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Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber

Page 54

by Block, Geoffrey


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  Lawson-Peebles, Robert, ed. Approaches to the American Musical. Exeter: University of Exeter Press, 1996.

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  ———. “Some Notes on a Musical.” Imperial Theatre program notes, 1956.

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  ———. “Life after George: The Genesis of Lady in the Dark’s Circus Dream.” Kurt Weill Newsletter 14/2 (Fall 1996): 4–8.

  ———. “Lady in the Dark”: Biography of a Musical. New York: Oxford University Press, 2007.

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  ———. “Notes on ‘Show Boat.’” Notes to EMI/Angel CDS 7–49108–2 (1988), 26–38.

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  ———. The Musical as Drama: A Study of the Principles and Conventions behind Musical Shows from Kern to Sondheim. Princeton: Princeton University Press, 2006.

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  ———. Not Since Carrie: 40 Years of Broadway Musical Flops. New York: St. Martin’s, 1991.

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  ———. Destructing Harold Hill: An Insider’s Guide to Musical Theatre. Portsmouth, N.H.: Heinemann, 1996.

  ———. Rebels with Applause: Broadway’s Groundbreaking Musicals. Portsmouth, N.H.: Heinemann, 2001.

  Mordden, Ethan. Better Foot Forward: The History of the American Musical Theatre. New York: Grossman, 1976.

  ———. The Hollywood Musical. New York: St. Martin’s, 1981.

  ———. Broadway Babies: The People Who Made the American Musical. New York: Oxford University Press, 1983.

  ———. “‘Show Boat’ Crosses Over.” New Yorker, July 3, 1989, 79–93.

  ———. Rodgers & Hammerstein. New York: Abrams, 1992.

  ———. Make Believe: The Broadway Musical in the 1920s. New York: Oxford University Press, 1997.

  ———. Coming Up Roses: The Broadway Musical in the 1950s. New York: Oxford University Press, 1998.

  ———. Beautiful Mornin’: The Broadway Musical in the 1940s. New York: Oxford University Press, 1999.

  ———. Open a New Window: The Broadway Musical in the 1960s. New York: Oxford University Press, 2001.

  ———. One More Kiss: The Broadway Musical in the 1970s. New York: Oxford University Press, 2003.

  ———. The Happiest Corpse I’ve Ever Seen: The Last Twenty-Five Years of the Broadway Musical. New York: Palgrave Macmillan, 2004.

  ———. Sing for Your Supper: The Broadway Musical in the 1930s. New York: Palgrave Macmillan, 2005.

  Morison, Patricia, and Miles Kreuger. “Patricia Morison and Miles Kreuger Discuss the Deleted Songs July 5, 1990.” In notes to Kiss Me, Kate. EMI/Angel CDS 54033–2, 18–20.

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  Muir, John (see Kennedy).

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  ———. Astaire Dancing: The Musical Films. New York: Wings Books, 1985.

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  ———. The Sound of Their Music: The Story of Rodgers & Hammerstein. New York: Applause, 2002.

  Norton, Elliot. “Broadway’s Cutting Room Floor.” Theatre Arts 36 (April 1952): 80.

  Norton, Richard C. A Chronology of American Musical Theatre. 3 vols. New York: Oxford University Press, 2002.

  Oja, Carol J. “Marc Blitzstein’s The Cradle Will Rock and Mass-Song Style of the 1930s.” Musical Quarterly 73/4 (1989): 445–75.

  Osborne, Conrad L. “‘Happy Fella’ Yields Up Its Operatic Heart.” New York Times, 1 September 1991, sec. 2, 5, and 17.

  Perry, George. The Complete “Phantom of the Opera.” New York: Holt, 1987.

  ———. Andrew Lloyd Webber’s “The Phantom of the Opera Companion.” Contains Original Screenplay. London: Pavilion, 2004.

  Peyser, Joan. Leonard Bernstein: A Biography. New York: William Morrow, 1987.

  ———. The Memory of All That: The Life of George Gershwin. New York: 1993.

  Platt, Len. See Walsh.

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  Portantiere, Michael. The Theatermania Guide to Musical Theater Recordings. New York: Back Stage, 2004.

  Prece, Paul, and William A. Everett. “The Megamusical: The C
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  ———. See also Sondheim, “Author and Director: Musicals.” In Redmond, James, ed. Themes in Drama. Vol. 3. Cambridge: Cambridge University Press, 1981.

