The Vampire Lestat tvc-2

by Anne Rice

  "HOW MANY OF YOU WOULD BE VAMPIRES? " The roar became a thunder. Several people were trying to scramble up onto the front of the stage, the bodyguards pulling them off. One of the big dark shaggy-haired bikers was jumping straight up and down, a beer can in each hand. The lights went brighter like the glare of an explosion. And there rose from the speakers and equipment behind me the fullthroated engine of a locomotive at stultifying volume as if the train were racing onto the stage. Every other sound in the auditorium was swallowed by it. In blaring silence the crowd danced and bobbed before me. Then came the piercing, twanging fury of the electrical guitar. The drums boomed into a marching cadence, and the grinding locomotive sound of the synthesizer crested, then broke into a bubbling caldron of noise in time with the march. It was time to begin the chant in the minor key, its puerile lyrics leaping over the accompaniment:

  I AM THE VAMPIRE LESTAT YOU ARE HERE FOR THE GRAND SABBAT BUT I PITY YOU YOUR LOT

  I grabbed the microphone from the stand and ran to one side of the stage and then to the other, the cape flaring out behind me:

  YOU CAN'T RESIST THE LORDS OF NIGHT THEY HAVE NO MERCY ON YOUR PLIGHT IN YOUR FEAR THEY TAKE DELIGHT

  They were reaching out for my ankles, throwing kisses, girls lifted by their male companions to touch my cape as it swirled over their heads.

  YET IN LOVE, WE WILL TAKE YOU, AND IN RAPTURE, WE'LL BREAK YOU AND IN DEATH WE'LL RELEASE YOU NO ONE CAN SAY YOU WERE NOT WARNED.

  Tough Cookie, strumming furiously, danced up beside me, gyrating wildly, the music peaking in a shrill glissando, drums and cymbals crashing, the bubbling caldron of the synthesizer rising again. I felt the music come up into my bones. Not even at the old Roman Sabbat had it taken hold of me like this. I pitched myself into the dance, swinging my hips elastically, then pumping them as the two of us moved towards the edge of the stage. We were performing the free and erotic contortions of Punchinello and Harlequin and all the old commedia players improvising now as they had done, the instruments cutting loose from the thin melody, then finding it again, as we urged each other on with our dancing, nothing rehearsed, everything within character, everything utterly new. The guards shoved people back roughly as they tried to join us. Yet we danced over the edge of the platform as if taunting them, whipping our hair around our faces, turning round to see ourselves above in an impossible hallucination on the giant screens. The sound traveled up through my body as I turned back to the crowd. It traveled like a steel ball finding one pocket after another in my hips, my shoulders, until I knew I was rising off the floor in a great slow leap, and then descending silently again, the black cape flaring, my mouth open to reveal the fang teeth. Euphoria. Deafening applause. And everywhere I saw pale mortal throats bared, boys and girls shoving their collars down and stretching their necks. And they were gesturing to me to come and take them, inviting me and begging me, and some of the girls were crying. The blood scent was thick as the smoke in the air. Flesh and flesh and flesh. And yet everywhere the canny innocence, the unfathomable trust that it was art, nothing but art! No one would be hurt. It was safe, this splendid hysteria. When I screamed, they thought it was the sound system. When I leapt, they thought it was a trick. And why not, when magic was blaring at them from all sides and they could forsake our flesh and blood for the great glowing giants on the screens above us? Marius, I wish you could behold this! Gabrielle, where are you? The lyrics poured out, sung by the whole band again in unison, Tough Cookie's lovely soprano soaring over the others, before she wrung her head round and round in a circle, her hair flopping down to touch the boards in front of her feet, her guitar jerking lasciviously like a giant phallus, thousands and thousands stamping and clapping in unison.

  "I AM TELLING YOU I AM A VAMPIRE! " I screamed suddenly. Ecstasy, delirium.

