The Ghost Writer

by John Harwood

  They spoke a great deal that afternoon of religion, or rather of the impossibility of either believing in any of its prescribed forms, or living without some aspiration beyond the material, without coming to any definite conclusion save that their feelings seemed to be in entire agreement. In poetry they were divided by Julia's preference for Keats against his for Shelley, but this only opened the happy prospect of their reading their favourite passages to one another on some future occasion. From there they progressed naturally to dreams, and Julia found herself telling Frederick of a dream she had had on perhaps half a dozen occasions. It usually began in soft summer twilight, in an open field, a gentle slope covered in long green grass. She would begin to run down the slope, taking longer and longer strides until she could feel her feet just brushing the tips of the grass and remember, with a great rush of joy, that she had been born with the gift of flight. Then she would extend her arms and soar above the fields, feeling utterly at home in the air until the awareness that she was dreaming began to press itself upon her. Always she would struggle to hold onto the dream; for one magical, exhilarating moment she would believe that she had woken and yet continued to fly, until the world dissolved beneath her and she was left alone and bereft in darkness, like the knight-at-arms waking upon the cold hill's side. This was something she had never disclosed to anyone, for fear that if she did not keep it secret, the dream would never come back to her. Yet she spoke of it quite spontaneously to Frederick, and when she had done so, saw that he was greatly moved.

  SOME YEARS AGO, HE SAID, HE HAD FALLEN IN LOVE WITH a dancer named Lydia Lopez-not her real name, for she had been born and bred in London, but the only one he had ever known her by, just as he had been left only one memento of her, though he did not say what it was. He had gone every night to the theatre where she performed, and sometimes taken her to supper afterwards. Frederick did not describe Lydia very distinctly, other than to say that she was very small and slightly formed, so much so that she could easily have been taken for a child of twelve or thirteen.

  One particularly elaborate scene-a favourite with the audience-called for her to be equipped with wings and to soar, suspended from a wire, high above the stage. Frederick had been in the front row on the night when the wire gave way and Lydia fell from the painted heavens; he could still, he said, shuddering at the memory, hear the dreadful thud of her body striking the boards. The curtain was instantly drawn; yet to everyone's amazement and relief, she came out half an hour later, looking a little dazed but apparently uninjured, and took a bow, drawing rapturous applause from the house. But the relief was premature; a few hours later she lapsed into unconsciousness, and she died two days later of a haemorrhage to the brain.

  Before Lydia, Frederick confessed, he had fancied himself in love with a different woman every week, but he had never since been able to care for anyone as he had cared for her. 'I did not know how much she meant to me until she was gone/ he said, gazing into Julia's eyes with such open, unaffected feeling that her sympathy went out to him entirely; so much so that she found she had taken his hand in both of hers. She felt, if anything, strangely reassured by this disclosure; and he accepted her invitation to tea at her house in Hyde Park Gardens with such eagerness, and told her with such warmth how delighted he was to have met her, that she went home happier than she could remember being since she had first held her infant daughter in her arms.

  Julia knew herself in love with Frederick from that first afternoon, but it was many weeks before she dared hope that her feeling might be returned, for when she saw him next in company she wondered if he were not exactly the same ardent, attentive listener with everyone of his acquaintance. Yet he accepted all of her suggestions for meeting, despite the demands upon his time-he had a small private income, supplemented by a great deal of reviewing-with such eagerness that her imagination would insist upon running far ahead of her. She dared not invite him too often to her house, for she could not bear the thought of their relations becoming the object of common gossip, and so they met in galleries and parks, and sometimes in the Reading Room, always maintaining the pretext that such-and-such would be an interesting thing to do as soon as they found the opportunity. There always seemed to be more to say than they had time for, and as the days lengthened he spoke less often of Lydia; but it was not until spring had passed into summer that she arrived, with a rapidly beating heart, at the entrance to a mansion block towering above a narrow Bloomsbury street, in response to his first invitation to tea.

