In a Glass Darkly

by Sheridan Le Fanu

  I knew, therefore, I should have ample time for my mysterious excursion without exciting curiosity by being shut out.

  And now we pulled up under the canopy of boughs, before the sign of the Dragon Volant, and the light that shone from its hall-door.

  I dismissed my carriage, ran up the broad stair-case, mask in hand, with my domino fluttering about me, and entered the large bedroom. The black wainscoting and stately furniture, with the dark curtains of the very tall bed, made the night there more sombre.

  An oblique patch of moonlight was thrown upon the floor from the window to which I hastened. I looked out upon the landscape slumbering in those silvery beams. There stood the outline of the Château de la Carque, its chimneys and many turrets with their extinguisher-shaped roofs black against the soft grey sky. There, also, more in the foreground, about midway between the window where I stood and the château, but a little to the left, I traced the tufted masses of the grove which the lady in the mask had appointed as the trysting-place, where I and the beautiful Countess were to meet that night.

  I took "the bearings" of this gloomy bit of wood, whose foliage glimmered softly at top in the light of the moon.

  You may guess with what a strange interest and swelling of the heart I gazed on the unknown scene of my coming adventure.

  But time was flying, and the hour already near. I threw my robe upon a sofa; I groped out a pair of hoots, which I substituted for those thin heelless shoes, in those days called "pumps," without which a gentleman could not attend an evening party. I put on my hat and, lastly, I took a pair of loaded pistols, which I had been advised were satisfactory companions in the then unsettled state of French society; swarms of disbanded soldiers, some of them alleged to be desperate characters, being everywhere to be met with. These preparations made, I confess I took a looking-glass to the window to see how I looked in the moonlight; and being satisfied, I replaced it, and ran downstairs.

  In the hall I called for my servant.

  "St Clair," said I; "I mean to take a little moonlight ramble, only ten minutes or so. You must not go to bed until I return. If the night is very beautiful, I may possibly extend my ramble a little."

  So down the steps I lounged, looking first over my right, and then over my left shoulder, like a man uncertain which direction to take, and I sauntered up the road, gazing now at the moon, and now at the thin white clouds in the opposite direction, whistling, all the time, an air which I had picked up at one of the theatres.

  When I had got a couple of hundred yards away from the Dragon Volant, my minstrelsy totally ceased; and I turned about, and glanced sharply down the road, that looked as white as hoar-frost under the moon, and saw the gable of the old inn, and a window, partly concealed by the foliage, with a dusky light shining from it.

  No sound of footstep was stirring; no sign of human figure in sight. I consulted my watch, which the light was sufficiently strong to enable me to do. It now wanted but eight minutes of the appointed hour. A thick mantle of ivy at this point covered the wall and rose in a clustering head at top.

  It afforded me facilities for scaling the wall, and a partial screen for my operations if any eye should chance to be looking that way. And now it was done. I was in the park of the Château de la Carque, as nefarious a poacher as ever trespassed on the grounds of unsuspicious lord!

  Before me rose the appointed grove, which looked as black as a clump of gigantic hearse plumes. It seemed to tower higher and higher at every step; and cast a broader and blacker shadow toward my feet. On I marched, and was glad when I plunged into the shadow which concealed me. Now I was among the grand old lime and chestnut trees — my heart beat fast with expectation.

  This grove opened, a little, near the middle; and, in the space thus cleared, there stood with a surrounding flight of steps a small Greek temple or shrine, with a statue in the centre. It was built of white marble with fluted Corinthian columns, and the crevices were tufted with grass; moss had shown itself on pedestal and cornice, and signs of long neglect and decay were apparent in its discoloured and weather-worn marble. A few feet in front of the steps a fountain, fed from the great ponds at the other side of the château, was making a constant tinkle and plashing in a wide marble basin, and the jet of water glimmered like a shower of diamonds in the broken moonlight. The very neglect and half-ruinous state of all this made it only the prettier, as well as sadder. I was too intently watching for the arrival of the lady, in the direction of the château, to study these things; but the half-noted effect of them was romantic, and suggested somehow the grotto and the fountain, and the apparition of Egeria.