  "I AM EVIL! EVIL! "

  "Yes, Yes, Yes, Yes, YES, YES, YES. " I threw out my arms, my hands curved upwards:

  "I WANT TO DRINK UP YOUR SOULS! " The big woolly-haired biker in the black leather jacket backed up, knocking over those behind him, and leapt on the stage next to me, fists over his head. The bodyguards went to tackle him but I had him, locking him to my chest, lifting him off his feet in one arm and closing my mouth on his neck, teeth just touching him, just touching that geyser of blood ready to spew straight upwards! But they had torn him loose, thrown him back like a fish into the sea. Tough Cookie was beside me, the light skittering on her black satin pants, her whirling cape, her arm out to steady me, even as I tried to slip free. Now I knew all that had been left out of the pages I had read about the rock singers-this mad marriage of the primitive and the scientific, this religious frenzy. We were in the ancient grove all right. We were all with the gods. And we were blowing out the fuses on the first song. And rolling into the next, as the crowd picked up the rhythm, shouting the lyrics they knew from the albums and the clips. Tough Cookie and I sang, stomping in time with it:

  CHILDREN OF DARKNESS MEET THE CHILDREN OF LIGHT CHILDREN OF MAN, FIGHT THE CHILDREN OF NIGHT

  And again they cheered and bellowed and wailed, unmindful of the words. Could the old Keltoi have cut loose with lustier ululations on the verge of massacre? But again there was no massacre, there was no burnt offering. Passion rolled towards the images of evil, not evil. Passion embraced the image of death, not death. I could feel it like the scalding illumination on the pores of my skin, in the roots of my hair, Tough Cookie's amplified scream carrying the next stanza, my eyes sweeping the farthest nooks and crannies, the amphitheater become a great wailing soul. Deliver me from this, deliver me from loving it. Deliver me from forgetting everything else, and sacrificing all purpose, all resolve to it. I want you, my babies. I want your blood, innocent blood. I want your adoration at the moment when I sink my teeth.

  Yes, this is beyond all temptation. But in this moment of precious stillness and shame, I saw them for the first time, the real ones out there. Tiny white faces tossed like masks on the waves of shapeless mortal faces, distinct as Magnus's face had been in that long-ago little boulevard hall. And I knew that back beyond the curtains, Louis also saw them. But all I saw in them, all I felt emanating from them, was wonder and fear.

  "ALL YOU REAL VAMPIRES OUT THERE, " I shouted. "REVEAL YOURSELVES! " And they remained changeless, as the painted and costumed mortals about them went wild. For three solid hours we danced, we sang, we beat the hell out of the metallic instruments, the whiskey splashing back and forth among Alex and Larry and Tough Cookie, the crowd surging towards us over and over until the phalanx of police had doubled, and the lights had been raised. Wooden seats were breaking in the high corners of the auditorium, cans rolled on the concrete floors. The real ones never ventured a step closer. Some vanished. That's how it was. Unbroken screaming, like fifteen thousand drunks on the town, right up to the final moments, when it was the ballad from the last clip, Age of Innocence. And then the music softening. The drums rolling out, and the guitar dying, and the synthesizer throwing up the lovely translucent notes of an electric harpsichord, notes so light yet profuse that it was as if the air were showered with gold. One mellow spot hit the place where I stood, my clothes streaked with blood sweat, my hair wet with it and tangled, the cape dangling from one shoulder. Into a great yawning mouth of rapt and drunken attention I raised my voice slowly, letting each phrase become clear:

  This is the Age of Innocence True Innocence All your Demons are visible All your Demons are material Call them Pain Call them Hunger Call them War Mythic evil you don't need anymore. Drive out the vampires and the devils With the gods you no longer adore Remember: The Man with the fangs wears a cloak. What passes for charm Is a charm Understand what you see When you see me! Kill us, my brothers and sisters The war is on Understand what you see When you see me.

  I closed my eyes on the rising walls of applause. What were they really clapping for? What were they celebrating? Electric daylight in this giant auditorium. The real ones were vanishing in the shifting throng. The uniformed police had jumped up
onto the platform to make a solid row in front of us. Alex was tugging at me as we went through the curtain:

