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The Final Victim

Page 4

by that's me


  She and Bri­an spent the­ir wed­ding night in the mo­re spa­ci­o­us, ele­gant qu­ar­ters down the hall.

  But Char­lot­te and her hus­band oc­cupy that ro­om now, and ap­pa­rently ha­ve for qu­ite so­me ti­me. Li­an­na's is the se­cond-best lo­ca­ti­on, a cor­ner ro­om with a pri­va­te bath and fi­rep­la­ce, still spa­ci­o­us des­pi­te ha­ving be­en di­vi­ded ye­ars ago.

  Phyllida is hard-pres­sed to ke­ep her envy at bay. Not that she wants to spend any mo­re ti­me in the dre­ary old man­si­on than is ab­so­lu­tely ne­ces­sary. But it wo­uld ha­ve be­en ni­ce to ha­ve se­en mo­re of Gran­dad­dy in his fi­nal days.

  At le­ast, that's what she told Char­lot­te this af­ter­no­on, af­ter the­ir gran­d­fat­her was la­id to rest alon­g­si­de his wi­fe, Ele­ano­re, and ge­ne­ra­ti­ons of Re­min­g­tons in Oak­ga­te's ce­me­tery.

  "You're lucky, you know," she told her te­ary-eyed co­usin. "I hadn't even se­en Gran­dad­dy in ages." Not sin­ce her wed­ding, in fact, three ye­ars ago. "I ho­pe he knew how much I mis­sed him. I think abo­ut him all the ti­me."

  Well, not all the ti­me.

  But she did, oc­ca­si­onal­ly, think abo­ut her gran­d­fat­her.

  More of­ten, she'd be wil­ling to bet, than her brot­her ever did.

  Leave it to Gib to show up at Oak­ga­te me­re mi­nu­tes be­fo­re the fu­ne­ral star­ted, with a mo­un­ta­in of lug­ga­ge in the li­mo, re­qu­isi­te blon­de on his arm-he ap­pa­rently still da­tes only blon­des-and chip on his sho­ul­der.

  Her brot­her ne­ver did get along with the­ir fat­her's si­de of the fa­mily. He pre­fer­red to min­g­le with the ma­ter­nal Yan­kee re­la­ti­ves.

  Now he knows as well as Phylli­da do­es that it's go­ing to ta­ke mo­re than what's left of the­ir Re­min­g­ton trust funds to see the two of them thro­ugh the re­ma­in­der of the­ir adul­t­ho­od, not to men­ti­on hel­ping to ca­re for the­ir mot­her even­tu­al­ly.

  Right now, Su­san Re­min­g­ton is li­ving in Pro­vi­den­ce with one of her sis­ters and wor­king at a bo­uti­que. So­me­day so­on, she's go­ing to ne­ed fi­nan­ci­al help, and it will be up to her chil­d­ren to pro­vi­de it. What el­se do­es she ha­ve? Her own fa­mily lost ever­y­t­hing when the­ir im­por­ting bu­si­ness went bel­ly-up ye­ars ago; she'll get not­hing from them.

  Gib's law deg­ree is mostly for show, as far as Phylli­da can tell. When she pres­sed him, he ad­mit­ted he has yet to jo­in a firm.

  "But don't tell Mot­her," he war­ned. "I let her think I ac­cep­ted an of­fer last mon­th-just so she won't worry abo­ut me," he ad­ded at Phylli­da's frown.

  As for her, the me­re few mil­li­on she re­ce­ived on her twen­ty-first bir­t­h­day ba­rely fun­ded her mo­ve to Ca­li­for­nia, a ho­use in Be­verly Hills, ac­ting les­sons, cos­me­tic sur­gery, and her wed­ding.

  She cho­se Oak­ga­te as the set­ting-not out of sen­ti­ment or So­ut­hern tra­di­ti­on, but be­ca­use it was free- cost-wi­se and sche­du­ling-wi­se. She was preg­nant; the wed­ding had to be thrown to­get­her in a mat­ter of months; the­re was no ti­me to wa­it for an ope­ning at a glitzy Be­verly Hills re­cep­ti­on hall.

  Anyway, Oak­ga­te was lar­ge eno­ugh to hold, and in clo­se pro­xi­mity to, hun­d­reds of well-he­eled gu­ests who ca­me be­aring luc­ra­ti­ve en­ve­lo­pes.

