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The Final Victim

Page 37

by that's me


  He won­ders whet­her Nydia has re­tur­ned yet from her day off yes­ter­day, so she can get rid of the re­por­ter.

  If not, I'm su­re Aimee will wel­co­me the ple­asu­re, he thinks with a sly smi­le as he ta­kes a bi­te of to­ast.

  Through the scre­en, he can he­ar brisk fo­ot­s­teps cros­sing the dri­ve, then tap­ping the­ir way up the steps and ac­ross the flag­s­to­ne.

  The do­or­bell rings.

  "Nydia?" Roy­ce calls. "Are you he­re? The­re's a re­por­ter out front."

  Ever-efficient, the ho­use­ke­eper must ha­ve al­re­ady be­en on her way from the kit­c­hen; he can al­re­ady he­ar the fa­int, fa­mi­li­ar cre­ak of the front do­or ope­ning.

  Then co­mes the hum of fe­ma­le vo­ices, fol­lo­wed by the un­mis­ta­kab­le gro­an of the scre­en do­or.

  "Nydia, no, don't!" he calls, won­de­ring why on earth she'd let a re­por­ter in­to the ho­use.

  Too la­te.

  He can al­re­ady he­ar fo­ot­s­teps clic­king ac­ross the ti­le and har­d­wo­od flo­ors, he­ading right for him.

  Then a stran­ger ap­pe­ars in the do­or­way.

  A stran­ger who lo­oks fa­mi­li­ar…

  Why?

  She must be on te­le­vi­si­on, but she do­esn't ha­ve that po­lis­hed jo­ur­na­list ap­pe­aran­ce. Her ha­ir falls lo­ose past her sho­ul­ders wit­ho­ut a hint of ha­ir spray, and the blond stre­aks are from the sun, not a sa­lon. That much is ob­vi­o­us in her tawny, frec­k­led fa­ce and gol­den arms and legs.

  Plus, she's we­aring shorts, a T-shirt, and Dr. Scholl's- hardly ca­me­ra-re­ady at­ti­re.

  All right, so if she's not a re­por­ter, who is she?

  "Mr. Ma­it­land, I'm so sorry to bot­her you-"

  The mo­ment she spe­aks that pre­am­b­le, in pre­ci­sely the words she spo­ke to him on­ce be­fo­re-Mr. Ma­it­land, I'm so sor­ry-Roy­ce re­cog­ni­zes her.

  Not from the six o'clock news…

  No, Roy­ce re­ali­zes, as the to­ast and ho­ney ro­il on a chur­ning sea in his gut, she was a li­fe­gu­ard at the be­ach on that fa­te­ful La­bor Day we­ekend.

  "So, we me­et aga­in," Wil­li­am­son says, ba­ring his te­eth in what do­esn't qu­ite pass as a smi­le as Gib set­tles in­to the in­ter­ro­ga­ti­on ro­om for what pro­mi­ses to be yet anot­her ro­und of re­len­t­less qu­es­ti­oning.

  Tyler is he­re, which is a go­od sign. When he left yes­ter­day, Gib wasn't en­ti­rely cer­ta­in he'd see the law­yer aga­in. Which might not be such a bad thing.

  After Tyler had bad­ge­red him for every de­ta­il of his trip to Me­xi­co-which, of co­ur­se, Gib cla­imed not to re­call-he left, sa­ying he was go­ing to ve­rify that Gib re­al­ly had be­en on the flights he'd cla­imed to ha­ve ta­ken, and that he was go­ing to lo­ca­te Cas­san­d­ra, pro­vi­ded she's lis­ted in the Bos­ton whi­te pa­ges.

  Gib wo­uld ven­tu­re to gu­ess that she is, but who the hell knows?

  If Tyler re­al­ly wants her num­ber that badly, Gib isn't abo­ut to ke­ep it from him. It's in his cell pho­ne's me­mory.

  Along with a co­up­le of ot­her num­bers he isn't par­ti­cu­larly an­xi­o­us to ha­ve co­me to light.

  In res­pon­se to Wil­li­am­son's smarmy gre­eting, be­ca­use it se­ems the de­tec­ti­ve is wa­iting for a res­pon­se, Gib says, "Yes, we're all in our pla­ces with bright, shiny fa­ces."

  All right, that pro­bably wasn't the kind of res­pon­se Wil­li­am­son had had in mind.

  Tyler gla­res at Gib, then asks the of­fi­cers to ex­p­la­in the re­ason for this me­eting.

  "I'm glad you as­ked," Wil­li­am­son says, "be­ca­use I'm pretty an­xi­o­us to tell you. In fact, I co­uldn't wa­it to get he­re."

  He sho­ots a sig­ni­fi­cant lo­ok in Gib's di­rec­ti­on.

  Terrific.

