South Wind
Page 16
“No. Men have lost their frankness, their self-assurance. Whoever yields, must be confident of his own strength. Our contemporaries have lost that feeling. They dare not be themselves. They eke out lack of sincerity by profusion of commonplace. Unlike the heroes of Homer, they repress their fears—they repress everything, save their irrepressible flatulence of mind. They are expansive in unimportant matters and at wrong moments—blown about in a whirl of fatuous extremes. The impersonal note has vanished. Why has it gone, Mr. Denis?” he suddenly asked. “And when did it go?”
The other was rather puzzled what to reply.
“I suppose you could trace its disappearance to the days of which you spoke, when artists began to display their moods to the world. Perhaps further still. Some Roman writers were fond of talking about their own affairs. If they do, the public naturally becomes interested. People like Byron must have had a good deal to do with it. He was always harping on his private life.”
He paused, but the Count merely asked:
“No further back than that?”
“I don’t know. Christianity made us interested in other people’s feelings. Brotherliness, you know. That must have helped. So did Socrates, by the way. Of course it lowers the general standard. Where everybody can read and write, there’s an end of good taste. No, I don’t mean that exactly,” he added, feeling that he was expressing himself very stupidly.
“Well?”
“Oh, everything! The telegraph and society papers and interviewing and America and yellow journalism … and all those family memoirs and diaries and autobiographies and Court scandals…. They produce a new kind of public, a public which craves for personalities rather than information. They want to learn about our clothes and incomes and habits. Not a questioning public, I mean; a prying public—”
“A cannibalistic public,” said the Count, quietly. “Men cannot live, it seems, save by feeding on their neighbour’s life-blood. They prey on each other’s nerve-tissues and personal sensations. Everything must be shared. It gives them a feeling of solidarity, I suppose, in a world where they have lost the courage to stand alone. Woe to him who dwells apart! Great things are no longer contemplated with reverence. They are hauled down from their pedestals in order to be rendered accessible to a generation of pigmies; their dignity is soiled by vulgar contact. This lust of handling—what is its ordinary name? Democracy. It has abraded the edge of that keen anthropocentric outlook of the Greeks which exalted whatever was distinctively human. Men have learnt to see beauty here, there, and everywhere—a little beauty, mark you, not much! They fail to realize that in widening their capacity of appreciation they dilute its intensity. They have watered their wine. There is more to drink. The draught is poorer.”
It seemed to Denis that the Count’s wine had not been watered.
“Let me show you one or two other things,” said the old man.
They wandered about the premises awhile, looking at marbles, prints, intaglios, coins, till a serving man entered—a clean-shaven and rather bony old creature whom the Count called Andrea—to announce tea. Denis was feeling calmer; he had fallen under the beguiling influence of this place. He realized that his host was different from the artist type he had hitherto encountered; more profound, more veracious. Already he formed the project of returning to listen to his melodious voice, and learn some more about that Hellenic life which had hitherto been a sealed book to him. Nobody every spoke to him after the Count’s fashion. He contrasted his address with the bantering, half-apologetic, supercilious tone of those other elderly persons who had heretofore deigned to enlightened him. He was flattered and pleased at being taken seriously and bidden to think in this straightforward, manly fashion; it unstrung his reserve and medicined to his wounded self-respect.
“So your mother would like to see you in Parliament?” asked the Count. “Politics are apt to be a dirty game. One cannot touch dirt without soiling one’s hands. We have a deputy here, the Commendator Morena—well, one does not like to speak about him. Let me ask you a question, Mr. Denis. Why do politicians exist?”
“I suppose the answer would be that is profitable to mankind to be run by somebody.”
“Profitable, at all events, to those who do the running. Your good Sir Herbert Street has lately sent me a batch of books about the ideal public life of the future. Socialistic forecasts, and that kind of literature. He is a world-improver, you know, among other things. They have amused me more than I thought they would. That venerable blunder: to think that in changing the form of government you change the heart of man. And in other respects, too, these dreamers are at sea. For surely we should aim at simplification of machinery. Conceive, now, the state of affairs where everybody is more or less employed by the community—the community, that comfortable word!—in some patriotic business or other. Everybody an official, all controlling each other! It would be worse than the Spanish Inquisition. A man could live at Toledo by subscribing to certain fixed opinions; he could be assured of a reasonable degree of privacy. Nothing could save him, under socialism. An insupportable world! When people cease to reflect they become idealists.”
