The Ambassador's Daughter

by Pam Jenoff

  Paris, 1919.

  The world’s leaders have gathered to rebuild from the ashes of the Great War. But for one woman, the City of Light harbors dark secrets and dangerous liaisons, for which many could pay dearly.

  Brought to the peace conference by her father, a German diplomat, Margot Rosenthal initially resents being trapped in the congested French capital, where she is still looked upon as the enemy. But as she contemplates returning to Berlin and a life with Stefan, the wounded fiancé she hardly knows anymore, she decides that being in Paris is not so bad after all.

  Bored and torn between duty and the desire to be free, Margot strikes up unlikely alliances: with Krysia, an accomplished musician with radical acquaintances and

  a secret to protect; and with Georg, the handsome, damaged naval officer who gives Margot a job—and also a reason to question everything she thought she knew about where her true loyalties should lie.

  Against the backdrop of one of the most significant events of the century, a delicate web of lies obscures the line between the casualties of war and of the heart, making trust a luxury that no one can afford.

  Selected praise for Pam Jenoff

  Quill Award Nominee

  Nominated for the American Library Association’s Sophie Brody Medal

  “With luminous simplicity, Jenoff’s breathtaking debut chronicles the life of a young Jewish bride during the Nazi occupation of Krakow, Poland, in WWII… This is historical romance at its finest.”

  —Publishers Weekly starred review on The Kommandant’s Girl

  “In her moving first novel, Jenoff offers an insightful portrait of people forced into an untenable situation and succeeds in humanizing the unfathomable as well as the heroic.”

  —Booklist on The Kommandant’s Girl

  “Beautifully researched, with realistic dialogue, The Kommandant’s Girl is impossible to put down. Don’t miss this terrific novel!”

  —Romance Reviews Today

  “I have not been so moved by a book in quite some time as I was by The Kommandant’s Girl… The remarkably accurate account of a world at war, and the repercussions of that war, make this a brilliant debut novel… Historical fiction at its best. I could not put the book down, yet was sad to see it end.”

  —Historical Romance Writers

  “[The Diplomat’s Wife], Jenoff’s stirring sequel to her debut… Historical romance fans will be well rewarded.”

  —Publishers Weekly starred review

  “In [her] successful and satisfying second novel… Jenoff explores the immediate aftermath of World War II with sensitivity and compassion, shedding light on an often overlooked era of European history. She expertly draws out the tension and illustrates the danger and poverty of Eastern Europe as it falls under communism. Highly recommended for all fiction collections.”

  —Library Journal on The Diplomat’s Wife

  Also by Pam Jenoff

  THE DIPLOMAT’S WIFE

  THE KOMMANDANT’S GIRL

  In loving memory of Dad.

  Contents

  Prologue

  Part One

  Chapter 1

  Chapter 2

  Chapter 3

  Part Two

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Part Three

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Epilogue

  Acknowledgments

  Discussion Guide Questions

  Excerpt

  Prologue

  The sun has dropped low beneath the crumbling arches of Lehrter Bahnhof as I make my way across the station. A sharp, late-autumn breeze sends the pigeons fluttering from the rafters and I draw my coat closer against the chill. The crowds are sparse this Tuesday evening, the platforms bereft of the usual commuter trains and their disembarking passengers. A lone carriage sits on the track farthest to the right, silent and dark.

  I had been surprised by the telegram announcing Stefan’s return by rail. There were hardly any trains since the Allies had bombed the lines. At least that’s what the newspapers write—the defunct trains and the British naval blockade are the excuses given for everything, from the lack of new pipes to start the water running again—a problem that has forced us back outside as though it were a century ago—to the impossibility of getting fresh milk. Looking around the desolate station now, I almost believe the excuse.

