The Innocence of Father Brown

by Gilbert Keith Chesterton

  Merton's official superior, a grizzled and capable detective named Gilder, was standing on the green bank waiting for the coroner, talking to Patrick Royce, whose big shoulders and bristly beard and hair towered above him. This was the more noticeable because Royce walked always with a sort of powerful stoop, and seemed to be going about his small clerical and domestic duties in a heavy and humbled style, like a buffalo drawing a go-cart.

  He raised his head with unusual pleasure at the sight of the priest, and took him a few paces apart. Meanwhile Merton was addressing the older detective respectfully indeed, but not without a certain boyish impatience.

  "Well, Mr. Gilder, have you got much farther with the mystery?"

  "There is no mystery," replied Gilder, as he looked under dreamy eyelids at the rooks.

  "Well, there is for me, at any rate," said Merton, smiling.

  "It is simple enough, my boy," observed the senior investigator, stroking his grey, pointed beard. "Three minutes after you'd gone for Mr. Royce's parson the whole thing came out. You know that pasty-faced servant in the black gloves who stopped the train?"

  "I should know him anywhere. Somehow he rather gave me the creeps."

  "Well," drawled Gilder, "when the train had gone on again, that man had gone too. Rather a cool criminal, don't you think, to escape by the very train that went off for the police?"

  "You're pretty sure, I suppose," remarked the young man, "that he really did kill his master?"

  "Yes, my son, I'm pretty sure," replied Gilder drily, "for the trifling reason that he has gone off with twenty thousand pounds in papers that were in his master's desk. No, the only thing worth calling a difficulty is how he killed him. The skull seems broken as with some big weapon, but there's no weapon at all lying about, and the murderer would have found it awkward to carry it away, unless the weapon was too small to be noticed."

  "Perhaps the weapon was too big to be noticed," said the priest, with an odd little giggle.

  Gilder looked round at this wild remark, and rather sternly asked Brown what he meant.

  "Silly way of putting it, I know," said Father Brown apologetically. "Sounds like a fairy tale. But poor Armstrong was killed with a giant's club, a great green club, too big to be seen, and which we call the earth. He was broken against this green bank we are standing on."

  "How do you mean?" asked the detective quickly.

  Father Brown turned his moon face up to the narrow facade of the house and blinked hopelessly up. Following his eyes, they saw that right at the top of this otherwise blind back quarter of the building, an attic window stood open.

  "Don't you see," he explained, pointing a little awkwardly like a child, "he was thrown down from there?"

  Gilder frowningly scrutinised the window, and then said: "Well, it is certainly possible. But I don't see why you are so sure about it."

  Brown opened his grey eyes wide. "Why," he said, "there's a bit of rope round the dead man's leg. Don't you see that other bit of rope up there caught at the corner of the window?"

  At that height the thing looked like the faintest particle of dust or hair, but the shrewd old investigator was satisfied. "You're quite right, sir," he said to Father Brown; "that is certainly one to you."

  Almost as he spoke a special train with one carriage took the curve of the line on their left, and, stopping, disgorged another group of policemen, in whose midst was the hangdog visage of Magnus, the absconded servant.

  "By Jove! they've got him," cried Gilder, and stepped forward with quite a new alertness.

  "Have you got the money!" he cried to the first policeman.

  The man looked him in the face with a rather curious expression and said: "No." Then he added: "At least, not here."

  "Which is the inspector, please?" asked the man called Magnus.

  When he spoke everyone instantly understood how this voice had stopped a train. He was a dull-looking man with flat black hair, a colourless face, and a faint suggestion of the East in the level slits in his eyes and mouth. His blood and name, indeed, had remained dubious, ever since Sir Aaron had "rescued" him from a waitership in a London restaurant, and (as some said) from more infamous things. But his voice was as vivid as his face was dead. Whether through exactitude in a foreign language, or in deference to his master (who had been somewhat deaf), Magnus's tones had a peculiarly ringing and piercing quality, and the whole group quite jumped when he spoke.

