Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber
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Gardner, Ava, 187, 188
Garland, Judy, 189
Garland, Robert, 21, 198
The Garrick Gaieties (Rodgers and Hart), 83, 195
Garson, Edith, 66, 72
Gates, Henry Louis Jr., 72
Gay Divorce (Porter), 40, 156, 189
The Gay Divorcée [film], 154, 156, 189
Gaxton, William, 43, 44, 46, 164
“Gee, Officer Krupke” (Bernstein and Sondheim), 286, 287, 288, 290, 329
Geer, Will, 185
Genaro, Peter, xxv
George M! [Cohan], 4
George White Scandals of 1922, 59
“Geraniums in the Winder” (Rodgers and Hammerstein), 311
Gerard, Jeremy, W80n39
Gershe, Leonard, 190
Gershwin, George, xii, 5, 6, 13, 23, 42, 48, 58–82, 111, 115, 136, 137, 155, 166–76, 180, 195, 243, 281
Gershwin, Ira, 5, 82, 136, 137, 138, 139, 152, 168, 171, W88n54
Gershwin, Leonore, 168, 171, 173
The Gershwins (George and Ira), 14, 58–82 (60), 158, 169–76, 189–90, 215, 263
Gestus, 141–142
“Get Me to the Church on Time” (Lerner and Loewe), 275, W115n50
Geva, Tamara, 86
Gibbs, Wolcott, 101
Giddins, Gary, W89n70, W102n13
Gigi (Lerner and Loewe) [film], 265, 277, 278, 324
Gilbert (William Schwenck) and Sullivan (Arthur Seymour), xii, 4, 349, 385
Gilbert, Steven E., W94n58
Girl Crazy (G. and I. Gershwin), xiii, 60, 189, 335
The Girl from Utah (Kern et al.), 22
The Girls Upstairs (early version of Follies), 373, 374, W129n74
“Glad to Be Unhappy” (Rodgers and Hart), 88
“A Glamorous Life” (Sondheim), W128n65
Glamour Dream (Weill), 144, 145, 146, 186
Gleason, Johanna, 387
Gloria’s Romance [film], W80n44
Goetschius, Percy, 84, 105–6
“God Save the King,” 391
“God, That’s Good!” 363
Gold (Sondheim). See Road Show
Gold Diggers of 1933 [film], 156
Goldberg, Isaac, 66, 72
Golden Boy [film], 172
Goldbeck, Eva, 183
Goldberg, Whoopi, 338
Goldman, James, 346, 374, 376–77, 378, W129n87, W130n93
Goldwyn, Samuel, xxiii, 155, 168, 169–70, 171, 172, 247, 310, 319–20, 322, 324
The Goldwyn Follies (G. and I. Gershwin) [film], 82
“Good-bye, Ma Lady Love” (Howard), 24
“Goodbye, Little Dream, Goodbye” (Porter), 46, W85n32
Good News! (DeSylva, Brown, and Henderson), 186
“Goodnight Sweetheart” (Noble, Campbell, and Connelly), W91n29
“Good Thing Going” (Sondheim), 380
Gordon, Eric A., 187, W94n7, W95n17, W96n31
“Gossip Sequence” (Sondheim), 368
Die Götterdämmerung (Wagner) [opera], 300
Gottfried, Martin, 379, W73n4
Gottlieb, Jack, 301, W122n78
Grable, Betty, 156, 321
Gradenwitz, Peter, 301, W123n78
Grant, Cary, 316, 324
Grant, Hugh, 327
Grant, Mark, 391, W74n10, W132n21, W133n46
Grayson, Kathryn, 314, 315, 318
“A Great Big Town” (Rodgers and Hart), 109, 178
“The Greatest Show on Earth” (Weill and I. Gershwin), 140
“Great Fugue” from the String Quartet, op. 135 (Beethoven), W122n73
Great Lady (Loewe), 262, 263
The Great Ziegfeld [film], 156
Green, Jesse, 363, W128n59
Green, Paul, 136
Green, Stanley, W73n4, W81n54, W90n4, W110n6