  HE HAD WARNED HER ABOUT THE STAIRS, APOLOGISING for his preference for living as high above the street as possible, but she was still surprised by how many flights there were, and though the day was cool and cloudy, she was quite dazzled by the light when he ushered her into his sitting room. There were tall casements on either side of narrow French windows, through which Julia glimpsed the iron railing of a small balcony. The room was not large; two armchairs and a sofa arranged upon a Persian carpet took up much of the floor, and there were bookshelves ranged along the other walls. Julia would have liked to look around, but Frederick immediately invited her to be seated; his manner was more formal than usual, and his constraint affected her, so that instead of the sofa she took the right-hand armchair, whereupon Frederick excused himself to make the tea, and left her alone in the room.

  From this she deduced that she was, as she had hoped, to be the only guest, and sat willing herself to feel less agitated and more at ease. As her eyes adjusted to the brightness she became aware that she was not, after all, quite alone, for on a desk at the window nearest to her chair stood a framed photograph, a head-and-shoulders portrait of a young woman who could only be Lydia. She was both like and unlike the Lydia of Julia's imagination: at first glance the face appeared rounded and child-like, especially in the set of the lower lip and chin, but there was also a subdued sensuality which became more apparent the longer one looked into the dark eyes that gazed so directly back, the eyes of a woman fully aware of her power to charm-or mesmerise. "For ever wilt thou love, and she be fair!" the words echoed suddenly in Julia's awareness, and left her wishing she had not recalled them.

  She was still absorbed in contemplation of Lydia's portrait when Frederick returned with the tea-tray. But he did not seem to notice, and instead launched into an account of how he had that morning read and reviewed four three-decker novels without cutting a single page, delivered his copy, and sold all four in pristine condition in Fleet Street in time for lunch. Julia felt a certain pang at the thought of judgement being passed so lightly upon all those months or years of hard authorial labour, but reminded herself sternly that Frederick was obliged to earn most of his own living by his pen, and had not the luxury of Ernest Lockhart's twelve hundred a year, which prompted a pang of quite another sort. They started several other topics, but none of them seemed to catch fire; perhaps it was the effect of Lydia's cool, steady gaze, which Julia could neither dismiss entirely from her consciousness nor allude to directly; at any rate the constraint seemed to grow between them until she sat miserably wishing she had not come. The room, too, was very close; she could feel herself becoming flushed and overheated as her unhappiness increased, until she was obliged to ask Frederick to open a window. He sprang from his chair in a welter of apologies and threw open the French windows, letting in a welcome draught of air. Unable to bear the pressure of Lydia's regard an instant longer, Julia rose and went to join him in the doorway.

  She had never been-at least she felt she had never been-so high above the ground. The balcony appeared to her no larger than a window-box, with a small semicircular floor of pressed metal, and two hooped black horizontal railings curving out into empty space. The higher of these was only a little above her own waist. Even standing in the doorway, she seemed to be looking straight down into the abyss. Julia had stood close to the edge of a precipice without feeling anything like the fear that gripped her now; the sheer, vertiginous chasm beneath her feet seemed to be drawing her irresistibly towards the br
ink; in another second she would surely pitch head-first over the rail and into the void. All of these impressions raced across her mind in the space of a single glimpse, during which she was also aware of Frederick turning towards her and opening his mouth as if to speak, but ridiculously slowly, so that he reminded her of some great bird ponderously opening its beak. With the same absurd slowness, she saw herself reaching for his arm to save herself from falling, suspended between terror and a strange impulse to laugh at Frederick's gathering her in such a leisurely fashion into his embrace that she seemed to have time to reacquaint herself with every nuance of his expression before feeling, at last, the pressure of his lips upon her own. The sensation of vertigo remained; perhaps they had indeed fallen, but it did not seem to matter, for she felt quite weightless, and might as easily have been floating up as down.

  THAT EVENING SHE WALKED ALONE AROUND THE BANKS of the Serpentine and felt the world to be a blessed place. She knew, dimly, that the gulf between her present situation and the life she imagined herself living with Frederick might prove impassable, but she could not give him up now; perhaps her husband would bow gracefully to the inevitable; in the meantime she felt perfectly content in the warmth of the suns diminishing rays and the certainty that Frederick loved her, and would tell her so again before tomorrows sun had set. But with the next morning's post came a note which said only: "Dear Mrs Lockhart, I very much regret that I shall be unable to keep our appt this afternoon; I can only plead the most pressing and unexpected business, and pray that you will accept my most abject apologies. Believe me, yours very sincerely, Frederick Liddell."

