes. The lonely beach with the sun just breaking the horizon tempted the viewer to step inside the photo and feel the sand rough underfoot.

  She’d hung that seascape only the week before, after returning from an assignment on the Outer Banks of North Carolina. Perhaps that was one reason she’d begun to think about home, Jo decided. She’d been very close. She could have traveled a bit south down to Georgia and ferried from the mainland to the island.

  There were no roads to Desire, no bridges spanning its sound.

  But she hadn’t gone south. She’d completed her assignment and come back to Charlotte to bury herself in her work.

  And her nightmares.

  She crushed out the cigarette and stood. There would be no more sleep, she knew, so she pulled on a pair of sweatpants. She would do some darkroom work, take her mind off things.

  It was probably the book deal that was making her nervous, she decided, as she padded out of the bedroom. It was a huge step in her career. Though she knew her work was good, the offer from a major publishing house to create an art book from a collection of her photographs had been unexpected and thrilling.

  Natural Studies, by Jo Ellen Hathaway, she thought as she turned into the small galley kitchen to make coffee. No, that sounded like a science project. Glimpses of Life? Pompous.

  She smiled a little, pushing back her smoky red hair and yawning. She should just take the pictures and leave the title selection to the experts.

  She knew when to step back and when to take a stand, after all. She’d been doing one or the other most of her life. Maybe she would send a copy of the book home. What would her family think of it? Would it end up gracing one of the coffee tables where an overnight guest could page through it and wonder if Jo Ellen Hathaway was related to the Hathaways who ran the Inn at Sanctuary?

  Would her father even open it at all and see what she had learned to do? Or would he simply shrug, leave it untouched, and go out to walk his island? Annabelle’s island.

  It was doubtful he would take an interest in his oldest daughter now. And it was foolish for that daughter to care.

  Jo shrugged the thought away, took a plain blue mug from a hook. While she waited for the coffee to brew, she leaned on the counter and looked out her tiny window.

  There were some advantages to being up and awake at three in the morning, she decided. The phone wouldn’t ring. No one would call or fax or expect anything of her. For a few hours she didn’t have to be anyone, or do anything. If her stomach was jittery and her head ached, no one knew the weakness but herself.

  Below her kitchen window, the streets were dark and empty, slicked by late-winter rain. A streetlamp spread a small pool of light—lonely light, Jo thought. There was no one to bask in it. Aloneness had such mystery, she mused. Such endless possibilities.

  It pulled at her, as such scenes often did, and she found herself leaving the scent of coffee, grabbing her Nikon, and rushing out barefoot into the chilly night to photograph the deserted street.

  It soothed her as nothing else could. With a camera in her hand and an image in her mind, she could forget everything else. Her long feet splashed through chilly puddles as she experimented with angles. With absent annoyance she flicked at her hair. It wouldn’t be falling in her face if she’d had it trimmed. But she’d had no time, so it swung heavily forward in a tousled wave and made her wish for an elastic band.

  She took nearly a dozen shots before she was satisfied. When she turned, her gaze was drawn upward. She’d left the lights on, she mused. She hadn’t even been aware she’d turned on so many on the trip from bedroom to kitchen.

  Lips pursed, she crossed the street and focused her camera again. Calculating, she crouched, shot at an upward angle, and captured those lighted windows in the dark building. Den of the Insomniac, she decided. Then with a half laugh that echoed eerily enough to make her shudder, she lowered the camera again.

  God, maybe she was losing her mind. Would a sane woman be out at three in the morning, half dressed and shivering, while she took pictures of her own windows?

  She pressed her fingers against her eyes and wished more than anything else for the single thing that had always seemed to elude her. Normality.

  You needed sleep to be normal, she thought. She hadn’t had a full night’s sleep in more than a month. You needed regular meals. She’d lost ten pounds in the last few weeks and had watched her long, rangy frame go bony. You needed peace of mind. She couldn’t remember if she had ever laid claim to that. Friends? Certainly she had friends, but no one close enough to call in the middle of the night to console her.

  Family. Well, she had family, of sorts. A brother and sister whose lives no longer marched with hers. A father who was almost a stranger. A mother she hadn’t seen or heard from in twenty years.

  Not my fault, Jo reminded herself as she started back across the street. It was Annabelle’s fault. Everything had changed when Annabelle had run from Sanctuary and left her baffled family crushed and heartbroken. The trouble, as Jo saw it, was that the rest of them hadn’t gotten over it. She had.

  She hadn’t stayed on the island guarding every grain of sand like her father did. She hadn’t dedicated her life to running and caring for Sanctuary like her brother, Brian. And she hadn’t escaped into foolish fantasies or the next thrill the way her sister, Lexy, had.

  Instead she had studied, and she had worked, and she had made a life for herself. If she was a little shaky just now, it was only because she’d ove
rextended, was letting the pressure get to her. She was a little run-down, that was all. She’d just add some vitamins to her regimen and get back in shape.

  She might even take a vacation, Jo mused as she dug her keys out of her pocket. It had been three years—no, four—since she had last taken a trip without a specific assignment. Maybe Mexico, the West Indies. Someplace where the pace was slow and the sun hot. Slowing down and clearing her mind. That was the way to get past this little blip in her life.

  As she stepped back into the apartment, she kicked a small, square manila envelope that lay on the floor. For a moment she simply stood, one hand on the door, the other holding her camera, and stared at it.

  Had it been there when she left? Why was it there in the first place? The first one had come a month before, had been waiting in her stack of mail, with only her name carefully printed across it.

  Her hands began to shake again as she ordered herself to close the door, to lock it. Her breath hitched, but she leaned over, picked it up. Carefully, she set the camera aside, then unsealed the flap.

  When she tapped out the contents, the sound she made was a long, low moan. The photograph was very professionally done, perfectly cropped. Just as the other three had been. A woman’s eyes, heavy-lidded, almond-shaped, with thick lashes and delicately arched brows. Jo knew their color would be blue, deep blue, because the eyes were her own. In them was stark terror.

  When was it taken? How and why? She pressed a hand to her mouth, staring down at the photo, knowing her eyes mirrored the shot perfectly. Terror swept through her, had her rushing through the apartment into the small second bedroom she’d converted to a darkroom. Frantically she yanked open a drawer, pawed through the contents, and found the envelopes she’d buried there. In each was another black-and-white photo, cropped to two by six inches.