Greenfield, Peter, W110n33
“Green Finch and Linnet Bird” (Sondheim), 362
Green Grow the Lilacs (Riggs), 109, W83n70
The Green Pastures (Johnson), 70
Greenwich Village Follies (Porter et al.), 42
Greenwillow (Loesser), 259
Greer, Germaine, 230
Greer, Jo Ann, 179
Grieg, Edvard, 377, 378, W130n92
Grisham, John, 398
Grist, Reri, 294
“Grosse Fuge.” See “Great Fugue”
Groves, George R., 324
Gruenberg, Louis, W85n2
Guettel, Adam, xxvi
Gussow, Mel, 282
Guys and Dolls (Loesser), xii, xix, xxii, 11, 12, 13, 14, 54, 89, 109, 147, 155, 231, 233, 234, 235, 235–47 (242), 248–49, 251, 252, 280
Synopsis (W3–4)
Discography and Filmography (W14–15)
Appendix A (W27)
Appendix N (W56–57)
Notes (W107n1)
Guys and Dolls [film], xxiv, 155, 247, 310, 319–23 (319), 324
“Guys and Dolls” (Loesser), 321
Gypsy (Styne and Sondheim), 14, 16, 233, 308, 335, 338, 347, 360
“The Gypsy in Me” (Porter), 50, 55, 218
H. M. S. Pinafore (Gilbert and Sullivan), 4
Hairspray (Shaiman and Wittman), xxvii, 310
Hall, Juanita, 169
Hallelujah, I’m a Bum (Rodgers and Hart) [film], 212
Hambitzer, Charles, 59
Hamlisch, Marvin, xxvi, xxvii Hamm, Charles, xxi, 7, 65, 68, 69, 82, W73n6, W76n13
Hammerstein, James, 338
Hammerstein, Oscar, 2nd, xxiv, 5, 14, 19–39, 48, 70, 84, 100, 110, 136, 157, 159–63, 338–42, 343, 344, 346, 366, 382, W114n24. See also Rodgers (Richard) and Hammerstein (Oscar)
Hammond, Percy, 20
Handel, George Frideric, 142, 389, 393, W100n47
Haney, Carol, 316, 318
Hangover Square (Herrmann) [film], 353–54, W127n48
Hannibal (Lloyd Webber) [Phantom opera], 397, 399, 408
Hansberry, Lorraine, 71
Hans Christian Andersen (Loesser) [film], 152, 244, 247, 320
“Happily Ever After” (Sondheim), 378, W130n95
Happy Dust theme (Gershwin), 77, 78
Happy End (Brecht and Weill), 136, 140, 141, 147
“Happy Hunting Horn” (Rodgers and Hart), 104, 107, 110, 180
“Happy New Year.” See “Hot Time in the Old Town Tonight”
“Happy Talk” (Rodgers and Hammerstein), 84, W114n24
“Happy to Make Your Acquaintance” (Loesser), 248, 249–50, 253, 254
Harburg, E. Y. (“Yip”), 14, 136, W77n20, W113n17
Harley, Steve, 385
Harmon, Charlie, 308
Harrigan (Edward) and Hart (Tony), 4
Harris, Sam H., 136, W98n23
Harrison, Rex, xxiii, 245–46, 260, 261, 265, 266, 271, 323, 324, 325
Hart, Charles, 385
Hart, Lorenz, xii, 5. See also Rodgers (Richard) and Hart (Lorenz)
Hart, Moss, xxvi, 135, 136, 137, 144, 146, 150, 152, 237, 247, 276, 278, W84n27
Harvey, Georgette, 169
Harvey, Polly Jean, 186
“Hate” motive (West Side Story), 301–5 (303), W118n34, W123n78
“(Haveynue) Shalom A’leychem” (Ben-Chaim), W89n71
Hawkins, William, 260–61, 262
Haymes, Dick, 187
Hayworth, Rita, 177, 178, 179, 180, 188
Hays Production Code, xxiii, 164, 170, 176–77
“He’s Here, the Phantom of the Opera” (Lloyd Webber and Hart), 403–4
Hearn, George, 213
“Heart and Soul” (Loesser and Carmichael), 234
