Complete Fictional Works of John Buchan (Illustrated)

by John Buchan

  And then to put the lid on it his engine went wrong. It was the same performance as on the Yorkshire moors, and seemed to be a speciality of the Shark-Gladas type. But this time the end came quick. We dived steeply, and I could see by Archie’s grip on the stick that he was going to have his work cut out to save our necks. Save them he did, but not by much for we jolted down on the edge of a ploughed field with a series of bumps that shook the teeth in my head. It was the same dense, dripping fog, and we crawled out of the old bus and bolted for cover like two ferreted rabbits.

  Our refuge was the lee of a small copse.

  ‘It’s my opinion,’ said Archie solemnly, ‘that we’re somewhere about La Cateau. Tim Wilbraham got left there in the Retreat, and it took him nine months to make the Dutch frontier. It’s a giddy prospect, sir.’

  I sallied out to reconnoitre. At the other side of the wood was a highway, and the fog so blanketed sound that I could not hear a man on it till I saw his face. The first one I saw made me lie flat in the covert... For he was a German soldier, field-grey, forage cap, red band and all, and he had a pick on his shoulder.

  A second’s reflection showed me that this was not final proof. He might be one of our prisoners. But it was no place to take chances. I went back to Archie, and the pair of us crossed the ploughed field and struck the road farther on. There we saw a farmer’s cart with a woman and child in it. They looked French, but melancholy, just what you would expect from the inhabitants of a countryside in enemy occupation.

  Then we came to the park wall of a great house, and saw dimly the outlines of a cottage. Here sooner or later we would get proof of our whereabouts, so we lay and shivered among the poplars of the roadside. No one seemed abroad that afternoon. For a quarter of an hour it was as quiet as the grave. Then came a sound of whistling, and muffled steps.

  ‘That’s an Englishman,’ said Archie joyfully. ‘No Boche could make such a beastly noise.’

  He was right. The form of an Army Service Corps private emerged from the mist, his cap on the back of his head, his hands in his pockets, and his walk the walk of a free man. I never saw a welcomer sight than that jam-merchant.

  We stood up and greeted him. ‘What’s this place?’ I shouted.

  He raised a grubby hand to his forelock. ‘Ockott Saint Anny, sir,’ he said. ‘Beg pardon, sir, but you ain’t hurt, sir?’

  Ten minutes later I was having tea in the mess of an M.T. workshop while Archie had gone to the nearest Signals to telephone for a car and give instructions about his precious bus. It was almost dark, but I gulped my tea and hastened out into the thick dusk. For I wanted to have a look at the Chateau.

  I found a big entrance with high stone pillars, but the iron gates were locked and looked as if they had not been opened in the memory of man. Knowing the way of such places, I hunted for the side entrance and found a muddy road which led to the back of the house. The front was evidently towards a kind of park; at the back was a nest of outbuildings and a section of moat which looked very deep and black in the winter twilight. This was crossed by a stone bridge with a door at the end of it.

  Clearly the Chateau was not being used for billets. There was no sign of the British soldier; there was no sign of anything human. I crept through the fog as noiselessly as if I trod on velvet, and I hadn’t even the company of my own footsteps. I remembered the Canadian’s ghost story, and concluded I would be imagining the same sort of thing if I lived in such a place.

  The door was bolted and padlocked. I turned along the side of the moat, hoping to reach the house front, which was probably modern and boasted a civilized entrance. There must be somebody in the place, for one chimney was smoking. Presently the moat petered out, and gave place to a cobbled causeway, but a wall, running at right angles with the house, blocked my way. I had half a mind to go back and hammer at the door, but I reflected that major-generals don’t pay visits to deserted chateaux at night without a reasonable errand. I should look a fool in the eyes of some old concierge. The daylight was almost gone, and I didn’t wish to go groping about the house with a candle.

  But I wanted to see what was beyond the wall — one of those whims that beset the soberest men. I rolled a dissolute water-butt to the foot of it, and gingerly balanced myself on its rotten staves. This gave me a grip on the flat brick top, and I pulled myself up.