  "Man, we have to run for it. They've got the damned limo surrounded. And you'll never make it to your own car. " I said no, they had to go on, to take the limo, to get going now. And to my left I saw the hard white face of one of the real ones as he shoved his way through the press. He wore the black leather skins of the motorcycle riders, his silken preternatural hair a gleaming black mop. The curtains were ripping from their overhead rods, letting the house flow into the backstage area. Louis was beside me. I saw another immortal on my right, a thin grinning male with tiny dark eyes. Blast of cold air as we pushed into the parking lot, and pandemonium of squirming, struggling mortals, the police yelling for order, the limo rocking like a boat as Tough Cookie and Alex and Larry were shoved into it. One of the bodyguards had the engine of the Porsche running for me, but the youngsters were beating on the hood and the roof as if it were a drum. Behind the black haired vampire male there appeared another demon, a woman, and the pair were pushing inexorably closer. What the hell did they think they were going to do? The giant motor of the limousine was growling like a lion at the children who wouldn't make way for it, and the motorcycle guards gunned their little engines, spewing fumes and noise into the throng. The vampire trio was suddenly surrounding the Porsche, the tall male's face ugly with fury, and one thrust of his powerful arm lifted the low-slung car in spite of the youngsters who held to it. It was going to capsize. I felt an arm around my throat suddenly. And I felt Louis's body pivot, and I heard the sound of his fist strike the preternatural skin and bone behind me, heard the whispered curse. Mortals everywhere were suddenly screaming. A policeman exhorted the crowd over a loudspeaker to clear out. I rushed forward, knocking down several of the youngsters, and steadied the Porsche just before it went over like a scarab on its back. As I struggled to open the door, I felt the crowd crushing against me. Any moment this would become a riot. There would be a stampede. Whistles, screams, sirens. Bodies shoving Louis and me together, and then the leather-clad vampire male rising on the other side of the Porsche, a great silver scythe flashing in the floodlights as he swung it over his head. I heard Louis's shout of warning. I saw another scythe gleaming in the comer of my eye. But a preternatural screech cut through the cacophony as in a blinding flash the vampire male burst into flames. Another blaze exploded beside me. The scythe clattered to the concrete. And yards away yet another vampiric figure suddenly went up in a crackling gust. The crowd was in utter panic, rushing back into the auditorium, streaming out into the parking lot, running anyplace it could to escape the whirling figures as they were burnt black in their own private infernos, their limbs melting in the heat to mere bones. And I saw other immortals streaking away at invisible speed through the sluggish human press. Louis was stunned as he turned to me, and surely the look of amazement on my face only stunned him more. Neither of us had done this! Neither of us had the power! I knew but one immortal who did. But I was suddenly slammed back by the car door opening and a small delicate white hand reached out to pull me inside.

  "Hurry, both of you! " said a female voice in French suddenly.

  "What are you waiting for, the Church to pronounce it a miracle? " And I was jerked into the leather bucket seat before I realized what was happening, dragging Louis in on top of me so that he had to scramble over me into the compartment in back. The Porsche lurched forward, scattering the fleeing mortals in front of its headlights. I stared at the slender figure of the driver beside me, her yellow hair streaming over her shoulders, her soiled felt hat smashed down over her eyes. I wanted to throw my arms around her, to crush her with kisses, to press my heart against her heart and forget absolutely everything else. The hell with these idiot fledglings. But the Porsche almost went over again as she made the sharp right out of the gate and into the busy street.

  "Gabrielle, stop! " I shouted, my hand closing on her arm. "You didn't do that, burn them like that-! "

  "Of course not, " she said, in sharp French still, barely glancing at me. She looked irresistible as with two fingers she twisted the wheel again, swinging us into yet another ninety-degree turn. We were headed for the freeway.

  "Then you're driving us away from Marius! " I said. "Stop. "

  "So let him blow up the van that's following us! " she cried. "Then I'll stop. " She had the gas pedal floored, her eyes fixed on the road in front of her, her hands locked to the leatherclad wheel. I turned to see it over Louis's shoulder, a monster of a vehicle bearing down with surprising speed-an overgrown hearse it seemed, hulking and black, with a mouthful of chromium teeth across the snub-nosed front and four of the undead leering at us from behind the tinted windshield glass.

  "We can't get clear of this traffic to outrun them! " I said.

  "Turn around. Go back to the auditorium. Gabrielle, turn around!

  " But she bore on, weaving in and out of the motor coaches wildly, driving some of them in sheer panic to the side. The van was gaining.

