Trace ks-13

by Patricia Cornwell

No one is going to ask which Hollywood. At the mention of Hollywood, what immediately comes to mind is the big white Hollywood sign on the hill, mansions protected by walls, convertible sports cars, and the blessed beautiful ones, the gods. It would never enter anyone's mind that Edgar Allan Pogue's Hollywood is in Broward County, about an hour's drive north of Miami, and does not attract the rich and famous. He will tell his doctor, he thinks with a trace of pain. That's right, his doctor will be the first to know, and next time he won't run out of the flu shot, Pogue thinks with a trace of fear. No doctor would ever deprive his Hollywood patient of a flu shot, no matter the shortage, Pogue decides with a trace of rage.

  "See, Mother Dear, we're here. We really are here. It's not a dream,"

  Pogue says in the slurred voice of someone who has an object in his mouth that interferes with the movement of his lips and tongue.

  His even, bleached teeth clamp down harder on a wooden pencil.

  "And you thought the day would never come," he talks around the pencil as a bead of saliva drips from his lower lip and slides down his chin.

  You won't amount to anything, Edgar Allan. Failure, failure, failure. He talks around the pencil, mimicking his mother's mean-spirited, slurred, drunken voice. You're a thin soup, Edgar Allan, that's what you are. Loser, loser, loser.

  His lawn chair is exactly in the middle of the airless, stinking living room, and his one-bedroom apartment is not quite exactly in the middle of the second level of units that face Garfield Street, named after the U.S. president and running east-west between Hollywood Boulevard and Sheridan. The pale yellow stucco two-level complex is called Garfield Court for reasons unknown, beyond the obvious one of false advertising. There is no courtyard, not even a blade of grass, just a parking lot and three spindly palm trees with ragged fronds that remind Pogue of the tattered wings of the butterflies he pinned to cardboard as a boy.

  Not enough sap in the tree. That's your problem.

  "Stop it, Mother. Stop it right now. It's unkind to talk like that."

  When he rented his second home two weeks ago, Pogue didn't argue about the price, although nine hundred and fifty dollars a month is outrageous compared to what that amount of money would get him in Richmond, assuming he paid rent in Richmond. But proper accommodations aren't easy to find around here, and he didn't know where to start when he finally arrived in Broward County after a sixteen-hour drive, and in an exhausted but exhilarated mood began cruising, getting himself oriented, looking for a place and unwilling to rest in a motel room, not even for one night. His old white Buick was packed with his belongings, and he didn't want to take the chance that some juvenile delinquent might smash out the car windows and steal his VCR and TV, not to mention his clothing, toiletries, laptop computer and wig, the lawn chair, a lamp, linens, books, paper, pencils, and bottles of red, white, and blue touch-up paint for his cherished tee ball bat, and a few other vitally important personal possessions, including several old friends.

  "It was terrifying, Mother," he retells the tale in an effort to distract her from her drunken nagging. "Mitigating circumstances dictated that I leave our lovely little southern city immediately, although not permanently, certainly not. Now that I have a second home, of course I'll be back and forth between Hollywood and Richmond. You and The have always dreamed about Hollywood, and like settlers on a wagon train, we set out to find our fortunes, didn't we?"

  His ploy works. He has redirected her attention along a scenic route that avoids thin soup and not enough sap.

  "Only I didn't feel too fortunate at first when I somehow got off North Twenty-fourth Street and ended up in a godforsaken slum called Liberia where there was an ice cream truck."

  He talks around the pencil as if it is a bit in his mouth. The pencil substitutes for a smoke, not that tobacco is a health concern or a bad habit, but rather an expense. Pogue indulges in cigars. He indulges in very little else, but he has to have his Indios and Cubitas and A Fuentes, and most of all, Cohibas, the magic contraband of Cuba. He is smitten with Cohibas and he knows how to get them, and it makes all the difference when Cuban smoke touches his stricken lungs. Impurities are what kill the lungs, but the pure tobacco of Cuba is healing.

  "Can you possibly believe it? An ice cream truck with its sweet, innocent jingle playing and these little Negro children coming forward with coins to buy treats, and here we are in the middle of a ghetto, a war zone, and the sun has gone down. I'll just bet there are lots of gunshots fired at night in Liberia. Of course I got out of there and miraculously ended up m a better part of town. I got you to Hollywood safe and sound, didn't I, Mother?"