“The Heart Is Quicker Than the Eye” (Rodgers and Hart), 90, 99, 100
“Heaven Hop” (Porter), 46, 50
Heilman, Robert B., 229–30
Helburn, Theresa, 195, 196, 263
“Hello, Young Lovers” (Rodgers and Hammerstein), 206
Hellzapoppin’ (Fain, Olsen, and Johnson), 12
Henderson, Ray, W77n20
Hepburn, Audrey, xxiii, 310, 323, 325, 326
Hepburn, Katharine, 278
Hepokoski, James, W83n2
Herbert, Victor, 4, 22
Herman, Jerry, xxvi
Herrmann, Bernard, 353–54
“Hey, Feller!” (Kern and Hammerstein), 24, 25, 160, W80n42
Heyward, Dorothy, 61, 168
Heyward, Dubose, 48, 61, 62, 63, 64, 72, 79
High Button Shoes (Styne and Cahn), 281
High Society (Porter), 232
High Tor (Anderson) [play], 341
Higham, Mike, 363
“The Highest Judge of All” (Rodgers and Hammerstein), 211, 311
Himmelfarb, Gertrude, 230
Hindemith, Paul, 116, 136
Hirsch, Foster, 173, 396
Hirschfeld, Al, 5, 60, 113, 135, 196, 235, 261, 345
Hischak, Thomas, 311
Hit the Deck (Youmans, Grey, and Robin), 156
Hitchcock, Alfred, 154, 353, W97n42
Hitchcock, H. Wiley, 82, 124, W94n3
Hitchy-Koo of 1919 (Porter et al.), 42
Holiday Inn [film], 156
Holloway, Julian, 260
Holloway, Stanley, 260, 265, 266, 323
Hollywood Dream (Weill), 136, 138
Hollywood Production Code. See Hays Production Code)
Home of the Brave (Laurents) [play], 281
“Honolulu” (Blitzstein), 118, 120, 124, 125
Hope, Bob, 157
Hopkins, George James, 324
Horn, David, W88n51, W88n52
Horne, Lena, 59
Horne, Marilyn, 294
Horowitz, Mark, 360, 378, W74n8
Horsefeathers [film], 136
“Hot Time in the Old Town Tonight” (Metz), 23
Houghton, Norris, W121n50
Houseman, John, xviii, 115, 184, 185, W95n8, W95n9
Houston Opera, 20, 27, 58, 59, 65, 68, 166, 168
“How Beautiful the Days” (Loesser), 250, 253, 254, 255, 256
How to Succeed in Business without Really Trying (Loesser), 235–36, 244, 245, 259, W130n92
Howard, Leslie, 103, 269
Howard, Sidney, W116n60
“How’d You Like to Spoon with Me?” (Kern and Laska), 22, 24, 45, W80n36, W80n42
“How Much I Love You” (Weill and Nash), 147
Hubbard, Bruce, 70, 175
Hubler, Richard, 43, W107n2
Huckleberry Finn (Twain), 152
Hughes, Langston, 136
Humperdinck, Engelbert, 136
“A Hymn to Him” (Lerner and Loewe), 266, 325, W114n32
Hytner, Nicholas, xviii, 211
“I Ain’t Got No Shame” (G. and I. Gershwin), 72
“I Am Ashamed That Women Are So Simple” (Porter), 220, 225, 226, 318
I Am Listening (M. Hart) [play], 136, 137, 144
“I Believe in You” (Loesser), 245, 259
I Can Get It for You Wholesale (Rome), 308
“I Could Have Danced All Night” (Lerner and Loewe), 269, 274, 275, W115n49
“I Could Write a Book” (Rodgers and Hart), 84, 107, 179
“I Don’t Know How to Love Him” (Lloyd Webber and Rice), 385, 390, 391
“I Feel Pretty” (Bernstein and Sondheim), 295, 328, 329–30, 340, W118n27
“I Get a Kick Out of You” (Porter), 40, 42, 45, 50, 53, 54, 55, 159, 164, 218, 358, 359, W105n20
“I Got Plenty o’ Nuttin’” (G. and I. Gershwin and Heyward), 59, 62, 67, 76, 172, W89n79, W90n85
