The Complete Poems of A R Ammons, Volume 2

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The Complete Poems of A R Ammons, Volume 2 Page 20

by A. R. Ammons


  and the fat tree, unable to stop pouring it on,

  overfed and overgrew and, now, again, its skin’s

  broken into and disease may find it and bores

  85of one kind or another, and fungus: it just

  goes to show you: moderation imposed is better

  than no moderation at all: we tie into the

  lives of those we love and our lives, then, go

  as theirs go; their pain we can’t shake off;

  90their choices, often harming to themselves,

  pour through our agitated sleep, swirl up as

  no-nos in our dreams; we rise several times

  in a night to walk about; we rise in the morning

  to a crusty world headed nowhere, doorless:

  95our chests burn with anxiety and a river of

  anguish defines rapids and straits in the pit of

  our stomachs: how can we intercede and not

  interfere: how can our love move more surroundingly,

  convincingly than our premonitory advice

  2

  100garbage has to be the poem of our time because

  garbage is spiritual, believable enough

  to get our attention, getting in the way, piling

  up, stinking, turning brooks brownish and

  creamy white: what else deflects us from the

  105errors of our illusionary ways, not a temptation

  to trashlessness, that is too far off, and,

  anyway, unimaginable, unrealistic: I’m a

  hole puncher or hole plugger: stick a finger

  in the dame (dam, damn, dike), hold back the issue

  110of creativity’s flood, the forthcoming, futuristic,

  the origins feeding trash: down by I-95 in

  Florida where flatland’s ocean- and gulf-flat,

  mounds of disposal rise (for if you dug

  something up to make room for something to put

  115in, what about the something dug up, as with graves:)

  the garbage trucks crawl as if in obeisance,

  as if up ziggurats toward the high places gulls

  and garbage keep alive, offerings to the gods

  of garbage, of retribution, of realistic

  120expectation, the deities of unpleasant

  necessities: refined, young earthworms,

  drowned up in macadam pools by spring rains, moisten

  out white in a day or so and, round spots,

  _________

  look like sputum or creamy-rich, broken-up cold

  125clams: if this is not the best poem of the

  century, can it be about the worst poem of the

  century: it comes, at least, toward the end,

  so a long tracing of bad stuff can swell

  under its measure: but there on the heights

  130a small smoke wafts the sacrificial bounty

  day and night to layer the sky brown, shut us

  in as into a lidded kettle, the everlasting

  flame these acres-deep of tendance keep: a

  free offering of a crippled plastic chair:

  135a played-out sports outfit: a hill-myna

  print stained with jelly: how to write this

  poem, should it be short, a small popping of

  duplexes, or long, hunting wide, coming home

  late, losing the trail and recovering it:

  140should it act itself out, illustrations,

  examples, colors, clothes or intensify

  reductively into statement, bones any corpus

  would do to surround, or should it be nothing

  at all unless it finds itself: the poem,

  145which is about the pre-socratic idea of the

  dispositional axis from stone to wind, wind

  to stone (with my elaborations, if any)

  is complete before it begins, so I needn’t

  myself hurry into brevity, though a weary reader

  _________

  150might briefly be done: the axis will be clear

  enough daubed here and there with a little ink

  or fined out into every shade and form of its

  revelation: this is a scientific poem,

  asserting that nature models values, that we

  155have invented little (copied), reflections of

  possibilities already here, this where we came

  to and how we came: a priestly director behind the

  black-chuffing dozer leans the gleanings and

  reads the birds, millions of loners circling

  160a common height, alighting to the meaty streaks

  and puffy muffins (puffins?): there is a mound,

  too, in the poet’s mind dead language is hauled

  off to and burned down on, the energy held and

  shaped into new turns and clusters, the mind

  165strengthened by what it strengthens: for

  where but in the very asshole of comedown is

  redemption: as where but brought low, where

  but in the grief of failure, loss, error do we

  discern the savage afflictions that turn us around:

  170where but in the arrangements love crawls us

  through, not a thing left in our self-display

  unhumiliated, do we find the sweet seed of

  new routes: but we are natural: nature, not

  we, gave rise to us: we are not, though, though

  175natural, divorced from higher, finer configurations:

