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A Scots Quair

Page 6

by Lewis Grassic Gibbon


  The Standing Stones reared up above the two, marled and white-edged with snow they were, and a wind came blowing fit to freeze the chilblains on a brass monkey as they stood and glowered one at the other. Then Maitland muttered Ellison at Mains will see about this, and made off for all the world as if he feared the crack of a kick in the dowp of him. And right fairly there, midmost his brave breeks John Guthrie might well have kicked but that he restrained himself, cannily, for the goose was still lying by the side of the loch, jerking and slobbering blood through its beak; and it looked at him with terror in its slate-grey eyes and he waited, canny still, till Maitland was out of sight, syne he wrung the neck of the bird and took it down to Blawearie. And he told them all of the meeting with Maitland, and if ever they heard a shot on the land they were to run to him at once and tell him, he’d deal with any damn poacher—Jew, Gentile, or the Prince of Wales himself.

  So that was how father made first acquaintance with the Standing Stones, and he didn’t like them, for one evening in Spring after a day’s ploughing and tired a bit maybe, he went up on a dander through the brae to the loch and found Chris lying there, just as now she lay in the summer heat. Tired though he was he came to her side right fleet enough, his shoulders straight and his frightening eyes on her, she had no time to close the story-book she read and he snatched it up and looked at it and cried Dirt! You’ve more need to be down in the house helping your mother wash out the hippens. And he glanced with a louring eye at the Standing Stones and then Chris had thought a foolish thing, that he kind of shivered, as though he were feared, him that was feared at nothing dead or alive, gentry or common. But maybe the shiver came from his fleetness caught in the bite of the cold Spring air, he stood looking at the Stones a minute and said they were coarse, foul things, the folk that raised them were burning in hell, skin-clad savages with never a skin to guard them now. And Chris had better get down to her work, had she heard any shooting that evening?

  But Chris said No, and neither she had, nor any other evening till John Guthrie himself got a gun, a second-hand thing he picked up in Stonehaven, a muzzle-loader it was, and as he went by the Mill on the way to Blawearie Long Rob came out and saw it and cried Ay, man I didn’t mind you were a veteran of the ’45. And father cried Losh, Rob, were you cheating folk at your Mill even then? for sometimes he could take a bit joke, except with his family. So home he brought the old gun and loaded it up with pellets and stuffed in wadding with a ramrod; and by night he would go cannily out in the gloaming, and shoot here a rabbit and there a hare, no other soul must handle the gun but himself. Nor did any try till that day he went off to the mart at Laurencekirk and then Will took down the gun and laughed at the thing and loaded it and went out and shot at a mark, a herring box on the top of a post, till he was fell near perfect. But he wished he hadn’t, for father came home and counted his pellets that evening and went fair mad with rage till mother grew sick of the subject and cried Hold your whist, you and your gun, what harm was in Will that he used it?

  Father had been sitting at the neuk of the fire when he heard that, but he got to his feet like a cat then, looking at Will so that the blood flowed cold in Chris’s veins. Then he said, in the quiet-like voice that was his when he was going to leather them, Come out to the barn with me, Will. Mother laughed that strange, blithe laugh that had come out of the Springs of Kildrummie with her, kind and queer in a breath it was, looking pityingly at Will. But Chris burned with shame because of him, he was over-old for that, she cried out Father, you can’t!

  As well have cried to the tides at Kinneff to keep away from the land, father was fair roused by then, he whispered Be quiet, quean, else I’ll take you as well. And up to the barn he went with Will and took down his breeks, nearly seventeen though he was, and leathered him till the weals stood blue across his haunches; and that night Will could hardly sleep for the pain of it, sobbing into his pillow, till Chris slipped into his bed and took him into her arms and held him and cuddled him and put out her hand below his shirt on to his body and made gentle her fingers to pass and repass across the torn flesh of his body, soothing him, and he stopped from crying after a while and fell asleep, holding to her, strange it seemed then for she knew him bigger and older than she was, and somehow skin and hair and body stranger than once they had been, as though they were no longer children. She minded then the stories of Marget Strachan, and felt herself in the darkness blush for shame and then think of them still more and lie awake, seeing out of the window as it wore on to midnight a lowe in mauve and gold that crept and slipt and wavered upon the sky, and that was the lowe of the night-time whin-burning up on the Grampians; and next morning she was almost too sleepy to stiter into her clothes and set out across the fields to the station and the College train for Duncairn.

