The Damnation Game

by Clive Barker

  It was a fossil, or rather the fragment of one, a spiral shell that had lain at the bottom of some pre-Cambrian sea, before the world was green. In its flutes, which she was stroking, motes of dust gathered. It crossed Marty's mind, watching the intensity of her involvement with this piece of stone, that the girl was not entirely sane. But the thought vanished when she looked up at him; her eyes were too clear and too willful. If she had any insanity in her it was invited, a streak of lunacy she was pleased to entertain. She grinned at him as if she'd known what he was thinking: cunning and charm were mixed in her face in equal parts.

  "Are there no doves, then?" he said.

  "No, there haven't been, as long as I've been here."

  "Not even a few?"

  "If you just have a few they die in winter. If you keep a full dovecote they all keep each other warm. But when there's only a handful they don't generate enough heat, and they freeze to death."

  He nodded. It seemed regrettable to leave the building empty.

  "They should fill it up again."

  "I don't know," she said. "I like it like this."

  She slipped the fossil back into her hidey-hole.

  "Now you know my special place," she said, and the cunning had gone; it was all charm. He was entranced.

  "I don't know your name."

  "Carys," she said, then after a moment, added: "It's Welsh."

  "Oh."

  He couldn't help staring at her. She suddenly seemed embarrassed, and she went back to the door quickly, ducking out into the open air. It had begun to rain, a soft, mid-March drizzle. She put up the hood of her duffle coat; he put up his track-suit hood.

  "Maybe you'll show me the rest of the grounds?" he said, not certain that this was the appropriate question, but more certain that he didn't want this conversation to end here without some possibility of them meeting again. She made a noncommittal noise by way of reply. The corners of her mouth were tucked down.

  "Tomorrow?" he said.

  This time she didn't answer at all. Instead, she started to walk toward the house. He tagged along, knowing their exchange would falter entirely if he didn't find some way to keep it alive.

  "It's strange being in the house with no one to talk to," he said.

  That seemed to strike a chord.

  "It's Papa's house," she said simply. "We just live in it."

  Papa. So, she was his daughter. Now he recognized the old man's mouth on her, those pinched-down corners that on him seemed so stoical, and on her, simply sad.

  "Don't tell anyone," she said.

  He presumed she meant about their meeting, but he didn't press her. There were more important questions to ask, if she didn't race away. He wanted to signal his interest in her. But he could think of nothing to say. The sudden change in her tempo, from gentle, elliptical conversation to this staccato, confounded him.

  "Are you all right?" he asked.

  She looked around at him, and beneath her hood she seemed almost to be in mourning.

  "I have to hurry," she said. "I'm wanted."

  She picked up the pace of her step, signaling only in the hunch of her shoulders a desire to leave him behind. He obliged and slowed, leaving her to go back to the house without a glance or a wave.

  Rather than return to the kitchen, where he'd have to endure Pearl's banter while he breakfasted, he started back across the field, giving the dovecote a wide berth, until he reached the perimeter fence, and punished himself with another complete circuit. When he ran into the woods he found himself involuntarily scanning the ground underfoot, looking for fossils.

  17

  Two days later, about eleven-thirty at night, he got a summons from Whitehead.

  "I'm in the study," he said on the phone. "I'd like a word with you."

  The study, though it boasted half a dozen lamps, was almost in darkness. Only the crane-necked lamp on the desk burned, and that threw its light onto a heap of papers rather than into the room. Whitehead was sitting in the leather chair beside the window. On the table beside him was a bottle of vodka and an almost empty glass. He didn't turn when Marty knocked and entered, but simply addressed Marty from his vantage point in front of the floodlit lawn.

  "I think it's time I gave you more leash, Strauss," he said. "You've done a fine job so far. I'm pleased."

  "Thank you, sir."

  "Bill Toy will be up here overnight tomorrow, and so will Luther, so this might be an opportunity for you to go down to London."