  Hers was a fa­iry-ta­le wed­ding, the kind she'd dre­amed abo­ut ever sin­ce she was a lit­tle girl, des­pi­te the fact that she was sec­retly well in­to her se­cond tri­mes­ter when she wal­ked down the ais­le.

  But it hasn't be­en a fa­iry-ta­le mar­ri­age.

  Well, who­se fa­ult is that? You co­uld ha­ve mar­ri­ed a rich hus­band, she re­minds her­self.

  But back then she was still crazy abo­ut Bri­an. With his squ­are-jawed, swo­op-ha­ired, preppy go­od lo­oks and up­s­ca­le war­d­ro­be, she tho­ught he ca­me from a we­althy fa­mily.

  Turned out he was pro­bably a bet­ter ac­tor than most of tho­se trying to ma­ke it a pro­fes­si­on in LA: he grew un in a blue-col­lar ho­use­hold in Long Be­ach. When Phylli­da met him, he was a caddy at a fancy co­untry club and M sa­les­man in the men's de­par­t­ment in Ne­iman Mar­cus whe­re he ma­de go­od use of his na­tu­ral cha­ris­ma and his em­p­lo­yee dis­co­unt.

  Infatuated, Phylli­da was na­ive eno­ugh to be­li­eve them co­uld in­de­fi­ni­tely li­ve a Be­verly Hills li­fes­t­y­le on his pay her trust fund, and the wed­ding bo­oty. But the­re was al­ways the pro­mi­se of Re­min­g­ton mil­li­ons on the ho­ri­zon-not to men­ti­on her ac­ting pay­c­hecks on­ce she hit it big.

  So far, she hasn't, tho­ugh she hasn't gi­ven up that dre­am. But at this po­int, Phylli­da is ban­king on her in­he­ri­tan­ce from Gran­dad­dy as op­ti­mis­ti­cal­ly as her brot­her is, if not as bla­tantly.

  So, she's cer­ta­in, is Char­lot­te. That se­cond hus­band of hers is so­me kind of com­pu­ter tec­h­ni­ci­an. He can't pos­sibly be sup­por­ting her and Li­an­na in the style to which they we­re ac­cus­to­med.

  Sorry, Gran­dad­dy, but yo­ur de­ath is a bles­sing.

  For all of us.

  Her palm skim­ming the po­lis­hed wo­od ba­nis­ter as she go­es up­s­ta­irs, Char­lot­te is re­min­ded of the ti­me Gran­dad­dy ca­ught her sli­ding down it as a lit­tle girl.

  "What on earth do you think you're do­ing, child?" he bo­omed, star­t­ling her so that she ne­arly top­pled to the mar­b­le flo­or be­low. 'That isn't a di­me-sto­re pony ri­de. Get down this in­s­tant! You know bet­ter."

  She did, and it was the fir­st-and last-ti­me she ever bro­ke that, or any ot­her ru­le of the ho­use­hold. For ye­ars af­ter, she wo­uld glan­ce lon­gingly at the in­vi­ting slo­pe and re­mem­ber tho­se sto­len mo­ments of chil­dish glee, so swiftly cur­ta­iled.

  Back then, she was a me­re vi­si­tor at Oak­ga­te-and an oc­ca­si­onal one, at that. Gran­dad­dy's pri­mary re­si­den­ce at the ti­me was a Gre­ek Re­vi­val man­si­on on Or­le­ans Squ­are in Sa­van­nah that had be­en in the fa­mily sin­ce the eig­h­te­enth cen­tury. Hardly the sen­ti­men­tal type, Gil­bert sold it well be­fo­re the re­vi­ta­li­za­ti­on of the his­to­ric dis­t­rict. Char­lot­te, who was sen­ti­men­tal, wis­t­ful­ly wal­ked by it so­me­ti­mes when she was gro­wing up; saw it fall in­to dis­re­pa­ir, tur­ned in­to te­ne­ments, and ul­ti­ma­tely torn down.

