Ancient Light act-3

by John Banville

  I cannot remember the first time I saw Mrs Gray, if she was not the woman on the bike, that is. Mothers were not people that we noticed much; brothers, yes, sisters, even, but not mothers. Vague, shapeless, unsexed, they were little more than an apron and a swatch of unkempt hair and a faint sharp tang of sweat. They were always dimly busy in the background, doing things with baking tins, or socks. I must have been in Mrs Gray’s vicinity numerous times before I registered her in any particular, definite way. Confusingly, I have what is certain to be a false memory of her, in winter, applying talcum powder to the shinily pink inner sides of my thighs where they had become raw from the chafing of my trousers; highly unlikely, since apart from anything else the trousers I was wearing on that occasion were short, which would hardly have been the case if I was fifteen, since we were all in longed-for longers by the age of eleven or twelve at the latest. Then whose mother was that one, I wonder, the talc-applier, and what opportunity for an even more precocious initiation did I perhaps let pass?

  Anyhow, there was no moment of blinding illumination when Mrs Gray herself stepped forth from the toils and trammels of domesticity and came skimming towards me on her half-shell, wafted by the full-cheeked zephyrs of spring. Even after we had been going to bed together for some time I would have been hard put to give a fair description of her—if I had tried, what I would have described would probably have been a version of myself, for when I looked at her it was me that I saw first, reflected in the glorious mirror that I made of her.

  Billy never talked to me about her—why would he?—and seemed to pay her no more heed than I did for so long. He was a laggard, and often of a morning when I called for him going to school he was not ready, and I would be invited in, especially if it was raining or icy. He did not do the inviting—remember that suffusion of mute fury and burning shame we experienced when our friends got a glimpse of us in flagrante in the naked bosom of our families?—so it must have been she. Yet I cannot recall a single instance of her appearing at the front door, in her apron, with her sleeves rolled, insisting I come in and join the family circle at the breakfast table. I can see the table, though, and the kitchen that it almost filled, and the big American-style fridge the colour and texture of curdled cream, the straw basket of laundry on the draining board, the grocery-shop calendar showing the wrong month, and that squat chrome toaster with a seething gleam of sunlight from the window reflected high on its shoulder.

  Oh, the morning smell of other people’s kitchens, the cotton-wool warmth, the clatter and haste, with everyone still half asleep and cross. Life’s newness and strangeness never seemed more vividly apparent than it did in such moments of homely intimacy and disorder.

  Billy had a sister, younger than he, an unnerving creature with the look of a pixie, with long, rather greasy plaits and a narrow sharp stark white face the top half of which was blurred behind enormous horn-rimmed spectacles with circular lenses as thick as magnifying glasses. She seemed to find me irresistibly amusing and would wriggle inside her clothes with malignant hilarity when I appeared in the kitchen with my schoolbag, shuffling in like a hunchback. She was called Kitty, and indeed there was something feline in the way she would slit her eyes when she smiled at me, compressing her lips into a thin, colourless arc that seemed to stretch all the way between her intricately voluted, translucent, prominent pink ears. I wonder now if she, too, might have been sweet on me and all the snuffly amusement were a means of hiding the fact. Or is this just vanity on my part? I am, or was, an actor, after all. There was something the matter with her, she had some condition that was not spoken of that made her what in those days was called delicate. I found her unnerving, and was I think even a little afraid of her; if so, it was prescient of me.

  Mr Gray, the husband and father, was long and lean, and myopic, too, like his daughter—he was an optician, as it happens, a fact the high irony of which is unlikely to be lost on any of us—and wore bow-ties and sleeveless Fair Isle jumpers. And of course there were, presently, those two short stubby horns sprouting just above his hairline, the cuckold’s mark, which I regret to say were my doing.