  It was eight weeks, almost to the day, since he'd arrived at the estate: and here, at last, was a tentative signal that his place was secure.

  "I've had Luther sort out a vehicle for you. Speak to him about it when he arrives. And there's some money on the desk for you-"

  Marty glanced across at the desk-top; there was indeed a pile of notes there.

  "Go on, take it."

  Marty's fingers fairly itched, but he kept control of his enthusiasm.

  "It'll cover petrol and a night in the city."

  Marty didn't count the notes; simply folded them and pocketed them.

  "Thank you, sir."

  "There's an address there too."

  "Yes, sir."

  "Take it. The shop belongs to a man called Halifax. He supplies me with strawberries, out of season. Will you pick up my order, please?"

  "Of course."

  "That's the only errand I want you to run. As long as you're back by midmorning Saturday, the rest of the time's your own."

  "Thank you."

  Whitehead's hand reached out for the glass of vodka, and Marty thought he was going to turn and look at him; he didn't. This interview was apparently over.

  "Is that all, sir?"

  "All? Yes, I think so. Don't you?"

  It was many months since Whitehead had gone to bed sober. He'd started to use vodka as a soporific when the night terrors began; at first just a glass or two to dull the edge of his fear, then gradually increasing the dosage as, with time, his body became immune to it. He took no pleasure in drunkenness. He loathed putting his spinning head down on the pillow and hearing his thoughts whine in his ears. But he feared the fear more.

  Now, as he sat watching the lawn, a fox stepped across the threshold of the floodlights, blanched by the brilliant illumination, and stared at the house. Its stillness lent it perfection; its eyes, catching the light, gleamed in its pricked head. It waited a moment only. Suddenly it seemed to sense danger-the dogs perhaps-and it turned tail and was gone. Whitehead still watched the spot it had disappeared from long after it had loped away, hoping against hope that it would come back and share his solitude for a space. But it had other business in the night.

  There was a time when he'd been a fox: thin and sharp; a night wanderer. But things had changed. Providence had been bountiful, dreams had come true; and the fox, always a shape-changer, had grown fat and easy. The world had changed too: it had become a geography of profit and loss. Distances had shrunk to the length of his command. He had forgotten, with time, his previous life.

  But of late he remembered it more and more. It came back in brilliant but reproachful detail, when the events of the day before were a fog. But he knew in his heart of hearts there was no way back to that blessed state.

  And forward from here? That was a journey into a hopeless place, where no signpost would point him right or left-all directions being equal there-nor would there be hill or tree or habitation to mark the way. Such a place. Such a terrible place.

  But he wouldn't be alone there. In that nowhere he would have a companion.

  And when, in the fullness of time, he set his eyes on that land and its tenant he would wish, oh Christ how he would wish, that he had stayed a fox.

  III The Last European

  18

  Anthony Breer, the Razor-Eater, returned to his tiny flat in the late afternoon, made himself instant coffee in his favorite cup, then sat at the table in the failing light and started to tie himself a noose. He'd known from early morning that
today was the day. No need to go down to the library; if, in time, they noticed his absence and wrote to him demanding to know where he was, he wouldn't be answering. Besides, the sky had looked as grubby as his sheets at dawn, and being a rational man he'd thought: why bother to wash the sheets when the world's so dirty, and I'm so dirty, and there's no chance of ever getting any of it clean? The best thing is to put an end to this squalid existence once and for all.

