Complete Fictional Works of John Buchan (Illustrated)

by John Buchan

  Peter watched and admired with a pain at his heart. Here was one who rode the broad ways of the world and feared nothing; a masterful man who would have his way with life; one who had seen with his own eyes that wonderful earth of which Peter had only read; a fierce soul who would be a deadly enemy, but who might also be a delectable comrade, for there was ease and jollity in his air. Peter sighed at this glimpse of the unattainable.

  And then he saw the seventh magpie.

  The heats of the day, the constant feasting of the eyes upon blue horizons, had had the effect of wine upon Peter’s brain, and this drunkenness had been increased by the spectacle of the masterful traveller. The scholar, whose days were spent among books, felt himself within hail of the pomp of life. He had almost forgotten the heavy thoughts which had burdened him so many days. The hour was growing late, and he was miles from his bed in the Castle precincts, but he had no intention of going home yet awhile. For he was near to a place which was his own discovery, his special sanctuary, and he was minded to visit it before he slept. . . .

  And then came the seventh magpie, a chequered zigzag in that dim world. The bird was an invitation to adventure. Peter rose from his eyrie, shook the moss and twigs from his clothes, and scrambled down the slope to the highway. He was clad in a tunic and long summer hose of thin woollen, and his gown, which was the badge of studentship, he carried loose on his arm.

  He padded in the sweet-smelling dust of the road for a little way, and then turned to his left to climb the farther side of the hollow. He had forgotten about the Egyptians in the covert. They were still there, and had settled down for the night, for suddenly he saw in a cleft beside him the glow of a little fire on which a pot was bubbling. He was too late to avoid it, his foot slipped, he slid into the cleft, and found a hand at his throat. The hand was relaxed, and the grip changed to his shoulder, while a small covered lantern was flashed in his face.

  Shaken and startled, he saw one of the gipsies standing above him, a man with a thin wolfish face and burning eyes. Peter’s youth and the sight of the gown on his arm apparently convinced the man that here was no danger. He grunted, and picked up what seemed to be a book which had fallen to the ground.

  “You are far from home, clerk,” the voice said. “What do you at this hour prowling in Stowood? You are not of the Children of the Moon.”

  The Egyptians bore an ill name for secret robbery and murder, and Peter’s heart had pounded on his side when he felt the clutch at his throat. But this man whom he could only see dimly, a grey ghost flecked with firelight, seemed no marauder. His voice was not the Egyptian whine, and his words were not the Egyptian jargon. In spite of his rags he had a certain air of breeding and authority. The other gipsies were busy with their cooking, and the women were suckling their babes, but this man seemed to be engaged with papers and he had the lantern to light him. Peter realised that the gaze fixed on him was devouring and searching, but not hostile.

  “A clerk,” said the man. “One of the blind eyes and dumb mouths that have Oxford for their stepmother. I have forgot what Oxford is like. Do you still plough the barren fields of the Trivium and the Quadrivium? Do you yet mumble the leavings of Aristotle? Are your major gods Priscian and Cato and Alexander of Villa Dei? Is the hand that leads you up Parnassus that of old John Leland? Ut rosa flos florum sic Leland grammaticorum — it is so long since I heard it I have lost the jingle. Or perhaps you are for the new masters, for I hear that to-day in Oxford the Trojans are few and the Grecians many?”

  “Troy has fallen,” said Peter, amazed to hear such speech from a gipsy’s tongue.

  “And her folk are scattered. They have put Duns and Aquinas in Bocardo. They tell me that the great vellum leaves of the Sentences flap in the wind about the college courts, and that country louts gather them to make flappers to keep the deer within the pales.”

  “What know you of Oxford and her ways?” the stupefied Peter demanded.

  “This much,” said the man fiercely, “that her ways are not the paths of truth, and that her fruits, old or new, are but husks to be flung to swine. I tell you, clerk, there is only one new learning, and that is the ancientest. It is here,” and he held up his book, “and it is old and yet ever young. For it is the wisdom not of man but of God.”

  “Show it me,” said Peter, but the man put it behind his back.

  “Not yet, clerk. England is not yet ripe for it, but the hour draws near.”

  “Who are you that speak in riddles?”

  The man laughed. “Under the blanket of the dark all men are alike and all are nameless. Let me view your countenance that I may know it when I meet it again.”

