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What If Our World is Their Heaven

Page 15

by Gwen Lee


  building of, 68-69

  changing, 63-64

  female, 45-47, 51-52, 54-63, 66-67, 75

  as idealized self, 62

  loss of, 60

  love-hate relationship with, 61

  mental pictures of, 72

  writer’s familiarity with, 96

  Chariots of Fire (film), 22

  Childhood’s End (Clark), 182

  Chirico, Giorgio de, 184

  Clark, Arthur C., 182

  Close Encounters of the Third Kind (film), 22, 24-25

  color:

  frequencies of, 93-95

  language of, 89, 93, 100, 102, 126, 185

  in religious experience, 184-85

  as vibration, 72-74

  cost-benefit ratio, 134-35

  ciphers, 80-82

  Dante Alighieri, 88, 117, 127-28

  death, as going into the light, 92, 102, 127-28

  Death in Venice (film), 33

  deductive reasoning, 74-75

  Democritus, 78

  Descartes, 80, 96-97, 109

  Desprez, Josquin, 116

  detectives of the forties, 43-44

  determinism and chance, 63

  Dick, Christopher, 148-49

  Dick, Philip Kindred:

  aging of, 172-73

  analyst of, 46-47

  death of, 7

  internal bleeding of, 60, 135, 136-37

  memory of, 105

  religion and, see religion research activity of, 105-6, 134-35

  and younger generation, 144-47

  diminishing returns, law of, 134-35

  direct reciprocal transfer, 129

  Divine Comedy (Dante), 88, 117, 127-28

  Divine Invasion, The (Dick), 11, 190, 194-96

  Do Androids Dream of Electric Sheep? (Dick), 10, 12, 17-20

  Blade Runner and, 20, 32-36, 53

  comic book of, 39, 166

  editions of, 20

  out of print, 38

  rerelease of, 35, 38, 39, 40, 41-42, 167

  Doors, The, 159

  Durant, Will, 152

  Eddy and the Hot Rods, 116

  epistemology, 109, 119

  Everly Brothers, 110

  Exegesis (Dick), 11

  eye, phosphine activity in, 90-91

  failure, fear of, 136

  Faust story:

  in Owl, 120, 124, 128-30, 133-34

  universality of, 67

  female characters, 45-47, 51-52, 54-63, 66-67, 75

  Fibonacci numbers, 149, 186

  films vs. books, 33

  Finnegans Wake (Joyce), 67

  Flowers for Algernon (film), 122, 123

  Fonda, Jane, 21

  Ford, Harrison, in Blade Runner, 21-22, 28, 30, 39-42, 43, 44-44, 171

  forties, detectives of the era, 43-44

  Fronholfer Line, 93

  gas, perturbations in, 92, 95

  Gilbert and Sullivan, 99

  God, existence of, 80

  Golden Section, 149, 188

  Greek language, Bible and, 155-56

  Haggia Sophia, 151-52

  Hauer, Rutger, 26

  Hungarian Quartet, 163-64

  “Impostor” (Dick), 37

  information decade, 30

  information theory, 83, 106

  iron, age of, 150

  Jagger, Mick, 159-60

  Jesus Christ, 152-53, 191

  “Johnny Are You Queer?,” 40

  Joyce, James, 67

  Justinian, Emperor, 152-53

  Kant, Immanuel, 109

  KJOY, 116, 117

  Klee, Paul, 184

  KROQ, 40

  Kubrick, Stanley, 29

  Layport, Lee, 180

  lazers, 73

  Leary, Timothy, 145

  Lee, Gwen, 5, 8, 10-12, 142

  Lennon, John, 137-38

  Leucippus, 78

  light:

  going into, 92, 102, 127-28

  religion and, 88-89, 102-3

  logic, study of, 119

  LSD experience, 110-11

  Luke, Saint, 153-54, 155

  Mahler, Gustav, 164

  Mancini, Henry, 113

  Marlowe, Philip, 43-44

  mathematics:

  communication via, 187-88

  music and, 69-72, 73-74, 118-19, 125, 185

  universality of, 95, 119

  Mathis, Johnny, 110

  Meatloaf, 160-61

  Meed, Sid, 23, 29, 41

  music:

