Anne Rice - vc 3 -Queen of the Damned.txt
Page 5
She had made that journey also with her father, a year later, across the Urubamba River and up through the jungles of Peru. She'd seen for herself the same two women in a style remarkably similar though not the same.
There again on the smooth wall were the same scenes of the rain falling, of the red-haired twins in their joyful dance. And then the somber altar scene in loving detail. It was the body of a woman lying on the altar, and in their hands the twins held two tiny, carefully drawn plates. Soldiers bore down upon the ceremony with swords uplifted. The twins were taken into bondage, weeping. And then came the hostile tribunal and the familiar escape. In another picture, faint but still discernible, the twins held an infant between them, a small bundle with dots for eyes and the barest bit of red hair; then to others they entrusted their treasure as once more the menacing soldiers appeared.
And lastly, the one twin, amid the full leafy trees of the jungle, her arms out as if reaching for her sister, the red pigment of her hair stuck to the stone wall with dried blood.
How well she could recall her excitement. She had shared her father's ecstasy, that he had found the twins a world apart from each other, in these ancient pictures, buried in the mountain caves of Palestine and Peru.
It seemed the greatest event in history; nothing could have been so important. Then a year later a vase had been discovered in a Berlin museum that bore the very same figures, kneeling, plates in hand before the stone bier. A crude thing it was, without documentation. But what did that matter? It had been dated 4000 B.C. by the most reliable methods, and there unmistakably, in the newly translated language of ancient Sumer, were the words that meant so much to all of them:
"The Legend of the Twins"
Yes, so terribly significant, it had all seemed. The foundation of a life's work, until he presented his research.
They'd laughed at him. Or ignored him. Not believable, such a link between the Old World and the New. Six thousand years old, indeed! They'd relegated him to the "crazy camp" along with those who talked of ancient astronauts, Atlantis, and the lost kingdom of Mu.
How he'd argued, lectured, begged them to believe, to journey with him to the caves, to see for themselves! How he'd laid out the specimens of pigment, the lab reports, the detailed studies of the plants in the carvings and even the white robes of the twins.
Another man might have given it up. Every university and foundation had turned him away. He had no money even to care for his children. He took a teaching position for bread and butter, and, in the evenings, wrote letters to museums all over the world. And a clay tablet, covered with drawings, was found in Manchester, and another in London, both clearly depicting the twins! On borrowed money he journeyed to photograph these artifacts. He wrote papers on them for obscure publications. He continued his search.
Then she had come, the quiet-spoken and eccentric woman who had listened to him, looked at his materials, and then given him an ancient papyrus, found early in this century in a cave in Upper Egypt, which contained some of the very same pictures, and the words "The Legend of the Twins."
"A gift for you," she'd said. And then she'd bought the vase for him from the museum in Berlin. She obtained the tablets from England as well.
But it was the Peruvian discovery that fascinated her most of all. She gave him unlimited sums of money to go back to South America and continue his work.
For years he'd searched cave after cave for more evidence, spoken to villagers about their oldest myths and stories, examined ruined cities, temples, even old Christian churches for stones taken from pagan shrines.
But decades passed and he found nothing.
It had been the ruin of him finally. Even she, his patron, had told him to give it up. She did not want to see his life spent on this. He should leave it now to younger men. But he would not listen. This was his discovery! The Legend of the Twins! And so she wrote the checks for him, and he went on until he was too old to climb the mountains and hack his way through the jungle anymore.
In the last years, he lectured only now and then. He could not interest the new students in this mystery, even when he showed the papyrus, the vase, the tablets. After all, these items did not fit anywhere really, they were of no definable period. And the caves, could anyone have found them now?
But she had been loyal, his patron. She'd bought him this house in Rio, created a trust for him which would come to his daughter when he died. Her money had paid for his daughter's education, for so many other things. Strange that they lived in such comfort. It was as if he had been successful after all.
"Call her," he said again. He was becoming agitated, empty hands scraping at the photographs. After all, his daughter had not moved. She stood at his shoulder looking down at the pictures, at the figures of the twins.
"All right, Father." She left him with his book.
It was late afternoon the next day when his daughter came in to kiss him. The nurse said that he'd been crying like a child. He opened his eyes as his daughter squeezed his hand.
"I know now what they did to them," he said. "I've seen it! It was sacrilege what they did."
His daughter tried to quiet him. She told him that she had called the woman. The woman was on her way.
"She wasn't in Bangkok, Daddy. She's moved to Burma, to Rangoon. But I reached her there, and she was so glad to hear from you. She said she'd leave within a few hours. She wants to know about the dreams."
He was so happy. She was coming. He closed his eyes and turned his head into the pillow. "The dreams will start again, after dark," he whispered. "The whole tragedy will start again."
"Daddy, rest," she said. "Until she comes."
Sometime during the night he died. When his daughter came in, he was already cold. The nurse was waiting for her instructions. He had the dull, half-lidded stare of dead people. His pencil was lying on the coverlet, and there was a piece of paper-the flyleaf of his precious book-crumpled under his right hand.