  I looked down on a little courtyard with another wall beyond it, which shut off any view of the park. On the right was the Chateau, on the left more outbuildings; the whole place was not more than twenty yards each way. I was just about to retire by the road I had come, for in spite of my fur coat it was uncommon chilly on that perch, when I heard a key turn in the door in the Chateau wall beneath me.

  A lantern made a blur of light in the misty darkness. I saw that the bearer was a woman, an oldish woman, round-shouldered like most French peasants. In one hand she carried a leather bag, and she moved so silently that she must have worn rubber boots. The light was held level with her head and illumined her face. It was the evillest thing I have ever beheld, for a horrible scar had puckered the skin of the forehead and drawn up the eyebrows so that it looked like some diabolical Chinese mask.

  Slowly she padded across the yard, carrying the bag as gingerly as if it had been an infant. She stopped at the door of one of the outhouses and set down the lantern and her burden on the ground. From her apron she drew something which looked like a gas-mask, and put it over her head. She also put on a pair of long gauntlets. Then she unlocked the door, picked up the lantern and went in. I heard the key turn behind her.

  Crouching on that wall, I felt a very ugly tremor run down my spine. I had a glimpse of what the Canadian’s ghost might have been. That hag, hooded like some venomous snake, was too much for my stomach. I dropped off the wall and ran — yes, ran till I reached the highroad and saw the cheery headlights of a transport wagon, and heard the honest speech of the British soldier. That restored me to my senses, and made me feel every kind of a fool.

  As I drove back to the line with Archie, I was black ashamed of my funk. I told myself that I had seen only an old countrywoman going to feed her hens. I convinced my reason, but I did not convince the whole of me. An insensate dread of the place hung around me, and I could only retrieve my self-respect by resolving to return and explore every nook of it.

  CHAPTER 13. THE ADVENTURE OF THE PICARDY CHATEAU

  I looked up Eaucourt Sainte-Anne on the map, and the more I studied its position the less I liked it. It was the knot from which sprang all the main routes to our Picardy front. If the Boche ever broke us, it was the place for which old Hindenburg would make. At all hours troops and transport trains were moving through that insignificant hamlet. Eminent generals and their staffs passed daily within sight of the Chateau. It was a convenient halting-place for battalions coming back to rest. Supposing, I argued, our enemies wanted a key-spot for some assault upon the morale or the discipline or health of the British Army, they couldn’t find a better than Eaucourt Sainte-Anne. It was the ideal centre of espionage. But when I guardedly sounded my friends of the Intelligence they didn’t seem to be worrying about it. From them I got a chit to the local French authorities, and, as soon as we came out of the line, towards the end of December, I made straight for the country town of Douvecourt. By a bit of luck our divisional quarters were almost next door. I interviewed a tremendous swell in a black uniform and black kid gloves, who received me affably and put his archives and registers at my disposal. By this time I talked French fairly well, having a natural turn for languages, but half the rapid speech of the sous-prifet was lost on me. By and by he left me with the papers and a clerk, and I proceeded to grub up the history of the Chateau.

  It had belonged since long before Agincourt to the noble house of the D’Eaucourts, now represented by an ancient Marquise who dwelt at Biarritz. She had never lived in the place, which a dozen years before had been falling to ruins, when a rich American leased it and partially restored it. He had soon got sick of it
— his daughter had married a blackguard French cavalry officer with whom he quarrelled, said the clerk — and since then there had been several tenants. I wondered why a house so unattractive should have let so readily, but the clerk explained that the cause was the partridge-shooting. It was about the best in France, and in 1912 had shown the record bag.

  The list of the tenants was before me. There was a second American, an Englishman called Halford, a Paris Jew-banker, and an Egyptian prince. But the space for 1913 was blank, and I asked the clerk about it. He told me that it had been taken by a woollen manufacturer from Lille, but he had never shot the partridges, though he had spent occasional nights in the house. He had a five years’ lease, and was still paying rent to the Marquise. I asked the name, but the clerk had forgotten. ‘It will be written there,’ he said.