  Was my passion for Mrs Gray, at the outset, at any rate, anything more than an intensification of the conviction we all had at that age that our friends’ families were so very much nicer, more gracious, more interesting—in a word, more desirable—than our own? At least Billy had a family, whereas there was only me and my widowed mother. She kept a boarding-house for travelling salesmen and other transients, who did not so much lodge in the place as haunt it, like anxious ghosts. I stayed out as much as I could. The Grays’ house was often empty in the latter part of the afternoons and Billy and I would lounge about there for hours after school. Where did the others, Mrs Gray and Kitty, for instance, where did they get to at those times? I can still see Billy, in his navy-blue school blazer and grubby white shirt from the collar of which he had just yanked one-handedly a stained school tie, standing in front of the fridge with the door open, gazing glassy-eyed into its lighted interior as if he were watching something engrossing on television. In fact there was a television set in the upstairs living room, and sometimes we would go up there and sit slumped in front of it with our hands plunged in our trouser pockets and our feet on our schoolbags, trying to watch the afternoon horse-racing from exotic-sounding places on the other side of the sea, such as Epsom, or Chepstow, or Haydock Park. Reception was poor, and often all we would see would be phantom riders cocked astride their phantom mounts, floundering blindly through a blizzard of static interference.

  In the desperate idleness of one of those afternoons Billy hunted out the key to the cocktail cabinet—yes, the Grays possessed such an exotic item, for they were among the town’s more well-to-do folk, though I doubt anyone in the house ever actually drank a cocktail—and we broke into a precious bottle of his father’s twelve-year-old whiskey. Standing at the window, cut-glass tumbler in hand, my pal and I felt like a pair of Regency rakes looking down in high disdain upon a drably sober world. It was my first drink of whiskey, and although I would never develop a liking for the stuff, that day the sullen, bitter reek of it and the scald of it on my tongue seemed portents of the future, a promise of all the rich adventures that life surely had in store for me. Outside in the little square the wan sunlight of early spring was gilding the cherry trees and making the black, arthritic tips of their branches glisten, and old Busher the rag-and-bone man on his cart went grinding past, a wagtail scurrying out of the way of the frilled hoofs of his horse, and at the sight of these things I felt a sharp sweet ache of yearning, objectless yet definite, like the phantom pain in an amputee’s missing limb. Did I see, or sense, even then, away down the tunnel of time, tiny in the distance yet growing steadily more substantial, the figure of my future love, chatelaine of the House of Gray, already making her abstracted, dallying way towards me?

  What used I call her, I mean how did I address her? I do not remember saying her name, ever, though I must have. Her husband sometimes called her Lily, but I do not think I had a pet-name, a love-name, for her. I have a suspicion, which will not be dismissed, that on more than one occasion, in the throes of passion, I cried out the word Mother! Oh, dear. What am I to make of that? Not, I hope, what I shall be told I should.

  Billy took the whiskey bottle into the bathroom and topped up the telltale gap with a gill of water from the tap, and I dried and polished the glasses as best I could with my handkerchief and put them back where they had been on the shelf in the cocktail cabinet. Partners in crime, Billy and I were suddenly shy of each other, and I took up my schoolbag hurriedly and made my getaway, leaving my friend slumped on the sofa again, watching the unwatchable racers pounding through the electric snow.

  I would like to be able to say it was that day, because I remember it so particularly, that I came face to face with Mrs Gray for the first, real, time, at the front door, perhaps, she coming in as I was going out, her face flushed from the thrilling air of outdoors and my nerves tingling still
after the whiskey; a chance touch of her hand, a surprised, lingering look; a thickening in the throat; a soft jolt to the heart. But no, the front hall was empty except for Billy’s bicycle and an unpartnered roller-skate that must have been Kitty’s, and no one met me in the doorway, no one at all. The pavement when I stepped on to it seemed farther away from my head than it should be, and tended to tilt, as though I were on stilts and the stilts had squashy springs attached to the ends of them—in short, I was drunk, not seriously so, but drunk nevertheless. Just as well, then, that I did not encounter Mrs Gray, being in such a state of soggy euphoria, for there is no telling what I might have done and thereby ruined everything before it had even started.

  And look! In the square, when I come out, it is, impossibly, autumn again, not spring, and the sunlight has mellowed and the leaves of the cherry trees have rusted and Busher the rag-and-bone man is dead. Why are the seasons being so insistent, why do they resist me so? Why does the Mother of the Muses keep nudging me like this, giving me what seem all the wrong hints, tipping me the wrong winks?

