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What Does Blue Feel Like?

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by Jessica Davidson




  Twenty-two-year-old Jessica Davidson started writing when she was fifteen and tore her knee cartilage, ending a future career in ballet. She decided to do a degree in Primary Education instead.

  Jessica’s father claims he's the inspiration for her writing as he used to make up wonderful stories when Jessica and her sister were little.

  What does blue feel like? is Jessica’s first novel.

  WHAT DOES BLUE FEEL LIKE?

  jessica davidson

  For those who heard

  First published 2007 in Pan by Pan Macmillan Australia Pty Limited

  1 Market Street, Sydney

  Copyright © Jessica Davidson 2007

  The moral right of the author has been arrested.

  All rights reserved. No part of this book may be reproduced or transmitted by any person or entity (including Google, Amazon or similar organisations), in any form or by any means, electronic or mechanical, including photocopying, recording, scanning or by any information storage and retrieval system, without prior permission in writing from the publisher.

  National Library of Australia

  Cataloguing-in Publication Data:

  Davidson, Jessica, 1985– .

  What does blue feel like?

  For senior secondary school students.

  ISBN 978 0 330 42307 6.

  1. Teenage girls – Juvenile fiction. 2. High school seniors – Juvenile fiction. 3. Depression in adolescence – Juvenile fiction. I. Title.

  Internal design by Melanie Feddersen, i2i design Typeset by Midland Typesetters, Australia Printed in Australia by McPherson’s Printing Group, Maryborough, Victoria

  Papers used by Pan Macmillan Australia Pty Ltd are natural, recyclable products made from wood grown in sustainable forests. The manufacturing processes conform to the environmental regulations of the country of origin.

  These electronic editions published in 2007 by Pan Macmillan Australia Pty Ltd

  1 Market Street, Sydney 2000

  The moral right of the author has been asserted.

  All rights reserved. This publication (or any part of it) may not be reproduced or transmitted, copied, stored, distributed or otherwise made available by any person or entity (including Google, Amazon or similar organisations), in any form (electronic, digital, optical, mechanical) or by any means (photocopying, recording, scanning or otherwise) without prior written permission from the publisher.

  What Does Blue Feel Like?

  Jessica Davidson

  Adobe eReader format 978-1-74197-821-6

  Microsoft Reader format 978-1-74197-862-9

  Mobipocket format 978-1-74197-903-9

  Online format 978-1-74197-944-2

  Epub format 978-1-74262-528-7

  Macmillan Digital Australia

  www.macmillandigital.com.au

  Visit www.panmacmillan.com.au to read more about all our books and to buy both print and ebooks online. You will also find features, author interviews and news of any author events.

  Acknowledgements

  To my wonderful husband Shanon, thank you for enduring the countless nights when I kept you awake well past midnight tapping on the keyboard. And thanks for putting up with being neglected while I was writing. Love you always.

  To my parents for your unconditional love – thanks.

  To my girlfriends, past and present, for the fun during the good times and support during the bad.

  To Andrew Beiers, thanks for listening to my piercing theories. And all the rest. I owe you a box of tissues.

  To my senior English teachers for fuelling my passion for writing, and for telling us it was okay to swear in our pieces if it was appropriate to the character!

  Thanks must go to my editor Claire Craig for her unending patience and enthusiasm for the book. Thanks for leading me through the process. Thanks to Anna McFarlane who read my first ever submission and told me to keep writing. And thanks to Julia Stiles who helped me make every word work. To Melanie Feddersen who made the book look so fantastic – thanks.

  Lastly, to the inventors of energy drinks – thanks.

  Char/falling

  It’s New Year’s Eve.

  Should be one of the best,

  most hopeful times of my life.

  New Year —

  Year 12 coming up

  turning eighteen later on.

  You know, clean slate and all that.

  But —

  I feel as if

  I am falling

  into a chasm

  or sinking

  into the mire.

  I can’t escape

  and I

  don’t know if I really want to.

  I want it to

  be over, my whole life.

  Extinct.

  Mooching

  ‘Stop mooching, Char,’

  Mum says impatiently

  when I laze around all day

  watching videos.

  Mum doesn’t get it.

  It’s the holidays

  and that’s what you’re supposed to do,

  at least that’s what I tell her

  and myself

  refusing to contemplate

  that this bleakness

  within

  has started seeping

  outwards.