  Stefan’s face appears in my mind. It was more than four years ago on this very platform that we said goodbye, the garland of asters I’d picked hung freshly around his neck. “Don’t go,” I pleaded a final time. Stefan was not cut out to fight—he had a round, gentle face, wide brown eyes that said he could never hurt anybody. But it was too late—he had gone down to the enlistment center two weeks earlier, ahead of any conscription, and come home with papers ordering him to report. The war was going to be quick, everyone said. The horse-mounted Serbs, with their swords, were no match for the Kaiser’s tanks and planes. The fighting would be over in weeks, and all of the boys wanted a piece of the glory before it was gone.

  I peer back over my shoulder past the closing kiosk, which gives off the smell of stale ersatz coffee, at the station doors, creaking open and closed with the wind. Someone more important than me should have been here to meet Stefan. He is a soldier, wounded in battle. More to the point, he is the only young man from our Jewish enclave in Berlin who had gone off to fight and come back at all. I don’t know what I expected, not a marching band and reporters exactly, but perhaps a small delegation from the local war council. The once-proud veterans’ group had been disbanded, though. No one wanted to be identified as a soldier now, to face the glares of reproach and the questions about why they had not gotten the job done.

  Fifteen minutes pass, then twenty. I clutch tighter the fine leather gloves that I’ve managed to twist into a damp, wrinkled ball. Fighting the urge to pace, I start toward the station office to inquire if there is news of the next arrival. I navigate around a luggage trolley, which has been upended and abandoned midstation. My skirt catches on something and I pause, turning to free the hem. It is not a nail or board, but a filthy, long-haired man sitting on the ground, a fetid mass of bandages where his right leg had once been.

  “Bitte...” a voice rasps as I jump backward. “I’m sorry to startle you.” He is a soldier, too, or was, his tattered uniform barely recognizable. I fish a coin from my purse, trying not to recoil from the hand that reaches out for it. But inwardly, I blanch. Will Stefan look like this sorry creature?

  I lift my head as a horn sounds long and low from the darkness beyond the edge of the station. A moment later a train appears, threading its way onto one of the tracks. It moves so slowly that it seems to have no engine at all, nudged instead by some slight tilt of the earth. Great clouds of steam billow from its funnel, filling the station. As I walk toward the platform, straining to see through the mist, my heart begins to pound.

  The train grinds to a halt. The doors open with painstaking slowness and a few men spill out, some in uniform and others street clothes. I search those walking toward me for Stefan, knowing that he will not be among them.

  When the platform has nearly cleared, a nurse pushes a wheelchair from one of the train carriages. I step forward, and then stop again. The chair does not contain Stefan, but an elderly man, hunched over so only the top of his bald
head shows. The nurse struggles with the chair and as its rear wheels catch on the door, I hasten to help her.

  The man in the chair uncurls, straightening slightly as I near. It is Stefan, I realize, biting my lip so hard I taste blood. A giant slash across the right side of his face from temple to chin combines with the lack of hair to make him almost unrecognizable. But the worst part is his arms, skeletal and shaky. My mind races as I try to fathom the horrors that could age a man decades in a few years.

  Stefan gazes up with vacant, watery eyes, not speaking. “Hello, darling,” I manage, bending to brush my lips against his papery cheek.

  He reaches for me with a quivering hand. “Let’s go home,” he croaks, and as his fingers close around my wrist like cold death, I let out the cry I can hold back no longer.

  My eyes fly open and I sit up in the darkness, still screaming.

  Part One

  Paris, December 1918

  Chapter 1

  I cycle through the Jardin des Tuileries, navigating carefully around the slippery spots on the damp gravel path. The December air is crisp with the promise of snow and the bare branches of the chestnut trees bow over me like a procession of sabers. I pedal faster past the park benches, savoring the wind against my face and opening my mouth to gulp the air. A startled squirrel darts behind the base of a marble statute. My hair loosens, a sail billowing behind me, pushing me

  farther and faster, and for a moment it is almost possible to forget that I am in Paris.