  He'd seen hanged people aplenty. Only photographs, of course, in a book he'd stolen from work about war crimes, marked "Not for the open shelves. To be issued only on request." The warning had really got his imagination working: here was a book people weren't really meant to see. He'd slipped it into his bag unopened, knowing from the very title-Soviet Documents on Nazi Atrocities-that this was a volume almost as sweet in the anticipation as in the reading. But in that he'd been wrong. Mouthwatering as that day had been, knowing that his bag contained this taboo treasure that delight was nothing compared to the revelations of the book itself. There were pictures of the burned-out ruins of Chekhov's cottage in Istra and others of the desecration of the Tchaikovsky residence. But mostly-and more importantly-there were photographs of the dead. Some of them heaped in piles, others lying in bloody snow, frozen solid. Children with their skulls broken open, people lying in trenches, shot in the face, others with swastikas carved into their chests and buttocks. But to the Razor-Eater's greedy eyes, the best photographs were of people being hanged. There was one Breer looked at very often. It pictured a handsome

  young man being strung up from a makeshift gallows. The photographer had caught him in his last moments, staring directly at the camera, a wan and beatific smile on his face.

  That was the look Breer wanted them to find on his face when they broke down the door of this very room and found him suspended up here, pirouetting in the breeze from the hallway. He thought about how they would stare at him, coo at him, shake their heads in wonder at his pale white feet and his courage in doing this tremendous thing. And while he thought, he knotted and unknotted the noose, determined to make as professional a job of it as he possibly could.

  His only anxiety was the confession. Despite his working with books day in, day out, words weren't his strongest point: they slipped away for him, like beauty from his fat hands. But he wanted to say something about the children, just so they'd know, the people who found him and photographed him, that this wasn't a nobody they were staring at, but a man who'd done the worst things in the world for the best possible reasons. That was vital: that they knew who he was, because maybe in time they'd make sense of him in a way that he'd never been able to.

  They had methods of interrogation, he knew, even with dead people. They'd lay him in an ice room and examine him minutely, and when they'd studied him from the outside they'd start looking at his inside, and oh! what things they'd find. They'd saw off the top of his skull and take out his brain; examine it for tumors, slice it thinly like expensive ham, probe at it in a hundred ways to find out the why and how of him. But that wouldn't work, would it? He, of all people, should know that. You cut up a thing that's alive and beautiful to find out how it's alive and why it's beautiful and before you know it, it's neither of those things, and you're standing there with blood on your face and tears in your sight and only the terrible ache of guilt to show for it. No, they'd get nothing from his brain, they'd have to look further than that. They'd have to unzip him from neck to pubis, snip his ribs and fold them back: Only then could they unravel his guts, and rummage in his stomach, and juggle his liver and lights. There, oh yes, there, they'd find plenty to feast their eyes on.

  Maybe that was the best confession then, he mused as he retied the noose one final time. No use to try to find the right words, because what were words anyway? Trash, useless for the hot heart of things. No, they'd find all they needed to know if they just looked inside him. Find the story of the lost children, find the glory of his martyrdom. And they'd know, once and for all, that he was of the Tribe of the Razor-Eaters.

  He finished the noose, made himself a second cup of coffee, and started work on getting the rope secure. First he removed the lamp that hung from the middle of the ceiling, then he tied the noose up there in its place. It was strong. He swung from it for a few moments to make certain of it, and though the beams grunted a little, and there was a patter of plaster on his head, it bore his weight.

  By now it was early evening, and he was tired, the fatigue making him more clumsy than usual. He shunted around the room tidying it up, his pig-fat body wracked with sighs as he bundled up the stained sheets and tucked them out of sight, rinsed his coffee cup, and carefully poured away the milk so that it wouldn't curdle before they came. He turned on the radio as he worked; it would help to cover the sound of the chair being kicked over when the time came: there were others in the house and he didn't want any last-minute reprieve. The usual banalities from the radio station filled the room: songs of love and loss and love found again. Vicious and painful lies, all of them.

  There was little strength left in the day once he'd finished preparing the room. He heard feet in the hallway and doors being opened elsewhere in the house as the occupants of the other rooms came home from work. They, like him, lived alone. He knew none of them by name; none of them, seeing him taken out escorted by police, would know his.

  He undressed completely and washed himself at the sink, his testicles small as walnuts, tight to his body, his belly flab-the fat of his breasts and upper arms-quivering as the cold convulsed him. Once satisfied with his cleanliness, he sat on the mattress edge and cut his toenails. Then he dressed in freshly laundered clothes: the blue shirt, the gray trousers. He wore no shoes or socks. Of the physique that shamed him, his feet were his only pride.