  Are they go­ing to: (a) ha­ve Gran­dad­dy's body exu­med, (b) try to pin a mur­der on him, to com­p­le­ment the as­sa­ult char­ge, or (c) co­me up with so­me bo­gus wit­ness who cla­ims to be ab­le to pla­ce him in the ce­me­tery that night?

  The an­s­wer, Gib dis­co­vers as he lis­tens to Wil­li­am­son's pre­am­b­le with mo­un­ting an­xi­ety, is (d) no­ne of the abo­ve.

  In the end, it's Do­ra­do who de­li­vers the suc­ker punch.

  "We went thro­ugh the evi­den­ce we to­ok from yo­ur ro­om aga­in, Re­min­g­ton," the de­tec­ti­ve says, a gle­am in his dark eyes, "… and we fo­und so­met­hing very in­te­res­ting hid­den in what lo­oked li­ke re­gu­lar-old con­ta­iners of sha­ving cre­am and ha­ir gel."

  "Hey, whe­re ha­ve you be­en?" Ke­vin's vo­ice asks, so lo­ud in Li­an­na's ear that she in­s­tin­c­ti­vely shus­hes him, then fe­els ri­di­cu­lo­us.

  It's not as tho­ugh an­yo­ne can he­ar his vo­ice co­ming over the pho­ne li­ne in the study with the do­or clo­sed.

  Royce is sa­fely stuck dow­n­s­ta­irs on the co­uch; her mot­her's car isn't in the dri­ve­way.

  "I've be­en stuck at Oak­ga­te, whe­re el­se wo­uld I be?"

  "You sa­id you'd try to me­et me yes­ter­day af­ter­no­on. You ne­ver even cal­led to set it up."

  "I know." Her to­ne is hus­hed. "But I co­uldn't."

  "How co­me? Was yo­ur mot­her up yo­ur butt now that she's han­ging aro­und at ho­me aga­in?"

  "Actually, I fell as­le­ep."

  He snorts.

  "It's the truth," Li­an­na tells him with a shrug. "I was re­al­ly wi­ped out. I slept all af­ter­no­on." Which is pro­bably why she ma­na­ged to wa­ke up so early this mor­ning. It wasn't even ni­ne o'clock when her eyes ope­ned of the­ir own ac­cord.

  "Anyway," she tells Ke­vin, "I fo­und out my mot­her chan­ged the num­ber he­re last we­ek and didn't tell me. We­re you trying to call me at all?"

  "Uh… Ye­ah. All we­ekend."

  "That's why you co­uldn't get me. Sorry."

  "It's okay. I'm glad you cal­led. Let's ho­ok up to­night."

  "Tonight?" Li­an­na he­si­ta­tes. "I don't know if I sho­uld sne­ak out, Ke­vin. If my mot­her cat­c­hes me aga­in…"

  "Come on, she'll ne­ver know. And I miss you."

  A smi­le cur­ves her lips. "I miss you, too."

  "So then let's go. I'll pick you up."

  "What ti­me?"

  "Midnight?"

  "Midnight? That's so la­te." 'Ta­ke anot­her nap. You'll be fi­ne."

  "How abo­ut this af­ter­no­on in­s­te­ad?" she sug­gests.

  'This af­ter­no­on? What are we go­ing to do in the mid­dle of the day?"

  "You know… talk." Kiss…

  Except not li­ke we wo­uld if it was night and we we­re alo­ne to­get­her.

  It'll be sa­fer.

  Safe is go­od.

  She'll just tell her mot­her she's go­ing to ta­ke a nap for a few ho­urs sin­ce it's such a crappy day out, and no­body will even re­ali­ze she's go­ne.

  Kevin hed­ges. "I don't know… I might ha­ve to work."

  "I tho­ught you sa­id be­fo­re you we­re off to­day."

  "I'm sup­po­sed to be, but-"

  "Look, do you want to me­et me, or what?"

  "I do. Just… to­night."

  "Yeah, well, I don't want to wa­it that long," she says softly. "You know… I miss you. A lot."

  "Okay, okay. What ti­me?" 'Two?"

  "I'll pick you up."

  She hangs up, thin­king that if her mot­her se­ems sus­pi­ci­o­us when she says she's ta­king a nap in the mid­dle of the day, she'11 just- Li­an­na fre­ezes.

  A flo­or­bo­ard cre­aked just now, in the hal­lway out­si­de the clo­sed do­or.

  Was so­me­body eaves­d­rop­ping on her call?

  With a whis­pe­red cur­se, Li­an­na con­tem­p­la­tes the wis­dom of ope­ning the do­or to see who it is.
r />   Nydia? Aimee?

  It can't be Mom. She wo­uld ha­ve burst in he­re ma­king ac­cu­sa­ti­ons.

  Unless she de­ci­ded to catch me in the act.