“I Got Rhythm” (G. and I. Gershwin), 391
“I Guess This Is Goodbye” (Sondheim), 372
“I Have Brought You” (Lloyd Webber and Hart), 401, 405, 406, W133n45
“I Hate Men” (Porter), 228, 317
I Hate Music (Bernstein), 282
“I Have a Love” (Bernstein and Sondheim), 294, 295, 300, 302, 329, 390, 393, W118n27
“I Have the Room above Her” (Kern and Hammerstein), 26, 27, 157, 159
“I Like Ev’rybody” (Loesser), 250, 251
“I Love Him” (Loesser), 256, 257
“I Loves You Porgy” (G. and I. Gershwin and Heyward), 79, 81
I Married an Angel (Rodgers and Hart), 84
“I Might Fall Back on You” (Kern and Hammerstein), 25, 27, 159
I Remember Mama (Rodgers, Charnin, and Jessel), 213
“I remember motive” (Lloyd Webber and Hart), 401–2, 404–5, W133n41
“I Sing of Love” (Porter), 219, 223, 315
“I Want to Row on the Crew” (Porter), 46, 50
“I Won’t Dance” (Kerns, Fields, and McHugh), 157
“I Would Like to Play a Lover’s Part” (Kern and Hammerstein), 24
“I’d Be Surprisingly Good for You” (Lloyd Webber and Rice), 391
I’d Rather Be Right (Rodgers and Hart), 84, 136
“The Idyll of Miss Sarah Brown” (Runyon) [short story], 237
“If I Loved You” (Rodgers and Hammerstein), 200, 202, 205, 207–8, 229, 358–59, 402, W106n32
“If I Were a Bell” (Loesser), 238, 239, 322
“Il mio tesoro” (Mozart) [aria], 44
Il Muto (Lloyd Webber), 397
Il Trovatore (Verdi) [opera], 219
“I’ll Be Hard to Handle” (Kern and Harbach), 156
“I’ll Know” (Loesser), 238, 239, 249
The Illustrator’s Show (Loesser, Loewe, et al.), 234, 263, W113n11
Ilson, Carol, 374, W129n90
“I’m a Stranger Here Myself” (Weill and Nash), 147, 149
“I’m an Ordinary Man” (Lerner and Loewe), 265, 266, 272–73, 274, 275, W114n32
“I’m Checkin’ Home Now” (Blitzstein), 136, 183
“I’m Gonna Wash That Man Right Outa My Hair” (Rodgers and Hammerstein), 108
“I’m in Love with a Wonderful Guy” (Rodgers and Hammerstein), 108, 204, 339
“I’m Still Here” (Sondheim), 374
“In Buddy’s Eyes” (Sondheim), 343–44, 374–75
“In Dahomey” (Kern and Hammerstein), 27, 160
“In der Jugend gold’nem Schimmer” (Weill and Brecht), 140
“In Love with the Memory of You” (Loesser and Schuman), 234
The Incredibles [film], 402
The integrated musical, xiv, xx, 6, 47, 85, 100, 143–47, 206–11, 237, 255, 394–95, 403
Intermezzo for piano, op. 117, no. 3 (Brahms), W115n46
Into the Woods (Sondheim and Lapine), xxviii, 337, 338, 366, 369, 379, 386–87, Discography and Filmography (W15)
Isaac, Edith J. R., 114
“It Ain’t Necessarily So” (G. Gershwin and Heyward), 71, 77, 170
“It Might As Well Be Spring. “(Rodgers and Hammerstein), 204, 212
“It’s De-Lovely” (Porter), 40, 46, 159, 215, W85n32, W85n43
“It’s Getting Hotter in the North” (Kern and Hammerstein), 24, 33, 162, W80n42
“It’s Got to Be Love” (Rodgers and Hart), 88, 95–98 (96), 99, 100, 105, 110
“It’s Hot up Here” (Sondheim), 369
“It Take a Long Pull to Get There” (G. Gershwin and Heyward), 76, 80, W89n71, 79