  As I watched a voice spoke to me, a little behind my left shoulder. I turned, almost with a start, and the masque, in the costume of Mademoiselle de la Vallière, stood there.

  "The Countess will be here presently," she said. The lady stood upon the open space, and the moonlight fell unbroken upon her. Nothing could be more becoming; her figure looked more graceful and elegant than ever. "In the meantime I shall tell you some peculiarities of her situation. She is unhappy; miserable in an ill-assorted marriage, with a jealous tyrant who now would constrain her to sell her diamonds, which are — "

  "Worth thirty thousand pounds sterling. I heard all that from a friend. Can I aid the Countess in her unequal struggle? Say but how the greater the danger or the sacrifice, the happier will it make me. Can I aid her?"

  "If you despise a danger — which, yet, is not a danger; if you despise, as she does, the tyrannical canons of the world; and if you are chivalrous enough to devote yourself to a lady's cause, with no reward but her poor gratitude; if you can do these things you can aid her, and earn a foremost place, not in her gratitude only, but in her friendship."

  At those words the lady in the mask turned away and seemed to weep.

  I vowed myself the willing slave of the Countess. "But," I added, "you told me she would soon be here."

  "That is, if nothing unforeseen should happen; but with the eye of the Count de St Alyre in the house, and open, it is seldom safe to stir."

  "Does she wish to see me?" I asked, with a tender hesitation.

  "First, say have you really thought of her, more than once, since the adventure of the Belle Étoile?"

  "She never leaves my thoughts; day and night her beautiful eyes haunt me; her sweet voice is always in my ear.

  "Mine is said to resemble hers," said the mask.

  "So it does," I answered. "But it is only a resemblance."

  "Oh! then mine is better?"

  "Pardon me, Mademoiselle, I did not say that. Yours is a sweet voice, but I fancy a little higher."

  "A little shriller, you would say," answered the De la Vallière, I fancied a good deal vexed.

  "No, not shriller: your voice is not shrill, it is beautifully sweet; but not so pathetically sweet as hers."

  "That is prejudice, Monsieur; it is not true."

  I bowed; I could not contradict a lady.

  "I see, Monsieur, you laugh at me; you think me vain, because I claim in some points to be equal to the Countess de St Alyre. I challenge you to say, my hand, at least, is less beautiful than hers." As she thus spoke she drew her glove off, and extended her hand, back upward, in the moonlight.

  The lady seemed really nettled. It was undignified and irritating; for in this uninteresting competition the precious moments were flying, and my interview leading apparently to nothing.

  "You will admit, then, that my hand is as beautiful as hers?"

  "I cannot admit it. Mademoiselle," said I, with the honesty of irritation. "I will not enter into comparisons, but the Countess de St Alyre is, in all respects, the most beautiful lady I ever beheld."

  The masque laughed coldly, and then, more and more softly, said, with a sigh, "I will prove all I say." And as she spoke she removed the mask: and the Countess de St Alyre, smiling, confused, bashful, more beautiful than ever, stood before me!

  "Good Heavens!" I exclaimed. "How monstrously stupid I have been. And i
t was to Madame la Comtesse that I spoke for so long in the salon!" I gazed on her in silence. And with a low sweet laugh of good nature she extended her hand. I took it and carried it to my lips.

  "No, you must not do that," she said quietly, "we are not old enough friends yet. I find, although you were mistaken, that you do remember the Countess of the Belle Étoile, and that you are a champion true and fearless. Had you yielded to the claims just now pressed upon you by the rivalry of Mademoiselle de la Valière, in her mask, the Countess de St Alyre should never have trusted or seen you more. I now am sure that you are true, as well as brave. You now know that I have not forgotten you; and, also, that if you would risk your life for me, I, too, would brave some danger, rather than lose my friend for ever. I have but a few moments more. Will you come here again to-morrow night, at a quarter past eleven? I will be here at that moment; you must exercise the most scrupulous care to prevent suspicion that you have come here, Monsieur. You owe that to me."

  She spoke these last words with the most solemn entreaty.