  Thank go­od­ness her gran­d­fat­her cho­se to ke­ep the im­me­di­ate gro­unds and gar­dens of Oak­ga­te, in­c­lu­ding the for­lorn lit­tle an­ces­t­ral ce­me­tery. The brick ma­in ho­use was bu­ilt by Char­lot­te's gre­at-gre­at-gre­at­g­ran­d­fat­her, and its ow­ner­s­hip has ne­ver stra­yed be­yond the Re­min­g­ton fa­mily. It was con­s­t­ruc­ted in typi­cal an­te­bel­lum style: symmet­ri­cal fa­ca­de fron­ted by grand whi­te pil­lars and a wi­de por­ti­co; hip­ped ro­of pun­c­tu­ated third-flo­or dor­mers; dis­tin­c­ti­ve ra­ised ba­se­ment wall con­s­t­ruc­ted of tabby, a re­gi­onal mix­tu­re of oy­s­ter shell sand, li­me, and wa­ter.

  Oakgate didn't be­co­me Char­lot­te's of­fi­ci­al re­si­den­ce un­til the sum­mer af­ter she gra­du­ated from Du­ke, when she set­tled he­re rat­her than re­turn ho­me to li­ve Sa­van­nah with her re­cently wi­do­wed mot­her.

  Daddy had be­en the bond that held the two of the to­get­her; wit­ho­ut him, she felt out of pla­ce at ho­me She was clo­ser to her gran­d­fat­her than to her mot­her, and it se­emed lo­gi­cal that she li­ve at Oak­ga­te with him.

  It wasn't na­tu­ral, on the he­els of free-and-easy dor­mi­tory li­fe, to set­tle in­to an old man's ho­use­hold with an old man's un­ben­ding ru­les and ri­tu­als. But so­me­how, they ma­de it work. Char­lot­te even­tu­al­ly fo­und her­self lo­oking for­ward to the r
i­gid da­ily sche­du­le of do­mes­tic events at Oak­ga­te, in such stark con­t­rast to her pa­rents' cha­otic non­ro­uti­nes.

  Every mor­ning at pre­ci­sely se­ven o'clock, Nydia ser­ved the sa­me bre­ak­fast: grits, po­ac­hed eggs, and slabs of thick co­untry ba­con that in the end pro­bably con­t­ri­bu­ted to Gran­dad­dy's de­mi­se. The ti­ming and me­nu didn't vary with the day of the we­ek or the se­ason; nor did it vary with the per­so­nal whims of the co­ok or di­ner.

  It was grits, po­ac­hed eggs, and ba­con at se­ven. Al­ways.

  Grandaddy nap­ped every af­ter­no­on af­ter lunch, sno­ring pe­ace­ful­ly in his rec­li­ner. A li­fe­long in­som­ni­ac, he cla­imed it was the only pla­ce he co­uld ever fall as­le­ep-and stay as­le­ep-wit­ho­ut the pres­c­rip­ti­on me­di­ca­ti­on he of­ten re­sor­ted to in the wee ho­urs.

  Every night, af­ter sup­per and his bath, Gran­dad­dy wat­c­hed the NBC Nightly News at six thirty. Then, wit­ho­ut fa­il, he wo­uld turn off the te­le­vi­si­on and turn on the ra­dio, the one on the man­tel. It was al­ways tu­ned to the sa­me Ol­di­es sta­ti­on, which iro­ni­cal­ly pla­yed swing mu­sic that was pro­bably ne­wer than the ra­dio it­self. Tommy Dor­sey, Jim­my Dor­sey, Co­unt Ba­sie…

  That first Chris­t­mas she li­ved with him, Char­lot­te got her gran­d­fat­her a brand new ste­reo system.

  It still sits, unu­sed from that day, in a ca­bi­net in the far cor­ner of the li­ving ro­om, along with the stack of gol­den ol­di­es CD's she bo­ught him to go with it. She has long sin­ce got­ten over the hurt, ha­ving co­me to un­der­s­tand that Gil­bert Re­min­g­ton was a cre­atu­re of ha­bit. He wan­ted to he­ar his old mu­sic on his old ra­dio.

  She sta­yed for al­most two ye­ars, mo­ving out only when she mar­ri­ed Vin­cent.

  But the Sa­van­nah con­do and la­ter the two-story, cen­ter-hall Co­lo­ni­al that she sha­red with her first hus­band ne­ver en­ti­rely felt li­ke ho­me. Not even when Adam was ali­ve. Sel­ling the ho­use and re­tur­ning to Oak­ga­te af­ter the di­vor­ce hadn't be­en a dif­fi­cult de­ci­si­on, tho­ugh Li­an­na had com­p­la­ined. But so­on even she grew com­for­tab­le he­re.