  Reid, Louis R. “Composing While You Wait.” Dramatic Mirror, June 2, 1917, 5.

  Riis, Thomas L. Frank Loesser. New Haven: Yale University Press, 2008.

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  Robbins, Tim. “Cradle Will Rock”: The Movie and the Moment. New York: Newmarket, 2000.

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  ———. “Reading Libretti and Misreading Opera.” In Opera, Sex, and Other Vital Matters, 30–51. Chicago: University of Chicago Press, 2002.

  Rodgers, Richard. Musical Stages: An Autobiography. New York: Random House, 1975; repr. with an introduction by Mary Rodgers. New York: Da Capo, 1995, 2000.

  Rosenberg, Bernard, and Ernest Harburg. The Broadway Musical: Collaboration in Commerce and Art. New York: New York University Press, 1993.

  Rosenberg, Deena. Fascinating Rhythm: The Collaboration of George and Ira Gershwin. New York: Dutton, 1991.

  Salisbury, Mark. Sweeney Todd: The Demon Barber of Fleet Street. With Extracts from the Screenplay by John Logan. London: Titan, 2007.

  Sanders, Ronald. The Days Grow Short: The Life and Music of Kurt Weill. New York: Holt, Rinehart & Winston, 1980.

  Savran, David. A Queer Sort of Materialism: Recontextualizing American Theater. Ann Arbor: University of Michigan Press, 2003.

  Schebera, Jürgen. Kurt Weill: An Illustrated Life. New Haven: Yale University Press, 1995.

  Schiff, David. “Re-hearing Bernstein.” Atlantic Monthly (June 1993): 55–76.

  Schneider, Wayne, ed. The Gershwin Style: New Looks at the Music of George Gershwin. New York: Oxford University Press, 1999.

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  ———. Gershwin: His Life & Music. New York: Da Capo, 1979.

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  Secrest, Meryle. Leonard Bernstein: A Life. New York: Knopf, 1994.

  ———. Stephen Sondheim: A Life. New York: Knopf, 1998.

  Secrest, Meryle. Somewhere for Me: A Biography of Richard Rodgers. Knopf, 2001.

  Simon, Robert. “Jerome Kern.” Modern Music 6/2 (January–February 1929): 20–25.

  Singer, Barry. Ever After: The Last Years of Musical Theater and Beyond. New York: Applause, 2004.

  Shirley, Wayne. “Porgy and Bess.” Quarterly Journal of the Library of Congress 31 (1974): 97–107.

  ———. “Reconciliation on Catfish Row: Bess, Serena, and the Short Score of Porgy and Bess.” Quarterly Journal of the Library of Congress 38 (1981): 144–65.

  Shout, John D. “The Musical Theater of Marc Blitzstein.” American Music 3 (Winter 1985): 413–28.

  Siebert, Lynn Laitman. “Cole Porter: An Analysis of Five Musical Comedies and a Thematic Catalogue of the Complete Works.” Ph.D. dissertation, City University of New York, 1974.

  Simon, Robert. “Jerome Kern.” Modern Music 6/2 (January–February 1929): 20–25.

  Smith, Cecil, and Glenn Litton. Musical Comedy in America. New York: Theatre Arts Books, 1950 and 1981.

  Smith, June. “Cole Porter in the American Musical Theatre.” In Themes in Drama, Vol. 3, ed. James Redmond, 47–70. Cambridge: Cambridge University Press, 1981.

  Snelson, John. Andrew Lloyd Webber. New Haven: Yale University Press, 2004.

  Sondheim, Stephen. “Theater Lyrics.” In Playwright, Lyricists, Composers, on Theatre, ed. Otis Guernsey Jr., 61–97. New York: Dodd, Mead, 1974.

  ———. “Larger than Life: Reflections on Melodrama and Sweeney Todd.” In Melodrama, ed. Daniel Gerould, 3–14. New York: New York Literary Forum, 1980.

  ———. “An Anecdote.” In Bernstein on Broadway, xi–xii. New York and London: Amberson/G. Schirmer, 1981.

  ———. “Author and Director: Musicals” (with Harold Prince). In Broadway Song & Story: Playwrights / Lyricists/ Composers Discuss Their Hits, ed. Otis Guernsey Jr., 355–70. New York: Dodd, Mead, 1985.