  _________

  tissues and holograms of energy circulate in

  us and seek and find representations of themselves

  outside us, so that we can participate in

  celebrations high and know reaches of feeling

  180and sight and thought that penetrate (really

  penetrate) far, far beyond these our wet cells,

  right on up past our stories, the planets, moons,

  and other bodies locally to the other end of

  the pole where matter’s forms diffuse and

  185energy loses all means to express itself except

  as spirit, there, oh, yes, in the abiding where

  mind but nothing else abides, the eternal,

  until it turns into another pear or sunfish,

  that momentary glint in the fisheye having

  190been there so long, coming and going, it’s

  eternity’s glint: it all wraps back round,

  into and out of form, palpable and impalpable,

  and in one phase, the one of grief and love,

  we know the other, where everlastingness comes to

  195sway, okay and smooth: the heaven we mostly

  want, though, is this jet-hoveled hell back,

  heaven’s daunting asshole: one must write and

  rewrite till one writes it right: if I’m in

  touch, she said, then I’ve got an edge: what

  200the hell kind of talk is that: I can’t believe

  I’m merely an old person: whose mother is dead,

  _________

  whose father is gone and many of whose

  friends and associates have wended away to the

  ground, which is only heavy wind, or to ashes,

  205a lighter breeze: but it was all quite frankly

  to be expected and not looked forward to: even

  old trees, I remember some of them, where they

  used to stand: pictures taken by some of them:

  and old dogs, specially one imperial black one,

  210quad dogs with their hierarchies (another archie)

  one succeeding another, the barking and romping

  sliding away like slides from a projector: what

  were they then that are what they are now:

  3

  toxic waste, poison air, beach goo, eroded

  215roads draw nations together, whereas magnanimous

  platitude and sweet semblance ease each nation

  back into it
s comfort or despair: global crises

  promote internationalist gettings-together,

  problems the best procedure, whether they be in the

  220poet warps whose energy must be found and let

  work or in the high windings of sulfur dioxide:

  I say to my writing students—prize your flaws,

  defects, behold your accidents, engage your

  negative criticisms—these are the materials

  225of your ongoing—from these places you imagine,

  _________

  find, or make the ways back to all of us, the figure,

  keeping the aberrant periphery worked

  clear so the central current may shift or slow

  or rouse adjusting to the necessary dynamic:

  230in our error the defining energies of cure

  errancy finds: suffering otherwises: but

  no use to linger over beauty or simple effect:

  this is just a poem with a job to do: and that

  is to declare, however roundabout, sideways,

  235or meanderingly (or in those ways) the perfect

  scientific and materialistic notion of the

  spindle of energy: when energy is gross,

  rocklike, it resembles the gross, and when

  fine it mists away into mystical refinements,

  240sometimes passes right out of material

  recognizability and becomes, what?, motion,

  spirit, all forms translated into energy, as at

  the bottom of Dante’s hell all motion is

  translated into form: so, in value systems,

  245physical systems, artistic systems, always this

  same disposition from the heavy to the light,

  and then the returns from the light downward

  to the staid gross: stone to wind, wind to

  stone: there is no need for “outside,” hegemonic

  250derivations of value: nothing need be invented

  or imposed: the aesthetic, scientific, moral

  _________

  are organized like a muff along this spindle,

  might as well relax: thus, the job done, the

  mind having found its way through and marked

  255out the course, the intellect can be put by:

  one can turn to tongue, crotch, boob, navel,

  armpit, rock, slit, roseate rearend and

  consider the perfumeries of slick exchange,

  heaving breath, slouchy mouth, the mixed

  260means by which we stay attentive and keep to

  the round of our ongoing: you wake up thrown

  away and accommodation becomes the name of your

  game: getting back, back into the structure

  of protection, caring, warmth, numbers: one

  265and many, singles and groups, dissensions and

  cooperations, takings and givings—the dynamic

  of survival, still the same: but why thrown

  out in the first place: because while the

  prodigal stamps off and returns, the father goes

  270from iron directives that drove the son away

  to rejoicing tears at his return: the safe

  world of community, not safe, still needs

  feelers sent out to test the environment, to

  bring back news or no news; the central

  275mover, the huge river, needs, too, to bend,

  and the son sent away is doubly welcomed home:

  we deprive ourselves of, renounce, safety to seek

  _________

  greater safety: but if we furnish a divine

  sanction or theology to the disposition, we

  280must not think when the divine sanction shifts

  that there is any alteration in the disposition:

  the new’s an angle of emphasis on the old:

  new religions are surfaces, beliefs the shadows

  of images trying to construe what needs no

  285belief: only born die, and if something is

  born or new, then that is not it, that is not

  the it: the it is the indifference of all the

  differences, the nothingness of all the poised

  somethings, the finest issue of energy in which

  290boulders and dead stars float: for what

  if it were otherwise and the it turned out to

  be something, damning and demanding, strict and

  fierce, preventing and seizing: what range of

  choice would be given up then and what value

  295could our partial, remnant choices acquire then:

  with a high whine the garbage trucks slowly

  circling the pyramid rising intone the morning

  and atop the mound’s plateau birds circling

  hear and roil alive in winklings of wings

  300denser than windy forest shelves: and meanwhile

  a truck already arrived spills its goods from

  the back hatch and the birds as in a single computer-formed

  net plunge in celebration, hallelujahs

  _________

  of rejoicing: the driver gets out of his truck

  305and wanders over to the cliff on the spill and

  looks off from the high point into the rosy-fine

  rising of day, the air pure, the wings of the

  birds white and clean as angel-food cake: holy, holy,

  holy, the driver cries and flicks his cigarette

  310in a spiritual swoop that floats and floats before

  it touches ground: here, the driver knows,

  where the consummations gather, where the disposal

  flows out of form, where the last translations

  cast away their immutable bits and scraps,

  315flits of steel, shivers of bottle and tumbler,

  here is the gateway to beginning, here the portal

  of renewing change, the birdshit, even, melding

  enrichingly in with debris, a loam for the roots

  of placenta: oh, nature, the man on the edge

  320of the cardboard-laced cliff exclaims, that there

  could be a straightaway from the toxic past into

  the fusion-lit reaches of a coming time! our

  sins are so many, here heaped, shapes given to

  false matter, hamburger meat left out

  4

  325scientists plunge into matter looking for the

  matter but the matter lessens and, looked too

  far into, expands away: it was insubstantial all

  along; that is, boulders bestir; they

  _________

  are “alive” with motion and space: there is a

  330riddling reality where real hands grasp each

  other in the muff but toward both extremes the

  reality wears out, wears thin, becomes a reality

  “realityless”: this is satisfactory, providing

  permanent movement and staying, providing the

  335stratum essential with an essential air, the

  poles thick and thin, the middles, at interchange:

  the spreader rakes a furrow open and lights a

  drying edge: a priestly plume rises, a signal, smoke

  like flies intermediating between orange peel

  340and buzzing blur: is a poem about garbage garbage

  or will this abstract, hollow junk seem beautiful

  and necessary as just another offering to the

  high assimilations: (that means up on top where

  the smoke is; the incinerations of sin,

  345corruption, misconstruction pass through the

  purification of flame:) old deck chairs,

  crippled aluminum lawn chairs, lemon crates

  with busted slats or hinges, strollers with

  whacking or spinningly idle wheels: stub ends

  350of hotdogs: clumps go out; rain sulls deep

  coals; wind slams flickers so flat they lose

  t
he upstanding of updraft and stifle to white

  lingo—but oh, oh, in a sense, and in an

  intention, the burning’s forever, O eternal

  _________

  355flame, principle of the universe, without which

  mere heaviness and gray rust prevail: dance

  peopling the centers and distances, the faraway

  galactic slurs even, luminescences, plasmas,

  those burns, the same principle: but here on

  360the heights, terns and flies avoid the closest

  precincts of flame, the terrifying transformations,

  the disappearances of anything of interest,

  morsel, gobbet, trace of maple syrop, fat

 

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