  It was almost dark by the time he finished, and the night was black and rainy. Time to go, he thought.

  He positioned the chair carefully, stepped up onto it, and reached for the rope. The noose was if anything, an inch or two too high, and he had to go on tiptoe to fit it snugly around his neck, but he fitted it securely with a little maneuvering. Once he had the knot pulled tight against his skin he said his prayers and kicked the chair over.

  Panic began immediately, and his hands, which he'd always trusted, betrayed him at this vital juncture, springing up from his sides and tearing at the rope as it tightened. The initial drop had not broken his neck, but his spine felt like a vast centipede sewn into his back, writhing now every way it could, causing his legs to spasm. The pain was the least of it: the real anguish came from being out of control, smelling his bowels giving

  out into his clean trousers without his say-so, his penis stiffening without a lustful thought in his popping head, his heels digging the air looking for purchase, fingers still scrabbling at the rope. All suddenly not his own, all too hot for their own preservation to hold still and die.

  But their efforts were in vain. He'd planned this too carefully for it to go awry. The rope was tightening still, the cavortings of the centipede weakening. Life, this unwelcome visitor, would leave very soon. There was a lot of noise in his head, almost as though he was underground, and hearing all the sounds of the earth. Rushing noises, the roar of great hidden weirs, the bubbling of molten stone. Breer, the great Razor-Eater, knew the earth very well. He'd buried dead beauties in it all too often, and filled his mouth with soil as penitence for the intrusion, chewing on it as he covered over their pastel bodies. Now the earth noises had blotted out everything-his gasps, the music from the radio, and the traffic outside the window. Sight was going too; lace darkness crept over the room, its patterns pulsing. He knew he was turning-there was the bed, now the wardrobe, now the sink-but the forms he fitfully saw were decaying.

  His body had given up the good fight. His tongue flapped perhaps, or maybe he imagined the motion, just as surely as he imagined the sound of somebody calling his name.

  Quite abruptly, sight went out completely, and death was on him. No flood of regrets attended t
he ending, no lightning regurgitation of a life history encrusted with guilt. Just a dark, and a deeper dark, and now a dark so deep night was luminous by comparison with it. And it was over, easily.

  No; not over.

  Not quite over. A cluster of unwelcome sensations swarmed over him, intruding on the privacy of his death. A breeze warmed his face, assaulting his nerve endings. An ungracious breath choked him, pressing into his flaccid lungs without the least invitation.

  He fought the resurrection, but his Savior was insistent. The room began to reassemble itself around him. First light, then form. Now color, albeit drained and grimy. The noises-fiery rivers and liquid stone alike-were gone. He was hearing himself cough, and smelling his own vomit. Despair mocked him. Could he not even kill himself successfully?

  Somebody said his name. He shook his head, but the voice came again, and this time his upturned eyes found a face.

  And oh it was not over: far from it. He had not been delivered into Heaven or Hell. Neither would dare boast the face he was now staring up into.

  "I thought I'd lost you, Anthony," said the Last European.

  19

  He had righted the chair Breer had used to stand on for his suicide attempt, and was sitting on it, looking as unsullied as ever. Breer tried to say something, but his tongue felt too fat for his mouth, and when he felt it his fingers came back bloody.

  "You bit your tongue in your enthusiasm," said the European. "You won't be able to eat or speak too well for a while. But it'll heal, Anthony. Everything heals given time."

  Breer had no energy to get up off the floor; all he could do was lie there, the noose still tight around his neck, staring up at the severed rope that still depended from the light fixture. The European had obviously just cut him down and let him fall. His body had begun to shake; his teeth were chattering like a mad monkey's.

  "You're in shock," said the European. "You lie there... I'll make some tea, shall I? Sweet tea is just the thing."