Jerusalem

by Alan Moore

  Ern noticed that the bag had sprung a leak, a small hole in the fabric of its underside with an apprentice of fourteen or so scuffing about there on his knees beside the sack, sweating and swearing as he tried to darn the rend with thread and needle. The boy was disfigured by what people called a strawberry mark staining his skin across one eye from cheek to forehead in a mongrel puppy patch, whether from birth or from a scald Ern couldn’t say. The milky, stormcloud-filtered radiance dropped down upon the youth from overhead like in Greek dramas as he grovelled at his mending, with the hourglass grains spilling across his darting fingers, falling in a thin stream on the lustrous slabs below. As Ern gazed idly on this scene, thinking inevitably of the sands of time, the picture’s lighting jumped and lurched, followed not several seconds later by a cannon fusillade of thunder. The squall’s eye was evidently drawing nearer.

  Billy Mabbutt led Ern past where men were fastening the gantry’s trailing guy-ropes down to anchor it now it had been positioned properly, over to a trestle that had been set up between the statues of Lord Nelson and the late Viceroy of Ireland Lord Cornwallis, who’d surrendered in the Yankee independence war to General Washington if Ern remembered all his history right. Lord knows why they should want to give him such a grand memorial. The kit that Ern would need to make his restorations was set out upon the makeshift table where another young apprentice, this one slightly older, was already separating eggs by pouring them from one cracked china teacup to another. Workmen stood about the trestle waiting to begin their tasks and Billy loudly introduced Ern as the pair rolled up to join the crew.

  “It’s all right, chaps, the decorator’s come. This ’ere is me old ’oppo Ginger Vernall. A right Rembrandt on the quiet, is Ginger.”

  Ern shook hands with all the men and hoped they didn’t grudge the fact that he was the skilled labour on this job and would be getting more than they did. Probably they understood that he might not have any work like this again for months, while brawny labourers were always needed, and at any rate the money was so poor that neither party had a cause for envy. Him and Billy Mabbutt conferred briefly on the ins and outs of what he was to do, and then Ern went about transferring his required materials and tools from off the tabletop onto the quarter-cheese shaped wooden flooring slung inside the framework of the moveable arrangement.

  He selected an array of squirrel brushes from the tin-full that the St. Paul’s clergy had provided and, as well, the cardboard lid off an old shoebox serving as a tray for all the cleaned-out varnish tubs containing the cathedral’s range of powder-paints. Of these, the purple and the emerald green had caught the damp and clotted into crumbly gems, but Ern didn’t expect that he would need these colours and the other pigments seemed to have been kept in a much better state. The surly youngster who’d been put in charge of separating out the eggs was finishing the last of half a dozen when Ern asked if he could have his yolks. These were unbroken in one basin while another pot held the unwanted whites, a viscous slop that looked obscenely like collected drool which would no doubt be put to other use and not go wasted. Carefully transporting his receptacle with the six yellow globs sliding around each other at its bottom, Ern set it upon the pulley-mounted platform with the brushes and the colours then fetched mixing bowls, a two-pound sack of gypsum and half-gallon cider flagon washed and filled with water. Adding glass paper and three or four clean cloths, Ern climbed onto the swaying wedge of deck beside the trappings of his craft and with a tight grip on one of its corner-ropes, he gave the signal for Bill Mabbutt’s men to winch him up.

  The first jolt of his footing when it lifted had another momentary splash of silver from outside for its accompaniment, the subsequent protracted boom coming just instants later as the storm-head neared. One of the burly fellows hauling down upon his rope with a bell-ringer’s grip made some crack about God moving his furniture around upstairs at which another of the gang protested, saying the remark was disrespectful in that great Mother of Churches, although Ern had heard the saying since his boyhood and saw nothing wrong with it. There was a practicality behind the phrase that tickled him, for while within his heart of hearts Ern wasn’t altogether sure if he believed in God, he liked the notion of the Lord as someone down-to-earth who might occasionally, as did we all, have call to rearrange things so that they were better suited to His purposes. The pulleys shrieked as Ern made his ascent in measured stages, eighteen inches at a time, and when the lightning flashed again to outline everything in sudden chalk the deafening explosion in its wake was near immediate.