  She’ll be relieved

  when school starts again

  because

  being surrounded by friends,

  assignments to write,

  study to do,

  I’ll stop

  mooching.

  Growing up

  One day, to relieve the boredom,

  Mum takes me to get my learners.

  I’ve been reading the book,

  but not that much.

  To my surprise,

  I pass.

  Mum nearly has a teary,

  and starts worrying about me driving a car,

  and the photo makes me look

  like I’m drunk.

  I think it’s funny,

  and laugh when Mum asks if they’ll take the photo again.

  They say no, of course,

  it’s expected to have a bad photo.

  Dad lets me drive up and down the street that night

  while Mum stands on the driveway in her dressing gown.

  And worries.

  Friends at school

  are concerned,

  visit guidance counsellors secretly in their lunchtimes,

  talk about ringing someone

  but

  don’t know what to say.

  There is a black hole draining

  all their energy

  away

  and they think of what they’ll say

  to make it better

  that doesn’t sound like a weak excuse.

  They didn’t expect

  to have to deal with dramas

  at the beginning of the school year

  but at least

  it gives them something to do

  during Maths.

  Julie/feeling guilty

  Char’s mum, Julie,

  knows something is

  wrong.

  She wants her

  normal

  well-adjusted

  beautiful

  happy

  smiling

  child

  to reappear.

  She feels guilty and wonders if

  it is her fault.

  Bronwyn/sand

  counts her calories,

  watches her weight,

  thinks she could stand

  to lose a few

  (imaginary] kilos.

  Can’t wait to finish school

  end the surreptitious nagging

  about
assignments, books and tests.

  Sometimes she thinks about running away.

  But she doesn’t know from what.

  She and Char are friends.

  Except for recently, when Char is like

  the outgoing current,

  drifting, pulling, sliding away.

  And you can feel the ocean trying to hold

  on to the sand and stay where it is.

  Sometimes Bronwyn is the sand.

  Web of technology

  Char tries to analyse her feelings,

  be scientific, factual,

  cool and detached.

  The internet is a ‘valuable information resource’,

  say her teachers.

  But what she reads about how she feels just makes her

  confused.

  Tangled up in the World Wide Web.

  And tired,

  so very tired.

  Char’s pillows

  are just like sponges.

  Night after night they soak up tears

  and she doesn’t know

  why she’s crying.

  Char’s mother

  lies awake down the hall.

  Staring vacantly into the darkness,

  listening to her eldest child cry

  into her pillow at night.

  Unperturbed

  So what is this meaning of life stuff?

  Char asks. Seems to me

  we are born,

  learn what we need to know,

  and then we start thinking,

  There must be more to it than this!

  Search for answers.

  Find none.

  Fall in and out of love

  and die,

  leaving the rest of the world

  unperturbed.

  Ashamed

  After several endless, drifting, garish days

  she still feels nothing. Nothingness —

  a lonely companion to have.

  When you feel nothing.

  And you do not care.

  And the nothingness is still there.

  Sometimes,

  at night, she wishes she would

  never wake up.

  Friends

  see Char spinning out of control

  like on a merry-go-round

  that makes you dizzy

  if you watch long enough.

  Higher powers

  shrug their shoulders

  and sigh

  blaming it on

  takeaways,

  television,

  glossy teenage mags,

  consumerism.

  And hormones.

  Supermarket lines

  At the supermarket,

  among the canned goods,

  the thought comes back,

  comes back and goes away.

  It niggles at her.

  She wends her way around the grocery maze,

  following her mother

  who sends her to get celery.

  She holds the cold, pliable vegetable to her cheek

  and whispers the thought

  to the celery: I wish I was dead.

  It shocks her to hear it out loud.

  The celery doesn’t reply.

  Makes you feel better

  At night, Char daydreams —

  thinking of ways to do it.

  She has read statistics stating the most

  successful methods

  (an accidental DIY journal)

  of suicide.

  Such a bitter-sweet-bitter word.

  Like medicine. But, sometimes,

  thinking about the medicine

  you are going to take can

  make you feel better.

  Char’s dad

  likes his golf, beer and his tattered old

  commando-style pants.

  He hates his job (don’t most people?),

  figures Char is having boy issues

  (what teenager doesn’t?),

  or self-confidence issues (that’s growing up!).

  And he does care, but she can handle it by herself.

