Shotgun Lovesongs: A Novel
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For Regina & Henry & Mom & Dad
For Swan, who hears sunsets
And for Levon Helm (1940–2012)
CONTENTS
Title Page
Copyright Notice
Dedication
Epigraph
H
L
K
R
B
L
H
B
K
R
B
L
K
L
H
R
B
L
H
Acknowledgments
Praise for the Author
About the Author
Copyright
But, heave ahead, boy, I’d rather be killed by you than kept alive by any other man.
—HERMAN MELVILLE, MOBY-DICK
H
WE INVITED HIM TO ALL of our weddings; he was famous. We addressed the invitations to his record company’s skyscraper in New York City so that the gaudy, gilded envelopes could be forwarded to him on tour—in Beirut, Helsinki, Tokyo. Places beyond our ken or our limited means. He sent back presents in battered cardboard boxes festooned with foreign stamps—birthday gifts of fine scarves or perfume for our wives, small delicate toys or trinkets upon the births of our children: rattles from Johannesburg, wooden nesting dolls from Moscow, little silk booties from Taipei. He would call us sometimes, the connection scratchy and echoing, a chorus of young women giggling in the background, his voice never sounding as happy as we expected it to.
Months would pass before we saw his face again, and then, he would arrive home, bearded and haggard, his eyes tired but happily relieved. We could tell that Lee was glad to see us, to be back in our company. We always gave him time to recover before our lives resumed together, we knew he needed time to dry out and regain his balance. We let him sleep and sleep. Our wives brought him casseroles and lasagnas, bowls of salad and freshly baked pies.
He liked to ride a tractor around his sprawling property. We assumed he liked feeling the hot daylight, the sun and fresh air on his pale face. The slow speed of that old John Deere, so reliable and patient. The earth rolling backward beneath him. There were no crops on his land of course, but he rode the tractor through the fallow fields of prairie grasses and wildflowers, a cigarette between his lips, or a joint. He was always smiling on that tractor, his hair all flyaway and light blond and in the sunlight it was like the fluff of a seeding dandelion.
He had taken another name for the stage but we never called him by that name. We called him Leland, or just plain Lee, because that was his name. He lived in an old schoolhouse away from things, away from our town, Little Wing, and maybe five miles out into the countryside. The name on his mailbox read: L SUTTON. He had built a recording studio in the small, ancient gymnasium, padding the walls with foam and thick carpeting. There were platinum records up on the walls. Photographs of him with famous actresses and actors, politicians, chefs, writers. His gravel driveway was long and potted with holes, but even this was not enough to deter some of the young women who sought him out. They came from around the world. They were always beautiful.
Lee’s success had not surprised us. He had simply never given up on his music. While the rest of us were in college or the army or stuck on our family farms, he had holed up in a derelict chicken coop and played his battered guitar in the all-around silence of deepest winter. He sang in an eerie falsetto, and sometimes around the campfire it would make you weep in the unreliable shadows thrown by those orange-yellow flames and white-black smoke. He was the best among us.
He wrote songs about our place on earth: the everywhere fields of corn, the third-growth forests, the humpbacked hills and grooved-out draws. The knife-sharp cold, the too-short days, the snow, the snow, the snow. His songs were our anthems—they were our bullhorns and microphones and jukebox poems. We adored him; our wives adored him. We knew all the words to the songs and sometimes we were in the songs.
* * *
Kip was going to be married in October inside a barn he’d renovated for the occasion. The barn stood on a farm of horses, the land there delineated by barbed-wire fences. The barn was adjacent to a small country cemetery where it was entirely possible to count every lichen-encrusted tombstone and know how many departed were lying in repose under that thick sod. A census, so to speak. Everyone was invited to the wedding. Lee had even cut short the leg of an Australian tour in order to attend, though to all of us, Kip and Lee seemed the least close among our friends. Kip, as far as I knew, didn’t even own any of Lee’s albums, and whenever we saw Kip driving around town it was inevitably with a Bluetooth lodged in his ear, his mouth working as if he were still out on the floor of the Mercantile Exchange.
Kip had just returned to Wisconsin after about nine years of trading commodities in Chicago. It was as if the world had just gotten small again. For years, decades, our whole lives, really—we’d listened to the farm reports in our trucks on the AM radio. Sometimes you’d even hear Kip’s voice during those broadcasts as he was interviewed from his office down in Chicago, that familiar self-assured baritone narrating fluctuations in numbers that dictated whether or not we could afford orthodontia for our children, winter vacations, or new boots, telling us things we didn’t exactly understand and yet already knew. Our own futures were sown into those reports of milk and corn prices, wheat and soy. Hog-bellies and cattle. Far from our farms and mills, Kip had made good, manipulating the fruits of our labor. We respected him just the same. He was fiercely intelligent, for one thing, his eyes burned in their sockets as he listened intently to us complain about seed salesmen, pesticides, fertilizer pricing, our machines, the fickle weather. He kept a farmer’s almanac in his back pocket, understood our obsession with rain. Had he not gone away, he might have been a prodigious farmer himself. The almanac, he once told me, was almost entirely obsolete, but he liked to carry it around. “Nostalgia,” he explained.