“I suppose they do,” replied Denis, rather dubiously. Then it struck him that this might account for his own hazy state of mind—this lack of occupation or guiding principle. For the rest, he had not given much thought to such questions. To be a politician—it was one of the few projects which had never seriously entered his head. After a pause, he remarked:
“I can’t help noticing that portrait over there. It’s a very pretty thing.”
“The little pastel? It is a sketch of my daughter Matilda. I did it myself when she was here last Christmas. Poor child, she can only come for the holidays; there is no chance of a respectable education o this island. But I can run over to see her every now and then. You will observe I am not much of a colourist!”
“You have been parsimonious with the tints. It reminds me of some of Lenbach’s work which I saw at Florence; it is in the same manner.”
“It appears you like art,” said the Count. “Why not devote yourself to it? But perhaps your English social conditions are not propitious. Here is a letter from a friend of mind which arrived this morning; you know his name—I will not mention it! A well-known Academician, whose life is typical of your attitude towards art. Such a good fellow. He likes shooting and fishing; he is a favourite at Court, and quite an authority on dress-reform. He now writes to ask me about some detail of Greek costume which he requires for one of his lectures to a Ladies’ Guild. Art, to him, is not a jealous mistress; she is an indulgent companion, who will amiably close an eye and permit a few wayside flirtations to her lover—enthusiasms for quite other ideals, and for the joys of good society in general. That is the way to live a happy life. It is not the way to create masterpieces.”
“I would take myself seriously, I think,” said Denis. “I would not dissipate my energies.”
He meant it. To be an artist—it dawned upon him that this was his true vocation. To renounce pleasure and discipline the mind; to live a life of self-denial, submitting himself humbly to the inspiration of the great masters…. To be serene, like this old man; to avoid that facile, glib, composite note—those monkey-tricks of cleverness….
Then, after this vision had passed before his eyes like a flash, he remembered his grief. The notion of becoming a world-famous artist lost all meaning for him. Everything was blighted. There was not a grain of solace to be found on earth.
The Count, meanwhile, was looking with concern upon his companion’s grave face, whose flawless profile might have emerged into life under the thought-laden chisel of Lysippus. He wondered what he could say or do to drive away this melancholy. The youth had been so bright that day at the entertainment of the Duchess; he seemed to have stepped straight out of a sunny dialogue of Plato. Serious trouble now shone out of his eyes. Something had happened. Something was wrong with him; wrong, too—he reflected—with a world which could find no better occupation for
such a person than to hand round buttered tea-cakes at an old woman’s party to a crowd of cosmopolitan scandalmongers.
Denis rose, remarking:
“I wish I could stay a little longer! But it is getting so late. I’m afraid I must be going.”
He held out his hand.
“You have caught me in a somewhat sad and depressed mood, I fear,” replied the other, heaving a most artistic sigh. And his features suddenly looked quite careworn. As a matter of fact, he had not been so joyous for many long years—that news of Mr. van Koppen’s proximate arrival having made him feel fifty years younger and, but for his ingrained sense of Hellenic moderation, almost ready to dance with delight.
“I am sorry I have been so despondent,” he went on. “Sometimes one cannot help oneself. It shall not occur again! I will try to be more amusing next time you come. If I thought it would help, I would communicate my sorrows and claim your sympathy. But what does it avail to unburden oneself? Friends will share our joys, but every man is a solitary in his griefs. One soon finds that out! One soon realizes the vanity of all those talks about the consolations of philosophy and the comforts of religion, doesn’t one? I suppose even you have your moments of dejection?”
“One worries about things now and then. It is perfectly natural, I daresay.”