  Somehow he found himself on Garfield Street, driving slowly past tiny one-story stucco houses with wrought-iron railings, jalousie windows, carports, and patches of lawn that couldn't possibly accommodate a swimming pool, sweet little abodes probably built in the fifties and sixties that spoke to him because they have survived decades of horrendous hurricanes and jolting demographic changes and relentless increases in property taxes that drive out old-timers and replace them with new timers who probably don't speak English or try. And yet, the neighborhood has survived. And then, just as he was thinking all this, the apartment complex filled his front windshield like a vision.

  The building has a sign posted out front that reads garfield COURT and lists the telephone number, and Pogue responded to the vision by pulling into the parking lot and writing down the number, then he went to a gas station and used the pay phone. Yes, there was one vacancy, and within the hour he had his first and hopefully only encounter with Benjamin P. Shupe, the landlord.

  Can't do it, can't do it. Shupe wouldn't stop saying that as he sat across the desk from Pogue downstairs in the office, which was warm and stuffy and poisoned by the offensive scent of Shupe's overpowering cologne. If you want air conditioning, you gotta buy your own window unit. That's up to you. But this is the primo time of year, what they call the season. Who needs air conditioning?

  Benjamin P. Shupe brandished white dentures that reminded Pogue of bathroom tiles. The gold-encrusted slum sovereign tap-tap-tapped the desktop with a fat index finger and flashed a diamond cluster ring. And you're lucky. Everybody wants to be here this time a year. I got ten people waiting in line to take this apartment. Shupe the slum king gestured in a way that was to his gold Rolex watch's best advantage, unaware that Pogue's dark tinted glasses were nonprescription and his shaggy long black curly hair was a wig. Two days from now, it will be twenty people. In fact, I really shouldn't let you have this apartment at this price.

  Pogue paid cash. No deposits or other sorts of security were required, no questions or proof of identification were requested or desired. In three weeks, he has to pay cash again for the month of January should he decide to maintain his second home during Hollywood's primo season. But it is a bit early for him to know what he'll do come the New Year.

  "Work to do, work to do," he mumbles, thumbing through the magazine for funeral directors that falls open to a collection of urns and keepsakes, and he rests the magazine on his thighs and studies colorful pictures he knows by heart. His favorite urn is still the pewter box shaped like a stack of fine books with a pewter quill on top, and he fantasizes that the books are old volumes by Edgar Allan Poe, for whom he was named, and he wonders how many hundreds of dollars that elegant pewter box would cost were he of a mind to call the toll-free number.

  "I should just call it and place the order," he says playfully. "I should just do it, shouldn't I, Mother?" He teases her as if he has a phone and can call right this minute. "Oh, you'd like it, would you?" He touches the picture of the urn. "You'd like Edgar Allan's urn, would you? Well, tell you what, not until there's something to celebrate, and right now my work isn't going as planned, Mother. Oh yes, you heard me. A little setback, I'm afraid."

  Thin soup, that's what you are.

  "No, Mother Dear. It's not about thin soup." He shakes his head, flipping through the magazine. "Now let's not start that again. We're in Hollywo
od. Isn't it pleasant?"

  He thinks of the salmon-colored stucco mansion on the water not too far north of here and is overwhelmed by a confusion of emotions. He found the mansion as planned. He was inside the mansion as planned. And everything went wrong and now there is nothing to celebrate.

  "Faulty thinking, faulty thinking." He flicks his forehead with two fingers, the way his mother used to flick him. "It wasn't supposed to happen like that. What to do, what to do. The little fish that got away." He swims his fingers through the air. "Leaving the big fish." He swims both arms through the air. "The little fish went somewhere, I don't know where, but I don't care, no I do not. Because the Big Fish is still there, and I ran off the little fish and the Big Fish can't be happy about that. Can not. Soon there will be something to celebrate."

  Got away? How stupid was that? You didn't catch the little fish and think you'll catch the big one? You're such thin soup. How can you be my son?