  For to the College she’d been sent and found it strange enough after the high classes in Echt, a little ugly place it was below Duncairn Station, ugly as sin and nearly as proud, said the Chris that was Murdoch, Chris of the land. Inside the main building of it was carved the head of a beast like a calf with colic, but they swore the creature was a wolf on a shield, whatever the brute might be doing there.

  Every week or so the drawing master, old Mr Kinloch, marched out this class or that to the playground in front of the wolf-beast; and down they’d all get on the chairs they’d brought and try and draw the beast. Right fond of the gentry was Kinloch, if you wore a fine frock and your hair was well brushed and your father well to the fore he’d sit beside you and stroke your arm and speak in a slow sing-song that made everybody laugh behind his back. Noooooooooooo, that’s not quate might, he would flute, More like the head of one of Chrissie’s faaaaaaaather’s pigs than a heraaaaaaaaaaldic animal, I’m afraaaaaaaaaaaaaaaid. So he loved the gentry, did Mr Kinloch, and God knows he was no exception among the masters there. For the most of them were sons and daughters of poor bit crofters and fishers themselves, up with the gentry they felt safe and unfrightened, far from that woesome pit of brose and bree and sheetless beds in which they had been reared. So right condescending they were with Chris, daughter of a farmer of no account, not that she cared, she was douce and sensible she told herself. And hadn’t father said that in the sight of God an honest man was as good as any school-teacher and generally a damned sight better?

  But it vexed you a bit all the same that a creature like the Fordyce girl should be cuddled by Mr Kinloch when she’d a face like a broken brose-cap and a voice like a nail on a slate. And but little cuddling her drawing warranted, her father’s silver had more to do with it, not that Chris herself could draw like an artist, Latin and French and Greek and history were the things in which she shone. And the English master set their class an essay on Deaths of the Great and her essay was so good that he was fored to read it aloud to all the class, and the Fordyce quean had snickered and sniffed, so mad she was with jealousy.

  Mr Murgetson was the English master there, not that he was English himself, he came from Argyll and spoke with a funny whine, the Highland whine, and the boys swore he had hair growing up between his toes like a Highland cow, and when they’d see him coming down a corridor they’d push their heads round a corner and cry Moo! like a lot of cattle. He’d fly in an awful rage at that, and once when they’d done it he came into the class where Chris was waiting her lesson and he stood and swore, right out and horrible, and gripped a black ruler in his hands and glared round as if he meant to murder a body. And maybe he would if the French teacher, her that was bonny and brave, hadn’t come simpering into the room, and then he lowered the ruler and grunted and curled up his lip and said Eh? Canaille? and the French teacher she simpered some more and said May swee.

  So that was the college place at Duncairn, two Chrisses went there each morning, and one was right douce and studious and the other sat back and laughed a canny laugh at the antics of the teachers and minded Blawearie brae and the champ of horses and the smell of dung and her father’s brown, grained hands till she was sick to be home again. Bu
t she made friends with young Marget Strachan, Chae Strachan’s daughter, she was slim and sweet and fair, fine to know, though she spoke about things that seemed awful at first and then weren’t awful at all; and you wanted to hear more and Marget would laugh and say it was Chae that had told her. Always as Chae she spoke of him and that was an unco-like thing to do of your father, but maybe it was because he was socialist and thought that Rich and Poor should be Equal. And what was the sense of believing that and then sending his daughter to educate herself and herself become one of the Rich?