After he returned, Kip bought the boarded-up feed mill downtown. The tallest structure in town, its six-story grain silos had always loomed over us, casting long shadows like a sundial for our days. Very early in our childhoods it had been a bustling place where corn was taken to be held for passing trains, where farmers came to buy their fuel in bulk, their seed, other supplies, but by the late eighties it had fallen into disrepair, the owner having tried to sell in a time when no one was buying. It was only a few months before the high-schoolers began throwing stones through the windows, decorating the grain silos with graffiti. Most of our lives it was just a dark citadel beside a set of railroad tracks that had grown rusty and overgrown with milkweed, ragweed, fireweed. The floors had been thick with pigeon shit and bat guano, and there was a lake of standing water in the old stone basement. In the silos, rats and mice ran rampant, eating the leftover grain—sometimes we broke inside to shoot them with .22s, the small-caliber bullets occasionally ricocheting against the towering walls of the silos. We used flashlights to find their beady little eyes and once, Ronny stole one of his mother’s signal flares from the trunk of her car, dropping it down into the silo, where it glowed hot pink against the sulfurous darkness, as we shot away.
Within ten months Kip had restored most of the mill. He paid local craftsmen to do the work, overseeing every detail; he beat everyone to the site each morning and was not a
bove wielding a hammer or going to his knees, as needed, to smooth out the grout, or what have you. We guessed at the kind of money he must have thrown at the building: hundreds of thousands for sure; maybe millions.
At the post office or the IGA, he talked excitedly about his plans. “All that space,” he’d say. “Think about all that space. We could do anything with that space. Offices. Light industry. Restaurants, pubs, cafés. I want a coffee shop in there, I know that much.” We tried our best to dream along with him. As young children, we had briefly known the mill as a place where our mothers bought us overalls, thick socks, and galoshes. It had been a place that smelled of dog food and corn dust and new leather and the halitosis and the cheap cologne of old men. But those memories were further away.
“You think people will want to have dinner inside the old mill?” we asked him.
“Think outside the box, man,” he crooned. “That’s the kind of thinking that’s killed this town. Think big.”
Near the new electronic cash register was the original till. Kip had saved that, too. He liked to lean against the old machine, his elbows on its polished surface while one of his employees rang up customers at the newer register. He had mounted four flat-screen televisions near the registers where it was easy to monitor the distant stock markets, Doppler radar, and real-time politics, talking to his customers out the sides of his mouth, eyes still trained up on the news. Sometimes, he never even looked at their faces. But he had resurrected the mill. Old men came there to park their rusted trucks in the gravel lot and drink wan coffee as they leaned against their still warm vehicles, engines ticking down, and they talked and spat brown juices into the gravel rock and dust. They liked the new action that had accumulated around the mill. The delivery trucks, sales representatives, construction crews. They liked talking to us, to young farmers—to me and the Giroux twins, who were often there, poking fun at Kip as he stared at all those brand-new plasma television screens, doing his best to ignore us.
Lee had actually written a song about the old mill before its revival. That was the mill we remembered, the one, I guess, that was real to us.
* * *
Our friend Ronny Taylor was an alcoholic. The drinking had made a bad detour of his life. Once, he had fallen down drunk onto the curb outside the VFW on Main Street and banged his head hard, broken some of his teeth. He’d been belligerent and loud that night, hitting on other people’s girlfriends and wives, spilling his drinks, and twice he’d been seen peeing into the alley behind the bar, his dick out in the breeze while he whistled “Raindrops Keep Fallin’ on My Head.” Sheriff Bartman had no choice and picked him up for public intoxication, though Bartman had no quarrel with Ronny and simply wanted the man to dry out somewhere safe, to not jump behind the wheel of some pickup truck only to kiss an oak tree at seventy miles an hour later in the evening. But of course the damage had already been done. All that night and into the next morning as Ronny lay cooped up in jail for public intoxication, his brain was bleeding from the inside. By the time the sheriff took him to the hospital in Eau Claire for emergency surgery, it was too late. Damage had been done that could not be undone. No one ever said as much, but we wondered if all that alcohol had thinned his blood, worsened the bleeding. Ronny was never the same after that, but some slowed-down version of himself. More happy perhaps, but also less aware, and if you were a stranger meeting him for the first time, you might just think he was a little slow, but then again, maybe you would think he was normal. Either way, you might never have guessed about the young man that existed before in that same body. His sentences just didn’t come as quickly and frequently he repeated himself. But it didn’t mean that he was dumb, or handicapped, though sometimes, I wonder if we treated him that way.
Ronny dried out in the hospital over the course of several months, often restrained in his bed, and we came to the hospital to hold his hand. His grip was ferocious, his veins seemed everywhere ready to jump right out through his sweaty flesh. His eyes were scared in a way I had only seen in horses. We wiped his forehead and did our best to hold him down to the earth.
Our wives and children came to visit him too and he liked that. It forced him to mellow. Our children brought crayons and paper to the hospital and drew crude portraits of him, the colors always happy and beside his head a glowing sun or a leafed-out tree. Sometimes after the children left we would find him clutching their art and bawling, other times, holding them tenderly, studying them and touching their work like sacred artifacts. He saved those pictures and later hung them in his apartment.