  ‘But, no,’ I said. ‘Somebody must have been asleep over this register. There’s nothing after 1912.’

  He examined the page and blinked his eyes. ‘Someone indeed must have slept. No doubt it was young Louis who is now with the guns in Champagne. But the name will be on the Commissary’s list. It is, as I remember, a sort of Flemish.’

  He hobbled off and returned in five minutes.

  ‘Bommaerts,’ he said, ‘Jacques Bommaerts. A young man with no wife but with money — Dieu de Dieu, what oceans of it!’

  That clerk got twenty-five francs, and he was cheap at the price. I went back to my division with a sense of awe on me. It was a marvellous fate that had brought me by odd routes to this out-of-the-way corner. First, the accident of Hamilton’s seeing Gresson; then the night in the Clearing Station; last the mishap of Archie’s plane getting lost in the fog. I had three grounds of suspicion — Gresson’s sudden illness, the Canadian’s ghost, and that horrid old woman in the dusk. And now I had one tremendous fact. The place was leased by a man called Bommaerts, and that was one of the two names I had heard whispered in that far-away cleft in the Coolin by the stranger from the sea.

  A sensible man would have gone off to the contre-espionage people and told them his story. I couldn’t do this; I felt that it was my own private find and I was going to do the prospecting myself. Every moment of leisure I had I was puzzling over the thing. I rode round by the Chateau one frosty morning and examined all the entrances. The main one was the grand avenue with the locked gates. That led straight to the front of the house where the terrace was — or you might call it the back, for the main door was on the other side. Anyhow the drive came up to the edge of the terrace and then split into two, one branch going to the stables by way of the outbuildings where I had seen the old woman, the other circling round the house, skirting the moat, and joining the back road just before the bridge. If I had gone to the right instead of the left that first evening with Archie, I should have circumnavigated the place without any trouble.

  Seen in the fresh morning light the house looked commonplace enough. Part of it was as old as Noah, but most was newish and jerry-built, the kind of flat-chested, thin French Chateau, all front and no depth, and full of draughts and smoky chimneys. I might have gone in and ransacked the place, but I knew I should find nothing. It was borne in on me that it was only when evening fell that that house was interesting and that I must come, like Nicodemus, by night. Besides I had a private account to settle with my conscience. I had funked the place in the foggy twilight, and it does not do to let a matter like that slide. A man’s courage is like a horse that refuses a fence; you have got to take him by the head and cram him at it again. If you don’t, he will funk worse next time. I hadn’t enough courage to be able to take chances with it, though I was afraid of many things, the thing I feared most mortally was being afraid.

  I did not get a chance till Christmas Eve. The day before there had been a fall of snow, but the frost set in and the afternoon ended in a green sunset with the earth crisp and crackling like a shark’s skin. I dined early, and took with me Geordie Hamilton, who added to his many accomplishments that of driving a car. He was the only man in the B.E.F. who guessed anything of the game I was after, and I knew that he was as discreet as a tombstone. I put on my oldest trench cap, slacks, and a pair of scaife-soled boots, that I used to change into in the evening. I had a useful little electric torch, which lived in my pocket, and from which a cord led to a small bulb of light that worked with a switch and could be hung on my belt. That left my arms free in case of emergencies. Likewise I strapped on my pistol.

  There was little traffic in the hamlet of Eaucourt Sainte-Anne that night. Few cars were on the road, and the M.T. detachment, judging from the din, seemed to be busy on a private spree. It was about nine o’clock when we turned into the side road, and at the entrance to it I saw a solid figure in khaki mounting guard beside two bicycles. Something in the man’s gesture, as he saluted, struck me as familiar, but I had no time to hunt for casual memories. I left the car just short of the bridge, and took the road which would bring me to the terraced front of the house.

  Once I turned the corner of the Chateau and saw the long ghostly facade white in the moonlight, I felt less confident. The eeriness of the place smote me. In that still, snowy world it loomed up immense and mysterious with its rows of shuttered windows, each with that air which empty houses have of concealing some wild story. I longed to have old Peter with me, for he was the man for this kind of escapade. I had heard that he had been removed to Switzerland and I pictured him now in some mountain village where the snow lay deep. I would have given anything to have had Peter with a whole leg by my side.