  Julia had always appreciated his tact and discretion, but the notes formal brevity, and worse, the absence of any indication as to when, or even if, she might expect to hear from him again, chilled her to the bone. In vain she struggled to reassure herself with the thought that Frederick had, after all, to earn his living as best he could; for if such demands had never before prevented him from seeing her, how could they possibly have done so now? The rest of the day crawled by beneath an ever-darkening cloud of apprehension and despair. After a sleepless night of torment, Julia could bear no more; as soon as her husband had departed for his chambers she sent Frederick an unsigned note saying she would call at his rooms at three o'clock.

  He was waiting at the street door when her cab arrived. One glance at his face confirmed her worst fears. In silence they trudged up flight after flight of stairs to the room that had witnessed such extremities of rapture. As the memory flooded back to her, Julia turned towards Frederick as if praying to be woken from a nightmare. To her horror, he actually recoiled before checking himself with a forced, mechanical courtesy that set the final seal upon her humiliation. Bright sunshine streamed mockingly through the tall casements; the French windows were closed.

  "Frederick; tell me what has happened."

  Her lips were so numb with misery that she could barely utter the words.

  "I fear-I find I am hot free," he stammered, "that is to say… that my affections are after all engaged… I had hoped to overcome… that it would not… but I find I cannot…" He trailed off hopelessly.

  "Do you mean-that there is someone else?"

  "Yes." His eyes looked like the eyes of a dead man.

  "Then why did you not tell me so before?"

  "I did. But I had hoped…"

  She did not understand until she realised that he was gesturing towards the portrait by the window. For a long moment Julia stood transfixed by Lydia's cool, implacable gaze, unwilling to comprehend what she had just heard.

  "She is dead, Frederick. Whereas I…" But she could not go on.

  "To the world, yes, but alas, not to me."

  "And you feel you have betrayed her," said Julia bleakly.

  "Yes," said Frederick. "I am most dreadfully sorry…"

  Her tears would no longer be denied; she went blindly from the room and left him to his self-recrimination.

  AS THE MONTHS PASSED, JULIA FELT HERSELF MORE AND more irretrievably exiled from the life she had formerly led. The longing to speak of her sorrow remained as acute as ever, but there was no one, not even her closest friend Marianne, upon whose discretion she could absolutely rely. Perhaps it Was pride that made the idea of being talked about so intolerable to her; more particularly, the idea that anyone should know that her life had been laid waste by a rejection that, to some women of her acquaintance, might have meant little more than a loss at croquet. Julia was herself bewildered by the extent of the desolation that had befallen her; it was like wandering through the abandoned ruins of a once-thriving city. "Vet so far as she could tell, most of her friends were scarcely aware of the change in her. It was very strange to look in the mirror and see the same face and form that Frederick had once called beautiful, thinner and paler, but otherwise unaltered.

  Her dream of flight had not returned; instead she had been several times visited by a nightmare of finding herself high up on a shattered wall of stone, like the ruin of some great abbey whose roof had long since collapsed. Far below, mounds of fallen brickwork and rubble lay heaped upon the outlines of foundations and the remnants of other walls, with grass and weeds growing over them. At first the top of the wall on which she knelt would be relatively broad, though jagged, but in seeking a safe way to descend she would find the way becoming narrower and more precarious, the stone crumbling beneath her hands until she saw that she had crawled to the very end of a broken arch where she could only cling to a rotten tongue of stone, petrified by fear of plummeting down amidst great shards and fragments of masonry, feeling the very fabric of, the world dissolve within her grasp.

  Doubtless if she had been able to speak openly to anyone, she would not have come to haunt the Reading Room, or to believe that somewhere in the labyrinth was hidden that one book, whatever it might be: not a work of philosophy or theology, for Julia had had little taste for abstract thought even in happier days, and could now make no more sense of philosophical discourse than she could of Sanskrit. She imagined a voice speaking plainly and directly out of the wilderness into which she had stumbled; for someone must have crossed it before her, and found exactly the wisdom she so painfully lacked.