  The decision to come had not been mine. “I’ve been asked to go to the peace conference,” Papa informed me unexpectedly less than a month ago. He had previously professed no interest in taking part in “the dog and pony show at Versailles,” and had harrumphed frequently as he read the details of the preparations in the Times. “Uncle Walter thinks...” he added, as he so often did. I did not need to listen to the rest. My mother’s older brother, an industrialist who had taken over the electronics firm their father founded, could not attend the peace conference himself after contributing so much to the war machine. He considered it important, though, to somehow have a voice at the table, a presence before the Germans were formally summoned. So he had secured an invitation for Papa, an academic who had spent the war visiting at Oxford, to advise the conference. It was important to be there before Wilson’s ship arrived, Papa explained. We packed up our leased town house hurriedly and boarded a ferry at Dover.

  Papa had not been happy to come, either, I reflect, as I reach the end of the park and slow. The street is choked thick with motorcars and lorries and autobuses, and a few terrified horses trying to pull carriages amid the traffic. He had pulled forlornly on his beard as we boarded the train in Calais, bound for Paris. It was not just his reluctance to be torn from his studies at the university, immersed in the research and teaching he loved so, and thrust into the glaring spotlight of the world’s political stage. We are the defeated, a vanquished people, and in the French capital we loved before the war, we are now regarded as the enemy. In England, it had been bad enough. Though Papa’s academic status prevented him from being interned like so many German men, we were outsiders, eyed suspiciously at the university. I could not wear the war ribbon as the smug British girls did when their fiancés were off fighting, because mine was for the wrong side. But outside of our immediate Oxford circle it had been relatively easy to fade into the crowd with my accentless English. Here, people know who we are, or will, once the conference formally begins. The recriminations will surely be everywhere.

  My skirts swish airily as I climb from the bike, thankfully free of the crinolines that used to make riding so cumbersome. The buildings on the rue Cambon sparkle, their shrapnel-pocked facades washed fresh by the snow. I stare up at the endless apartments, stacked on top of one another, marveling at the closeness of it all, unrivaled by the most crowded quarters in London. How do they live in such spaces? Sometimes I feel as though I am suffocating just looking at them. Growing up in Berlin, I’m no stranger to cities. But everything here is exponentially bigger—the wide, traffic-clogged boulevards, square after square grander than the next. The pavement is packed, too, with lines of would-be customers beneath the low striped awning of the cheese shop, and outside the chocolatier where the sign says a limited quantity will be available at three o’clock. A warm, delicious aroma portends the sweets’ arrival.

  A moment later, I turn onto a side street and pull the bike up against the wall, which is covered in faded posters exhorting passersby to buy war bonds. A bell tinkles as I enter the tiny bookshop. “Bonjour.” The owner, Monsieur Batteau, accustomed to my frequent visits, nods but does not look up from the till.

  I squeeze down one of the narrow aisles and scan the packed shelves hungrily. When we first arrived in Paris weeks earlier, it was books that I missed the most: the dusty stacks of the college library at Magdalen, the bounty of the stalls at the Portobello Road market. Then one day I happened upon this shop. Books had become a luxury few Parisians could afford during the war and there were horrible stories of people burning them for kindling, or using their pages for toilet paper. But some had instead brought them to places like this, selling them for a few francs in order to buy bread. The result is a shop bursting at the seams with books, piled haphazardly in floor-to-ceiling stacks ready to topple over at any moment. I run my hand over a dry, cracked binding with affection. The titles are odd—old storybooks mix with volumes about politics and poetry in a half-dozen languages and an abundance of war novels, for which it seems no one has the stomach anymore.

  I hold up a volume of Goethe. It has to be at least a hundred years old, but other than its yellowed pages it is in good condition, its spine still largely intact. Before the war, it would have been worth money. Here, it sits discarded and unrecognized, a gem among the rubble.