  Lianna frowns, pon­de­ring the si­tu­ati­on.

  There's no way to check from he­re whet­her her mot­her's car is back. The up­s­ta­irs study fa­ces the back of the ho­use.

  Okay, so she has two cho­ices: She'll eit­her ha­ve to di­sap­po­int Ke­vin by sta­ying put this af­ter­no­on, or ta­ke the risk.

  Nothing wor­t­h­w­hi­le in li­fe co­mes wit­ho­ut risk.

  Right.

  Who was it who sa­id that to her re­cently?

  Devin…?

  Dad…?

  Definitely not Mom. No, she's not abo­ut to go aro­und tel­ling Li­an­na to ta­ke chan­ces.

  Well, who­ever it was, Li­an­na tells her­self now, they we­re ab­so­lu­tely right.

  How co­uld you ha­ve be­en so stu­pid?

  Why didn't Mi­mi ever con­si­der, in her ur­gency to get to Char­lot­te, that she might find her­self fa­ce-to-fa­ce aga­in with Roy­ce Ma­it­land?

  She saw the re­cog­ni­ti­on in his eyes be­fo­re she even had a chan­ce to in­t­ro­du­ce her­self.

  Now, still ta­ken aback both by his re­ac­ti­on and at fin­ding him in a hos­pi­tal bed, it fe­els la­me to in­ter­rupt her apo­lo­ge­tic in­t­ro­duc­ti­on with a blur­ted, "I he­ard you say I'm a re­por­ter, but I'm not. I'm Mi­mi Johnst-"

  "I know who you are." His ga­ze is har­der than the mar­b­le man­tel­pi­ece on the far end of the ro­om.

  She thinks qu­ickly, de­ter­mi­ned to sal­va­ge the con­ver­sa­ti­on. "Yes, I'm the one who went to the po­li­ce with the tip that led them to Gib's ar­rest in yo­ur at­tack."

  He ra­ises a dark eyeb­row at that.

  He didn't know, she re­ali­zes. Okay, so may­be that'll help me. I put his at­tac­ker be­hind bars.

  But his ex­p­res­si­on qu­ickly re­verts to sto­ne as he res­ponds, "No, you're the one who let my only son drown."

  "Mr. Ma­it­land-"

  "Why are you he­re? And how did you even get in?"

  "The ga­te was open, so-"

  He cur­ses. Then he de­mands, aga­in, "Why are you he­re?"

  She fal­ters.

  She co­uld tell him she wan­ted to pay him a vi­sit, to ma­ke su­re he's re­co­ve­ring af­ter the ter­rib­le sho­oting.

  But she do­esn't even ha­ve a bo­uqu­et of flo­wers or a box of muf­fins to en­han­ce the ru­se. The truth is, she ne­ver even tho­ught twi­ce abo­ut what hap­pe­ned to Char­lot­te's hus­band when she de­ci­ded to co­me run­ning over he­re.

  She was thin­king only of her own hus­band, con­su­med by the ne­ed to sa­ve his li­fe, and des­pe­ra­te to ask Char­lot­te abo­ut what Dr. Von Ca­ve re­ve­aled.

  Now, she dis­mis­ses of­fe­ring any fal­se pre­ten­se for her vi­sit.

  "I'm he­re to see yo­ur wi­fe," she says, pla­in and sim­p­le.

  "My wi­fe isn't he­re. She won't be back for a few days. So ple­ase le­ave."

  He's lying.

  Mimi can tell.

  "Mr. Ma­it­land, if you wo­uld just lis­ten-"

  "As I sa­id, ple­ase le­ave."

  "Mr. Ma­it­land-"

  "Good-bye!"He folds his arms and turns away as much as his po­si­ti­on in the bed will al­low.

  Still, she wa­vers, kno­wing this might be her one chan­ce, and Jed's last chan­ce.

  "If you don't le­ave now, I'll call the po­li­ce. You're tres­pas­sing on pri­va­te pro­perty. I swe­ar, they'll co­me and ta­ke you to ja­il for days."

  That can't hap­pen. Jed ne­eds her. Cam ne­eds her. She do­esn't ha­ve days to spend away from them, days to sit in ja­il.

  Still, she do­esn't mo­ve. If she co­uld just- "That's it." Roy­ce Ma­it­land re­ac­hes for the pho­ne. The­re's not­hing for Mi­mi to do but go.

  The par­king lot, ais­les, and chec­ko­ut li­nes of Ac­ho­co Is­land's only su­per­mar­ket are jam­med with lo­cals and sum­mer re­si­dents ali­ke, snap­ping up ca­ses of bot­tled wa­ter, plus bat­te­ri­es, can­ned me­als, and all kinds of ot­her stap­les to ma­ke it thro­ugh the ap­pro­ac­hing storm.