  "Don't talk that way, Mother. It's so impolite," he says with his head bent over the magazine for funeral directors.

  She gives him a stare that could nail a sign to a tree, and his father had a label for her infamous stare. The hairy eyeball, that was what he called it. Edgar Allan Pogue has never figured out why a stare as scary as his mother's is called a hairy eyeball. Eyeballs do not have hair. He has never seen or heard of one that does, and he would know. There isn't much he doesn't know. He drops the magazine to the floor and gets up from the yellow and white lawn chair and fetches his tee ball bat from the corner where he keeps it propped. Closed Venetian blinds blot out sunlight from the living room's one window, casting him into a comfortable gloom barely pushed back by a lonely lamp on the floor.

  "Let's see. What should we do today?" he continues, mumbling around the pencil, talking out loud to a cookie tin beneath the lawn chair and gripping the bat, checking its red, white, and blue stars and stripes that he has touched up, let's see, exactly one hundred and eleven times. He lovingly polishes the bat with a white handkerchief, and rubs his hands with the handkerchief, rubs and rubs them. "We should do something special today. I believe an outing is in order."

  Drifting to a wall, he removes the pencil from his mouth and holds it in one hand, the bat in the other, cocking his head, squinting at the early stages of a large sketch on the dingy, beige-painted sheetrock. Gently, he touches the blunt lead tip to a large staring eye and thickens the lashes the pencil is wet and pitted between the tips of his index finger and thumb as he draws.

  "There." He steps back, cocking his head again, admiring the big, staring eye and the curve of a cheek, the tee ball bat twitching in his other hand.

  "Did I happen to mention how especially pretty you look today? Such a nice color you'll soon have in your cheeks, very flushed and rosy, as if you've been out in the sun."

  He tucks the pencil behind an ear and holds his hand in front of his face, splaying his fingers, tilting and turning, looking at every joint, crease, scar, and line, and at the delicate ridges in his small, rounded nails. He massages the air, watching fine muscles roll as he imagines rubbing cold skin, working cold, sluggish blood out of subcutaneous tissue, kneading flesh as he flushes out death and pumps in a nice rosy glow. The bat twitches in his other hand and he imagines swinging the bat. He misses rubbing chalky dust in his palms and swinging the bat, and he twitches with a desire to smash the bat through the eye on the wall, but he doesn't, he can't, he mustn't, and he walks around, his heart flying inside his chest, and he is frustrated. So frustrated by the mess.

  The apartment is bare but a mess, the countertop in the kitchenette scattered with paper napkins and plastic plates and utensils, and canned foods and bags of macaroni and pasta that Pogue hasn't bothered to store inside the kitchenette's one cupboard. A pot and a frying pan soak in a sink full of cold, greasy water. Strewn about on the stained blue carpet are duffel bags, clothing and books, pencils, and cheap white paper. Pogue's living quarters are beginning to take on the stale aroma of his cooking and cigars, and his own musky, sweaty scent. It is very warm in here and he is naked.

  "I believe we should check on Mrs. Arnette. She's not been well, after all," he says to his mother without looking at her. "Would you like to have a visitor today? I suppose I should ask you that first. But it might make both of us feel better. I'm a bit out of sorts, I must confess." He thinks of the little fish that got away and he looks around at the mess. "A visit might be just the thing, what do you think?"

  That would be nice.

  "Oh, it would, would it?" His baritone voice rises and falls, as if he is addressing a child or a pet. "You would like to have a visitor? Well, then! How splendid."

  His bare feet pad across the carpet and he squats by a cardboard box filled with videotapes and cigar boxes and envelopes of photographs, all of them labeled in his own small, neat handwriting. Near the bottom of the box, he finds Mrs, Arnette's cigar box and the envelope of Polaroid photographs.

  "Mother, Mrs. Arnette is here to see you," he says with a contented sigh as he opens the cigar box and sets it on the lawn chair. He looks through the photographs and picks out his favorite. "You remember her, don't you? You've met before. A true-blue old woman. See her hair? It really is blue."

  Why, it sure enough is.

  "Whyyyit-shorrre-nuffffis," he echoes his mother's deep drawl and the slow, thick way she swims through her words when she's in the vodka bottle, way deep inside the vodka bottle.