  "I always knew this would happen," he said aloud with brazen blandness. "My poor old master made game of me for wearing black; but I always said I should be ready for his funeral."

  And he made a momentary movement with his two dark-gloved hands.

  "Sergeant," said Inspector Gilder, eyeing the black hands with wrath, "aren't you putting the bracelets on this fellow; he looks pretty dangerous."

  "Well, sir," said the sergeant, with the same odd look of wonder, "I don't know that we can."

  "What do you mean?" asked the other sharply. "Haven't you arrested him?"

  A faint scorn widened the slit-like mouth, and the whistle of an approaching train seemed oddly to echo the mockery.

  "We arrested him," replied the sergeant gravely, "just as he was coming out of the police station at Highgate, where he had deposited all his master's money in the care of Inspector Robinson."

  Gilder looked at the man-servant in utter amazement. "Why on earth did you do that?" he asked of Magnus.

  "To keep it safe from the criminal, of course," replied that person placidly.

  "Surely," said Gilder, "Sir Aaron's money might have been safely left with Sir Aaron's family."

  The tail of his sentence was drowned in the roar of the train as it went rocking and clanking; but through all the hell of noises to which that unhappy house was periodically subject, they could hear the syllables of Magnus's answer, in all their bell-like distinctness: "I have no reason to feel confidence in Sir Aaron's family."

  All the motionless men had the ghostly sensation of the presence of some new person; and Merton was scarcely surprised when he looked up and saw the pale face of Armstrong's daughter over Father Brown's shoulder. She was still young and beautiful in a silvery style, but her hair was of so dusty and hueless a brown that in some shadows it seemed to have turned totally grey.

  "Be careful what you say," said Royce gruffly, "you'll frighten Miss Armstrong."

  "I hope so," said the man with the clear voice.

  As the woman winced and everyone else wondered, he went on: "I am somewhat used to Miss Armstrong's tremors. I have seen her trembling off and on for years. And some said she was shaking with cold and some she was shaking with fear, but I know she was shaking with hate and wicked anger-fiends that have had their feast this morning. She would have been away by now with her lover and all the money but for me. Ever since my poor old master prevented her from marrying that tipsy blackguard-"

  "Stop," said Gilder very sternly. "We have nothing to do with your family fancies or suspicions. Unless you have some practical evidence, your mere opinions-"

  "Oh! I'll give you practical evidence," cut in Magnus, in his hacking accent. "You'll have to subpoena me, Mr. Inspector, and I shall have to tell the truth. And the truth is this: An instant after the old man was pitched bleeding out of the window, I ran into the attic, and found his daughter swooning on the floor with a red dagger still in her hand. Allow me to hand that also to the proper authorities." He took from his tail-pocket a long horn-hilted knife with a red smear on it, and handed it politely to the sergeant. Then he stood back again, and his slits of eyes almost faded from his face in one fat Chinese sneer.

  Merton felt an almost bodily sickness at the sight of him; and he muttered to Gilder: "Surely you would take Miss Armstrong's word against his?"

  Father Brown suddenly lifted a face so absurdly fresh that it looked somehow as if he had just washed it. "Yes," he said, radiating innocence, "but is Miss Armstrong's word against his?"

  The girl uttered a startled, singular little cr
y; everyone looked at her. Her figure was rigid as if paralysed; only her face within its frame of faint brown hair was alive with an appalling surprise. She stood like one of a sudden lassooed and throttled.

  "This man," said Mr. Gilder gravely, "actually says that you were found grasping a knife, insensible, after the murder."

  "He says the truth," answered Alice.

  The next fact of which they were conscious was that Patrick Royce strode with his great stooping head into their ring and uttered the singular words: "Well, if I've got to go, I'll have a bit of pleasure first."

  His huge shoulder heaved and he sent an iron fist smash into Magnus's bland Mongolian visage, laying him on the lawn as flat as a starfish. Two or three of the police instantly put their hands on Royce; but to the rest it seemed as if all reason had broken up and the universe were turning into a brainless harlequinade.