She didn't cry. For a moment she didn't do anything. She remembered the cave in Palestine, the lantern. "Do you see? The two women?"
Gently, she closed his eyes, and kissed his forehead. He'd written something on the piece of paper. She lifted his cold, stiff fingers and removed the paper and read the few words he'd scrawled in his uneven spidery hand:
"IN THE JUNGLES-WALKING."
What could it mean?
And it was too late to reach the woman now. She would probably arrive sometime that evening. All that long way. . . .
Well, she would give her the paper, if it mattered, and tell her the things he'd said about the twins.
THE SHORT HAPPY LIFE
OF BABY JENKS AND THE FANG GANG
The Murder Burger is served right here. You need not wait at the gate of Heaven for unleavened death. You can be a goner on this very corner.
Mayonnaise, onions, dominance of flesh. If you wish to eat it you must feed it. "Yall come back." "You bet."
STAN RICE - from "Texas Suite" Some Lamb (1975)
BABY JENKS PUSHED HER HARLEY TO SEVENTY miles an hour, the wind freezing her naked white hands. She'd been fourteen last summer when they'd done it to her, made her one of the Dead, and "dead weight" she was eighty-five pounds max. She hadn't combed out her hair since it happened-didn't have to-and her two little blond braids were swept back by the wind, off the shoulders of her black leather jacket. Bent forward, scowling with her little pouting mouth turned down, she looked mean, and deceptively cute. Her big blue eyes were vacant.
The rock music of The Vampire Lestat was blaring through her earphones, so she felt nothing but the vibration of the giant motorcycle under her, and the mad lonesomeness she had known all the way from Gun Barrel City five nights ago. And there was a dream that was bothering her, a dream she kept having every night right before she opened her eyes.
She'd see these redheaded twins in the dream, these two pretty ladies, and then all these terrible things would go down. No, she didn't like it one damn bit and she was so
lonely she was going out of her head.
The Fang Gang hadn't met her south of Dallas as they had promised. She had waited two nights by the graveyard, then she had known that something was really, really wrong. They would never have headed out to California without her. They were going to see the Vampire Lestat on stage in San Francisco, but they'd had plenty of time. No, something was wrong. She knew it.
Even when she had been alive, Baby Jenks could feel things like that. And now that she was Dead it was ten times what it had been then. She knew the Fang Gang was in deep trouble. Killer and Davis would never have dumped her. Killer said he loved her. Why the hell else would he have ever made her, if he didn't love her? She would have died in Detroit if it hadn't been for Killer.
She'd been bleeding to death, the doctor had done it to her all right, the baby was gone and all, but she was going to die too, he'd cut something in there, and she was so high on heroin she didn't give a damn. And then that funny thing happened. Floating up to the ceiling and looking down at her body! And it wasn't the drugs either. Seemed to her like a whole lot of other things were about to happen.
But down there, Killer had come into the room and from up where she was floating she could see that he was a Dead guy. Course she didn't know what he called himself then. She just knew he wasn't alive. Otherwise he just looked kind of ordinary. Black jeans, black hair, real deep black eyes. He had "Fang Gang" written on the back of his leather jacket. He'd sat down on the bed by her body and bent over it.
"Ain't you cute, little girl!" he'd said. Same damn thing the pimp had said to her when he made her braid her hair and put plastic barrettes in it before she went out on the street.
Then whoom! She was back in her body all right, and she was just full of something warmer and better than horse and she heard him say: "You're not going to die, Baby Jenks, not ever!" She had her teeth in his goddamn neck, and boy, was that heaven!
But the never dying part? She wasn't so sure now.
Before she'd lit out of Dallas, giving up on the Fang Gang for good, she'd seen the coven house on Swiss Avenue burnt to timbers. All the glass blown out of the windows. It had been the same in Oklahoma City. What the hell had happened to all those Dead guys in those houses? And they were the big city bloodsuckers, too, the smart ones that called themselves vampires.
How she'd laughed when Killer and Davis had told her that, that those Dead guys went around in three-piece suits and listened to classical music and called themselves vampires. Baby Jenks could have laughed herself to death. Davis thought it was pretty funny too, but Killer just kept warning her about them. Stay away from them.
Killer and Davis, and Tim and Russ, had taken her by the Swiss Avenue coven house just before she left them to go to Gun Barrel City.
"You got to always know where it is," Davis had said. "Then stay away from it."
They'd showed her the coven houses in every big city they hit. But it was when they showed her the first one in St. Louis that they'd told her the whole story.
She'd been real happy with the Fang Gang since they left Detroit, feeding off the men they lured out of the roadside beer joints. Tim and Russ were OK guys, but Killer and Davis were her special friends and they were the leaders of the Fang Gang.