  “Pardon,” Monsieur Batteau says a short while later, “but if you’d like to buy anything...” I glance up from the travelogue of Africa I’d been browsing. I’ve been in the shop scarcely thirty minutes and the light outside has not yet begun to fade. “I’m closing early today, on account of the parade.”

  “Of course.” How could I have forgotten? President Wilson arrives today. I stand and pass Monsieur Batteau a few coins, then tuck the Goethe tome and the book on botany I’d selected into my satchel. Outside the street is transformed—the queues have dissipated, replaced with soldiers and men in tall hats and women with parasols, all moving in a singular direction. Leaving the bike, I allow myself to be carried by the stream as it feeds into the rue de Rivoli. The wide boulevard, now closed to motorcars, is filled with pedestrians.

  The movement of the crowd stops abruptly. A moment later we surge forward again, reaching the massive octagon of the Place de la Concorde, the mottled gray buildings stately and resplendent in the late-afternoon sun. The storied square where Marie Antoinette and Louis XVI were executed is an endless mass of bodies, punctuated by the captured German cannons brought here after the armistice. The statues in the corners, each symbolizing a French town, have been covered in laurels.

  The crowd pushes in behind me, onlookers from every side street attempting to pack the already choked space. I am surrounded by a sea of tall men, the damp wool from their coats pressing against my face, making it impossible to breathe. Close spaces have never suited me. Trying not to panic, I squeeze through to one of the cannons. I hitch my skirt and climb onto the wheel, the steel icy against my legs through my stockings. “Pardon,” I say to the startled young man already on top of the gun.

  There are flags everywhere, I can see from my new vantage point, banners unfurled from the balconies of the columned Hôtel de Crillon, American flags in the hands of the children. “Wilson the Just!” placards declare. A lane has been formed through the square, roped off with great swaths of sky-blue cloth to keep the crowd back. Airplanes, lower and louder than I’ve ever heard, roar overhead.

  A few feet to the right of the cannon, a woman in a blue cape catches my eye. Nearly forty by the
looks of her, she stands still in the feverish crowd. She is tall, her posture perfectly erect, with chestnut-brown hair piled upon her head. She is somehow familiar, though from where I cannot say. Abruptly, she turns and begins walking, swimming against the tide, slipping away from the gathering. Who would leave before Wilson’s arrival? Surely there is nowhere else to be in the city now. I wonder fleetingly if she is ill, but her movements are calm and fluid as she disappears into the crowd.

  The din grows to a roar. I turn my attention back to the square as a row of mounted soldiers canters into view, wearing the bright helmets of the Garde Republicaine. The horses raise their heads high, snorting great clouds of frost from their flared nostrils. The crowd pushes in, twisting the once-straight lane into a serpentine. I shudder as unseen guns erupt jarringly in the distance. Surely that is not a sound any of us needs to hear anymore.

  Behind the horses, a procession of open carriages appears. The first bears a man in a long coat and top hat with a woman beside him. Though it is too far away for me to see, I can tell by the whoops that he is President Wilson. As the carriage draws closer and stops in front of the hotel, I recognize Wilson from the photos. He waves to the crowd as he climbs down. But his bespectacled face is solemn, as if seeing for the first time the hopes of so many that hang on his promises.

  A minute later Wilson disappears into the hotel. The show quickly over, the onlookers begin to ebb, bleeding down the dozen or so arteries that lead from the square. I glimpse the woman in the blue cape, several yards away now, still fighting her way through the crowd. Impulsively, I hop down from the cannon, catching the hem of my skirt as I do. I free the material, then push toward her, weaving through narrow gaps, heedless now of the closeness as I follow the flash of blue like a beacon.

  As I reach the street, I spy the woman fifty or so meters ahead, turning into the park where I’d been cycling an hour earlier. There is nothing unusual about that. But one would not have left Wilson’s arrival for a stroll and her gait is purposeful, suggesting an errand more interesting than just fresh air. I push forward, following her into the park. A moment later, she turns off the main path into a smaller garden where I’ve not been before.