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The Devil's Pleasure Palace: The Cult of Critical Theory and the Subversion of the West

Page 26

by Michael Walsh


  Paglia, Camille, 166

  Paradise Lost (Milton), 7, 17, 24, 26–29, 32–35, 67–68, 79, 89, 97, 128, 137–138, 164, 170, 183, 203–204, 209

  Parker, Theodore, 52

  Parsifal (Wagner), 11, 13–14, 66, 92, 124, 126

  Pascal’s wager, 51, 157

  Patient Protection and Affordable Care Act, 29

  Pelléas et Mélisande (Debussy), 61, 84

  Philosophy of New Music (Adorno), 115, 118

  Phylogeny recapitulates ontogeny, 13, 37, 200

  Pierson, James, 107

  Pink Floyd, 188–189

  Poe, Edgar Allan, 59

  Polarization, of American population, 155–157

  Political correctness, 21–22, 99–100, 102, 129, 137, 146, 151, 155; public policy and, 65–72, 163–174

  Political Correctness: A Short History of an Ideology (Lind), 165

  Political systems: compromise and, 35–36; moral crisis and, 29; as outgrowth of culture, 20

  Ponte, Lorenzo da, 112

  Pornography, treated as free speech, 165–167

  Prima la musica, e poi le parole (Salieri), 128

  Progressivism, 52, 77, 119, 152, 154, 180, 190; as regressive, 81–82, 184–185; tenets of, 49, 197–199

  Puccini, Giacomo, 26, 103

  Queen of Spades, The (Tchaikovsky), 200

  “Question authority” slogan, 49

  Quest myth, 14–16, 24, 52, 123–124

  Rache. See Revenge

  Raging Bull (film), 113

  Rape: linguistic transformation of term, 146; rape culture on college campuses, 86. See also Sexual relations

  Reagan, Ronald, 177, 200, 203

  Reason. See Romanticism, without reason

  Reich, Wilhelm, 16, 42, 143–145, 147–148, 166

  Religion: human character and, 101–102; Left’s criticisms of, 24–25, 39–40, 42, 46–49, 151, 194. See also Atheism; Christianity; Islamic extremism

  Repressive tolerance, Marcuse’s concept of, 44–46, 61, 109, 151–152

  Revenge: of Left, 52, 107, 138–139, 183–195; of Satan, 24, 28, 138; struggle between light and darkness and, 105–106

  Rienzi (Wagner), 124

  Ring of the Nibelung cycle (Wagner), 12, 29, 66, 84–85, 105, 112, 122–127, 128, 203–204

  Robert le diable (Meyerbeer), 10–11, 12, 85

  Rochefoucauld, duc de la, 136, 140

  Romanticism, without reason: culture and, 43–54, 57–59, 61–63; politics and, 54–61

  Roosevelt, Franklin, and administration of, 2, 184–185, 198

  Rosemary’s Baby (film), 76

  Rousseau, Jean Jacques, and cult of the noble savage, 133–142

  Rules for Radicals (Alinsky). See Alinsky, Saul

  Salieri, Antonio, 127, 128

  Sartre, Jean-Paul, 84

  Satan: as “father of lies,” 6–7; as first radical, 163–164; Pope Francis on, 1; rebellion of, 17–30

  “Savage Songs” (Marx), 83

  Saving Private Ryan (film), 36

  Schickaneder, Emanuel, 97, 99

  Schoenberg, Arnold, 57, 61–62, 115–118

  “Schoenberg and Progress” (Adorno), 116

  Schonberg, Harold C., 114

  Schubert, Franz Peter, 9–12, 16, 87

  Schumann, Robert, 114–115

  Science: Cultural Marxism and, 48–49; current conflicts and “settled,” 24; modern idea of supremacy of, 4, 12–13, 17–18, 20

  Scorsese, Martin, 112–113

  Searchers, The (film), 32

  Second Amendment, 139–140

  Sexual Personae (Paglia), 166

  Sexual relations: consequences of sexual revolution, 143–148; Eternal Feminine saving power and, 79–81, 85–90; God and the fall, 137–139; Left’s attack on transcendence of, 73–79, 204–205; Marxist rage and, 82–85; repeated consent required, 173; timing of, 88–89; underclass morals and devaluing of family, 73–81. See also Abortion; Rape