  And if he

  tried to help, she would probably say,

  ‘Shut up, Dad, and mind your own business.’

  Better just to stay on the lounge.

  Uninvolved.

  Bronwyn and Char

  talk.

  About nothing.

  But they are talking

  and the mere effort

  is exhausting them both.

  Remember?

  Char and her mum cuddle on the couch, pressing together

  miles apart.

  Her mum says,

  ‘Remember when you changed your name from

  Charlotte to Char?

  You wouldn’t answer to Charlotte. Your teachers, confused,

  sent notes home.

  Remember when we went to the sea when you were seven?

  A red-haired boy tried to borrow your shovel and

  pail and you slapped him. His mother was

  horrified when she saw the red mark on his waxen cheek.

  Remember when you tried to cut your doll Sally’s hair?

  We had to stick some more on, made of wool.

  Remember when you got your first period?

  We gave you

  a glass of wine

  and you were so proud of being grown-up.

  Remember when you moved into your treehouse?

  You came back into the house as soon as it got dark.’

  Stupid

  I am stupid, Char thinks.

  I am failing at least two subjects.

  I’m not going to get the marks I need

  to get into uni,

  to move away from here

  to have a career

  to have a life.

  Virtual reality

  Char’s brother is obsessed with

  Nintendo,

  Game Boy Advance,

  PlayStation,

  GameCube

  and Xbox.

  He sits there,

  second after second

  minute after minute

  hour after hour,

  eyes glazed to focus on fake people, palm trees, racing

  cars and friendly monkeys.

  He says, ‘Why go outside and play? Then I’d have to amuse

  myself. Get sweaty, dirty, sunburnt.

  And it’s boring. This is cool.’

  Julie worries that he plays too many video games.

  But at least she knows where he is,

  at home

  in the suburban quiet.

  Envious

  Char has lost her appetite.

  Her uniforms are baggy,

  the pleats sag limply in the breeze.

  They seem almost sad.

  Bronwyn is quietly envious.

  Her pleats are straight and proud

  and she resolves to

  work harder at being thin.

  Stopper my tears

  she wants to cry.

  At the stars, at God, at herself.

  She cries every day

  and night

  and it’s during the

  long

  long

  long

  long night

  that she plans

  how to die.

  Classifications

  At the family barbecue,

  when Char, in her own world, is seen to be ‘sulking’,

  Gran calls it ‘a mood’,

  Auntie Glenda says, ‘It’s “an attitude”.’

  Uncle Bob says, ‘It’s teenagers.’

  Cousin Em says, ‘Perhaps it’s drugs.’

  Cousin Paul says, ‘Maybe it’s cool nowadays.’

  Great Auntie Joyce says, ‘Maybe it’s that

  time of the month. You remember how cranky

  you used to get, Glenda.’

  Her brother Tim says, ‘I’m hungry. Someone pass

  the sauce.’

  And Uncle Simon, who was dropp
ed on his head as a baby,

  and therefore is regarded as a bit peculiar, says nothing.

  Just gives her a cuddle.

  And wipes away an embarrassed tear on her cheek.

  Inside her mind

  I want to die but I don’t have the energy

  (be careful what you wish for)

  she thinks.

  I am never going to get anywhere so why try?

  I am no one special anyway.

  I am a drain on my parents’ money and time.

  I have nothing to offer the world.

  I have no destiny.

  I am just a statistic.

  I am going to die one day.

  I am going to die one day soon.

  Oasis

  Her friends say,

  Char is like an island, she is all alone.

  Char is like a pit bull, she will bite if you try to get too

  close.

  Char is like a treasure chest, she is locked up.

  Char is like a wanderer in the desert.

  She needs a place of rest and nourishment.

  She needs an oasis.

  The best things in life are free

  Especially for my parents, thinks Char. The thought is

  sour, rotting, forbidden.

  They are fighting again

  about money

  and Tim.

  Their subjects of choice when

  it comes to arguing.

  I am not going to miss this when I’m

  gone,

  thinks Char. Gleefully, the thought tumbles around.

  And when her mother checks on her that night in bed

  she is smiling.

  Deadly concoction

  The parents are out. They have taken the beast-child

  known as Tim.

  Feeling brave, I scribble on a piece of paper.

  Goodbye, Mum.

  Goodbye, Dad.

  I couldn’t take it any more.

  I pick up our carving knife. It is a

  dead weight (ha ha).

 

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