  But Marget cried that wasn’t what Chae intended, she was to learn and be ready for the Revolution that was some day coming. And if come it never did she wasn’t to seek out riches anyway, she was off to be trained as a doctor, Chae said that life came out of women through tunnels of pain and if God had planned women for anything else but the bearing of children it was surely the saving of them. And Marget’s eyes, that were blue and so deep they minded you of a well you peeped into, they’d grow deeper and darker and her sweet face grow so solemn Chris felt solemn herself. But that would be only a minute, the next and Marget was laughing and fleering, trying to shock her, telling of men and women, what fools they were below their clothes; and how children came and how you should have them; and the things that Chae had seen in the huts of the blacks in Africa. And she told of a place where the bodies of men lay salted and white in great stone vats till the doctors needed to cut them up, the bodies of paupers they were—so take care you don’t die as a pauper, Chris, for I’d hate some day if I rang a bell and they brought me up out of the vat your naked body, old and shrivelled and frosted with salt, and I looked in your dead, queer face, standing there with the scalpel held in my hand, and cried ‘But this is Chris Guthrie!’

  That was awful, Chris felt sick and sick and stopped midway the shining path that led through the fields to Peesie’s Knapp that evening in March. Clean and keen and wild and clear, the evening ploughed land’s smell up in your nose and your mouth when you opened it, for Netherhill’s teams had been out in that park all day, queer and lovely and dear the smell Chris noted. And something else she saw, looking at Marget, sick at the thought of her dead body brought to Marget. And that thing was a vein that beat in Marget’s throat, a little blue gathering where the blood beat past in slow, quiet strokes, it would never do that when one was dead and still under grass, down in the earth that smelt so fine and you’d never smell; or cased in the icy darkness of a vat, seeing never again the lowe of burning whins or hearing the North Sea thunder beyond the hills, the thunder of it breaking through a morning of mist, the right things that might not last and so soon went by. And they only were real and true, beyond them was nought you might ever attain but a weary dream and that last dark silence—Oh, only a fool loved being alive!

  But Marget threw her arms around her when she said that, and kissed her with red, kind lips, so red they were that they looked like haws, and said there were lovely things in the world, lovely that didn’t endure, and the lovelier for that. Wait till you find yourself in the arms of your lad, in the harvest time it’ll be with the stooks round about you, and he’ll stop from joking—they do, you know, and that’s just when their blood-pressure alters—and he’ll take you like this—wait, there’s not a body to see us!—and hold you like this, with his hands held so, and kiss you like this!

  It was over in a moment, quick and shameful, fine for all that, tingling and strange and shameful by turns. Long after she parted with Marget that evening she turned and stared down at Peesie’s Knapp and blushed again; and suddenly she was seeing them all at Blawearie as though they were strangers naked out of the sea, she felt ill every time she looked at father and mother. But that passed in a day or so, for nothing endures.

  Not a thing, though you’re over-young to go thinking of that, you’ve your lessons and studies, the English Chris, and living and eating and sleeping that other Chris that stretches your toes for you in the dark of the night and whispers a drowsy I’m you. But you might not stay from the thinking when all in a day, Marget, grown part of your life, came waving to you as you neared the Knapp with the news she was off to Aberdeen to live with an auntie there—it’s a better place for a scholar, Chae says, and I’ll be trained all the sooner.

  And three days later Chae Strachan and Chris drove down to the station with her, and saw her off at the platform, and she waved at them, bonny and young, Chae looked as numb as Chris felt. He gave her a lift from the station, did Chae, and on the road he spoke but once, to himself it seemed, not Chris: Ay, Marget lass, you’ll do fine, if you keep the lads at bay from kissing the bonny breast of you.

  SO THAT WAS YOUR Marget gone, there seemed not a soul in Kinraddie that could take her place, the servant queans of an age with Chris were no more than gowks and gomerils a-screech round the barn of the Mains at night with the ploughmen snickering behind them. And John Guthrie had as little use for them as Marget herself. Friends? Stick to your lessons and let’s see you make a name for yourself, you’ve no time for friends.