  To be entirely candid with herself, she was also drawn to the Reading Room by the hope of seeing Frederick. But the hope had so far proven vain. Recently, while consulting the catalogue, she had overheard an exchange between two men, evidently acquaintances of Frederick's, the one remarking that Liddell had become a complete recluse these days, to which his companion replied that poor old Freddy must be immersed in the composition of some great work. They had laughed at this, in a way that Julia found very troubling, so that she had returned to her place and sat for an indefinite time gazing sightlessly at the volume before her.

  The truth was that she still loved him, though she wished she did not. She had tried to hate him and failed; she could not even hate Lydia, for how could she blame a dead woman for what had happened? Indeed she felt herself increasingly surrounded by people who preferred the company of the deceased to that of the living. Her husband, as he had grown older, had become ever more fascinated by his departed forebears; then there was poor Aunt Helen who had spent the greater part of her life going from one'séance to the next, constantly receiving messages from her adored fiancé Lionel who had been lost to fever in the Crimea nearly half a century before. Julia had lately accompanied her aunt to a few of these gatherings, and had been depressed by the mingled accents of credulity and fraud, not to mention the thought of all those others thronging the great city in pursuit of phantoms. And now there was Frederick, lost to the memory of Lydia; and Julia herself was scarcely in a better case. She had often selfishly wished they had fallen from the balcony that afternoon; she would have died in bliss instead of being condemned to linger in a world where, as it seemed to her, so many of the living moved like ghosts among the seekers of the dead.

  SUCH WERE HER THOUGHTS ON A SOMBRE AFTERNOON late in February, when the fog hove
ring in the dome seemed thicker than usual. Julia was on the verge of packing up to leave when a book was delivered to her place; she did not see by whom. It was not, however, the edition of Clare's poems for which she had earlier lodged an application, but a plain octavo volume with black boards; so plain, in fact, that it bore neither a tide nor an authors name upon its spine. Puzzled, she opened it, to be confronted only by the heading, "Chapter One"; yet there was no sign of damage or missing pages. It appeared to be a novel; indeed a novel set in Bloomsbury, for it began with a description of a furious altercation between two cabmen in Great Russell Street. One of the men wore a dirty red kerchief, the other a white; as the dispute grew yet more heated, the two men descended from their respective boxes and fell to pushing one another about the pavement, and then to blows, whereupon both were forced to give way by "the approach of an immense woman, dressed entirely in black and bearing in her arms what appeared from its shape to be a child's coffin, incongruously wrapped in brown paper and tied with string"-but when Julia went to turn the page she found that it had not been cut. Curious to know how the narrative would proceed, she looked about for an attendant. At once a tall, nondescript man whom she could not recall seeing before approached; he had evidently observed her difficulty, for with a murmured "Pray allow me, madam" he took up the volume and disappeared through a side door.

  Julia sat for some minutes waiting for him to return, but he did not, and her faint curiosity dwindled away to nothing. The pall of melancholy settled once more about her; she collected her belongings and left the Reading Room. Outside, the sky was dark and lowering it looked as if rain, or even snow, might begin to fall at any moment, so she hastened across the courtyard and requested the constable at the gate to secure her a cab. None were in sight as she stepped onto the pavement of Great Russell Street, but then she saw two appearing round the Montague Street corner. She heard the constable whistle; the cab at the rear swung out and attempted to pass the one in front; the vehicles seemed to touch, and the next moment the two cabmen were embroiled in a furious exchange of oaths. One leapt down from his box; the other followed; Julia thought she saw a flash of red at the latter's throat, but it was not until a vast woman, clad in voluminous layers of black, emerged from a doorway bearing a large, strangely shaped parcel in her arms and forced the struggling cabmen to part, one on each side of her, as she set out across the road, that the full import of what she was seeing struck Julia like a physical blow. In the same instant she heard the constable addressing her and, half turning, saw that a third cab had emerged from Museum Street and drawn up immediately behind her.