  It was Char­lot­te who co­uldn't qu­ite set­tle in.

  That had not­hing to do with Gran­dad­dy or the ho­use. She was still mo­ur­ning her los­ses. Ini­ti­al­ly, she tho­ught be­ing at Oak­ga­te wo­uld ma­ke her fe­el clo­ser to her lit­tle boy, bu­ri­ed in the fa­mily gra­ve­yard be­hind the ho­use.

  Instead, it was a con­s­tant re­min­der of all that she had lost; of what will ne­ver be.

  She had al­re­ady de­ci­ded to buy a ho­use of her own hack in Sa­van­nah be­fo­re that fa­te­ful La­bor Day we­ekend three ye­ars ago.

  It was shortly af­ter­ward that she met Roy­ce, un­der the most hor­ri­fic of cir­cum­s­tan­ces.

  The first ti­me he sho­wed up at the be­re­aved pa­rent gro­up she used to at­tend, she in­s­tantly re­cog­ni­zed him from the be­ach.

  She wat­c­hed him run­ning that day, scre­aming for his son. She saw him hur­t­ling him­self hel­p­les­sly in­to the wa­ter, scre­aming for Theo, un­til the li­fe­gu­ards drag­ged him out.

  Lianna wit­nes­sed it as well.

  As far as Char­lot­te knows, her da­ug­h­ter hasn't be­en back to the be­ach sin­ce.

  But Li­an­na se­emed to wel­co­me Roy­ce in­to the­ir li­ves, when Char­lot­te fi­nal­ly got the ner­ve to bring him ho­me.

  Theirs was a whir­l­wind co­ur­t­s­hip that se­emed ine­vi­tab­le from the mo­ment they met. Each had fo­und the only ot­her per­son in the world who truly un­der­s­to­od what they had be­en thro­ugh.

  Sometimes, even now, Char­lot­te finds it dif­fi­cult to wrap her mind aro­und the eerie, cru­el co­in­ci­den­ce that bro­ught them to­get­her. She still wa­kes up every mor­ning of her li­fe wis­hing des­pe­ra­tely that it had ne­ver hap­pe­ned, that Adam had ne­ver di­ed. Yet if he hadn't, and if Roy­ce hadn't lost his son, they wo­uldn't ha­ve fo­und each ot­her.

  They've long sin­ce stop­ped as­king why. It's far too pa­in­ful to lo­ok back. They've both do­ne the­ir best to ac­cept what is, to only lo­ok ahe­ad to­ward the­ir fu­tu­re and the fresh start they're bu­il­ding to­get­her.

  But that isn't easy he­re at Oak­ga­te, whe­re the past exists hand in hand with the pre­sent.

  Built on a slight knoll at the end of a long la­ne bor­de­red by an arch of Spa­nish moss-dra­ped li­ve oaks, the red brick man­si­on's ro­oms re­ma­in fil­led with he­ir­lo­om ni­ne­te­en­th-cen­tury fur­ni­tu­re, and se­em to ec­ho with ghosts of a bygo­ne era.

  Charlotte has long har­bo­red a cu­ri­o­us mix of af­fec­ti­on and dre­ad for the old pla­ce, which, li­ke many old Low Co­untry ho­mes, is ru­mo­red to be ha­un­ted.

  She's ne­ver ac­tu­al­ly se­en a ghost, but that do­esn't me­an they aren't he­re… And it do­esn't me­an she wants to con­ti­nue li­ving un­der this ro­of any lon­ger than is ab­so­lu­tely ne­ces­sary. Es­pe­ci­al­ly now that Gran­dad­dy is go­ne.

  But for the ti­me be­ing, with the­ir own ho­me in Sa­van­nah un­der­go­ing ex­ten­si­ve re­no­va­ti­ons af­ter ha­ving be­en gut­ted down to the studs, she, Roy­ce, and Li­an­na are stuck he­re.

  Everything will be brig­h­ter for all of us when we can get back ho­me, Char­lot­te tells her­self wis­t­ful­ly. We just ha­ve to hang in the­re un­til then.

  Phyllida tos­ses a shrewd glan­ce at the man in the fra­med pho­to on the nig­h­t­s­tand.