  ———. “The Musical Theater: A Talk by Stephen Sondheim.” In Broadway Song & Story: Playwrights / Lyricists/ Composers Discuss Their Hits, ed. Otis Guernsey Jr., 228–50. New York: Dodd, Mead, 1985.

  ———. “Interview with Stephen Sondheim.” In David Savran, In Their Own Words: Contemporary American Playwrights, 223–39. New York: Theatre Communications Group, 1988.

  ———. “Stephen Sondheim in a Q & A Session: Part I.” Dramatists Guild Quarterly 28/1 (1991): 8–15.

  ———. “Stephen Sondheim in a Q & A Session: Part II.” Dramatists Guild Quarterly 28/2 (1991): 10–17.

  ———. “The Art of the Musical.” Paris Review 142 (Spring 1997): 259–78.

  ———. “The Musical Theater.” In Broadway Song & Story: Playwrights / Lyricists/ Composers Discuss Their Hits, ed. Otis Guernsey Jr., 228–50. New York: Dodd, Mead, 1985.

  ———. “Interview with Stephen Sondheim.” In “2-Disc Special Edition, Special Feature, “Musical Mayhem: Sondheim’s Sweeney Todd.” DreamWorks Pictures 2007.

  Sondheim, Steve. “‘Guys and Dolls,’” Films in Review 6 (December 1955): 524–25.

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  Starr, Lawrence. “Gershwin’s ‘Bess, You Is My Woman Now’: The Sophistication and Subtlety of a Great Tune.” Musical Quarterly 72 (1986): 429–48.

  ———. “Toward a Reevaluation of Gershwin’s Porgy and Bess. American Music 2 (Summer 1984): 25–37.

  ———. “The Broadway Musical as a Critique of Modernist Culture, or Sunday in the Park with Sondheim.” Paper presented at the Society of American Music (formerly the Sonneck Society), at the 1989 Annual Meeting in Nashville.

  ———. George Gershwin. New Haven: Yale University Press, forthcoming.

  Stempel, Larry. “Broadway’s Mozartean Moment, or An Amadeus in Amber.” In Sennets & Tuckets: A Bernstein Celebration, ed. Steven Ledbetter, 39–55. Boston: David R. Godine, 1988.

  ———. “The Musical Play Expands.” American Music 10 (1992): 136–69.

  ———. “Street Scene and the Enigma of Broadway Opera.” In A New Orpheus: Essays on Kurt Weill, ed. Kim H. Kowalke, 321–41. New Haven: Yale University Press, 1986.

  Sternfeld, Jessica. The Megamusical. Bloomington: Indiana University Press, 2006.

  Stewart, John. Broadway Musicals, 1943–2004. Jefferson, N.C.: McFarland, 2006.

  Steyn, Mark. Broadway Babies Say Goodnight: Musicals Then and Now. New York: Routledge, 1997.

  Suskin, Steven. Berlin, Kern, Rodgers, Hart, and Hammerstein: A Complete Song Catalogue. Jefferson, N.C.: McFarland, 1990.

  ———. Opening Night on Broadway: A Critical Quotebook of the Golden Era of the Musical Theatre, “Oklahoma!” (1943) to “Fiddler on the Roof” (1964). New York: Schirmer, 1990.

  ———. Show Tunes: The Songs, Shows, and Careers of Broadway’s Major Composers, rev. and expanded 3rd ed. New York: Oxford University Press, 1990.

  Swain, Joseph P. The Broadway Musical: A Critical and Musical Survey. New York: Oxford University Press, 1990; 2nd ed. Lanham, Md.: Scarecrow, 2002.

  Swayne, Steven. “Hearing Sondheim’s Voices.” Ph.D. dissertation, University of California, Berkeley, 1999.

  ———. How Sondheim Found His Sound. Ann Arbor: University of
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  Symonette, Lys, and Kim H. Kowalke, eds. and trans. Speak Low (When You Speak Love): The Letters of Kurt Weill and Lotte Lenya. Berkeley: University of California Press, 1996.

  Teachout, Terry. “‘Cradle of Lies.” Commentary (February 2000): 51–55.

  Thompson, Era Bell. “Why Negroes Don’t Like ‘Porgy and Bess.’” Ebony 14/12 (October 1959): 51–53.

 

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