  He held up the lantern, and the light also revealed his own face. It was that of a man in early middle life, very lean and haggard, with a long nose broken in the middle, and eyes that seemed to burn in a fever. But the brow was broad and fine, and the mouth was gentle.

  “An honest face,” he said. “You were no churl’s get, young clerk. . . . Now get you hence to your prayers, and leave me to mine.”

  During this short dialogue the other gipsies had taken no notice of Peter. He felt the thrust of the man’s hand, and in a moment he was out of the hollow and the firelight and back in the midnight dusk of the woods.

  He ran now, for his head was in a whirl. The magpie was a wise bird, for that night he was indeed seeing portents. He had observed one kind of authority mounted and jingling on the highway, and now he had witnessed another kenneling with the gipsies. The world was strange and very wide. It was time for him to find his sanctuary, where he could adjust these new experiences and think his own thoughts.

  The place was his very own, for he had unearthed it after it had been lost for centuries. In a charter in Oseney he had read how the King of Wessex had given to the Bishop of Winchester a piece of land by Cherwell side, which ran from a certain brook “along the green valley by the two little hills and past the Painted Floor,” till it reached a certain thorn patch and a certain spring. The words had fired his fancy. Once the Romans had strode over these hills, the ruins of their massive causewayed highroads ran through marsh and forest, they had set their houses with vines and reaped their harvests where now only wild beasts rustled. To one like Peter, most of whose waking thoughts dwelt on Greece and Italy, the notion of such predecessors among his familiar fields seemed to link his wildest dreams to the solid world of fact. That Painted Floor must be found, for it could only be a fragment of Roman work; there was such a floor in the midget church of Widford on Windrush, a mile or two from the home of his childhood. He knew the green valley and the little hills of the charter; they lay east from Wood Eaton, between the demesne of that manor and the ridge of Stowood. The Romans had been there beyond doubt, for not long since a ditcher in that very place had turned up a pot of gold coins with Emperors’ heads on them — some were now at Oseney among the Abbey’s treasures.

  So Peter had spent the dry March days nosing like a fox in the shallow glade which dropped from the high slopes to the Wood Eaton meads. The Painted Floor was not among the run-rigs of beans and oats and barley, nor in the trodden grass of the common pastureland; it must be nearer the hills, among the rough meadows where the brook had its source, or in the patches of oaken scrub which were the advance pickets of the forest. . . . He found it — found it one April day in a coppice of ash and thorn, guided to it by a sudden flatness in ground which nature had clearly made hummocky. It was a floor indeed, carpeted with fine turf and painted only with primroses and windflowers. Peter’s nails clawed up the turf and came on tiles, and in an hour he had cleared a yard or two and revealed what even in the dusk of the trees showed brighter colours than earth and stone.

  Peter borrowed an axe and a mattock from an Elsfield forester, and, with the tools hidden in his gown, journeyed to the spinney every hour of holiday. In places seeds had found lodgment among the tiles, and had grown to trees, the roots of which split the mosaic. In one part a badger had made his earth and powdered a yard or
two into dust. But when Peter had cut down encroaching saplings and had stripped off the layers of turf, there lay revealed a hundred square yards of tesselated pavement. Perhaps since Roman days the place had been used as a sheep fold, for there were signs of a later circumscribing wall, but once beyond doubt it had been the floor of a Roman’s dwelling. . . . Peter fetched water from the spring among the bracken, and washed off the dirt of centuries. Bit by bit he unveiled a picture. In the centre, in the midst of an intricate design of grape leaves, sat a figure of some goddess — Ceres perhaps or Proserpina. At each corner were great plaques which presently revealed themselves as the Four Seasons — Spring with Pan’s pipes, Summer with a lap of flowers, Autumn lifting aloft a cornucopia, and Winter a fur-clad hunter holding a rabbit. And all between was a delicate maze of convolutions so that the central goddess seemed to float upon clouds. It was simple rustic work, for the greys were the limestone rock, and the yellows and browns a neighbouring sandstone, and the blue slate or glass, and the reds coarse earthenware; but the design had a beauty which to Peter was a revelation. He felt it akin to the grave music with which sundry Roman poets had ravished his soul.