  I vowed again and again that I would die rather than permit the least rashness to endanger the secret which made all the interest and value of my life.

  She was looking, I thought, more and more beautiful every moment. My enthusiasm expanded in proportion.

  "You must come to-morrow night by a different route," she said; "and if you come again, we can change it once more. At the other side of the château there is a little churchyard, with a ruined chapel. The neighbours are afraid to pass it by night. The road is deserted there, and a stile opens a way into these grounds. Cross it and you can find a covert of thickets, to within fifty steps of this spot."

  I promised, of course, to observe her instructions implicitly.

  "I have lived for more than a year in an agony of irresolution. I have decided at last. I have lived a melancholy life; a lonelier life than is passed in the cloister. I have had no one to confide in; no one to advise me; no one to save me from the horrors of my existence. I have found a brave and prompt friend at last. Shall I ever forget the heroic tableau of the hall of the Belle Étoile? Have you — have you really kept the rose I gave you, as we parted? Yes — you swear it. You need not; I trust you. Richard, how often have I in solitude repeated your name, learned from my servant. Richard, my hero! Oh! Richard! Oh, my king! I love you!"

  I would have folded her to my heart — thrown myself at her feet. But this beautiful and — shall I say it — inconsistent woman repelled me.

  "No, we must not waste our moments in extravagances. Understand my case. There is no such thing as indifference in the married state. Not to love one's husband," she continued, "is to hate him. The Count, ridiculous in all else, is formidable in his jealousy. In mercy, then, to me, observe caution. Affect to all you speak to, the most complete ignorance of all the people in the Château de la Carque; and, if anyone in your presence mentions the Count or Countess de St Alyre, be sure you say you never saw either. I shall have more to say to you to-morrow night. I have reasons that I cannot now explain, for all I do, and all I postpone. Farewell. Go! Leave me."

  She waved me back, peremptorily. I echoed her "farewell," and obeyed.

  This interview had not lasted, I think, more than ten minutes. I scaled the park wall again, and reached the Dragon Volant before its doors were closed.

  I lay awake in my bed, in a fever of elation. I saw, till the dawn broke, and chased the vision, the beautiful Countess de St Alyre, always in the dark, before me.

  Chapter XVII — The Tenant of the Palanquin

  *

  THE Marquis called on me next day. My late breakfast was still upon the table. He had come, he said, to ask a favour. An accident had happened to his carriage in the crowd on leaving the ball, and he begged, if I were going into Paris, a seat in mine. I was going in, and was extremely glad of his company. He came with me to my hotel; we went up to my rooms. I was surprised to see a man seated in an easy chair, with his back towards us, reading a newspaper. He rose. It was the Count de St Alyre, his gold spectacles on his nose; his black wig, in oily curls, lying close to his narrow head, and showing like carved ebony over a repulsive visage of boxwood. His black muffler had been pulled down. His. right arm was in a sling. I don't know whether there was anything unusual in his countenance that day, or whether it was but the effect of prejudice arising from all I had heard in my mysterious interview in his park, but I thought his countenance was more strikingly forbidding than I had seen it before.

  I was not callous enough in the ways of sin to meet this man, injured at least in intent, thus suddenly, without a momentary disturbance.

  He smiled.

  "I called, Monsieur Beckett, in the hope of finding you here," he croaked, "and I meditated, I fear, taking a great liberty, but my friend the Marquis d'Harmonville, on whom I have perhaps some claim, will perhaps give me the assistance I require so much."

  "With great pleasure," said the Marquis, "but not till after six o'clock. I must go this moment to a meeting of three or four people whom I cannot disappoint, and I know, perfectly, we cannot break up earlier."

  "What am I to do?" exclaimed the Count, "an hour would have done it all. Was ever contre-temps so unlucky?"

  "I'll give you an hour, with pleasure," said I.

  "How very good of you, Monsieur, I hardly dare to hope it. The business, for so gay and charming a man as Monsieur Beckett, is a little funeste. Pray read this note which reached me this morning."

