The Vampire Lestat tvc-2

by Anne Rice

  8

  It was time to go, time to test my powers.

  I filled my purse and my pockets with as much money as they would comfortably hold, and I buckled on a jeweled sword that was not too old-fashioned, and then went down, locking the iron gate to the tower behind me. The tower was obviously all that remained of a ruined house. But I picked up the scent of horses on the wind-strong, very nice smell, perhaps the way an animal would pick up the scent and I made my way silently around the back to a makeshift stable. It contained not only a handsome old carriage, but four magnificent black mares. Perfectly wonderful that they weren't afraid of me. I kissed their smooth flanks and their long soft noses. In fact, I was so in love with them I could have spent hours just learning all I could of them through my new senses. But I was eager for other things. There was a human in the stable also, and I'd caught his scent too as soon as I entered. But he was sound asleep, and when I roused him, I saw he was a dull-wilted boy who posed no danger to me.

  "I'm your master now, " I said, as I gave him a gold coin, "but I won't be needing you tonight, except to saddle a horse for me. " He understood well enough to tell me there was no saddle in the stable before he fell back to dozing. All right. I cut the long carriage reins from one of the bridles, put it on the most beautiful of the mares myself, and rode out bareback. I can't tell you what it was like, the burst of the horse under me, the chilling wind, and the high arch of the night sky. My body was melded to animal. I was flying over the snow, laughing aloud and now and then singing. I hit high notes I had never reached before, then plunged into a lustrous baritone.

  Sometimes I was simply crying out in something like joy. It had to be joy. But how could a monster feel joy? I wanted to ride to Paris, of course. But I knew I wasn't ready. There was too much I didn't know about my powers yet. And so I rode in the opposite direction, until I came to the outskirts of a small village. There were no humans about, and as I approached the little church, I felt a human rage and impulsiveness breaking through my strange, translucent happiness. I dismounted quickly and tried the sacristy door. Its lock gave and I walked through the nave to the Communion rail. I don't know what I felt at this moment. Maybe I wanted something to happen. I felt murderous. And lightning did not strike. I stared at the red glare of the vigil lights on the altar. I looked up at the figures frozen in the unilluminated blackness of the stained glass. And in desperation, I went up over the Communion rail and put my hands on the tabernacle itself. I broke open its tiny little doors, and I reached in and took out the jeweled ciborium with its consecrated Hosts. No, there was no power here, nothing that I could feel or see or know with any of my monstrous senses, nothing that responded to me. There were wafers and gold and wax and light. I bowed my head on the altar. I must have looked like the priest in the middle of mass. Then I shut up everything in the tabernacle again. I closed it all up just fine, so nobody would know a sacrilege had been committed.

  And then I made my way down one side of the church and up the other, the lurid paintings and statues captivating me. I realized I was seeing the process of the sculptor and the painter, not merely the creative miracle. I was seeing the way the lacquer caught the light. I was seeing little mistakes in perspective, flashes of unexpected expressiveness. What will the great masters be to my eyes, I was thinking. I found myself staring at the simplest designs painted in the plaster walls. Then I knelt down to look at the patterns in the marble, until I realized I was stretched out, staring wideeyed at the floor under my nose. This is getting out of hand, surely. I got up, shivering a little and crying a little, and looking at the candles as if they were alive, and getting very sick of this. Time to get out of this place and go into the village. For two hours I was in the village, and for most of that time I was not seen or heard by anyone. I found it absurdly easy to jump over the garden walls, to spring from the earth to low rooftops. I could leap from a height of three stories to the ground, and climb the side of a building digging my nails and my toes into the mortar between the stones. I peered in windows. I saw couples asleep in their ruffled beds, infants dozing in cradles, old women sewing by feeble light. And the houses looked like dollhouses to me in their completeness. Perfect collections of toys with their dainty little wooden chairs and polished mantelpieces, mended curtains and well- scrubbed floors. I saw all this as one who had never been a part of life, gazing lovingly at the simplest details. A starched white apron on its hook, worn boots on the hearth, a pitcher beside a bed. And the people . . . oh, the people were marvels. Of course I picked up their scent, but I was satisfied and it didn't make me miserable. Rather I doted upon their pink skin and delicate limbs, the precision with which they moved, the whole process of their lives as if I had never been one of them at all. That they had five fingers on each hand seemed remarkable. They yawned, cried, shifted in sleep. I was entranced with them. And when they spoke, the thickest walls could not prevent me from hearing their words. But the most beguiling aspect of my explorations was that I heard the thoughts of these people, just as I had heard the evil servant whom I killed.