  The place was forest land, he knew, and therefore belonged to the King, though it was very near the Wood Eaton clearing and Sir Ralph Bonamy’s ground. But it was his own by the oldest and strongest tenure, effective occupation. No one but himself knew of this marvel. He concealed his movements going and coming as if his purpose had been crime. The Wood Eaton churls were not likely to drag their heavy feet to a place where there were neither tasks to be wrought at nor coneys to be snared, and the foresters would neglect a trivial spinney which offered no harbourage to deer. Only Peter had business there. He would lie in the covert in a hot noon, watching the sun make a chequer of green and gold, till he fell asleep, and awoke, startled, to see what for a moment he thought was the shimmer of a woman’s gown and to hear the call of an elfin flageolet. But it was only fancy. The Floor was dim with dusk, and the wood was silent but for homing birds.

  To-night he crossed the brackeny meadow and came to the coppice with a sudden wild expectation. The seventh magpie! There had been marvels many that day, but a seventh magpie must portend still more. The spring bubbled noisily among its greenery; he had never heard it so loud. He lay prone and drank a great draught of the icy water, so cold that it sent little pains running behind his eyes. Then he entered the coppice.

  It had been his custom to treat it as a sacred place and to enter with reverent feet and head uncovered. Nor did he enter it direct. He would fetch a circuit and come in from the top to his own perch above the Floor, like a seat in one of the tiers of an amphitheatre looking down on the arena. So he climbed the slope to where half a dozen great oaks hung like sentinels above the coppice, and found his way downhill through the scrub of hazels and briers. The moon was already well up in the heavens, and the turf was white as with frost, but inside the wood it was dark till he reached the edge of the Floor. There, since the taller trees fell back from it, light was permitted to enter from the sky.

  Peter parted the bushes, found a seat of moss between two boulders, and looked down from the height of perhaps twenty feet upon the moon-silvered stage.

  The Floor had a sheen on it, so that the colours were lost in a glimmer of silver. The colours, but not the design. The enthroned Ceres in the heart of it seemed like a reflection of a great statue in a deep clear pool. Bits of the corner plaques could be seen too — the swung rabbit in Winter’s hand, half of Autumn’s cornucopia, more than half of Summer’s lapful of flowers.

  The place was very quiet. It had the scent of all woodland places in high summer — mosses, lush foliage, moist earth which has had its odours drawn out by a strong sun. There was also a faint sweetness of cut hay from the distant Wood Eaton fields, and something aromatic and dry, which was the savour of stone and tile and ancient crumbling mortar. There seemed to be no life in the thicket, though a few minutes before the world had rustled with the small noises of insect and bird. At that hour there should have been sleeping doves in the boughs, and hunting owls, and rasping nightjars looking for ewes and she-goats to milk. Or the furtive twist of a stoat, or the pad of a homing badger. But there were none of these things, no sound even of a wandering vapour; only the moonlight, the scents, and the expectant silence.

  But surely there was movement, though it was soundless. Peter, entranced with the magic of the place and hour, saw in the steady radiance of the moon shadows slip across the Floor. It almost seemed as if Ceres had lifted her hands from their eternal entwinement. The flowers had shifted in Summer’s lap, Spring had fingered her pipe. . . .

  Peter crossed himself with a shaking finger and began a prayer. Suddenly company had come out of the night. He realised that he was not alone.

  Something was moving on the Painted Floor, something which so blended with the moonlight that its presence could be known only when it obscured the pattern. . . . From where he sat, Peter looked beyond the little amphitheatre to a gap in the encircling coppice, a gap through which could be seen the descending glade and a segment of far hills. The moonlight on the Floor, being framed in trees, was an intenser glow than the paler landscape beyond. Suddenly against this pallor a figure was silhouetted — the figure of a girl.

  Peter tried to pray. He tried to say a prayer to the Mother of God which was his favourite invocation in emergencies. It began, Imperatrix supernorum, Superatrix infernorum, but he did not get as far as superatrix. For he found that he had not the need to pray. His fear had been only momentary. His heart was beating fast, but not with terror. The sight before him was less an invocation to prayer than an answer to it. Into his own secret sanctuary had come the appropriate goddess.