“Perfectly. We are not stones—least of all persons like yourself. I would not be at your age again, not for the wealth of Croesus! I suffered too much. All young people suffer too much; they bear it silently, like heroes. The eye of youth dilates and distorts the images. The focussing process is painful. Youth has no norm. It was in one of my worst fits of despondency, I remember, that my old teacher gave me certain advice, after I had puzzled it out, did me some good. In fact, I have acted upon it to this very day; I recall it as plainly as if he were speaking now. Well, I am sorry you are leaving. I would keep you hear if I could. But I hope you will not forget to come another day. You have cheered me up wonderfully! Shall Andrea find you a carriage?”
“What did he say?” asked Denis.
“The old teacher? Let me see…. He said: do not be discomposed by the opinions of inept persons. Do not swim with the crowd. They who are all things to their neighbours, cease to be anything to themselves. Even a diamond can have too many facets. Avoid the attrition of vulgar minds; keep your edges intact. He also said: A man can protect himself with fists or sword but his best weapon is his intellect. A weapon must be forged in the fire. The fire, in our case, is tribulation. It must also be kept untarnished. If the mind is clean, the body can take care of itself. He said: delve deeply; not too deeply into the past, for it may make you derivative; nor yet into yourself—it will make you introspective. Delve into the living world and strive to bind yourself to its movement by a chain of your own welding. Once that contact is established, you are unassailable. Externalize yourself! He told me many things of this kind. You think I was consoled by his words? Not in the slightest degree. I was annoyed. In fact, I thought him rather a hypocrite; anybody could have spoken as he did! I was so disappointed that I went to him next day and told him frankly what I thought of his counsel. He said—do you know what he said?”
“I cannot even guess.”
“He said: ‘What is all wisdom save a collection of platitudes? Take fifty of our current proverbial sayings—they are so trite, so threadbare, that we can hardly bring our lips to utter them. None the less they embody the concentrated experience of the race, and the man who orders his life according to their teaching cannot go far wrong. How easy that seems! Has any one ever done so? Never. Has any man ever attained to inner harmony by pondering the experiences of others? Not since the world began! He must pass through the fire.’”
“I had no teacher like that,” observed Denis. “He must have been a man of the right kind.”
“Oh, he meant well, the old rascal,” replied the Count with a curious little smile.
CHAPTER XIV
Denis descended from the Old Town. At a turn of the road he overtook the bishop who was moving slowly in the same direction.
“How is Mrs. Meadows?” enquired the young man.
“Not particularly well, I’m afraid. And the Count?”
“Oh, quite all right.”
They walked along in silence, having little to say to each other. That visit had done Denis good; he would return soon again, if only for the purpose of cheering up the lonely old man who, at the last moment, had given him a photograph of the Locri Faun, with a kindly inscription from himself. He was not to show it to anybody, the Count had said—not yet! The government must not hear about that relic—not yet! Later on, perhaps very soon, everything would be in order. Denis cherished that photo in his pocket. He was thinking, too, of the pastel—the face of Matilda, which seemed like a star shining through the mist…. Then he remembered the bishop walking at his side. He felt he ought to say something more to this dry Colonial whom he could not help contrasting, greatly to his disadvantage, with the Count.
“Hasn’t it been hot to-day?”
“Stifling,” replied Mr. Heard. “The warmest day we have had, so far. Not a breath of wind.”
“Not a breath….”
The conversation flagged once more. They did not hit it off, somehow; they seemed to drift further apart every time they met. Each was preoccupied with his own thoughts. The bishop was more taciturn than usual; the interview with his cousin had not been quite a success.
Denis, after a while, made another effort. He spoke of some of Count Caloveglia’s antiquities and, one thing leading to another, told Mr. Heard the story of a friend of his in Florence who had excavated some wonderful early Italian pots, fragments o them, out of an old garden well. They were all lustred, he said.
“That must have been a very pleasant surprise,” observed the bishop, who had small use for lustred ware and lunatics who collected it. Feeling that it was his turn to say something, he remarked:
“I am dining with the Duchess to-night. Will you be there?”
“No,” replied the young man with an unwonted air of decision. Never again would he be seen in that austere old convent, built by the Good Duke Alfred. Never again! Promptly, however, he toned down the harshness of his answer by adding that the lady had very kindly asked him to come, but he couldn’t manage it, that evening.
“I shall have to console her about the burglary,” continued the bishop.
“What burglary?”