  I stepped on the terrace and listened. There was not a sound in the world, not even the distant rumble of a cart. The pile towered above me like a mausoleum, and I reflected that it must take some nerve to burgle an empty house. It would be good enough fun to break into a bustling dwelling and pinch the plate when the folk were at dinner, but to burgle emptiness and silence meant a fight with the terrors in a man’s soul. It was worse in my case, for I wasn’t cheered with prospects of loot. I wanted to get inside chiefly to soothe my conscience.

  I hadn’t much doubt I would find a way, for three years of war and the frequent presence of untidy headquarters’ staffs have loosened the joints of most Picardy houses. There’s generally a window that doesn’t latch or a door that doesn’t bar. But I tried window after window on the terrace without result. The heavy green sun-shutters were down over each, and when I broke the hinges of one there was a long bar within to hold it firm. I was beginning to think of shinning up a rain-pipe and trying the second floor, when a shutter I had laid hold on swung back in my hand. It had been left unfastened, and, kicking the snow from my boots, I entered a room.

  A gleam of moonlight followed me and I saw I was in a big salon with a polished wood floor and dark lumps of furniture swathed in sheets. I clicked the bulb at my belt, and the little circle of light showed a place which had not been dwelt in for years. At the far end was another door, and as I tiptoed towards it something caught my eye on the parquet. It was a piece of fresh snow like that which clumps on the heel of a boot. I had not brought it there. Some other visitor had passed this way, and not long before me.

  Very gently I opened the door and slipped in. In front of me was a pile of furniture which made a kind of screen, and behind that I halted and listened. There was somebody in the room. I heard the sound of human breathing and soft movements; the man, whoever he was, was at the far end from me, and though there was a dim glow of Moon through a broken shutter I could see nothing of what he was after. I was beginning to enjoy myself now. I knew of his presence and he did not know of mine, and that is the sport of stalking.

  An unwary movement of my hand caused the screen to creak. Instantly the movements ceased and there was utter silence. I held my breath, and after a second or two the tiny sounds began again. I had a feeling, though my eyes could not assure me, that the man before me was at work, and was using a very small shaded torch. There was just the faintest moving shimmer on the wall beyond, though that might come from the c
rack of moonlight. Apparently he was reassured, for his movements became more distinct. There was a jar as if a table had been pushed back. Once more there was silence, and I heard only the intake of breath. I have very quick ears, and to me it sounded as if the man was rattled. The breathing was quick and anxious.

  Suddenly it changed and became the ghost of a whistle — the kind of sound one makes with the lips and teeth without ever letting the tune break out clear. We all do it when we are preoccupied with something — shaving, or writing letters, or reading the newspaper. But I did not think my man was preoccupied. He was whistling to quiet fluttering nerves.

  Then I caught the air. It was ‘Cherry Ripe’.

  In a moment, from being hugely at my ease, I became the nervous one. I had been playing peep-bo with the unseen, and the tables were turned. My heart beat against my ribs like a hammer. I shuffled my feet, and again there fell the tense silence.

  ‘Mary,’ I said — and the word seemed to explode like a bomb in the stillness—’Mary! It’s me — Dick Hannay.’

  There was no answer but a sob and the sound of a timid step.

  I took four paces into the darkness and caught in my arms a trembling girl ...

  Often in the last months I had pictured the kind of scene which would be the culminating point of my life. When our work was over and war had been forgotten, somewhere — perhaps in a green Cotswold meadow or in a room of an old manor — I would talk with Mary. By that time we should know each other well and I would have lost my shyness. I would try to tell her that I loved her, but whenever I thought of what I should say my heart sank, for I knew I would make a fool of myself. You can’t live my kind of life for forty years wholly among men and be of any use at pretty speeches to women. I knew I should stutter and blunder, and I used despairingly to invent impossible situations where I might make my love plain to her without words by some piece of melodramatic sacrifice.