  "None of that, Mr. Royce," Gilder had called out authoritatively. "I shall arrest you for assault."

  "No, you won't," answered the secretary in a voice like an iron gong, "you will arrest me for murder."

  Gilder threw an alarmed glance at the man knocked down; but since that outraged person was already sitting up and wiping a little blood off a substantially uninjured face, he only said shortly: "What do you mean?"

  "It is quite true, as this fellow says," explained Royce, "that Miss Armstrong fainted with a knife in her hand. But she had not snatched the knife to attack her father, but to defend him."

  "To defend him," repeated Gilder gravely. "Against whom?"

  "Against me," answered the secretary.

  Alice looked at him with a complex and baffling face; then she said in a low voice: "After it all, I am still glad you are brave."

  "Come upstairs," said Patrick Royce heavily, "and I will show you the whole cursed thing."

  The attic, which was the secretary's private place (and rather a small cell for so large a hermit), had indeed all the vestiges of a violent drama. Near the centre of the floor lay a large revolver as if flung away; nearer to the left was rolled a whisky bottle, open but not quite empty. The cloth of the little table lay dragged and trampled, and a length of cord, like that found on the corpse, was cast wildly across the windowsill. Two vases were smashed on the mantelpiece and one on the carpet.

  "I was drunk," said Royce; and this simplicity in the prematurely battered man somehow had the pathos of the first sin of a baby.

  "You all know about me," he continued huskily; "everybody knows how my story began, and it may as well end like that too. I was called a clever man once, and might have been a happy one; Armstrong saved the remains of a brain and body from the taverns, and was always kind to me in his own way, poor fellow! Only he wouldn't let me marry Alice here; and it will always be said that he was right enough. Well, you can form your own conclusions, and you won't want me to go into details. That is my whisky bottle half emptied in the corner; that is my revolver quite emptied on the carpet. It was the rope from my box that was found on the corpse, and it was from my window the corpse was thrown. You need not set detectives to grub up my tragedy; it is a common enough weed in this world. I give myself to the gallows; and, by God, that is enough!"

  At a sufficiently delicate sign, the police gathered round the large man to lead him away; but their unobtrusiveness was somewhat staggered by the remarkable appearance of Father Brown, who was on his hands and knees on the carpet in the doorway, as if engaged in some kind of undignified prayers. Being a person utterly insensible to the social figure he cut, he remained in this posture, but turned a bright round face up at the company, presenting the appearance of a quadruped with a very comic human head.

  "I say," he said good-naturedly, "this really won't do at all, you know. At the beginning you said we'd found no weapon. But now we're finding too many; there's the knife to stab, and the rope to strangle, and the pistol to shoot; and after all he broke his neck by falling out of a window! It won't do. It's not economical." And he shook his head at the ground as a horse does grazing.

  Inspector Gilder had opened his mouth with serious intentions, but before he could speak the grotesque figure on the floor had gone on quite volubly.

  "And now three quite impossible things. First, these holes in the carpet, where the six bullets have gone in. Why on earth should anybody fire at the carpet? A drunken man lets fly at his enemy's head, the thing that's grinning at him. He doesn't pick a quarrel with his feet, or lay siege to his slippers. And then there's the rope"-and having done with the carpet the speaker lifted his hands and put them in his pocket, but continued unaffectedly on his knees-"in what conceivable intoxication would anybody try to put a rope round a man's neck and finally put it round his leg? Royce, anyhow, was not so drunk as that, or he would be sleeping like a log by now. And, plainest of all, the whisky bottle. You suggest a dipsomaniac fought for the whisky bottle, and then having won, rolled it away in a corner, spilling one half and leaving the other. That is the very last thing a dipsomaniac would do."

  He scrambled awkwardly to his feet, and said to the self-accused murderer in tones of limpid penitence: "I'm awfully sorry, my dear sir, but your tale is really rubbish."

  "Sir," said Alice Armstrong in a low tone to the priest, "can I speak to you alone for a moment?"

  This request forced the communicative cleric out of the gangway, and before he could speak in the next room, the girl was talking with strange incisiveness.