  Unhappiness, misery, expectation. These were currents in the air, some weak, some frighteningly strong, some no more than a glimmer gone before I knew the source. But I could not, strictly speaking, read minds. Most trivial thought was veiled from me, and when I lapsed into my own considerations, even the strongest passions did not intrude. In sum, it was intense feeling that carried thought to me and only when I wished to receive it, and there were some minds that even in the heat of anger gave me nothing. These discoveries jolted me and almost bruised me, as did the common beauty everywhere I looked, the splendor in the ordinary. But I knew perfectly well there was an abyss behind it into which I might quite suddenly and helplessly drop. After all, I wasn't one of these warm and pulsing miracles of complication and innocence. They were my victims. Time to leave the village. I'd learned enough here. But just before I left, I performed one final act of daring. I couldn't help myself. I just had to do it. Pulling up the high collar of my red cloak, I went into the inn, sought a corner away from the fire, and ordered a glass of wine. Everyone in the little place gave me the eye, but not because they knew there was a supernatural being in their midst. They were merely glancing at the richly dressed gentleman! And for twenty minutes I remained, testing it even further. No one, not even the man who served me, detected anything! Of course I didn't touch the wine. One whiff of it and I knew that my body could not abide it. But the point was, I could fool mortals! I could move among them! I was jubilant when I left the inn. As soon as I reached the woods, I started to run. And then I was running so fast that the sky and the trees had become a blur. I was almost flying. Then I stopped, leapt, danced about. I gathered up stones and threw them so far I could not see them land. And when I saw a fallen tree limb, thick and full of sap, I picked it up and broke it over my knee as if it were a twig. I shouted, then sang at the top of my lungs again. I collapsed on the grass laughing. And then I rose, tore off my cloak and my sword, and commenced to turn cartwheels. I turned cartwheels just like the acrobats at Renaud's. And then I somersaulted perfectly. I did it again, and this time backwards, and then forward, and then I turned double somersaults and triple somersaults, and leapt straight up in the air some fifteen feet off the ground before landing squarely on my feet, somewhat out of breath, and wanting to do these tricks some more. But the morning was coming. Only the subtlest change in the air, the sky, but I knew it as if Hell's Bells were ringing. Hell's Bells calling the vampire home to the sleep of death. Ah, the melting loveliness of the sky, the loveliness of the vision of dim belfries. And an odd thought came to me, that in hell the light of the fires would be so bright it would be like sunlight, and this would be the only sunlight I would ever see again. But what have I done? I thought. I didn't ask for this, I didn't give in. Even when Magnus told me I was dying, I fought him, and yet I am hearing Hell's Bells now. Well, who gives a damn? When I reached the Churchyard, quite ready for the ride home, something distracted
me.

  I stood holding the rein of my horse and looking at the small field of graves and could not quite figure what it was. Then again it came, and I knew. I felt a distinct presence in the churchyard. I stood so still I heard the blood thundering in my veins. It wasn't human, this presence! It had no scent. And there were no human thoughts coming from it. Rather it seemed veiled and defended and it knew I was here. It was watching me. Could I be imagining this? I stood listening, looking. A scattering of gray tombstones poked through the snow. And far away stood a row of old crypts, larger, ornamented, but just as ruined as the stones. It seemed the presence lingered somewhere near the crypts, and then I felt it distinctly as it moved towards the enclosing trees.

  "Who are you! " I demanded. I heard my voice like a knife. "Answer me! " I called out even louder. I felt a great tumult in it, this presence, and I was certain that it was moving away very rapidly. I dashed across the churchyard after it, and I could feel it receding. Yet I saw nothing in the barren forest. And I realized I was stronger than it, and that it had been afraid of me! Well, fancy that. Afraid of me. And I had no idea whether or not it was corporeal, vampire the same as I was, or something without a body.