  The black-and-whi­te ima­ge of her gran­d­fat­her in his yo­uth ca­me with the ro­om, of co­ur­se. Tho­ugh may­be she'll ta­ke it with her as a ni­ce lit­tle me­men­to when she go­es back to Ca­li­for­nia.

  Yes, physi­cal evi­den­ce of her loss will ma­ke her fri­ends and ne­ig­h­bors out West even mo­re sympat­he­tic. She'll ke­ep the pic­tu­re on the man­tel for a whi­le and when pe­op­le co­me to vi­sit, she'll af­fec­ti­ona­tely po­int out Gran­dad­dy's cow­lick, so li­ke Wills's, and the bru­ise on his che­ek un­do­ub­tedly ca­used by so­me yo­ut­h­ful Prank.

  I'll tell ever­yo­ne he got hurt res­cu­ing the fa­mily dog from a bur­ning ho­use, Phylli­da thinks dre­amily. I'll say that he used to ta­ke me on his knee and tell me that story when I was lit­tle.

  She smi­les fa­intly at the ima­ge of her­self as a wi­de-eyed lit­tle girl cur­led up on her gran­d­fat­her's lap, al­most be­li­eving, for a split se­cond, that it re­al­ly hap­pe­ned. But, of co­ur­se, it didn't Wi­do­wed when his sons we­re tod­dlers, Gran­dad­dy was a to­ugh old son of a bitch; to­ug­her, even, than Phylli­da's fat­her. And un­li­ke Phylli­da's fat­her, who didn’t se­em to ca­re much for eit­her of his chil­d­ren, Gran­dad­dy pla­yed fa­vo­ri­tes.

  Uncle Nor­ris's da­ug­h­ter, Char­lot­te, was the only one Gran­dad­dy ever re­al­ly no­ti­ced. Not Phylli­da, not even Gran­dad­dy's own na­me­sa­ke, Gil­bert IV.

  Growing up, Phylli­da co­uldn't help en­v­ying her So­ut­hern co­usin. But not so much for the­ir gran­d­fat­her's at­ten­ti­on. Nor for de­mu­re Char­lot­te's na­tu­ral gra­ce, hen ge­nu­ine kin­d­ness and go­od­ness… nor for the fe­et that she al­ways se­emed to do and say the right ti­ling wit­ho­ut even thin­king abo­ut it.

  No, mo­re than an­y­t­hing el­se, Phylli­da was je­alo­us on Char­lot­te's ef­for­t­less be­a­uty. Even as a child, she was lit­he and long-lim­bed, with wavy black ha­ir, por­ce­la­in skin, and unu­su­al pur­p­lish eyes frin­ged with thick, dark las­hes. She even in­he­ri­ted the "Re­min­g­ton chin," the sa­me dis­tin­c­ti­ve, co­mely cleft sha­red by Gran­dad­dy and so­me of her an­ces­tors, whom she's se­en in old fa­mily por­t­ra­its.

  Today, Char­lot­te's stri­king fa�
�ce and fi­gu­re re­ma­in unen­han­ced by cos­me­tic sur­gery-un­li­ke Phylli­da's.

  But in the end, no­ne of that mat­ters, do­es it? In the end, ever­y­t­hing equ­als out.

  Phyllida has pla­in-old blue eyes, not aqu­ama­ri­ne li­ke tho­se of her brot­her, fat­her, and gran­d­fat­her, nor Liz Tay­lor-vi­olet li­ke Char­lot­te's. She con­si­de­red-and dis­mis­sed-the no­ti­on of we­aring co­lo­red con­tacts, des­pi­te how aut­hen­tic-lo­oking they are the­se days. But thanks to Dr. Zach Hil­bert of Be­verly Hills, Phylli­da is now easily as stun­ning as her East Co­ast co­usin.

  And Char­lot­te will be en­tit­led to the sa­me third of the fa­mily for­tu­ne Phylli­da and Gib will get. No mo­re,no less.

  Financial fa­ir-min­ded­ness was a pro­ud tra­it of Gran­dad­dy's, and al­ways had be­en.

  Phyllida's fat­her had al­ways as­su­red her of that. Gran­dad­dy dep­lo­red his own fat­her's de­ci­si­on to cut his da­ug­h­ter out of his will. Gre­at-Aunt Je­an­ne got not­hing; Gran­dad­dy got ever­y­t­hing-on the sti­pu­la­ti­on that he not le­ave a penny of it to his sis­ter upon his de­ath.

 

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