The Vampire Lestat tvc-2

by Anne Rice

  I glanced over my shoulder and saw the wolves hundreds of yards behind me and streaking straight towards me over the snow. Three giant gray wolves they were, coming on in a line. I broke into a run for the forest. It seemed I would make it easily before the three reached me, but wolves are extremely clever animals, and as I rode hard for the trees I saw the rest of the pack, some five full-grown animals, coming out ahead of me to my left. It was an ambush, and I could never make the forest in time. And the pack was eight wolves, not five as the villagers had told me. Even then I didn't have sense enough to be afraid. I didn't ponder the obvious fact that these animals were starving or they'd never come near the village. Their natural reticence with men was completely gone. I got ready for battle. I stuck the flail in my belt, and with the rifle I took aim. I brought down a big male yards away from me and had time to reload as my dogs and the pack attacked each other. They couldn't get my dogs by the neck on account of the spiked collars. And in this first skirmish my dogs brought down one of the wolves in their powerful jaws immediately. I fired and brought down a second. But the pack had surrounded the dogs. As I fired again and again, reloading as quickly as I could and trying to aim clear of the dogs, I saw the smaller dog go down with its hind legs broken. Blood streamed over the snow; the second dog stood off the pack as it tried to devour the dying animal, but within two minutes, the pack had torn open the second dog's belly and killed it. Now these were powerful beasts, as I said, these mastiffs. I'd bred them and trained them myself. And each weighed upwards of two hundred pounds. I always hunted with them, and though I speak of them as dogs now, they were known only by their names to me then, and when I saw them die, I knew for the first time what I had taken on and what might happen. But all this had occurred in minutes. Four wolves lay dead. Another was crippled fatally. But that left three, one of whom had stopped in the savage feasting upon the dogs to fix its slanted eyes on me. I fired the rifle, missed, fired the musket, and my horse reared as the wolf shot towards me. As if pulled on strings, the other wolves turned, leaving the fresh kill. And jerking the reins hard,

  I let my horse run as she wanted, straight for the cover of the forest. I didn't look back even when I heard the growling and snapping. But then I felt the teeth graze my ankle. I drew the other musket, turned to the left, and fired. It seemed the wolf went up on his hind legs, but it was too quickly out of sight and my mare reared again. I almost fell. I felt her back legs give out under me. We were almost to the forest and I was off her before she went down. I had one more loaded gun. Turning and steadying it with both hands, I took dead aim at the wolf who bore down on me and blasted away the top of his skull. It was now two animals. The horse was giving off a deep rattling whinny that rose to a trumpeting shriek, the worst sound I have ever heard from any living thing. The two wolves had her. I bolted over the snow, feeling the hardness of the rocky land under me, and made it to the tree. If I could reload I could shoot them down from there. But there was not a single tree with limbs low enough for me to catch hold of. I leapt up trying to catch hold, my feet slipping on the icy bark, and fell back down as the wolves closed in. There was no time to load the one gun I had left to me. It was the flail and the sword because the mace I had lost a long way back. I think as I scrambled to my feet, I knew I was probably going to die. But it never even occurred to me to give up. I was maddened, wild. Almost snarling, I faced the animals and looked the closest of the two wolves straight in the eye. I spread my legs to anchor myself. With the flail in my left hand, I drew the sword. The wolves stopped. The first, after staring back, bowed its head and trotted several paces to the side. The other waited as if for some invisible signal. The first looked at me again in that uncannily calm fashion and then plunged forward. I started swinging the flail so that the spiked ball went round in a circle. I could hear my own growling breaths, and I know I was bending my knees as if I would spring forward, and I aimed the flail for the side of the animal's jaw, bashing it with all my strength and only grazing it. The wolf darted off and the second ran round me in a circle, dancing towards me and then back again. They both lunged in close enough to make me swing the flail and slash with the sword, then they ran off again. I don't know how long this went on, but I understood the strategy. They meant to wear me down and they had the strength to do it. It had become a game to them. I was pivoting, thrusting, struggling back, and almost falling to my knees. Probably it was no more than half an hour that this went on. But there is no measuring time like that. And with my legs giving out, I made one last desperate gamble. I stood stock-still, weapons at my sides. And they came in for the kill this time just as I hoped they would. At the last second I swung the flail, felt the ball crack the bone, saw the head jerked upwards to the right, and with the broadsword I slashed the wolf s neck open. The other wolf was at my side. I felt its teeth rip into my breeches. In one second it would have torn my leg out of the socket. But I slashed at the side of its face, gashing open its eye. The ball of the flail crashed down on it. The wolf let go. And springing back, I had enough room for the sword again and thrust it straight into the animal's chest to the hilt before I drew it out again. That was the end of it. The pack was dead. I was alive. And the only sound in the empty snow-covered valley was my own breathing and the rattling shriek of my dying mare who lay yards away from me. I'm not sure I had my reason. I'm not sure the things that went through my mind were thoughts. I wanted to drop down in the snow, and yet I was walking away from the dead wolves towards the dying horse. As I came close to her, she lifted her neck, straining to rise up on her front legs, and gave one of those shrill trumpeting pleas again. The sound bounced off the mountains. It seemed to reach heaven. And I stood staring at her, staring at her dark broken body against the whiteness of the snow, the dead hindquarters and the struggling forelegs, the nose lifted skyward, ears pressed back, and the huge innocent eyes rolling up into her head as the rattling cry came out of her. She was like an insect half mashed into a floor, but she was no insect. She was my struggling, suffering mare. She tried to lift herself again. I took my rifle from the saddle. I loaded it. And as she lay tossing her head, trying vainly to lift herself once more with that shrill trumpeting, I shot her through the heart. Now she looked all right. She lay still and dead and the blood ran out of her and the valley was quiet. I was shuddering. I heard an ugly choking noise come from myself, and I saw the vomit spewing out onto the snow before I realized it was mine. The smell of wolf was all over me, and the smell of blood. And I almost fell over when I tried to walk. But not even stopping for a moment, I went among the dead wolves, and back to the one who had almost killed me, the last one, and slung him up to carry over my shoulders, and started the trek homeward. It took me probably two hours. Again, I don't know. But whatever I had learned or felt when I was fighting those wolves went on in my mind even as I walked. Every time I stumbled and fell, something in me hardened, became worse.

  By the time I reached the castle gates; I think I was not Lestat. I was someone else altogether, staggering into the great hall, with that wolf over my shoulders, the heat of the carcass very much diminished now and the sudden blaze of the fire an irritant in my eyes. I was beyond exhaustion. And though I began to speak as I saw my brothers rising from the table and my mother patting my father, who was blind already then and wanted to know what was happening, I don't know what I said. I know my voice was very flat, and there was some sense in me of the simplicity of describing what had happened:

  "And then . . . and then. . . " Sort of like that. But my brother Augustin suddenly brought me to myself. He came towards me, with the light of the fire behind him, and quite distinctly broke the low monotone of my words with his own:

  "You little bastard, " he said coldly. "You didn't kill eight wolves! " His face had an ugly disgusted look to it. But the remarkable thing was this: Almost as soon as he spoke these words, he realized for some reason that he had made a mistake. Maybe it was the look on my face. Maybe it was my mother's murmured outrage or my other bro
ther not speaking at all. It was probably my face. Whatever it was, it was almost instantaneous, and the most curious look of embarrassment came over him. He started to babble something about how incredible, and I must have been almost killed, and would the servants heat some broth for me immediately, and all of that sort of thing, but it was no good. What had happened in that one single moment was irreparable, and the next thing I knew I was lying alone in my room. I didn't have the dogs in bed with me as always in winter because the dogs were dead, and though there was no fire lighted, I climbed, filthy and bloody, under the bed covers and went into deep sleep. For days I stayed in my room. I knew the villagers had gone up the mountain, found the wolves, and brought them back down to the castle, because Augustin came and told me these things, but I didn't answer. Maybe a week passed. When I could stand having other dogs near me, I went down to my kennel and brought up two pups, already big animals, and they kept me company. At night I slept between them. The servants came and went. But no one bothered me. And then my mother came quietly and almost stealthily into the room.

  2

  It was evening. I was sitting on the bed, with one of the dogs stretched out beside me and the other stretched out under my knees. The fire was roaring. And there was my mother coming at last, as I supposed I should have expected. I knew her by her particular movement in the shadows, and whereas if anyone else had come near me I would have shouted "Go away, " I said nothing at all to her. I had a great and unshakable love of her. I don't think anyone else did. And one thing that endeared her to me always was that she never said anything ordinary.

  "Shut the door, " "Eat your soup, " "Sit still," things like that never passed her lips. She read all the time; in fact, she was the only one in our family who had any education, and when she did speak it was really to speak. So I wasn't resentful of her now. On the contrary she aroused my curiosity. What would she say, and would it conceivably make a difference to me? I had not wanted her to come, nor even thought of her, and I didn't turn away from the fire to look at her. But there was a powerful understanding between us. When I had tried to escape this house and been brought back, it was she who had shown me the way out of the pain that followed. Miracles she'd worked for me, though no one around us had ever noticed. Her first intervention had come when I was twelve, and the old parish priest, who had taught me some poetry by rote and to read an anthem or two in Latin, wanted to send me to school at the nearby monastery. My father said no, that I could learn all I needed in my own house. But it was my mother who roused herself from her books to do loud and vociferous battle with him. I would go, she said, if I wanted to. And she sold one of her jewels to pay for my books and clothing. Her jewels had all come down to her from an Italian grandmother and each had its story, and this was a hard thing for her to do. But she did it immediately. My father was angry and reminded her that if this had happened before he went blind, his will would have prevailed surely. My brothers assured him that his youngest son wouldn't be gone long. I'd come running home as soon as I was made to do something I didn't want to do.

  Well, I didn't come running home. I loved the monastery school. I loved the chapel and the hymns, the library with its thousands of old books, the bells that divided the day, the ever repeated rituals. I loved the cleanliness of the place, the overwhelming fact that all things here were well kept and in good repair, that work never ceased throughout the great house and the gardens. When I was corrected, which wasn't often, I knew an intense happiness because someone for the first time in my life was trying to make me into a good person, one who could learn things. Within a month I declared my vocation. I wanted to enter the order. I wanted to spend my life in those immaculate cloisters, in the library writing on parchment and learning to read the ancient books. I wanted to be enclosed forever with people who believed I could be good if I wanted to be. I was liked there. And that was a most unusual thing. I didn't make other people there unhappy or angry. The Father Superior wrote immediately to ask my father's permission. And frankly I thought my father would be glad to be rid of me. But three days later my brothers arrived to take me home with them. I cried and begged to stay, but there was nothing the Father Superior could do. And as soon as we reached the castle, my brothers took away my books and locked me up. I didn't understand why they were so angry. There was the hint that I had behaved like a fool for some reason. I couldn't stop crying. I was walking round and round and smashing my fist into things and kicking the door. Then my brother Augustin started coming in and talking to me. He'd circle the point at first, but what came clear finally was that no member of a great French family was going to be a poor teaching brother. How could I have misunderstood everything so completely? I was sent there to learn to read and write. Why did I always have to go to extremes? Why did I behave habitually like a wild creature? As for becoming a priest with real prospects within the Church, well, I was the youngest son of this family, now, wasn't I? I ought to think of my duties to my nieces and nephews. Translate all that to mean this: We have no money to launch a real ecclesiastical career for you, to make you a bishop or cardinal as befits our rank, so you have to live out your life here as an illiterate and a beggar. Come in the great hall and play chess with your father. After I got to understand it, I wept right at the supper table, and mumbled words no one understood about this house of ours being "chaos, " and was sent back to my room for it. Then my mother came to me. She said: "You don't know what chaos is. Why do you use words like that? "