Mr. Heard explained that the premises had been entered while the Duchess was dining at Madame Steynlin’s on the previous evening, the night of the water-party. Evidently the work of a man who knew his business. A man familiar with the ins and outs of the house. And a man of taste, into the bargain. All the sham articles had been left untouched; he had gone off with nothing but genuine things—a few precious crucifixes and bonbonnieres. No one had the faintest idea who the thief was. Most mysterious! The disaster could hardly have occurred but for the fact that the young girl Angelina, who was supposed to sleep on the premises, had been called away late at night to look after a suffering aunt. The old woman, it appeared, was liable to sudden heart-attacks. She had been round to see the Duchess early in the morning with endless apologies, and had fortunately been able to corroborate her niece’s story.
“I am glad of it,” concluded the bishop. “Because that maid, when I saw her, struck me as rather a flighty young person—the sort of girl who would take advantage of her mistress’s absence to have a little flirtation with a policeman round the corner. I am glad the aunt could explain things so satisfactorily. I was wrong about that girl. Shows how careful one must be in judging of other people, doesn’t it? I must say she looked to me like a regular little coquette.”
Denis had so little sympathetic comment to make on this painful story that Mr. Heard was quite surprised at his indifference. He always understood the young man to be a particular friend of the Duchess.
“These artistic people!” he thought. “They have quite another way of looking
at things. Dear me. I shall never live to understand them.”
The two separated at the market-place without much reluctance on either side.
During dinner, the Duchess was calm about her misfortune. She bore it well. She had been vigorously consoled by Don Francesco, who pointed out that such little things are trials of faith and that she ought to be thankful for this opportunity of proving how little she cared for earthly riches. While not exactly thankful, she was certainly as resigned as anybody could have been. Angelina had already been taken into grace again, at the charitable suggestion of the priest. Every one was puzzling who the thief could be (it happened to be Mr. Richards); the police had not discovered the faintest clue.
“It does not much matter if they do,” said Don Francesco. “I don’t think, my dear lady, that you will get the judge to take up your case very actively. You know how he hates the clericals. In fact, I fear he will not move a finger unless the culprit also happens to be a good believer. In that case, he might lock him up. He is so fond of imprisoning Catholics!”
“A bad state of the law,” commented the bishop.
“It is,” replied Don Francesco, “And perhaps you do not know,” he added, turning to the company, “that there has been another robbery as well, doubtless by the same hand. Yes! I only heard of it an hour ago. Poor Miss Wilberforce is the victim. She is terribly upset. A number of valuables have disappeared from her house; they must have been ransacked, she thinks, at the time of Mr. Keith’s party. I understand she was rather overcome on that occasion. The thief seems to have been aware of her condition, and to have profited by it.”
“Poor Miss Wilberforce!” said everybody. They were all sorry for poor Miss Wilberforce.
It was a rather full dinner-party on the whole. Mr. Heard left at half-past eleven.
Passing the Club on his way home, he remembered his intention of looking in there and perhaps doing good to a few of those fellows.
He climbed up the stairs. There was a fearful row going on. The place was crammed with members of various nationalities, drinking and arguing amid clouds of tobacco smoke. They seemed all to be at loggerheads with one another and on the verge of breaking out into violence, the south wind having been particularly objectionable all day long. A good deal of filthy and profane language was being used—it was worse than those hot places he had known in Africa. That pink-faced old drunkard known as Charlie was the only person who made any signs of recognizing him. He half rose from his chair with a genial: “Hello, Bishop—” and instantly collapsed again. Mr. Muhlen was there; he bowed rather distantly. A tremulous pale-faced youngster invited him pressingly to a drink, and just as the bishop was on the verge of accepting with a view to getting the victim out of that den of vice, the lad suddenly remarked: “Excuse me, won’t you?” and tottered out of the door. They were too far gone to be spoken to with any prospects of success. Things might have been different if the restraining influence of Mr. Freddy Parker could have made itself felt, but that gentleman was at home, his lady being not very well. In the Commissioner’s absence, Mr. Richards, the respectable Vice-President, was making his voice heard. Sober or not, he was certainly articulate and delighted with himself as, stroking his beard placidly, he roared out above the crowd: