Demon

by Tosca Lee

  So few books rattle me to the core yet lift my hopes to the heavens in the same breath. Tosca Lee’s Demon: A Memoir is a rare find that must be read.

  —Ted Dekker, New York Times best-selling author of The Bride Collector and the Circle Trilogy

  Imaginative, compelling, deep, memorable. If you want a novel that has you compulsively turning pages and makes you think at the same time, you’ll love Demon: A Memoir.

  —James Scott Bell, best-selling author of Deceived and Try Fear

  Wise, imaginative, funny, and poetic, this is a book that lingers in memory after you’ve turned the last page.

  —Sophy Burnham, New York Times best-selling author of A Book of Angels

  Even readers who don’t believe in the biblical elements of this tale will have a difficult time not being coaxed into this struggle of intellects.

  —Eric Wilson, New York Times best-selling author of Fireproof and Field of Blood

  The story—the writing—is mesmerizing . . . It has jumped high onto the list of my all-time favorite novels.

  —Frank Redman, FictionAddict.com

  Riveting, graceful and razor sharp.

  —Claudia Mair Burney, Christy Award Finalist and author of Wounded

  I will not read the Creation story or the story of Lucifer’s fall again without picturing the scenes described in Demon.

  —Brandilyn Collins, author of the Kremer Lake Series

  Demon: A Memoir isn’t a mere work of fiction. Demon is an experience.

  —Tracey Bateman, Christy Award-winning author of Thirsty

  Compulsively readable and subtly convicting, Demon will forever recast your understanding of redemption.

  —Nicole Baart, Christy Award Finalist and author of The Moment Between

  This book is a masterpiece of fiction. It’s hard to put down and impossible to forget.

  —Nancy Mehl, author of Malevolence and Graven Images

  This is one of the most sensational, thought-provoking books I have ever read. It is a masterpiece and will sit alongside C. S. Lewis and other such luminaries from now on.

  —Kristine Smith, author of Purposeful Christianity

  Lee’s prose is powerful and beautiful. Her imagery of Eden, of Paradise and angels and Elohim filled me with awe.

  —Novel Reviews

  An excellent novel that will hold your attention and stretch your perspective on life.

  —Jake Chism, Armchair Interviews

  Lee is really proving to be a leader in the art of speculative fiction.

  —Inside Corner Book Reviews

  Demon took me totally by surprise. Tosca Lee has crafted a story that snatched my attention from the first and compelled me to turn the pages.

  —Mike Parker, LifeWay

  A magnificently entertaining story.

  —Inspire Monthly

  One of the most captivating books I’ve read.

  —Sara Mills, author of Miss Match

  Demon is supposed to be fiction . . . but is it? Tosca Lee has created a stunning work of pure genius.

  —Wanda Winters-Gutierrez, author of The Search for Peace

  Highly Recommended.

  —ChristianFictionReviews.com

  You will find many well-known Bible accounts unfolding vividly before your eyes in a way you never imagined.

  —Virginia Smith, author of Stuck in the Middle

  An intellectual and spiritual thriller that begs to be read.

  —Crosswayz

  A must-have that’ll haunt the reader long after the last page

  —Press & Sun-Bulletin, Greater Binghamton, NY

  This book simultaneously chills and awes.

  —Eternity Happens

  A riveting look at one demon’s reflection on his fall from grace, and the shuddering implications for each of us. This story is about YOU; it will change the way you look at life.

  —Austin Boyd, author of the Mars Hill Classified series

  A powerful, discerning tale that will have fans pondering their own deals with the demons.

  —Midwest Book Review

  Demon: A Memoir may well be the most creative, mind-twisting novel of this summer.

  —Kevin Lucia, author of Hiram Grange and The Chosen One

  One of the best books I’ve read yet this year.

  —Camy Tang, author of Sushi for One?

  I adore Tosca Lee’s ingenious use of soul-deep first person point of view writing. This is one of those books I couldn’t put down until I crossed the finish line—what a ride.

  —Julie Garmon, Guideposts

  The Bible and urban fantasy combine to create an intelligent and thought provoking multilayered tale.

  —Harriett Klausner, Amazon.com #1 Reviewer

  Copyright © 2010 by QUELLE LLC

  All rights reserved.

  Printed in the United States of America

  ISBN: 978-1-4336-6880-7

  Published by B&H Publishing Group

  Nashville, Tennessee

  Dewey Decimal Classification: F

  Subject Heading: DEMONOLOGY—FICTION SPIRITUAL WARFARE—FICTION GRACE (THEOLOGY)—FICTION

  Scripture quotations are from the Holy Bible, New International Version, copyright © 1973, 1978, 1984 by International Bible Society.

  1 2 3 4 5 6 7 8 • 14 13 12 11 10

  For Amy.

  Contents

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Chapter Twenty-Seven

  Chapter Twenty-Eight

  Chapter Twenty-Nine

  Chapter Thirty

  Chapter Thirty-One

  Chapter Thirty-Two

  Epilogue

  Author's Notes

  Why I Wrote Demon: A Memoir

  Interesting Facts about Demon

  Acknowledgments

  Preview of Havah: The Story of Eve

  1

  It was raining the night he found me. Traffic had slowed on Massachusetts Avenue, and the wan light of street lamps reflected off the pavement. I was hurrying on without an umbrella, distracted by the chirp of a text message on my phone, trying to shield its illuminated face from rain and the drizzle off storefront awnings. There had been a mistake in my schedule, an appointment I didn’t recognize and I had stayed late at the office for—until six forty-five—just in case. Our office manager was texting me from home now to say she had no idea who it was with, that the appointment must have belonged on Phil’s calendar, that she was sorry for the mistake, and to have a good night.

  I flipped the phone shut, shoved it in my bag. I was worn out by this week already, and it was only Tuesday. The days were getting shorter, the sun setting by six o’clock. It put me on edge, gnawed at me, as though I had better get somewhere warm and cheerful or, barring all else, home before it got any darker. But I was unwilling to face the empty apartment, the dirty dishes, the unopened mail on the counter. So I lowered my head against the rain and walked another two blocks past my turnoff until I came to the Bosnian Café. A strap of bells on the door announced my entrance with a ringing slap
.

  I liked the worn appeal of the Bosnian Café with its olfactory embrace of grilled chicken and gyro meat that enveloped me upon every arrival and clung to me long after leaving. That night, in the premature darkness and rain, the café seemed especially homey with its yellowing countertops, chipped mirrors, and grimy ketchup bottles. Cardboard shamrocks, remnants of a forgotten Saint Patrick’s Day, draped the pass-through into the kitchen, faded around their die-cut edges. A string of Christmas lights lined the front window, every third bulb out. On the wall above the register, a framed photo of the café’s owner with a local pageant queen and another with a retired Red Sox player had never been dusted. But no one, including me, seemed to mind.

  I stood in the entry waiting for Esad, the owner, to notice me. But it was not the bald man who welcomed me.

  It was the dark-haired stranger.

  I was surveying the other tables, looking for inspiration—chicken or steak, gyro or salad—when he beckoned. I hesitated. Was I supposed to recognize him, this man sitting by himself? But no, I did not know him. He waved again, impatient now, and I glanced over my shoulder. There was no one standing in the entryway but me. And then the man at the table stood up and strode directly to me.

  “You’re late.” He clasped my shoulder and smiled. He was tall, tanned, with curling hair and a slightly hooked nose that did nothing to detract from his enviable Mediterranean looks. His eyes glittered beneath well-formed brows. His teeth were very white.

  “I’m sorry. I think you have the wrong person,” I said.

  He chuckled. “Not at all! I’ve been waiting for you for quite some time. An eternity, you might say. Please, come sit down. I took the liberty of ordering for you.”

  His voice reminded me of fine cognac, the Hors d’Age men drink aboard their yachts as they cut their Cohíbas.

  “You have the wrong person. I don’t know you,” I insisted, even as he steered me toward the table. I didn’t want to embarrass him; he already seemed elegantly out of place here in what, for all practical purposes, was a joint. But he would feel like an elegant fool in another minute, especially if his real appointment—interview, date, whatever—walked in and saw him sitting here with me.

  “But I know you, Clay.”

  I started at the sound of my name, spoken by him with a mixture of familiarity and strange interest. I studied him more closely—the squareness of his jaw, the smoothness of his cheek, his utter self-possession. Had I met him before? No, I was certain I hadn’t.

  One of Esad’s nephews arrived with a chicken sandwich and two cups of coffee.

  “Please.” The stranger motioned to a vinyl-covered chair. Numbly, stupidly, I sat.

  “You work down the street at Brooks and Hanover,” he said when the younger man had gone. He seated himself adjacent to me, his chair angled toward mine. He crossed his legs, plucked invisible lint off the fine wool of his trousers. “You’re an editor.”

  Several thoughts went through my head in that moment, none of them savory: first, that this was some finance or insurance rep who—just like the pile of loan offers on my counter at home—was trying to capitalize on my recent divorce. Or, that this was some aggressive literary agent trying to play suave.

  Most likely, though, he was a writer.

  Every editor has stories to tell: zealous writers pushing manuscripts on them during their kid’s softball game, passing sheaves of italicized print across pews at church or trying to pick them up in bars, casually mentioning between lubricated flirtations that they write stories on the side and just happen to have a manuscript in the car. I had lost count of the dry cleaners, dental hygienists, and plumbers who, upon hearing what I did for a living, had felt compelled to gift me with their short stories and children’s books, their novels-in-progress and rhyming poetry.

  “Look, whoever you are—”

  “Lucian.”

  I meant to tell him that I was sure we didn’t publish whatever it was he wanted me to read, that there were industry-accepted ways to get his work to us if we did, that he could visit the Web site and check out the guidelines. I also meant to get up and walk away, to look for Esad or his nephew and put an order in. To go. But I didn’t say or do any of these things because what he said next stopped me cold.

  “I know you’re searching, Clay. I know you’re wondering what these late, dark nights are for. You have that seasonal disease, that modern ailment, don’t you? SAD, they call it. But it isn’t the disorder—you should know that. It isn’t even your divorce. That’s not what’s bothering you. Not really.”

  I was no longer hungry. I pushed away the chicken sandwich he had ordered and said with quiet warning. “I don’t know who you are, but this isn’t funny.”

  He went on as though he hadn’t heard me, saying with what seemed great feeling, “It’s that you don’t know what it’s all for. The hours and days, working on the weekends, the belief that you’ll eventually get caught up, and on that ultimate day something will happen. That everything will make sense or you’ll at least have time to figure it out. You’re a good man, Clay, but what has that won you? You’re alone, growing no younger, drifting toward some unknown but inevitable end in this life. And where is the meaning in that?”

  I sat very still. I felt exposed, laid open, as though I had emptied my mind onto the table like the contents of a pocket. I couldn’t meet his gaze. Nearby, a couple—both of their heads dripping dirty blond dreadlocks—mulled over menus as the woman dandled an infant on her lap. Beyond them, a thickset woman paged through People, and a young man in scrubs plodded in a sleep-deprived daze through an anemic salad. Had any of them noticed my uncanny situation, the strange hijacking taking place here? But they were mired in their menus, distractions, and stupor. At the back counter a student tapped at the keypad of his phone, sending messages into the ether.

  “I realize how this feels, and I apologize.” Lucian folded long fingers together on his knee. His nails were smooth and neatly manicured. He wore an expensive-looking watch, the second hand of which seemed to hesitate before hiccupping on, as though time had somehow slowed in the sallow light of the diner. “I could have done this differently, but I don’t think I would have had your attention.”

  “What are you, some kind of Jehovah’s Witness?” It was the only thing that made sense. His spiel could have hit close to anyone. I felt conned, angry, but most of all embarrassed by my emotional response.

  His laughter was abrupt and, I thought, slightly manic.

  “Oh my.” He wiped the corners of his eyes.

  I pushed back my chair.

  His merriment died so suddenly that, were it not for the sound of it still echoing in my ears, I might have thought I had imagined it. “I’m going to tell you everything.” He leaned toward me, so close I could see the tiny furrows around the corners of his mouth, the creases beneath his narrowed eyes. A strange glow emanated from the edge of his irises like the halo of a solar eclipse. “I’m going to tell you my story. I’ve great hope for you, in whom I will create the repository of my tale—my memoir, if you will. I believe it will be of great interest to you. And you’re going to write it down and publish it.”

  Now I barked a stunted laugh. “No, I’m not. I don’t care if you’re J. D. Salinger.”

  Again he went on as though I’d said nothing. “I understand they’re all the rage these days, memoirs. Publishing houses pay huge sums for the ghostwritten, self-revelatory accounts of celebrities all the time. But trust me; they’ve never acquired a story like mine.”

  “Look,” I said, a new edge in my voice, “You’re no celebrity I recognize, and I’m no ghostwriter. So I’m going to get myself some dinner and be nice enough to forget this ever happened.” But as I started to rise, he grabbed me by the arm. His fingers, biting through the sleeve of my coat, were exceedingly strong, unnaturally warm, and far too intimate.

  “But you won’t forget.” The strange light of fanaticism burned in his eyes. The curve of his mouth seemed divorced of t
heir stare, as though it came from another face altogether. “You will recall everything—every word I say. Long after you have forgotten, in fact, the name of this café, the way I summoned you to this table, the first prick of your mortal curiosity about me. Long after you have forgotten, in fact, the most basic details of your life. You will remember, and you will curse or bless this day.”

  I felt ill. Something about the way he said mortal. . . . In that instant, reality, strung out like an elastic band, snapped.

  This was no writer.

  “Yes. You see,” he said quietly. “You know. We can share now, between us, the secret of what I am.”

  And the words came, unbidden, to my mind: Fallen. Dark Spirit.

  Demon.

  The trembling that began in my stomach threatened to seize up my diaphragm. But then he released me and sat back. “Now. Here is Mr. Esad, wondering why you haven’t touched your sandwich.”

  And indeed, here came the bald man, coffeepot in hand, smiling at the stranger as though he were more of a regular than I. I stared between them as they made their pleasantries, the sound of their banter at sick odds with what my visceral sense told me was true, what no one else seemed to notice: I was sitting here with something incomprehensively evil.