  "I know, " I said. I started to describe to her the dirt and the decay that was everywhere here and to tell how the monastery had been, clean and orderly, a place where if you set your mind to it, you could accomplish something. She didn't argue. And young as I was, I knew that she was warming to the unusual quality of what I was saying to her. The next morning, she took me on a journey. We rode for half a day before we reached the impressive chateau of a neighboring lord, and there she and the gentleman took me out to the kennel, where she told me to choose my favorites from a new litter of mastiff puppies. I have never seen anything as tender and endearing as these little mastiff pups. And the big dogs were like drowsy lions as they watched us. Simply magnificent. I was too excited almost to make the choice. I brought back the male and female that the lord advised me to pick, carrying them all the way home on my lap in a basket. And within a month, my mother also bought for me my first flintlock musket and my first good horse for riding. She never did say why she'd done all this. But I understood in my own way what she had given me. I raised those dogs, trained them, and founded a great kennel upon them. I became a true hunter with those dogs, and by the age of sixteen I lived in the field. But at home, I was more than ever a nuisance. Nobody really wanted to hear me talk of restoring the vineyards or replanting the neglected fields, or of making the tenants stop stealing from us. I could affect nothing. The silent ebb and flow of life without change seemed deadly to me. I went to church on all the feast days just to break the monotony of life. And when the village fairs came round, I was always there, greedy for the little spectacles I saw at no other time, anything really to break the routine. It might be the same old jugglers, mimes, and acrobats of years past, but it didn't matter. It was something more than the change of the seasons and the idle talk of past glories. But that year, the year I was sixteen, a troupe of Italian players came through, with a painted wagon in back of which they set up the most elaborate stage I'd ever seen. They put on the old Italian comedy with Pantaloon and Pulcinella and the young lovers, Lelio and Isabella, and the old doctor and all the old tricks. I was in raptures watching it. I'd never seen anything like it, the cleverness of it, the quickness, the vitality. I loved it even when the words went so fast I couldn't follow them. When the troupe had finished and collected what they could from the crowd, I hung about with them at the inn and stood them all to wine I couldn't really afford, just so that I could talk to them. I felt inexpressible love for these men and women. They explained to me how each actor had his role for life, and h
ow they did not use memorized words, but improvised everything on the stage. You knew your name, your character, and you understood him and made him speak and act as you thought he should. That was the genius of it. It was called the commedia dell'arte. I was enchanted. I fell in love with the young girl who played Isabella. I went into the wagon with the players and examined all the costumes and the painted scenery, and when we were drinking again at the tavern, they let me act out Lelio, the young lover to Isabella, and they clapped their hands and said I had the gift. I could make it up the way they did. I thought this was all flattery at first, but in some very real way, it didn't matter whether or not it was flattery. The next morning when their wagon pulled out of the village, I was in it. I was hidden in the back with a few coins I'd managed to save and all my clothes tied in a blanket. I was going to be an actor. Now, Lelio in the old Italian comedy is supposed to be quite handsome; he's the lover, as I have explained, and he doesn't wear a mask. If he has manners, dignity, aristocratic bearing, so much the better because that's part of the role. Well, the troupe thought that in all these things I was blessed. They trained me immediately for the next performance they would give. And the day before we put on the show, I went about the town, a much larger and more interesting place than our village, to be certain-advertising the play with the others. I was in heaven. But neither the journey nor the preparations nor the camaraderie with my fellow players came near to the ecstasy I knew when I finally stood on that little wooden stage. I went wildly into the pursuit of Isabella. I found a tongue for verses and wit I'd never had in life. I could hear my voice bouncing off the stone walls around me. I could hear the laughter rolling back at me from the crowd. They almost had to drag me off the stage to stop me, but everyone knew it had been a great success. That night, the actress who played my inamorata gave me her own very special and intimate accolades. I went to sleep in her arms, and the last