After a period of time he came out of the tunnel and we took care of him as best we could because he was ours and he had no other family; both his parents had passed away when we were in our midtwenties—carbon monoxide poisoning at their cabin up on Spider Lake, near Birchwood. Ronny was Little Wing’s orphan.
He had been a professional rodeo. He was tender with horses, brutal with cattle. He knew ropes and even before the accident he’d suffered any number of vicious injuries and insults to his body. There were times when he came over to our house for dinner that my children would ask him to list off his broken bones. That inventory took some time.
“Let’s see,” he’d say, pulling off his tired cowboy boots. “Well. I had all ten toes broken, I know that.” Next he’d pull off his holey socks. What toenails he still had were yellowed and the dirty milky color of quartz; they seemed to grow in defiance of his flesh. “Some of these toes were broken twice, I think. An angry brahma is going to come down wherever they want to come down, see, and sometimes that’ll be on you.” Ronny would pick up our son, Alex, and set him on his back on the living-room floor and then pretend to be a bull, crashing down gently on the little boy’s body, tickling his ribs, armpits, and toes. “In Kalispell they wanted to take both pinkie toes, but I escaped the hospital before they could put me under. Had a girl there who I called and she was waiting outside with the engine running.…
“This scar here,” he said, indicating his pale right ankle, “a bull named Ticonderoga come down on it and snapped my leg in two.”
My kids thought this was the best game in the world—seeing how many garments they could get Ronny Taylor to shed, how many broken bones he could remember, how many nasty scars their little fingers could trace.
But the drunken fall had ended his rodeo life, and we were sad for that. He had dropped out of high school to rodeo; he had no trade and no skills.
Lee paid for his medical expenses, his apartment, his food and clothing. We weren’t supposed to know any of that, but we had grown up with Rhonda Blake, who worked in one of the Eau Claire hospital’s medical records departments, and she told Eddy Moffitt one night at the VFW. She had been shaking her head and smiling kind of winsomely and Eddy went over to her, bought her a drink, and asked what was going on.
“You know, I could get fired for saying something,” Rhonda said, “but the thing is, something like this. People ought to know. I never heard of a good deed like this. Christ, I could lose my job, but truth is, it’d be worth it.”
And then she told Eddy that Ronny hadn’t had insurance. That the bills had been well over a hundred thousand dollars.
“One day,” she said, “we get a delivery from New York City. An envelope from some record company to Ronny’s attention. And sure enough, a goddamn check for a hundred and twenty-three thousand dollars.”
She drank her beer fast, her eyes wet.
“It was just so sweet,” she said, “I couldn’t keep it to myself.”
Eddy told us all this story one night after a high school football game. (Us versus Osseo.) None of us had children old enough to be in high school yet, but when you live in a town as small as Little Wing, Wisconsin, you go out to the high school football and basketball games. It is, after all, something to do, cheap family entertainment. We all stood underneath the bleachers, some of us sharing a pouch of Red Man chewing tobacco, others passing a bag of sunflower seeds, listening to Eddy as the crowd thundered its s
upport right above us, boots stomping the wooden bleachers, the rickety metal scaffolding shaking loose rust. From overhead, aluminum cans and crumpled-up hot dog wrappers rained down. We crossed our arms, spat, tried to imagine what a check for a hundred thousand dollars even looked like.
Lee was already our hero, but this only deepened our love for him, grew his legend. We all went out the next day and bought ten more of his albums, each of us, even though we had duplicates at our homes. And that money we spent was precious too because so many of us were just scraping by; it could’ve been plugged into savings or used for groceries. Still. We mailed them to relatives and distant friends, donated them to libraries and nursing homes.
Ronny never saw a bill; Lee’s lawyers took care of all the logistics. Ronny would be taken care of forever. Ronny did not seem to know that he had a patron in life, or, maybe he did, I don’t know. All I know is that Lee never talked about it, and neither did Ronny. Then again, it was only right. There were countless posters of Lee in Ronny’s apartment, and they had been there well before the accident and surgery. Most had gone a little faded with sunlight, greasy with kitchen smoke. They had adorned those shabby walls long before Lee became famous. Ronny had always loved him the most.
* * *
The invitations to Kip’s wedding were heavy with paper and ribbon and glitter. We carried them from our mailboxes and vehicles into our houses carefully, reverently, as if they held priceless, exquisite news. We vaguely knew the woman he was marrying. Felicia was from Chicago and now worked as a consultant from their new house just outside town. Exactly what or with whom she consulted, we didn’t really understand, though Eddy claimed that it had something to do with pharmaceuticals. She had come out to the VFW a few times with Kip, always beautiful, her makeup and hair and nails all perfect. We remembered her for her high heels, which she wore all through the winter, her toenails a sharp shiny red. She was plenty nice, but there was something in her manner that seemed to indicate to us that our town was just a temporary place for her, a kind of layover, and that we were layovers too. Layovers to later be flown over one day and waved to. Flyover friends.