  Mother looked up at that, friendly-like, not feared of him at all, she was never feared. Take care her head doesn’t soften with lessons and dirt, learning in books it was sent the wee red daftie at Cuddiestoun clean skite, they say. And father poked out his beard at her. Say? Would you rather see her skite with book-learning or skite with—and then he stopped and began to rage at Dod and Alec that were making a noise in the kitchen corner. But Chris, a-pore above her books in the glow of the paraffin lamp, heeding to Caesar’s coming in Gaul and the stour the creature raised there, knew right well what father had thought to speak of—lust was the word he’d wanted, perhaps. And she turned a page with the weary Caesar man and thought of the wild career the daftie Andy had led one day in the roads and woods of Kinraddie.

  Marget had barely gone when the thing came off, it was fair the speak of the place that happening early in April. The sowing time was at hand, John Guthrie put down two parks with grass and corn, swinging hand from hand as he walked and sowed and Will carried the corn across to him from the sacks that lined the rigs. Chris herself would help of an early morning when the dew had lifted quick, it was blithe and lightsome in the caller air with the whistle of the blackbirds in Blawearie’s trees and the glint of the sea across the Howe and the wind blowing up the braes with a fresh, wild smell that caught you and made you gasp. So silent the world with the sun just peeking above the horizon those hours that you’d hear, clear and bright as though he paced the next field, the ringing steps of Chae Strachan—far down, a shadow and a sunlit dot, sowing his parks behind the steadings of Peesie’s Knapp. There were larks coming over that morning, Chris minded, whistling and trilling dark and unseen against the blaze of the sun, now one lark, now another, till the sweetness of the trilling dizzied you and you stumbled with heavy pails corn-laden, and father swore at you over the red beard of him Damn’t to hell, are you fair a fool, you quean?

  That morning it was that the daftie Andy stole out of Cuddiestoun and started his scandalous rampage through Kinraddie. Long Rob of the Mill was to say he’d once had a horse that would do that kind of thing in the early Spring, leap dykes and ditches and every mortal thing it would if it heard a douce little mare go by. Gelding though it was, the horse would do that, and what more was Andy, poor devil, than a gelding? Not that Mistress Ellison had thought him that—faith, no!

  It was said she ran so fast after her meeting with the daftie she found herself down two stone in weight. The coarse creature chased her nearly in sight of the Mains and then scrabbled away into the rough ground beyond the turnpike. She’d been out fell early for her, Mistress Ellison, and was just holding along the road a bit walk to Fordoun when out of some bushes Andy jumped, his ramshackle face all swithering and his eyes all hot and wet. She thought at first he was hurted and then she saw he was trying to laugh, he tore at her frock and cried You come! She nearly fainted, but didn’t, her umbrella was in her hand, she broke it over the daftie’s head and t
hen turned and ran, he went louping after her along the road, like a great monkey he leapt, crying terrible things to her. When sight of the Mains put an end to that chase he must have hung back in the hills for an hour or so and seen Mistress Munro, the futret, go sleeking down the paths to the Mains and Peesie’s Knapp and Blawearie, asking sharp as you like, as though she blamed every soul but herself, Have you seen that creature Andy!

  While she was up Blawearie way he must have made his road back across the hills, high up above the Cuddiestoun, till Upperhill came in sight. For later one of the ploughmen thought he’d seen the creature, shambling up against the skyline, picking a great bunch of sourocks and eating them. Then he got into the Upperhill wood and waited there, and it was through that wood at nine o’clock that Maggie Jean Gordon would hold her way to the station–close and thick larch wood with a path through it, where the light fell hardly at all and the cones crunched and rotted underfoot and sometimes a green barrier of whin crept up a wood ditch and looked out at you, and in the winter days the deer came down from the Grampians and sheltered there. But in the April weather there were no deer to fright Maggie Jean, even the daftie didn’t frighten her. He’d been waiting high in the wood before he took her, but maybe before that he ran alongside the path she was taking, keeping hidden from view of the lass, for she heard a little crackle rise now and then, she was to remember, and wondered that the squirrels were out so early. Gordon she was, none the better for that it might be, but a blithe little thing, thin body and bonny brown hair, straight to walk and straight to look, and you liked the laugh of her.

 

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