thing I remember her saying was that when we got to Paris we'd play the St. Germain Fair, and then we'd leave the troupe and we'd stay in Paris working on the boulevard du Temple until we got into the Comedie-Francaise itself and performed for Marie Antoinette and King Louis. When I woke up the next morning, she was gone and so were all the players, and my brothers were there. I never knew if my friends had been bribed to give me over, or just frightened off. More likely the latter. Whatever the case, I was taken back home again. Of course my family was perfectly horrified at what I'd done. Wanting to be a monk when you are twelve is excusable. But the theater had the taint of the devil. Even the great Moliere had not been given a Christian burial. And I'd run off with a troupe of ragged vagabond Italians, painted my face white, and acted with them in a town square for money. I was beaten severely, and when I cursed everyone, I was beaten again. The worst punishment, however, was seeing the look on my mother's face. I hadn't even told her I was going. And I had wounded her, a thing that had never really happened before. But she never said anything about it. When she came to me, she listened to me cry. I saw tears in her eyes. And she laid her hand on my shoulder, which for her was something a little remarkable. I didn't tell her what it had been like, those few days. But I think she knew. Something magical had been lost utterly. And once again, she defied my father. She put an end to the condemnations, the beatings, the restrictions. She had me sit beside her at the table. She deferred to me, actually talked to me in conversation that was perfectly unnatural to her, until she had subdued and dissolved the rancor of the family. Finally, as she had in the past, she produced another of her jewels and she bought the fine hunting rifle that I had taken with me when I killed the wolves. This was a superior and expensive weapon, and in spite of my misery, I was fairly eager to try it. And she added to that another gift, a sleek chestnut mare with strength and speed I'd never known in an animal before. But these things were small compared to the general consolation my mother had given me. Yet the bitterness inside me did not subside. I never forgot what it had been like when I was Lelio. I became a little crueler for what had happened, and I never, never went again to the village fair. I conceived of the notion that I should never get away from here, and oddly enough as my despair deepened, so my usefulness increased. I alone put the fear of God into the servants or tenants by the time I was eighteen. I alone provided the food for us. And for some strange reason this gave me satisfaction. I don't know why, but I liked to sit at the table and reflect that everyone there was eating what I had provided. So these moments had bound me to my mother. These moments had given us a love for each other unnoticed and probably unequaled in the lives of those around us. And now she had come to me at this odd time, when for reasons I didn't understand myself, I could not endure the company of any other person. With my eyes on the fire, I barely saw her climb up and sink down into the straw mattress beside me. Silence. Just the crackling of the fire, and the deep respiration of the sleeping dogs beside me. Then I glanced at her, and I was vaguely startled. She'd been ill all winter with a cough, and now she looked truly sickly, and her beauty, which was always very important to me, seemed vulnerable for the first time. Her face was angular and her cheekbones perfect, very high and broadly spaced but delicate. Her jaw line was strong yet exquisitely feminine. And she had very clear cobalt blue eyes fringed with thick ashen lashes. If there was any flaw in her it was perhaps that all her features were too small, too kittenish, and made her look like a girl. Her eyes became even smaller when she was angry, and though her mouth was sweet, it often appeared hard. It did not turn down, it wasn't twisted in any way, it was like a little pink rose on her face. But her cheeks were very smooth and her face narrow, and when she looked very serious, her mouth, without changing at all, looked mean for some reason. Now she was slightly sunken. But she still looked beautiful to me. She still was beautiful. I liked looking at her. Her hair was full and blond, and that I had inherited from her. In fact I resemble her at least superficially. But my features are larger, cruder, and my mouth is more mobile and can be very mean at times. And you can see my sense of humor in my expression, my capacity for mischievousness and near hysterical laughing, which I've always had no matter how unhappy I was. She did not laugh often. She could look profoundly cold. Yet she had always a little girl sweetness. Well, I looked at her as she sat on my bed-I even stared at her, I suppose-and immediately she started to talk to me.