  The broad curve of his platform’s outmost edge eclipsed more of the ground below with every squealing half-yard that it gained in height. The greater part of Ernest’s gang of workmates was already gone from sight beneath the swaying raft of planks he stood upon, with Billy Mabbutt at the group’s rear lifting up one ruddy palm in a farewell before he too was out of view. Now Ern took stock of the wood floor beneath his feet he realised that it was much larger than he’d first supposed, almost as big as a theatre stage with his small heap of jugs and pots and brushes looking lonely and inadequate there at its centre. Fully raised, he thought, and a full quadrant of the transept would be made invisible to Ern, and he to it. The heads of first Cornwallis then Lord Nelson vanished, swallowed by the elevating podium’s perimeter, and Ernest was alone. Tilting his head he gazed at Sir James Thornhill’s eight vast frescoes on the dome’s interior as he rose by instalments up into their company.

  Back when he’d been a small boy in the early 1840s Ern had learned to draw a bit when he’d risked piles by sitting on a cold stone step and watching Jackie Thimbles recreate in chalk the death of Nelson at Trafalgar on the flagstones by the corner of the Kennington and Lambeth Roads, day after fascinated day. Jackie was in his sixties then, a veteran of the Napoleonic Wars who’d lost two fingertips on his left hand to gangrene and concealed the stumps beneath a pair of silver thimbles. Making now a threadbare living as a pavement artist, the old man had seemed quite glad of young Ern’s daily company, and was a mine of information about painting. He’d regale the boy with long accounts, shot through with yearning, of the marvellous new oil paints that were then available to them as had the money, bright laburnum yellows and rich mauves or violets like a copse at dusk. Jackie had taught Ern how to mix a realistic flesh tone from a range of hues you’d never think were in pink skin, and how the fingers could be useful when it came to blending, smoothly smudging a white highlight cast by burning warships down the dying admiral’s cheek or on the polished timbers of the Victory. Ernest had thought his mentor the most talented of men, but looking up at Thornhill’s masterpieces now he understood them to be from a realm as far above the blood and fire washed decks of Jackie Thimbles as the halls of Heaven surely were above the streets of Lambeth.

  Episodes from Saint Paul’s life surrounded Ern as he rode his ramshackle elevator up amongst them, from the Damascene conversion to a vividly depicted shipwreck, with the various disciples under-lighted as though by a forge or opened treasure chest while ray-pierced cloudscapes roiled behind. The fresco that Ern planned to clean up and retouch today, over upon the echoing concavity’s southwestern side, was one that he was not familiar with from sermons. In its background was a place of warm, rough stones that might have been a gaol, with stood before this a wide-eyed and wretched man whose awe seemed to be at the very brink of terror, gazing at the haloed saints or angels who looked back with lowered eyes and small, secretive smiles.

  Ern’s wooden dais climbed now past the Whispering Gallery where one could fancy that the walls still crept with century-old prayers and where the windows allowed Ern his final glimpse out over a drenched London to Southwark Cathedral’s tower in the south-east before he was moved higher, up into the dome itself. Around the lowest rim of this, on the encircling tambour just above the gallery, he was dismayed to note that a whole swathe of border detail at the bottom of each fresco had been covered over in stone-coloured paint, no doubt to easily and inexpensively mask wat
er-damage that had been discovered during earlier renovations. Ern was muttering beneath his breath about the shameful lack of pride in one’s endeavours showing in this shoddy workmanship when blinding brilliance and tumultuous din so close they were a single thing exploded all about him and his platform dropped a sickening inch or two as startled bruisers far below lost then regained their grips upon the pulley-ropes. Ern’s heart was thudding while his suddenly precarious stand resumed its screeching progress upwards and he cautiously approached its right rear crook thinking he’d risk a peek down just to see if all was well.