  My wife just now climbed all the way up here to my eyrie under the roof, unwillingly negotiating the steep and treacherous attic stairs that she hates, to tell me that I have missed a telephone call. At first, when she put her head in at the low door—how smartly I encircled this page with a protective arm, like a schoolboy caught scribbling smut—I could hardly understand what she was saying. I must have been concentrating very hard, lost in the lost world of the past. Usually I hear the phone ringing, down in the living room, a far-off and strangely plaintive sound that makes my heart joggle anxiously, just as it used to do long ago when my daughter was a baby and her crying woke me in the night.

  The caller, Lydia said, was a woman, whose name she did not catch, though she was unmistakably American. I waited. Lydia was looking dreamily beyond me now, out through the sloped window in front of my desk, to the mountains in the distance, pale blue and flat, as if they had been painted on the sky in a weak wash of lavender; it is one of the charms of our city that there are few places in it from which these soft and, I always think, virginal hills are not visible, if one is prepared to stretch. What, I asked gently, had this woman on the phone wished to speak to me about? Lydia with an effort withdrew her gaze from the view. A film, she said, a movie, in which it seems I am being offered a leading part. This is interesting. I have not acted in a film before. I enquired as to the movie’s title, or what it is to be about. Lydia’s look grew vague, I mean more vague than it had been up to now. She did not think the woman had told her what the title is. Apparently it is to be a biopic, but of whom she is not sure—some German, it seems. I nodded. Had the woman perhaps left a number so that I might call her back? At this Lydia lowered her head and frowned at me from under her eyebrows in solemn silence, like a child who has been asked a difficult and onerous question the answer to which she does not know. Never mind, I said, no doubt the woman would phone again, whoever she was.

  My poor Lydia, she is always a little dazed like this after one of her bad nights. Her name, by the way, is really Leah—Lydia is a mishearing of mine that stuck—Leah Mercer as was, as my mother would have said. She is large and handsome, with broad shoulders and a dramatic profile. Her hair these days is a two-tone shade of what used to be called salt-and-pepper with, in the undergrowth, a few uncertain sallow lowlights. When I met her first her hair had the lustre of a raven’s wing, with a great silver streak in it, a flash of white fire; as soon as the silver began to spread she allowed herself to succumb to the blandishments of Adrian at Curl Up and Dye, whence she returns hardly recognisable after her monthly appointment with this master colourist. Her glossy, kohl-black eyes, those eyes of a desert daughter, as I used to think them, have lately taken on a faded, filmy aspect, which makes me worry about the possibility of cataracts. In her young days her figure had the ample lines of one of Ingres’s odalisques but now the glory has fallen and she wears nothing but loose, billowing garments in muted hues, her camouflage, as she says with a sad laugh. She drinks a little too much, but then so do I; our decade-long great sorrow simply will not be drowned, tread it though we will below the surface and try to hold it there. Also she smokes heavily. She has a sharp tongue of which I am increasingly wary. I am very fond of her, and she, I believe, is fond of me, despite our frictions and occasional tight-lipped disagreements.

  We had a dreadful night, the two of us, I with my dream of having been replaced in Lydia’s affections by an androgynous writer of Gothic tales, and Lydia suffering one of those nocturnal bouts of mania that have beset her at irregular intervals over the past ten years. She wakes, or at least leaps from the bed, and goes dashing in the dark through all the rooms, upstairs and down, calling out our daughter’s name. It is a kind of sleepwalking, or sleeprunning, in which she is convinced our Catherine, our Cass, is still alive and a child again and lost somewhere in the house. I get up groggily and follow her, only half awake myself. I do not try to restrain her, heeding the old wives’ caution against interfering in any way with a person in that state, but I keep close in case she should trip over something and I might be able to catch her before she falls and save her from injuring herself. It is eerie, scurrying through the darkened house—I do not dare switch on the lights—in desperate pursuit of this fleeting figure. The shadows throng us round like a silent chorus, and at intervals a patch of moonlight or the radiance from a street-lamp falling in at a window will seem a dimmed spotlight, and I am reminded of one of those tragic queens in the Greek drama, raging through the king her husband’s palace at midnight shrieking for her lost child. Eventually she tires herself out, or comes to her senses, or both, as she did last night, sinking down on a step of the stairs, all in a heap, shedding terrible tears and sobbing. I hovered about her helplessly, not knowing quite how to get my arms around her, so amorphous a shape did she appear, in her sleeveless black nightdress, her head hanging and her hands plunged in her hair that in the dark looked as black as it was the first time I saw her, walking out into summer through the revolving door of her father’s hotel, the Halcyon of happy memory, the tall glass panels of the door throwing off repeated, glancing bursts of blue and gold—yes, yes, the crest of the wave!