  "Well, one thing is sure, " I said. "You're a coward! " Tingling in the air. The forest seemed to breathe for an instant. A sense of my own might came over me that had been brewing all along. I was in fear of nothing. Not the church, not the dark, not the worms swarming over the corpses in my dungeon. Not even this strange eerie force that had retreated into the forest, and seemed to be near at hand again. Not even of men. I was an extraordinary fiend! If I'd been sitting on the steps of hell with my elbows on my knees and the devil had said, "Lestat, come, choose the form of the fiend you wish to be to roam the earth, " how could I have chosen a better fiend that what I was? And it seemed suddenly that suffering was an idea I'd known in another existence and would never know again. I can't help but laugh now when I think of that first night, especially of that particular moment.

  The next night I went tearing into Paris with as much gold as I could carry. The sun had just sunk beneath the horizon when I opened my eyes, and a clear azure light still emanated from the sky as I mounted and rode off to the city. I was starving. And as luck would have it, I was attacked by a cutthroat before I ever reached the city walls. He came thundering out of the woods, pistol blazing, and I actually saw the ball leave the barrel of the gun and go past me as I leapt off my horse and went at him. He was a powerful man, and I was astonished at how much I enjoyed his cursing and struggling. The vicious servant I'd taken last night had been old. This was a hard young body. Even the roughness of his badly shaven beard tantalized me, and I loved the strength in his hands as he struck at me. But it was no sport. He froze as I sank my teeth into the artery, and when the blood came it was pure voluptuousness. In fact, it was so exquisite that I forgot completely about drawing away before the heart stopped. We were on our knees in the snow together, and it was a wallop, the life going into me with the blood. I couldn't move for a long moment. Hmmm, broke the rules already, I thought. Am I supposed to die now?

  Doesn't look like that is going to happen. Just this rolling delirium. And the poor dead bastard in my arms who would have blown my face off with his pistol if I had let him. I kept staring at the darkening sky, at the great spangled mass of shadows ahead that was Paris. And there was only this warmth after, and obviously increasing strength. So far so good. I climbed to my feet and wiped my lips. Then I pitched the body as far as I could across the unbroken snow. I was more powerful than ever. And for a little while I stood there, feeling gluttonous and murderous, just wanting to kill again so this ecstasy would go on forever. But I couldn't have drunk any more blood, and gradually I grew calm and changed somewhat. A desolate feeling came over me. An aloneness as though the thief had been a friend to me or kin to me and had deserted me. I couldn't understand it, except that the drinking had been so intimate. His scent was on me now, and I sort of liked it. But there he lay yards away on the crumpled crust of the snow, hands and face looking gray under the rising moon. Hell, the son of a bitch was going to kill me, wasn't he? Within an hour I had found a capable attorney, name of Pierre Roget, at his home in the Marais, an ambitious young man with a mind that was completely open to me. Greedy, clever, conscientious. Exactly what I wanted.

  Not only could I read his thoughts when he wasn't talking, but he believed everything I told him. He was most eager to be a service to the husband of an heiress from Saint-Domingue. And certainly he would put out all the candles, save one, if my eyes were still hurting from tropical fever. As for my fortune in gems, he dealt with the most reputable jewelers. Bank accounts and letters of exchange for my family in the Auvergne-yes, immediately. This was easier than playing Lelio. But I was having a hell of a time concentrating. Everything was a distraction-the smoky flame of the candle on the brass inkstand, the gilded pattern of the Chinese wallpaper, and Monsieur Roget's amazing little face, with its eyes glistening behind tiny octagonal spectacles. His teeth kept making me think of clavier keys. Ordinary objects in the room appeared to dance. A chest stared at me with its brass knobs for eyes. And a woman singing in an upstairs room over the low rumble of a stove seemed to be saying something in a low and vibrant secret language, such as Come to me. But it was going to be this way forever apparently, and I had to get myself in hand. Money must be sent by courier this very night to my father and my brothers, and to Nicolas de Lenfent, a musician with Renaud's House of Thesbians, who was to be told only that the wealth had come from his friend Lestat de Lioncourt. It was Lestat de Lioncourt's wish that Nicolas de Lenfent move at once to a decent flat on the St. Louis or some other proper place, and Roget should, of course, assist in this, and thereafter Nicolas de Lenfent should study the violin. Roget should buy for Nicolas de Lenfent the best available violin, a Stradivarius. And finally a separate letter was to be written to my mother, the Marquise Gabrielle de Lioncourt, in Italian, so that no one else could read it, and a special purse was to be sent to her. If she could undertake a journey to southern Italy, the place where she'd been born, maybe she could stop the course of her consumption. It made me positively dizzy to think of her with the freedom to escape. I wondered what she would think about it. For a long moment I didn't hear anything Roget said. I was picturing her dressed for once in her life as the marquise she was, and riding out of the gates of our castle in her own coach and six. And then I remembered her ravaged face and heard the cough in her lungs as if she were here with me.

