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The Witch of the Inner Wood

Page 14

by M. Travis Lane

born again in the mind of God

  ever and ever — His story run

  fresh from my hands! Let my paper, paste,

  let the piece of chain

  that hangs like bird legs from the foil

  speak of Your heat, Your heartening.

  for my mouth is scalded,

  dumb.

  * * * * *

  THE BATHROOMS ARE A PLACE OF PRAYER

  * * * * *

  I heard that Mr. Bauer say

  when you turn off the water and open the cock

  you can hear the veins and throb of earth,

  pores seeping in from the ends of the sea,

  the breathings of rock.

  They say glory —

  glory — glory — glory —

  When the rushing is great and it rushes forth,

  such is the noise that we cannot hear.

  Replacing the washer,

  listen,

  pray:

  glory —

  glory —

  * * * * * *

  LOW ARE THE LAVERS OF SOLOMON

  DUST IS HIS PRIVATE SEAT

  * * * * *

  How shall I purge and not be shamed.

  And they call these thrones!

  Not glory nor sin,

  animal into the animal.

  Rust and the roaring is measure of man.

  And yet all shall be clean.

  *

  Leave off ye simple ones and live!

  Renew! Renew!

  The throne on wheels of fire —

  destruction a plumb line — a white stone

  hard in my belly — a swallowed book —

  rock

  shall cry out from the dry wall —

  out of the tank, of the bursting side —

  The beam from the roof shall answer it.

  BE NOT AFRAID

  These bowls like the temples of Solomon.

  Wash and be clean.

  A book in my heart.

  I cannot speak.

  An ensign up from the secret thrones,

  up from the roaring of waters

  and

  we shall be clean, be clean.

  *

  The nations shall lie down in peace.

  All shall be washed away.

  *

  The cleansing fire

  incinerates

  all that was soiled and horrible.

  The shaft, the fall, the clinkers — if

  the bonfires in the sky were trash,

  were torment — meant

  an angel in the furnace, cut

  heart, cut

  coal,

  diamond.

  The stone.

  The labour.

  Pain.

  Evening

  The black motes gather in the air.

  The blinded swimmers pass,

  faces in dusk returning home.

  Who helps me climb? Who lends me hands?

  Mother is dead in Jerusalem —

  by currents tossed, by waters shed,

  by oceans born away. . . .

  *

  When we both were little, when we were young,

  she could run, I could toddle after her,

  we took our best vacation.

  There

  between the grey, smooth river

  and grey sea, the island, grey with mangrove scrub,

  palmetto, marsh, with its white

  sands, its white

  sea oats, white forest, held

  the dunes, I sat below them closed

  from sea by whiteness, warmth,

  by rustling speech . . . .

  Leeward on the river side,

  the sailboat like a cradle rocked,

  and dolphins over beyond it leaped,

  kindly, majestic, again and again,

  as if they were hosts or guardians.

  Daddy carried me into the shallows where

  the warm, thick waters sucked my feet,

  and we walked out towards the ocean side

  where seiners, gnats on a curtain edge,

  specked the horizon. Along the beach

  were sea fans, yellow, magenta, orange —

  sponges weary as old mop heads —

  Walking, walking — I grew so tired

  he had to carry me back again.

  And there still were the dolphins,

  three of them,

  leaping and leaping beside the boat.

  That night the stars, the creaking sails,

  the black wake starry with phosphorus —

  it was as if the way towards home

  were more our home, were mother’s arms —

  as if some One

  caressed, loved, nourished,

  yearned for us.

  We had only to reach to touch.

  *

  We wait at the windy bus stop where the trash

  flutters beside us like wet leaves. The slush

  turns lilac. In the park

  a mist sits on the branches like a flock

  of cloudy beings, fruitfulness

  of evening like a music, a perfume —

  the cars splash by — it hovers,

  waits, a vesper’s flush,

  the daily shed —

  that makes this dirty city

  its bright throne.

  *

  Yet more than light is asked of us.

  The hill still rises, Atlas weight,

  each day upon another, brick by brick.

  *

  A hunched house, colour of faded plums,

  dulled yellow sky; my neighbour waits

  on her porch steps, shadows of leafless trees

  crossing her back like harnesses.

  The Retarded Children’s bus returns;

  she slides its van door sideways and lifts out

  her boy strapped to his travelling chair.

  The older boy climbs out behind, dragging

  the lunch pails, stands and scuffs

  at the muddy snow, picking his nose.

  I heard him speak once: an injured tongue,

  an excited warble — he clapped his hands.

  But the younger one

  sags on her breast too tired to see,

  his eyes unfocussed. He cannot walk.