  It was a mortal who danced below him — of that he had instant and complete assurance. The misty back world of Peter’s mind, for all his schooling, held a motley of queer folk, nymphs, fays, witch-wives, who had their being on the edge of credence. But this was not of that kind. It was a mortal with blood in her veins. . . . She had flung up her arms, when she showed in the gap, in a very rapture of youth. . . . He had seen her head clear — eyes over which the eyelids drooped, a smiling mouth, a delicate face on a slim neck. . . . Her garments were now drawn tight round her, and now floated wide like the robes of a fleeing nymph on a Greek gem. They seemed to be white, but all of her was white in the moon. Her hair was silvered and frosted, but it might be gold or ebony by day. Slim and blanched, she flitted and spun like a leaf or a blown petal, but every line of her, every movement, spoke of youth and a rich, throbbing, exultant life.

  The pattern of her dance seemed to be determined by the pictures under her feet. Sometimes she tripped down the convolutions and whorls till the eyes dazzled. At the corner plaques she fitted her movements to their design — wild in Spring, languorous in Summer, in Autumn a bacchanal, in Winter a tempest. Before the throned Ceres she became a hierophant, and her dance a ritual. Once she sank to the ground, and it seemed that her lips rested on the goddess’s face.

  Never before had Peter stared at a woman and drunk in the glory of her youth and grace. He had seen very few, and had usually passed them with averted eyes. They were the devil’s temptation to the devout, and a notorious disturbance to the studious. But this woman had come into his sanctuary and made free with it as of right. He could not deny that right, and, since the sanctuary was his, the two were irrevocably linked together. They were worshippers at the same secret shrine. . . . He looked at her more calmly now. He saw the pride and nimbleness of motion, the marvellous grace of body, the curves of the cheek as the head was tilted backwards. It was a face stamped indelibly on his memory, though under the drooped eyelids he could not see the eyes.

  Afterwards, when he reconstructed the scene, Peter held that he fell into a kind of waking dream, from which he awoke with a start to realise that the dance was ended and the Floor empty. The moon had shifted its position in the sky, and half the Floor was in shadow. There was still no fear
in his mind and no regret. The nymph had gone, but she would return. She must return, as he must, to this place which had laid its spell upon both. . . . He felt very drowsy, so he found a bigger patch of moss, made a pillow of his gown, and went to sleep in that warm green dusk which is made for dreams.

  But he was too young and too healthily tired to dream. He woke, as was his habit, at sunrise, sniffed the morning, and turned round to sleep for another hour. Then he rose, when the trees were still casting long shadows on the meadow and the Painted Floor was dim with dew, and took the road towards Wood Eaton and its little river. He would not go back to Oxford yet awhile, he decided, but would seek his breakfast at Oseney, which was without the gates. He came to the Cherwell at a narrow place overhung with willows; there he stripped, bundled his clothes inside his gown, and tossed the whole to the farther bank. Then he dived deep into the green waters, and thereafter dried himself by cantering like a colt among the flags and meadowsweet. The bath had sharpened both his energy and his hunger, so that he passed at a trot the Wood Eaton granges and crossed the Campsfield moor, where the shepherds and cowherds were marshalling their charges for the day. Presently he was looking into a valley filled with trees and towers, with, on the right, below a woody hill, the spire of a great church set among glistening streams.

  CHAPTER II. IN WHICH PETER IS INTRODUCED TO FORTUNE

  Peter did not slacken pace till he descended from the uplands and crossed the highway which joined Oxford and Woodstock, a frequented road, for by it the staplers sent their pack-trains to load their wool in the river barges. There was a great green plain on his right hand, grazed upon by a multitude of geese, and already country folk with baskets of market stuff were on their way to the north gate. He turned down a lane by Gloucester Hall, where he looked over a close of pippins to the Rewley fishponds, and passed the little stone quays at Hythe bridge, where men were unloading sweet-smelling packages from a lumpish green boat. In the huts of Fisher Row strange folk, dingy as waterweeds, were getting ready their cobles and fishing-gear against the next fast-day. Peter crossed the main stream at Bookbinders bridge, and came on a broad paved path which ran to what seemed a second city. Walls, towers, pinnacles rose in a dizzier medley than those of Oxford, which he had seen five minutes before beyond the north gate. In especial one tall campanile soared as the stem of a pine soars from a wilderness of bracken, white and gleaming among the soberer tints of roof and buttress.