  "It's a war machine, that's what it is! " Louis said. "They've rigged it with an iron bumper. They're going to try to ram us, the little monsters! " Oh, I had played this one wrong. I had underestimated. I had envisioned my own resources in this modem age, but not theirs. And we were moving farther and farther away from the one immortal who could blow them to Kingdom Come. Well, I would handle them with pleasure. I'd smash their windshield to pieces for starters, then tear off their heads one by one. I opened the window, climbing halfway up and out of it, the wind whipping my hair, as I glared at them, their ugly white faces behind the glass. As we shot up the freeway ramp, they were almost on top of us. Good. Just a little closer and I would spring. But our car was skidding to a halt. Gabrielle couldn't clear the path ahead.

  "Hold on, it's coming! " she screamed.

  "Like hell it is! " I shouted, and in an instant I would have jumped off the roof and gone into them like a battering ram. But I didn't have that instant. They had struck us full force, and my body flew up in the air, diving over the side of the freeway as the Porsche shot out in front of me, sailing into space. I saw Gabrielle break through the side door before the car hit the ground. And she and I were both rolling over on the grassy slope as the car capsized and exploded with a deafening roar.

  "Louis! " I shouted. I scrambled towards the blaze. I would have gone right into it after him: But the glass of the back portal splintered as he came through it. He hit the embankment just as I reached him. And with my cape I beat at his smoking garments, Gabrielle ripping off her jacket to do the same. The van had stopped at the freeway railing high above. The creatures were dropping over the edge, like big white insects, and landing on their feet on the slope. And I was ready for them. But again, as the first one skidded down towards us, scythe raised, there came that ghastly preternatural scream again and the blinding combustion, the creature's face a black mask in a riot of orange flame. The body convulsed in a horrid dance. The others turned and ran under the freeway. I started after them, but Gabrielle had her arms around me and wouldn't let me go. Her strength maddened me and amazed me.

  "Stop, damn it! " she said. "Louis, help me! "

  "Let me loose! " I said furiously. "I want one of them, just one of them. I can get the hindmost in the pack! " But she wouldn't release me, and I certainly wasn't going to fight her, and Louis had joined with her in her angry and desperate entreaties.

  "Lestat, don't go after them! " he said, his polite manner strained to the fullest. "We've had quite enough. We must leave here now. "

  "All right! " I said, giving it up resentfully. Besides, it was too late. The burnt one had expired in smoke and sputtering flames, and the others were gone into silence and darkness without a trace. The night around us was suddenly empty, except for the thunder of the freeway traffic high above. And there we were, the three of us, standing together in the lurid glaze of the blazing car. Louis wiped the soot from his face wearily, his stiff white shirtfront smudged, his long velvet
opera cape burnt and torn. And there was Gabrielle, the waif just as she'd been so long ago, the dusty, ragged boy in frayed khaki jungle jacket and pants, the squashed brown felt hat askew on her lovely head. Out of the cacophony of city noises, we heard the thin whine of sirens approaching. Yet we stood motionless, the three of us, waiting, glancing to one another. And I knew we were all scanning for Marius. Surely it was Marius. It had to be. And he was with us, not against us. And he would answer us now. I said his name aloud softly. I peered into the dark under the freeway, and out over the endless army of little houses that crowded the surrounding slopes. But all I could hear were the sirens growing louder and the murmur of human voices as mortals began the long climb from the boulevard below. I saw fear in Gabrielle's face. I reached out for her, went towards her, in spite of all the hideous confusion, the mortals coming nearer and nearer, the vehicles stopped on the freeway above. Her embrace was sudden, warm. But she gestured for me to hurry.

  "We're in danger! All of us, " she whispered. "Terrible danger.

  Come! "

  3

  It was five o'clock in the morning and I stood alone at the glass doors of the Carmel Valley ranch house. Gabrielle and Louis had gone into the hills together to find their rest. A phone call north had told me that my mortal musicians were safe in the new Sonoma hideaway, partying madly behind electric fences and gates. As for the police and the press and all their inevitable questions, well, that would have to wait. And now I waited alone for the morning light as I'd always done, wondering why Marius hadn't shown himself, why he had saved us only to vanish without a word.

  "And suppose it wasn't Marius, " Gabrielle had said anxiously as she paced the floor afterwards. "I tell you I felt an overwhelming sense of menace. I felt danger to us as well as to them. I felt it outside the auditorium when I drove away. I felt it when we stood by the burning car. Something about it. It wasn't Marius, I'm convinced- "