  Eight, he will only grow heavier.

  She carries him. Smiles over his head

  at the other one, “Come on, little man,

  come on!”

  Courage as common, as difficult

  as need. The crippled God

  leans on us.

  Needs.

  *

  This silence shared is almost warmth.

  My world contracts.

  In the little park the furrowed elms

  strain towards the parching vaults and drain

  the earth’s wet passions — life

  runs out like water; it dissolves

  remembered faces. Far,

  far out the harbour wails.

  You pare us down.

  Give us each day

  our daily dead.

  Mother from child,

  friend from friend.

  Where is the light when the light goes out?

  That matchstick flame?

  “Poor little thing,” she used to say,

  winding her daughter’s tendril hair

  over her finger.

  That deep, warm smile —

  she warmed the air. She flared,

  a candle near its end, sewed wools

  of pulsing trees and flowers —

  ever more brilliant colours.

  All my plans

  I told to her,

  my secrets, as one gives

  a letter to a traveller, a post

  no mail can send.

  I clung to her.

  She, drowning, clung —

  her hands

  called out when her throat, too bruised,

  prevented speech. They called

  the impotent mach
ines, unplugged,

  to start, to try again.

  A light against the blowing wind.

  As bruised snow melts,

  as gutters run,

  our substance pours into the sea.

  The spiritual.

  What good to us?

  When what we loved was flesh.

  Night

  Stubborn in love, in disbelief,

  my sister, a condensing star

  sinks in her burning; light

  to me, to You, in darkest night

  she serves, she loves

  for nothingness.

  She is

  pure Will, like You creates

  a good from nothing.

  Holiest

  that height of soul.

  The crippling of despair

  hardens the heart

  to red gem fire

  stronger, more constant

  than I am.

  *

  For what is Pearl?

  A coward tear. A chalky glimmer

  in the light, but when abyss

  blows at me, I—

  flicker, weak—

  a shade in shades.

  I am poured out like water.

  Yet,

  as a swimmer is nudged, sometimes, to shore

  by an unseen fish—

  or as a blind man finds his stair—

  I swim, I climb—

  You hold me up.

  And this abyss

  a buried crypt

  stuffed with the dirt of centuries

  where breathes, beside me in the dark,

  the black madonna, her black child—

  seed bed.

  All this is emblem.

  My garage,

  puny, dug in the rock-walled hill,

  a little cave uphill midnights

  I work in, fret and carve—

  is bonfire set upon the sea,

  a light to the sky whose wanderings

  will light beyond my seeing now.

  When earth in earth my body lies,

  that talent, that white stone

  that burns me now

  shall shine, shall live.

  Egg, for Your Word, be Wing.

  *

  How did I know? My knowledge grew

  from the leafless trees, from the freshened force

  of the natural, from the poke-eye of babies, the gold tattoo

  of dandelions shredding the muddy banks—

  I know.

  *

  Uphill, still up, the mermaid climbs,

  her feet still heavy with midnight’s pain.

  I wait for You.

  These paper dolls, these tinfoil shapes,

  this booth of tinsel whirligigs,

  this altar — dwarf at Your carnival,

  barker, I hoot Your name.

  May Your angel come,

  bending his lily beam to me.

  The hurt, the mute

  in the tarnished streets —

  who will speak for them?

  Send me.

  *

  The work grows out of my fingertips,

  out of my deepest dreams.

  Let the shapes speak out and the visions come!

  The Christ who lives in our spending Him,

  the shed in our fingers, the foil, the coin —

  as long as the bearer labours,

  Christ

  be ever born.

  *

  Shadows in shine: the massive laws

  stand here like towers of the just.

  White chains like pillars hang from them.

  Clouds heave like iron in the crevices.

  Mica glint, mouse crack, scratching nails,

  fly wing, beetle eye — holy and blessed

  need of the tiny, the pebble world —

  dig be my deed; now dig I round.

  *

  These shadows are the thrones of God.

  As I saw them once. As I see them now

  through the darkened labours of my hand,

  seat upon seat. And the angels fly

  hovering with neither hands nor feet,

  but wings grown out of their bodies’ cry,

  holding by love untireable

  their ceaseless murmurs, their comfortings.

  Their warm breath brushes across my cheeks;

  the tinfoil reddens; their pulsing veins

  are the wounds of earth, of the simple rain. . . .

  Glory they say.

  GLORY

  from

  RECKONINGS

  Poems 1979-1985

  THE SEASONS

  Summer

  i

  Tide’s out. The river’s turned to mud.

  The gulls prowl in the bladderwrack.

  In the abandoned orchards deer

  are sleeping under the apple boughs.