  As he wrapped one tight round the rope, Ern found his hands were wringing wet with perspiration, so that he supposed he must be frightened of heights after all, despite what everyone had always said. He peered down past the planking’s rough-cut ends and, though he could not see his fellow workers, was astounded to find how far up he was. The St. Paul’s clergy looked like earwigs inching over the white, distant floor and Ernest watched with some amusement as two of the clerics waddled unaware towards each other along the adjacent sides of a giant pier, colliding at the corner in a flurry of black skirts. It wasn’t the mere sight of a downed clergyman that made Ern chuckle, but his realisation that he’d known the two priests would bump into one another before they themselves did, just by virtue of his lofty vantage point. To an extent he had been able to perceive the destinies of land-bound people moving back and forth on their flat plane from the superior perspective of a third dimension up above theirs that they seldom thought about or paid attention to. Ernest imagined this was why the Romans had got on so well, seizing the tallest peaks as lookout posts and watchtowers in their conquests, their perceptions and their strategies both wonderfully advantaged by the higher ground.

  His perch had by now reached the level he’d agreed with Billy Mabbutt, where it came to rest and was tied off, securely Ernest hoped, more than two hundred feet below. He was around the upper reaches of his first appointed fresco with the cloudburst’s flickering, percussive heart an almost constant presence right above him now. Once his expanse of floor space had stopped moving, Ern decided to begin his restorations with a halo-sporting figure in the picture’s upper left, angel or saint he couldn’t tell, the face of which had been somewhat discoloured by decades of censer-fume and candle smoke. He started gently with his cloths, stood there upon the platform’s brim wiping the smuts and layered dust from a visage he was surprised to find measured at least four feet from crown to chin when seen from right up next to it, the almost girlish features turned halfway towards the right and looking down demurely with the small lips pursed in that same smugly knowing smile. An angel, Ern decided, on the basis that those saints he could remember all had beards.

  Ern was all on his own in what seemed the bare-boarded attic of the world, much more elaborately decorated and more spacious than the one at his mum’s house in East Street. Once he’d cleaned off as much superficial grime as he could manage from a quarter-profile near as long as he was, Ernest settled to the serious affair of mixing up a shade that would exactly match the holy being’s weathered peach complexion. Using the least mucky-looking handle of a brush that he could find he whipped the six yolks in their basin, then allowed a miserly amount of the resulting copper cream to pour into one of his mixing bowls. Another brush-handle served as a slender spoon with which Ern measured minute servings of what he believed to be the necessary colours from their varnish-tubs, wiping the brush-stem after every measure with a rag and stirring different quantities of lurid powder in his mixing bowl amongst the beaten egg.

  He started with an earthy, rich Burnt Ochre, adding Naples Yellow for its touch of summer afternoon then followed this with a restrained pinch of Rose Madder. Next the bloody and translucent drizzle of rich crimson was mixed vigorously with the combination, tiny beads of yolk frosted with colour crushed into each other by the stirring squirrel hairs. He supplemented the already-satisfying mixture with his secret touch, the trick he’d learned from Jackie Thimbles, which was to employ a sprinkling of Cobalt Blue, this simulating the depleted veinal blood that circulated just below the human epidermis. If the blue and reds should prove too much Ern would offset them with a drop of white, but for the moment he was pleased with how the blending had turned out and set about preparing his light skim of gesso, shaking the blanched gypsum from its bag into a little water and then pouring his flesh tempera to colour the thin plaster once it had been mixed. Taking a useful range of brushes in his trouser pocket Ernest walked across the aerial theatre’s boards, holding his bowl containing the painstakingly assembled medium between both hands, back to the platform’s southwest point where he commenced to work on the gigantic countenance, his head tipped back as he reached upward slightly to the image on the concave wall directly over him.

  Applying first a shallow coating of the fleshy-coloured gesso down the long sweep of the angel’s side-lit jaw line, Ernest waited until it was dry before he rubbed it down to a fine finish with his glass paper and then got ready to lay on a second coat. He’d barely started slapping this with hurried, practiced motions on the yard-wide face before he noticed to his consternation that the tints upon its far side, which he hadn’t touched yet, had begun to run. The storm outside had mounted to its zenith with a staggering barrage of thunders as Ern squinted up, bewildered and alarmed through an incessant lantern-Morse of lightning, at the dribbling colours moving on the angel’s flat and slightly in-bowed head and shoulders.