Now and then they'd gone into town and found some little shack of a place, all deserted, with maybe two bums in there or something, men who looked kinda like her dad, wearing bill caps and with real calloused hands from the work they did. And they'd have a feast in there on those guys. You could always live off that kind, Killer told her, because nobody gives a damn what happens to them. They'd strike fast, kachoom!-drinking the blood quick, draining them right down to the last heartbeat. It wasn't fun to torture people like that, Killer said. You had to feel sorry for them. You did what you did, then you burnt down the shack, or you took them outside and dug a hole real deep and stuck them down there. And if you couldn't do anything like that to cover it up, you did this little trick: cut your finger, let your Dead blood run over the bite where you'd sucked them dry, and look at that, the little puncture wounds just like to vanished. Flash! Nobody'd ever figure it out; it looked like stroke or heart attack.
Baby Jenks had been having a ball. She could handle a full-sized Harley, carry a dead body with one arm, leap over the hood of a car, it was fantastic. And she hadn't had the damn dream then, the dream that had started up in Gun Barrel City-with those redheaded twins and that woman's body lying on an altar. What were they doing?
j What would she do now if she couldn't find the Fang Gang? Out in California the Vampire Lestat was going on stage two ' nights from now. And every Dead guy in creation would be there, leastways that's how she figured it, and that's how the Fang Gang had figured it and they were all supposed to be together. So what the hell was she doing lost from the Fang Gang and headed for a jerkwater city like St. Louis?
All she wanted was for everything to be like it had been before, goddamn it. Oh, the blood was good, yum, it was so good, even now that she was alone and had to work up her nerve, the way it had been this evening, to pull into a gas station and lure the old guy out back. Oh, yeah, snap, when she'd gotten her hands on his neck, and the blood came, it had been just fine, it was hamburgers and french fries and strawberry shakes, it was beer and chocolate sundaes. It was mainline, and coke and hash. It was better than screwing! It was all of it.
But everything had been better when the Fang Gang was with her. And they had understood when she got tired of the chewed-up old guys and said she wanted to taste something young and tender. No problem. Hey, it was a nice little runaway kid she needed, Killer said. Just close your eyes and wish. And sure enough, like that, they found him hitchhiking on the main road, just five miles out of some town in northern Missouri, name of Parker. Real pretty boy with long shaggy black hair, just twelve years old, but real tall for his age, with some beard on his chin, and trying to pass for sixteen. He'd climbed on her bike and they'd taken him into the woods. Then Baby Jenks laid down with him, real gentle like, and slurp, that was it for Parker.
It was delicious all right, juicy was the word. But she didn't know really whether it was any better than the mean old guys when you got down to it. And with them it was more sport. Good ole boy blood, Davis called it.
Davis was a black Dead guy and one damned good-looking black Dead guy, as Baby Jenks saw it. His skin had a gold glow to it, the Dead glow which in the case of white Dead guys made them look like they were standing in a fluorescent light all the time. Davis had beautiful eyelashes too, just damn near unbelievably long and thick, and he decked himself out in all the gold he could find. He stole the gold rings and watches and chains and things off the victims.
Davis loved to dance. They all loved to dance. But Davis could outdance any of them. They'd go to the graveyards to dance, maybe round three a.m., after they'd all fed and buried the dead and all that jazz. They'd set the ghetto blaster radio on a tombstone and turn it way up, with the Vampire Lestat roaring. "The Grand Sabbat" song, that was the one that was good for dancing. And oh, man, how good it felt, twisting and turning and leaping in the air, or just watching Davis move and Killer move and Russ spinning in circles till he fell down. Now that was real Dead guy dancing.
Now if those big city bloodsuckers weren't hip to that, they were crazy.
God, she wished now that she could tell Davis about this dream she'd been having since Gun Barrel City. How it had come to her in her mom's trailer, zap, the first time when she'd been sitting waiting. It was so clear for a dream, those two women with the red hair, and the body lying there with its skin all black and crackled like. And what the hell was that on the plates in the dream? Yeah, it had been a heart on one plate and a brain on the other. Christ. All those people kneeling around that body and those plates. It was creepy. And she'd had it over and over again since then. Why, she was having it every goddamn time she shut her eyes and again right before she dug her way out of wherever she'd been hiding by daylight.
Kil
ler and Davis would understand. They'd know if it meant something. They wanted to teach her everything.
When they first hit St. Louis on their way south, the Fang Gang had headed off the boulevard into one of those big dark streets with iron gates that they call "a private place" in St. Louis. It was the Central West End down here, they said. Baby Jenks had liked those big trees. There just aren't enough big trees in south Texas. There wasn't much of nothing in south Texas. And here the trees were so big their branches made a roof over your head. And the streets were full of noisy rustling leaves and the houses were big, with peaked roofs and the lights buried deep inside them. The coven house was made of brick and had what Killer called Moorish arches.
"Don't go any closer," Davis had said. Killer just laughed. Killer wasn't scared of the big city Dead. Killer had been made sixty years ago, he was old. He knew everything.
"But they will try to hurt you, Baby Jenks," he said, walking his Harley just a little farther up the street. He had a lean long face, wore a gold earring in his ear, and his eyes were small, kind of thoughtful. "See, this one's an old coven, been in St. Louis since the turn of the century."