The Crimes of Paris

by Dorothy Hoobler; Thomas Hoobler

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  ———. “The Demoiselles d’Avignon.” Burlington Magazine 100, no. 662 (1958): 154–63.

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  ———. Famous French Crimes. London: Muller, 1959.

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  ———. Walks in Gertrude Stein’s Paris. Salt Lake City: Peregrine Smith Books, 1988.

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  ———. “French Scientific Materialism and the Liturgy of Death: The Invention of a Secular Version of Catholic Last Rites (1876–1914).” French Historical Studies 20, no. 4 (Fall 1997).

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  ———. Seven Ages of Paris. New York: Vintage Books, 2004.

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  Hutchings, Peter. The Criminal Spectre in Law, Literature and Aesthetics: Incriminating Subjects. London: Routledge, 2001.

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  ———. “The Most Amazing True Crime Story Ever Told: The Auto Bandits of Paris.” New York Times, May 5, 1912.

  Leighten, Patricia Dee. Re-ordering the Universe: Picasso and Anarchism, 1897–1914. Princeton, NJ: Princeton University Press, 1989.

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  Levenstein, Harvey A. Seductive Journey: American Tourists in France from Jefferson to the Jazz Age. Chicago: University of Chicago Press, 1998.

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  ———. “The Police Methodology of Sherlock Holmes.” Translated 1942 by John Hugh Holla (typescript at New York Public Library Research Collection). La Revue Hebdomadaire, année 31, tome 2 (February 1922).

  ———. Le fiancé de la guillotine (Lacenaire). Paris: Éditions de la flamme d’or, 1954.

  Locard, Edmond, and Robert Corvol. Mémoires d’un criminologiste. Paris: Fayard, 1957.

  Lofficier, Jean-Marc, and Randy Lofficier. Shadowmen: Heroes and Villains of French Pulp Fiction. Encino, CA: Black Coat Press, 2003.

  Logan, Guy B. H. Rope, Knife and Chain: Studies of English, French, and American Crimes. London: Stanley Paul, 1930.

  Longstreet, Stephen. We All Went to Paris: Americans in the City of Light, 1776–1971. New York: Macmillan, 1972.

  Lucas, Netley. Criminal Paris. London: Hurst and Blackett, 1926.

  Luhan, Mabel Dodge. European Experiences. New York: Harcourt, Brace, 1935.

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  MacDonald, John F. “Paris and Mme. Steinheil.” Fortnightly Review 92 (December 1909).

  Mackworth, Cecily. Guillaume Apollinaire and the Cubist Life. New York: Horizon Press, 1963.

  Mailer, Norman. Portrait of Picasso as a Young Man: An Interpretative Biography. New York: Atlantic Monthly Press, 1995.

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  March, Harold. The Two Worlds of Marcel Proust. New York: Barnes, 1961.

  Marquis, Alice Goldfarb, and Marcel Duchamp. Marcel Duchamp: The Bachelor Stripped Bare; A Biography. Boston: MFA Publications, a division of the Museum of Fine Arts, 2002.

  Marriner, Brian. On Death’s Bloody Trail: Murder and the Art of Forensic Science. New York: St. Martin’s Press, 1993.

  Martin, Benjamin F. Crime and Criminal Justice under the Third Republic: The Shame of Marianne. Baton Rouge: Louisiana State University Press, 1990.

  ———. The Hypocrisy of Justice in the Belle Epoque. Baton Rouge: Louisiana State University Press, 1984.

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  Martin Du Gard, Roger. Jean Barois. New York: Viking Press, 1949.

  Mason, Raymond. At Work in Paris: Raymond Mason on Art and Artists. New York: Thames and Hudson, 2003.

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  ———. Insights of Genius: Imagery and Creativity in Science and Art. New York: Copernicus, 1996.

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  ———. Look for the Woman: A Narrative Encyclopedia of Female Poisoners, Kidnappers, Thieves, Extortionists, Terrorists, Swindlers, and Spies, from Elizabethan Times to the Present. New York: Evans, 1981.

  Nesbit, Molly. “The Rat’s Ass.” October 56 (Spring 1991): 6–20.

  Olivier, Fernande. Loving Picasso: The Private Journal of Fernande Olivier. New York: Abrams, 2001.

  ———. Picasso and His Friends. New York: Appleton-Century, 1965.

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  ———. Clues and Crime: The Science of Criminal Investigation. London: Murray, 1933.

  ———. Some Persons Unknown: Being an Account of Scientific Detection. London: Murray, 1931.

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. New York: Knopf, 1991.

  ———. A Life of Picasso. Vol. 2, 1907–1917. New York: Random House, 1996.

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  ———. Souvenirs sans fin, troisième époque (1920–1940). Paris: Gallimard, 1961.

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