  "Send the letter and the money to her tonight, " I said. "I don't care what it costs. Do it. " I laid down enough gold to keep her in comfort for a lifetime, if she had a lifetime.

  "Now, " I said, "do you know of a merchant who deals in fine furnishings--paintings, tapestries? Someone who might open his shops and storehouses to us this very evening? "

  "Of course, Monsieur. Allow me to get my coat. We shall go immediately. " We were headed for the faubourg St. Denis within minutes. And for hours after that, I roamed with my mortal attendants through a paradise of material wealth, claiming everything that I wanted. Couches and chairs, china and silver plate, drapery and statuary-all things were mine for the taking. And in my mind I transformed the castle where I'd grown up as more and more goods were carried out to be crated and shipped south immediately. To my little nieces and nephews I sent toys of which they'd never dreamed- tiny ships with real sails, dollhouses of unbelievable craft and perfection. I learned from each thing that I touched. And there were moments when all the color and texture became too lustrous, too overpowering. I wept inwardly. But I would have got away with playing human to the hilt during all this time, except for one very unfortunate mishap. At one point as we wandered through the warehouse, a rat appeared as bold city rats will, racing along the wall very close to us. I stared at it. Nothing unusual of course. But there amid plaster and hardwood and embroidered cloth, the rat looked marvelously particular. And the men, misunderstanding of course, began mum
bling frantic apologies for the rat and stamping their feet to drive it away from us. To me, their voices became a mixture of sounds like stew bubbling in a pot. All I could think was that the rat had very tiny feet, and that I had not yet examined a rat nor any small warm- blooded creature. I went and caught the rat, rather too easily I think, and looked at its feet. I wanted to see what kind of little toenails it had, and what was the flesh like between its little toes, and I forgot the men entirely. It was their sudden silence that brought me back to myself. They were both staring dumbfounded at me. I smiled at them as innocently as I could, let the rat go, and went back to purchasing. Well, they never said anything about it. But there was a lesson in this.

  I had really frightened them. Later that night, I gave my lawyer one last commission: He must send a present of one hundred crowns to a theater owner by the name of Renaud with a note of thanks from me for his kindness.

  "Find out the situation with this little playhouse, " I said. "Find out if there are any debts against it. " Of course, I'd never go near the theater. They must never guess what had happened, never be contaminated by it. And for now I had done what I could for all those I loved, hadn't I? And when all this was finished, when the church clocks struck three over the white rooftops and I was hungry enough to smell blood everywhere that I turned, I found myself standing in the empty boulevard du Temple. The dirty snow had turned to slush under the carriage wheels, and I was looking at the House of Thesbians with its spattered walls and its torn playbills and the name of the young mortal actor, Lestat de Valois, still written there in red letters.

  The following nights were a rampage. I began to drink up Paris as if the city were blood. In the early evening I raided the worst sections, tangling with thieves and killers, often giving them a playful chance to defend themselves, then snarling them in a fatal embrace and feasting to the point of gluttony. I savored different types of kills: big lumbering creatures, small wiry ones, the hirsute and the dark­skinned, but my favorite was the very young scoundrel who'd kill you for the coins in your pocket. I loved their grunting and cursing. Sometimes I held them with one hand and laughed at them till they were in a positive fury, and I threw their knives over the rooftops and smashed their pistols to pieces against the walls. But in all this my full strength was like a cat never allowed to spring. And the one thing I loathed in them was fear. If a victim was really afraid I usually lost interest. As time went on, I learned to postpone the kill. I drank a little from one, and more from another, and then took the grand wallop of the death itself from the third or the fourth one. It was the chase and the struggle that I was multiplying for my own pleasure.