  Shaffer, Peter, 127–128

  Shakespeare, William, 36, 50

  Shaw, George Bernard, 105

  Silverglate, Harvey, 76

  Social justice, and equality of outcome, 15, 121, 129

  Sondheim, Stephen, 107

  Sorge, Richard, 43

  Sorrows of Young Werther, The (Goethe), 53

  Soviet Union, 24–25, 43, 134; collapse of, 47, 59–60, 71–72, 92, 185–191; Germany and Operation Barbarossa, 43, 56, 188

  Special Air Service (SAS) motto, 160

  Stalin, Josef, 25, 43, 46, 56, 83, 135, 188

  Stoker, Bram, 100–101

  Stone, Oliver, 77

  Strachey, Lytton, 167–169

  Strauss, Richard, 21, 62, 128

  Stravinsky, Igor, 115–116

  Study in Scarlet, A (Conan Doyle), 105–106

  Study of History (Toynbee), 74–75

  Suicide, 58–59, 76, 85, 94, 109, 117, 140, 208

  Symphonie Fantastique (Berlioz), 53

  Symphony No. 40 in G Minor (Mozart), 112

  Tannhäuser (Wagner), 126

  Tchaikovsky, Pyotr Ilyich, 200

  Ten Commandments, 79, 121, 167

  Thatcher, Margaret, 187

  Thermopylae, Battle of, 206–207

  Thing, The (Chesterton), 86–87

  Tolerance, Marcuse and repressive, 44–46, 61, 109, 151–152

  To Live and Die in L.A (film), 51

  Tolkien, J.R.R., 206

  Toynbee, Arnold, 74–75

  Trenchard, John, 68

  Trial, The (Kafka), 140–141

  Trigger warnings, 173

  Trotsky, Leon, 68

  Trow, George W.S., 72

  Truman, Harry, 176

  Turandot (Puccini), 26

  Turner, Christopher, 144, 145

  Twain, Mark, 117–118

  Twelve-tone system (dodecaphonicism), 57, 62, 113–119

  Ulysses, 15, 160

  Unexpurgated Code, The (Donleavy), 184

  Unholy Left, use of term, 4

  Ur-Kampf (primal conflict), of good versus evil, 17–30

  Ur-Narrative, of West, 4–7, 14, 18, 26–27, 29, 47, 66–68, 91, 101, 140, 159, 209

  Vampire myth, 100–101, 103

  Verklärte Nacht (Schoenberg), 61–62, 117

  Viereck, Peter, 54, 55, 56

  Vietnam War, 88, 104, 176–177

  Villi, Le (Puccini), 103

  Violence, Left’s war on, 204–208

  von Karajan, Herbert, 108

  Wagner, Richard, 124, 126, 137; Das Kunstwerk der Zukunft, 84; Die Meistersinger, 125, 128; Flying Dutchman, 10, 12, 85, 103; Rienzi, 124; Romanticism and, 54, 56, 63; Tannhäuser, 126; “Tristan chord” and, 61–62. See also Parsifal (Wagner); Ring of the Nibelung cycle (Wagner)

  Wall Street (film), 77

  Weber, Carl Maria von, 11, 12, 53, 103

  “White privilege,” 153–155

  Whittle, Bill, 91

  Who Framed Roger Rabbit (film), 139

  “Why Not,” 18–19, 34, 88, 104–105, 177–178, 209

  Wild One, The (film), 77

  Wilson, Woodrow, 190, 198

  Wolfe, Tom, 86, 178

  Wolff, David, 77

  Wolff, Robert Paul, 44–45

  Women: light and darkness and, 100–102; women’s right movement, 85–86. See also Abortion; Eternal Feminine, as saving power

  World War I, 7, 198, 201

  World War II, 169, 201, 202; U.S. and cultural inferiority after, 1–3, 6, 88, 96

 

 

 



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