  It certainly was not cheerful. It was a note stating that the body of his, the Count's cousin, Monsieur de St Amand, who had died at his house, the Château Clery, had been, in accordance with his written directions, sent for burial at Père la Chaise, and, with the permission of the Count de St Alyre, would reach his house (the Château de la Carque) at about ten o'clock on the night following, to be conveyed thence in a hearse, with any member of the family who might wish to attend the obsequies.

  "I did not see the poor gentleman twice in my life," said the Count, "but this office, as he has no other kinsman, disagreeable as it is, I could scarcely decline, and so I want to attend at the office to have the book signed, and the order entered. But here is another misery. By ill luck I have sprained my thumb, and can't sign my name for a week to come. However, one name answers as well as another. Yours as well as mine. And as you are so good as to come with me, all will go right."

  Away we drove. The Count gave me a memorandum of the Christian and surnames of the deceased, his age, the complaint he died of, and the usual particulars; also a note of the exact position in which a grave, the dimensions of which were described, of the ordinary simple kind, was to be dug, between two vaults belonging to the family of St Amand. The funeral, it was stated, would arrive at half-past one o'clock A.M. (the next night but one); and he handed me the money, with extra fees, for a burial by night. It was a good deal; and I asked him, as he entrusted the whole affair to me, in whose name I should take the receipt.

  "Not in mine, my good friend. They wanted me to become an executor, which I, yesterday, wrote to decline; and I am informed that if the receipt were in my name it would constitute me an executor in the eye of the law, and fix me in that position. Take it, pray, if you have no objection, in your own name."

  This, accordingly, I did.

  You will see, by-and-by, why I am obliged to mention all these particulars.

  The Count, meanwhile, was leaning back in the carriage, with his black silk muffler up to his nose, and his hat shading his eyes, while he dozed in his corner; in which state I found him on my return.

  Paris had lost its charm for me. I hurried through the little business I had to do, longed once more for my quiet room in the Dragon Volant, the melancholy woods of the Château de la Carque, and the tumultuous and thrilling influence of proximity to the object of my wild but wicked romance.

  I was delayed some time by my stockbroker. I had a very large sum, as I told you, at my banker's, uninvested. I cared very little for a few day's in
terest-very little for the entire sum, compared with the image that occupied my thoughts, and beckoned me with a white arm, through the dark, toward the spreading lime trees and chestnuts of the Château de la Carque. But I had fixed this day to meet him, and was relieved when he told me that I had better let it lie in my banker's hands for a few days longer, as the funds would certainly fall immediately. This accident, too, was not without its immediate bearing on my subsequent adventures.

  When I reached the Dragon Volant, I found, in my sitting-room, a good deal to my chagrin, my two guests, whom I had quite forgotten. I inwardly cursed my own stupidity for having embarrassed myself with their agreeable society. It could not be helped now, however, and a word to the waiters put all things in train for dinner.

  Tom Whistlewick was in great force; and he commenced almost immediately with a very odd story.

  He told me that not only Versailles, but all Paris was in a ferment, in consequence of a revolting, and all but sacrilegious practical joke, played of on the night before.

  The pagoda, as he persisted in calling the palanquin, had been left standing on the spot where we last saw it. Neither conjuror, nor usher, nor bearers had ever returned. When the ball closed, and the company at length retired, the servants who attended to put out the lights, and secure the doors, found it still there.

  It was determined, however, to let it stand where it was until next morning, by which time, it was conjectured, its owners would send messengers to remove it.

  None arrived. The servants were then ordered to take it away; and its extraordinary weight, for the first time, reminded them of its forgotten human occupant. Its door was forced; and, judge what was their disgust, when they discovered, not a living man, but a corpse! Three or four days must have passed since the death of the burly man in the Chinese tunic and painted cap. Some people thought it was a trick designed to insult the Allies, in whose honour the ball was got up. Others were of opinion that it was nothing worse than a daring and cynical jocularity which, shocking as it was, might yet be forgiven to the high spirits and irrepressible buffoonery of youth. Others, again, fewer in number, and mystically given, insisted that the corpse was bona fide necessary to the exhibition, and that the disclosures and allusions which had astonished so many people were distinctly due to necromancy.