  The worst part, for me, of these extravaganzas of anguished hue and cry comes at the end, when she is all contrition, berating herself for her foolishness and begging to be forgiven for waking me so violently and causing such needless panic. It is just, she says, that in her sleepwalking state it seems to her so real a thing that Cass is alive, her living daughter, trapped in one of the rooms of the house, terrified and unable to make herself heard as she calls for help. Last night she was so ashamed and angry that she swore at herself, using horrible words, until I hunkered down beside her and held her in an awkwardly simian embrace and made her lay her head in the hollow of my shoulder, and at last she grew quiet. Her nose was running and I let her wipe it on the sleeve of my pyjamas. She was shivering, but when I offered to fetch her dressing-gown or a blanket she clung to me the more tightly and would not let me leave her. The faintly stale smell of her hair was in my nostrils and the ball of her bare shoulder was chill and smooth as a marble globe under my cupped hand. Around us the hall furniture stood dimly in the gloom like shocked and speechless attendants.

  I think I know what it is that torments Lydia, besides the unassuageable grief she has been nursing in her heart throughout the ten long years since our daughter died. Like me, she was never a believer in any of the worlds to come, yet I suspect she fears that through a cruel loophole in the laws of life and death Cass did not fully die but is somehow existing still, a captive in the land of the shades and suffering there, half of the pomegranate seeds still unswallowed in her mouth, waiting in vain for her mother to come and claim her back to be among the living again. Yet what is now Lydia’s horror was once her hope. How could anyone die who was so much alive? she demanded of me that night in the hotel in Italy where we had come to claim Cass’s body, and so fier
ce was her tone and so compelling her look that for a moment I too thought that a mistake might have been made, that it might be someone else’s unrecognisable daughter who had smashed herself to death on those wave-washed rocks below the bare little church of San Pietro.

  As I have said, we had not ever believed in the immortal soul, Lydia and I, and would smile in gentle condescension when others spoke of their hopes of some day seeing again departed loved ones, but there is nothing like the loss of an only child to soften the wax of sealed convictions. After Cass’s death—to this day I cannot see those words written down without a disbelieving shock, they seem so unlikely, even as I grave them on the page—we found ourselves venturing, tentatively, shamefacedly, to entertain the possibility not of the next world, exactly, but of a world next to this one, contiguous with it, where there might linger somehow the spirits of those no longer here and yet not entirely gone, either. We seized on what might be signs, the vaguest portents, wisps of intimation. Coincidences were not now what they had been heretofore, mere wrinkles in the otherwise blandly plausible surface of reality, but parts of a code, large and urgent, a kind of desperate semaphoring from the other side that, maddeningly, we were unable to read. How we would begin to listen now, all else suspended, when, in company, we overheard people speaking of having been bereaved, how breathlessly we hung on their words, how hungrily we scanned their faces, looking to see if they really believed their lost one not entirely lost. Certain dispositions of supposedly chance objects would strike us with a runic force. In particular those great flocks of birds, starlings, I think they are, that gather out over the sea on certain days, amoebically swooping and swirling, switching direction in perfect, instantaneous co-ordination, seemed to be inscribing on the sky a series of ideograms directed exclusively at us but too swiftly and fluidly sketched for us to interpret. All this illegibility was a torment to us.