  Their horns are like low branches in the grass.

  To live as if the moment were a whole

  and wholly in the moment,

  to sink in grass and midges to the pure

  unshaded surfaces of life,

  to grow, like lichen, slowly, on the grey

  horns of the apple trees

  and lose one’s self in summer

  as in sleep —

  is heart’s desire.

  But as a bird supports itself

  among the varying currents of the air

  in a fine tension, the waking mind

  musters its wing against the real.

  The voice from the sensuous lassitude

  that, like the whitethroat sparrow’s song,

  calls “here, come here, here, here” from the apple grove

  is natural death. And the acrid spur

  of cold wind from the water that

  like history shows the hovering mind

  time’s costs, time’s cruelties, time’s needs,

  is time’s — the world not mending

  yet.

  Our summer is the sleep of deer;

  we strive to sink within it. But machines

  dream the destruction of all things,

  and from their mortal dreaming we must wake.

  ii

  Listen: the flicker’s drum, the gnat’s small voice,

  the osprey’s high-pitched, grassy squeal,

  gull mews, the loon’s recitatif —

  all sounds of need, of natural joy.

  Last month squid flung their rubber lives

  like gloves along the stony beach

  and died for love. At Chimney Head,

  storm-straddled, burst with fallen trees,

  the dark bay glimmers toward the dusk;

  and in the chilly water lolls

  a seal that watches us, as curious,

  as safe, in what it knows of summer, as

  my neighbour’s brindled kitten, couched

  below my mildewed phlox heads while I work,

  as if my hoeing, weeding were for it.

  This fragile, eggshell, pippin world,

  new with such tender prettiness,

  rots at its roots. The rain will fall,

  the necessary mercy, toxic rain.

  And yet the great southwestern winds

  that blew the poisoned cities’ fumes

  toward our old, eastern woodlots, will blow on

  toward Labrador, toward Iceland,

  toward topaz, bird-stained ice floes

  sharding like old hunks

  left dwindling in a sawdust heap.

  And with the wind, the cool air comes,

  and evening, and the blessed dark,

  blessed, because we sleep in it.

  iii

  The sea’s in bloom with starlight.

  Heaven’s bowl: the quivering water lights,

  where stars, innumerable, floating multitudes

  echo in buds, nodes, roots, and flowers —

  sea stars, pond stars, nenuphars,

  cow lilies, ant lilies, pollen strewn,

  floc
king the sky like one white flower.

  The daisy field

  froths at my knees with flight gauze:

  plumes, white feathers, and beige brown wings.

  The Pleiades sing from the phosphorus

  of the rotting logs, from the minnow waves.

  Sea lights, boat lights, harbour lights,

  the match flame struck for the captain’s pipe —

  God’s plenitude, heaped up and overflowing.

  The Milky Way like a yeasty dawn

  powders the orchard where the pale

  unripened apples hang,

  and a voice cries out from the wilderness,

  or seems to cry.

  An owl’s, perhaps, or a lamb’s,

  or a frightened child’s.

  “Someone is crying,” said Dorothy.

  She brought

  roses. It was all she had,

  poor poet, neither fish nor bread.

  And the deep perfume

  that falls from the cold, green apple trees

  falls on the grass, on the Pleiades.

  I bring this poem to You, Lord.

  It is all I have.

  Fall

  i

  The sombre, flame-tipped clouds have fled

  from under the pines, where the russet fern

  blazed, and was ash.

  The aspens in the new-burned fields

  have shaken themselves to tatters,

  and the larch, nude of its citron fur,

  is one bare branch.

  The glory of the season has gone by.

  We saw it from Cap Enragé

  where the low, silty waters beat

  the slate cliffs, and the groaner cried

  each three turns of the lighthouse lamp:

  Watch out! Watch out!

  There was still one tree

  red as a vein.

  How brief it is,

  the passion of our passing. In one fall

  we see our summers wither out of sight.

  ii

  The rest is ignorance. The heart

  like a cold, silly merman, climbs the wharf

  to see the shuttered houses by the beach

  locked up, the children gone,

  frosts grizzling the geraniums. And love,

  like an unfaithful tourist, has gone home

  to its uniting mirrors of the snow.

  Such partings are like knives. It is not fall

  we grieve for, but the death of things,

  all things. The tide scours out the shore —

  the bleached white agonies of logs,

  boat chains, a child’s school notebook, one

  grey feather — loss.

  The groaner only calls us to ourselves.

  It’s all bad news. That love should die,

  drop from its leafy poetry and fade,

  dry as the black, abandoned weeds

  that wreath the cobbled beaches.

  iii

  Divorced, and derelict, stone-armed,

 

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