  Squirming droplets, each a different shade, were running up and down and sideways on the inner surface of the dome round the angelic face, with their trajectories in shocking contravention of all reason’s laws. Moreover, the fast-swarming rivulets did not appear to Ern to have the glisten that they would if they’d been wet. It was instead as if dry streams of grains, infinitesimal and rushing, poured across the brushwork features following their inward curve like bright-dyed filings swimming over a weak magnet. This was an impossibility and, worse, would almost certainly be stopped out of his wages. He took an involuntary, faltering step back, and as he did so widened his appreciation if not comprehension of the frantic, trickling activity and motion going on before him.

  Neutral greys and umbers from the shadows on the far right of the giant face where it was turned away were crawling on a steep diagonal towards its upper left, where they pooled to a blot of shading such as you might get to one side of a nose if whomever it might belong to looked straight at you. Radiant Chrome Yellow and Lead White bled from the halo, forming an irregular bright patch with contours roughly like the angel’s rightmost cheek if it were slightly moved so that it was illuminated. With a bleak, numb horror moving up his spine Ern realised that without its modelling disturbing the almost-flat plane on which it was described or breaking from the confines of its two-dimensional domain, the angel’s massive face was turning slowly, still within the surface of the fresco, to regard him with a gaze that was head-on. New creases of Payne’s Grey coagulated at the corners of its eyes as loaf-sized lids, formerly downcast shyly, fluttered open with small flakes of paint falling from fresh-created wrinkles into Ernest’s mouth as he stood there beneath the spectacle with jaw hung wide. His circumstances were so wholly unbelievable he didn’t even have the wits to scream but took another step back with one hand clapped tight across his gaping maw. At the far edges of the figure’s epic mouth, also migrated up and to the left now, dimpled cracks of mingled Ivory Black and crimson crinkled into being as the pale, foot-long lips parted and the painted angel spoke.

  “Theis whille beye veery haerdt foure yew” it said, sounding concerned.

  The ‘is’ or the essential being of this coming while as, from your viewpoint, it apparently goes by will be a sudden and extreme veer in the pathway of your heart with things that you have heard concerning a fourth angle of existence causing difficulties to arise within your mortal life, that is concluded in a graveyard where the yew trees flourish, and this will be very hard for you. Ern understood this complicated m
essage, understood that it was somehow all squeezed down into just seven mostly unfamiliar words that had unfolded and unpacked themselves inside his thoughts, like the unwrapping of a children’s paper puzzle or a Chinese poem. Even as he struggled to absorb the content bound in this exploded sentence, the mere noise of it unravelled him. It had a fullness and dimension to its sound, compared to a whole orchestra performing in a concert hall, such as the latter might have in comparison with a tin whistle blown inside an insulated cupboard. Every note of it seemed to be spiralling away in countless fainter and more distant repetitions, the same tones at an increasingly diminished scale until these split into a myriad still smaller echoes, eddying minuscule whirlwinds made of sound that spun off into the persistent background thunderclaps and disappeared.

  Now that it had completed that first startling quarter turn the table-sized face seemed almost to settle down into its new configuration. Only at its edges and around the mobile mouth and eyes were particles still creeping, dots of pigment skittering in little sand-slides round the fresco’s curvature and making small adjustments to accommodate the slight and natural movements of the figure’s head, the shift of gleam and shadow on its opening and closing lips.

  In the few moments that had actually elapsed since the commencement of the episode Ernest had clutched at and as soon discarded several desperate rationalizations of his situation. It was all a dream, he thought, but then knew instantly that it was not, that he was wide awake, that those teeth on the left side of his mouth still ached, with those upon the right retaining fragments of fried bread from breakfast. He decided that it was a prank, perhaps accomplished with a Magic Lantern, but was instantly reminded that the pictures cast by such devices do not move. A Pepper’s Ghost, then, like they had at Highbury Barn so that the shade of Hamlet’s father seemed to walk upon the stage, but no, no, the effect required a sheet of angled glass and there was nothing in Ern’s working-space save Ern himself and his materials.