  "Do you like her new box?" he asks, dipping his finger inside the cigar box and blowing a puff of white dust into the air. "Now don't be jealous, but she's lost weight since you saw her last. I wonder what her secret is," he teases, and he dips in his finger again and blows more white dust into the air for his enormously fat mother's benefit, to make his disgustingly fat mother jealous, and he wipes his hands on the white handkerchief. "I think our dear friend Mrs. Arnette looks wonderful, divine really."

  He peers closely at the photograph of Mrs. Arnette, her hair a blue tinted aura around her pink dead face. The only reason he knows her mouth is sutured shut is because he remembers doing it. Otherwise, his expert surgery is impossible to discern, and the uninitiated would never detect that the round contour of her eyes is due to the caps beneath the lids, and he remembers gently setting the caps in place over the sunken eyeballs and overlapping the lids and sticking them together with dabs of Vaseline.

  "Now be sweet and ask Mrs. Arnette how she's feeling," he says to the cookie tin beneath the lawn chair. "She had cancer. So many of them did."

  3

  Dr. Joel Marcus gives her a stiff smile, and she shakes his dry, small boned hand. She feels she might despise him given a chance, but other than that premonition, which she pushes down into a dark part of her heart, she feels nothing.

  About four months ago, she found out about him the same way she has found out about most things that have to do with her past life in Virginia. It was an accident, a coincidence. She happened to be on a plane reading USA Today, and happened to notice a news brief about Virginia that read, "Governor appoints new chief medical examiner after long search…" Finally, after years of no chief or acting chiefs, Virginia got a new chief. Scarpetta's opinion and guidance were not requested during the endless ordeal of a search. Her endorsement was not necessary when Dr. Marcus became a candidate for her former position.

  Had she been asked, she would have confessed that she had never heard of him. This would have been followed by her diplomatic suggestion that she must have run into him at a national meeting or two and just didn't recall his name. Certainly he is a forensic pathologist of note, she would have offered, otherwise he would not have been recruited to head the most prominent statewide medical examiner system in the United States.

  But as she shakes Dr. Marcus's hand and looks into his small cold eyes, she realizes he is a complete stranger. Clearly, he has been on no committees of significance, nor has he lectured at any pathology or medico-legal or forensic science meetings she has attended, or she would r
emember him. She may forget names, but rarely a face.

  "Kay, at last we meet," he says, offending her again, only now it is worse because he is offending her in person.

  What her intuition was reluctant to pick up over the phone is unavoidable now that she is in his presence inside the lobby of the building called Biotech II where she last worked as chief. Dr. Marcus is a small thin man with a small thin face and a small thin stripe of dirty gray hair on the back of his small head, as if nature has been trifling with him. He wears an outdated narrow tie, shapeless gray trousers and loafers. A sleeveless undershirt is visible beneath a cheap white dress shirt that sags around his thin neck, the inside of the collar dingy and rough with cotton picks.

  "Let's go in," he says. "I'm afraid we've got a full house this morning."

  She is about to inform him that she isn't alone when Marino emerges from the men's room, hitching up his black cargo pants, the LAPD cap pulled low over his eyes. Scarpetta is polite but all business as she makes introductions, explaining Marino, as much as he can be explained.

  "He used to be with the Richmond Police Department and is a very experienced investigator," she says as Dr. Marcus's face hardens.

  "You didn't mention you were bringing anyone," he says curtly in her former spacious lobby of granite and glass blocks, where she has signed in, where she has stood for twenty minutes, feeling as conspicuous as a statue in a rotunda, while she waited for Dr. Marcus, or someone, to come get her. "I thought I made it clear this is a very sensitive situation." Hey, not to worry. I'm a real sensitive guy," Marino says loudly.

  Dr. Marcus doesn't seem to hear him, but he bristles. Scarpetta can almost hear his anger displace air.

  "My senior superlative in high school was Most Likely to Be Sensitive," Marino adds loudly. "Yo, Bruce!" he yells to a uniformed guard who is at least thirty feet away, having just stepped out of the evidence room and into the lobby. "What'cha know, man? Still bowling on that sorry team The Pin Heads?"