  Next do­or, the har­d­wa­re sto­re is equ­al­ly busy, do­ing a brisk bu­si­ness on ge­ne­ra­tors, flas­h­lights, and blue-plas­tic ro­ofing tarp. The­re's al­re­ady a ge­ne­ro­us supply of that in the ba­se­ment at Oak­ga­te, thanks to le­aks in the at­tic du­ring last ye­ar's harsh hur­ri­ca­ne se­ason.

  Already we­ary, ha­ving wo­ken up drowsy on­ce aga­in to­day, it ta­kes Char­lot­te ne­arly two ex­ha­us­ting ho­urs to plod thro­ugh the sto­re fil­ling her cart, and anot­her twenty mi­nu­tes to ma­ke it thro­ugh the li­ne. The job wo­uld ha­ve be­en much easi­er had Li­an­na ag­re­ed to co­me along, but she simply glo­we­red when Char­lot­te po­ked her he­ad in tins mor­ning to ask her.

  Oh, well. Bet­we­en the so­lo dri­ve over and the pro­lon­ged trip thro­ugh the ais­les she has plenty of ti­me to pon­der her co­usin's inex­p­li­cab­le di­sap­pe­aran­ce. But it do­esn't ap­pe­ar that Phylli­da met with fo­ul play-at le­ast, not as far as Char­lot­te can tell.

  The gu­es­t­ro­om her co­usin was using, when Char­lot­te lo­oked in­to it yes­ter­day, bo­re no tra­ce that she had ever be­en the­re. Her clot­hing, to­ilet­ri­es, and lug­ga­ge we­re go­ne; the bed ma­de up ne­atly with Nydia's un­mis­ta­kab­le per­fectly cre­ased hos­pi­tal cor­ners.

  So it do­esn't se­em as if Phylli­da va­nis­hed from the ho­use un­der ex­t­ra­or­di­nary cir­cum­s­tan­ces. When she left, it was ap­pa­rently un­der her own ste­am, with her per­so­nal be­lon­gings in tow. It re­al­ly lo­oks as tho­ugh she must ha­ve go­ne to the air­port, but may­be she to­ok anot­her flight to Ca­li­for­nia. Or may­be she went to Rho­de Is­land, to vi­sit her mot­her.

  Charlotte de­ci­des to call Bri­an when she gets back ho­me, even if it is still early on the West Co­ast. If Phylli­da tur­ned up last night, Char­lot­te will be re­li­eved. If she didn't, Char­lot­te will ask if he has chec­ked with Aunt Su­san.

  At last, she ma­kes it thro­ugh the long li­ne and whe­els her cart out to the par­king lot. The sky over the wa­ter is omi­no­usly dark, and a warm, in­dis­pu­tably tro­pi­cal wind is blo­wing in from the so­ut­he­ast.

  After the ple­asantly air-con­di­ti­oned sto­re, the air fe­els ter­ribly op­pres­si­ve. Char­lot­te's whi­te sle­eve­less T-shirt and gray cot­ton-knit shorts stick un­com­for­tably to her skin as she works to hur­ri­edly lo­ad the gro­ce­ri­es in­to her SUV.

  Her cell pho­ne rings as she's lo­ading the last bag, the one that holds the fro­zen items. Ho­ping the ra­pidly sof­te­ning ice cre­am-mint cho­co­la­te chip, Li­an­na's fa­vo­ri­te-won't melt en­ti­rely be­fo­re she gets it ho­me, she slams the hatch and checks her cal­ler ID.

  Private na­me, pri­va­te num­ber.

  Okay, go­od, at le­ast it isn't from Oak­ga­te. Des­pi­te her gro­wing une­asi­ness, un­do­ub­tedly aug­men­ted by the fact that her co­usin se­ems to ha­ve va­nis­hed in­to thin air, not­hing ter­rib­le has hap­pe­ned to Roy­ce or Li­an­na…

  Or has it?

  What if the call is co­ming from the hos­pi­tal ER, or- "Hel­lo?" she blurts in­to the pho­ne.

  "Charlotte Ma­it­land?"

  "Yes?" She holds her bre­ath.

  "This is De­tec­ti­ve Do­ra­do. I tri­ed to re­ach you at ho­me, but the num­ber-"

  "I'm sorry, I had to chan­ge it and I for­got to let you know." That's be­co­ming her man­t­ra. "Is so­met­hing wrong?"

  There's a pa­use.

  Her he­art qu­ic­kens.

  "Actually, the­re's be­en a new de­ve­lop­ment in the ca­se. Wo­uld it be pos­sib­l
e for us to co­me right out to the ho­use to spe­ak to you?"

  "How abo­ut if I co­me the­re?" she sug­gests, dun­king qu­ickly. The last thing she wants now is for po­or Roy­ce to ha­ve to de­al with the po­li­ce sho­wing up aga­in.

 

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