  abstraction of, 98-100

  as conceptual, 98, 103, 104

  emotion and, 100

  LSD and, 110-11

  mathematics and, 69-72, 73-74, 118-19, 125, 185

  as mystical vision, 100-102

  oriental, 103-4

  Owl in Daylight and, 97-104

  religion and, 102-3

  score of, 97, 100

  transduction of, 97-98, 100

  as vibration, 72-74

  “Music by a Long Thin Wire” (recording), 70-71

  Nightwing (film), 41

  No drama, 104

  novels:

  analyst having read, 46-47

  development of, 111, 121

  female characters in, 45-47, 51-52, 54-63, 66-67, 75

  first sentence written for, 65

  literary, 139-40

  plots based on experience, 147-55

  see also specific titles

  optic neurons, 90-91

  oscilloscopes, 95, 112

  Owl in Daylight, The (Dick), 3, 11, 12, 74-83, 87-140

  basic concept of, 74

  biochips in, 103, 104, 106-9

  development of, 111-25, 186-87

  Faustian theme in, 120, 124, 128-30, 133-34

  meaning of title, 74, 133

  musical experience in, 97-104

  supernatural experiences in, 89-92

  oxymorons, 77-79

  pain and beauty, 126, 127-28

  pain medication, effects of, 149-50

  Palestrina, 116

  parasitism vs. symbiosis, 125

  Parmenides, 75-78

  Paul, Saint, 149, 153-54

  “Paycheck, The” (Dick), 12

  Peoples, David W., 32

  philanthropia, use of term, 179-80

  philosophy, father of, 76

  phosphines, 90-91

  Plato, 75, 76

  plots, based on actual experience, 147-55

  precognition, 52, 59

  Prometheus, 129

  Pythagoras, 69, 95, 185, 187

  quantum mechanics, 78

  Raiders of the Lost Ark (film), 30, 43, 44

  religion:

  Bible and, 154-56, 177-79

  experiences of, 147-55, 181-86

  light and, 88-89, 102-3

  music and, 102-3

  rebirth and, 153

  signs and symbols of, 149-51, 184

  Remy-Martin cognac, 162-63

  replicants, 26, 63

  killing of, in Blade Runner, 33-34, 36

  see also androids

  Revelation, 187, 190-94

  Rosen, Rachel (character), 36, 42, 45, 60-61

  saducha, use of term, 179-80

  Sagan, Carl, 119

  Sauter, Doris Elaine, 3, 5, 7-12

  Scanner Darkly, A (Dick), 12

  Schmenkna, 119

  Schoepenhauer, Arthur, 98-99

  science, quantitative basis of, 70

  science fiction:

  film special effects in, 25-26

  imagination and, 140

  original ideas in, 37

  sales of, 20, 135

  supernatural experiences in, 89-92

  Scott, Ridley, 23, 31, 32

  Shannon, Claude E., 83

  Sibelius, Jean, 164

  Smith, Bessie, 117

  Soldier of Orange (film), 41

  Sophia, Saint, 151-52, 180, 181

  sóphisma, use of term, 180

  sophistication, 180-81

  sound:

  ears and, 96
/>   frequencies of, 93-95

  lack of, 92, 100-102

  raw sense data in, 110-11

  species bias toward, 91

  as visible, 95

  Spade, Sam, 43-44

  special effects:

  in Blade Runner, 23-24, 29-30, 167-70

  in Close Encounters, 24-25

  in science fiction, 25-26

  Star Trek (film), 22

  statements, self-authenticating, 79-80

  symbiosis vs. parasitism, 125

  Thales, 76

  totality, use of word, 79

  Total Recall (film), 12

  Transmigration of Timothy Archer, The (Dick), 4-6, 11, 53-60, 61-64, 135, 136-39, 170

  Angel character in, 54-60, 61, 62, 96

  chance and determinism in, 63

  religious theme in, 53, 88

  Trumball, Douglas, 22, 23, 29, 167 2001 (film), 22, 29

  Valis, 4, 5

  Vangelis, 22

  virtues, list of, 178

  visual spectrum, 93

  wave form moving through a gas, 92

  Wilson, Mary, 167

  writers:

  of the Bible, 154-55, 177-78

  characters built by, see characters characters lost by, 60

  deadlines for, 66, 135

  Faust stories by, 67

  male and female viewpoints of, 62

  productivity of, 64-65

  rebirth of, 127-28

  research activity of, 134

  writer’s block, 64-66, 135-37

  “Yoda” figure, 146, 165

  Young, Sean, 36, 41-42, 45

 

 

 


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