  "You are a clever man," she said, "and you are trying to save Patrick, I know. But it's no use. The core of all this is black, and the more things you find out the more there will be against the miserable man I love."

  "Why?" asked Brown, looking at her steadily.

  "Because," she answered equally steadily, "I saw him commit the crime myself."

  "Ah!" said the unmoved Brown, "and what did he do?"

  "I was in this room next to them," she explained; "both doors were closed, but I suddenly heard a voice, such as I had never heard on earth, roaring 'Hell, hell, hell,' again and again, and then the two doors shook with the first explosion of the revolver. Thrice again the thing banged before I got the two doors open and found the room full of smoke; but the pistol was smoking in my poor, mad Patrick's hand; and I saw him fire the last murderous volley with my own eyes. Then he leapt on my father, who was clinging in terror to the window-sill, and, grappling, tried to strangle him with the rope, which he threw over his head, but which slipped over his struggling shoulders to his feet. Then it tightened round one leg and Patrick dragged him along like a maniac. I snatched a knife from the mat, and, rushing between them, managed to cut the rope before I fainted."

  "I see," said Father Brown, with the same wooden civility. "Thank you."

  As the girl collapsed under her memories, the priest passed stiffly into the next room, where he found Gilder and Merton alone with Patrick Royce, who sat in a chair, handcuffed. There he said to the Inspector submissively:

  "Might I say a word to the prisoner in your presence; and might he take off those funny cuffs for a minute?"

  "He is a very powerful man," said Merton in an undertone. "Why do you want them taken off?"

  "Why, I thought," replied the priest humbly, "that perhaps I might have the very great honour of shaking hands with him."

  Both detectives stared, and Father Brown added: "Won't you tell them about it, sir?"

  The man on the chair shook his tousled head, and the priest turned impatiently.

  "Then I will," he said. "Private lives are more important than public reputations. I am going to save the living, and let the dead bury their dead."

  He went to the fatal window, and blinked out of it as he went on talking.

  "I told you that in this case there were too many weapons and only one death. I tell you now that they were not weapons, and were not used to cause death. All those grisly tools, the noose, the bloody knife, the exploding pistol, were instruments of a curious mercy. They were not used to kill Sir Aaron, but to save him."

&n
bsp; "To save him!" repeated Gilder. "And from what?"

  "From himself," said Father Brown. "He was a suicidal maniac."

  "What?" cried Merton in an incredulous tone. "And the Religion of Cheerfulness-"

  "It is a cruel religion," said the priest, looking out of the window. "Why couldn't they let him weep a little, like his fathers before him? His plans stiffened, his views grew cold; behind that merry mask was the empty mind of the atheist. At last, to keep up his hilarious public level, he fell back on that dram-drinking he had abandoned long ago. But there is this horror about alcoholism in a sincere teetotaler: that he pictures and expects that psychological inferno from which he has warned others. It leapt upon poor Armstrong prematurely, and by this morning he was in such a case that he sat here and cried he was in hell, in so crazy a voice that his daughter did not know it. He was mad for death, and with the monkey tricks of the mad he had scattered round him death in many shapes-a running noose and his friend's revolver and a knife. Royce entered accidentally and acted in a flash. He flung the knife on the mat behind him, snatched up the revolver, and having no time to unload it, emptied it shot after shot all over the floor. The suicide saw a fourth shape of death, and made a dash for the window. The rescuer did the only thing he could-ran after him with the rope and tried to tie him hand and foot. Then it was that the unlucky girl ran in, and misunderstanding the struggle, strove to slash her father free. At first she only slashed poor Royce's knuckles, from which has come all the little blood in this affair. But, of course, you noticed that he left blood, but no wound, on that servant's face? Only before the poor woman swooned, she did hack her father loose, so that he went crashing through that window into eternity."

  There was a long stillness slowly broken by the metallic noises of Gilder unlocking the handcuffs of Patrick Royce, to whom he said: "I think I should have told the truth, sir. You and the young lady are worth more than Armstrong's obituary notices."