The Arrow of Gold

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The Arrow of Gold Page 15

by Joseph Conrad


  “A poor lone girl amongst a lot of wicked people. Do you think I wanted to go forth amongst those abominations? it’s that poor sinful Rita that wouldn’t let me be where I was, serving a holy man, next door to a church, and sure of my share of Paradise. I simply obeyed my uncle. It’s he who told me to go forth and attempt to save her soul, bring her back to us, to a virtuous life. But what would be the good of that? She is given over to worldly, carnal thoughts. Of course we are a good family and my uncle is a great man in the country, but where is the reputable farmer or God-fearing man of that kind that would dare to bring such a girl into his house to his mother and sisters. No, let her give her ill-gotten wealth up to the deserving and devote the rest of her life to repentance.”

  She uttered these righteous reflections and presented this programme for the salvation of her sister’s soul in a reasonable convinced tone which was enough to give goose flesh to one all over.

  “Mademoiselle Therese,” I said, “you are nothing less than a monster.”

  She received that true expression of my opinion as though I had given her a sweet of a particularly delicious kind. She liked to be abused. It pleased her to be called names. I did let her have that satisfaction to her heart’s content. At last I stopped because I could do no more, unless I got out of bed to beat her. I have a vague notion that she would have liked that, too, but I didn’t try. After I had stopped she waited a little before she raised her downcast eyes.

  “You are a dear, ignorant, flighty young gentleman,” she said. “Nobody can tell what a cross my sister is to me except the good priest in the church where I go every day.”

  “And the mysterious lady in grey,” I suggested sarcastically.

  “Such a person might have guessed it,” answered Therese, seriously, “but I told her nothing except that this house had been given me in full property by our Rita. And I wouldn’t have done that if she hadn’t spoken to me of my sister first. I can’t tell too many people about that. One can’t trust Rita. I know she doesn’t fear God but perhaps human respect may keep her from taking this house back from me. If she doesn’t want me to talk about her to people why doesn’t she give me a properly stamped piece of paper for it?”

  She said all this rapidly in one breath and at the end had a sort of anxious gasp which gave me the opportunity to voice my surprise. It was immense.

  “That lady, the strange lady, spoke to you of your sister first!” I cried.

  “The lady asked me, after she had been in a little time, whether really this house belonged to Madame de Lastaola. She had been so sweet and kind and condescending that I did not mind humiliating my spirit before such a good Christian. I told her that I didn’t know how the poor sinner in her mad blindness called herself, but that this house had been given to me truly enough by my sister. She raised her eyebrows at that but she looked at me at the same time so kindly, as much as to say, ‘Don’t trust much to that, my dear girl,’ that I couldn’t help taking up her hand, soft as down, and kissing it. She took it away pretty quick but she was not offended. But she only said, ‘That’s very generous on your sister’s part,’ in a way that made me run cold all over. I suppose all the world knows our Rita for a shameless girl. It was then that the lady took up those glasses on a long gold handle and looked at me through them till I felt very much abashed. She said to me, ‘There is nothing to be unhappy about. Madame de Lastaola is a very remarkable person who has done many surprising things. She is not to be judged like other people and as far as I know she has never wronged a single human being. . . .’ That put heart into me, I can tell you; and the lady told me then not to disturb her son. She would wait till he woke up. She knew he was a bad sleeper. I said to her: ‘Why, I can hear the dear sweet gentleman this moment having his bath in the fencing-room,’ and I took her into the studio. They are there now and they are going to have their lunch together at twelve o’clock.”

  “Why on earth didn’t you tell me at first that the lady was Mrs. Blunt?”

  “Didn’t I? I thought I did,” she said innocently. I felt a sudden desire to get out of that house, to fly from the reinforced Blunt element which was to me so oppressive.

  “I want to get up and dress, Mademoiselle Therese,” I said.

  She gave a slight start and without looking at me again glided out of the room, the many folds of her brown skirt remaining undisturbed as she moved.

  I looked at my watch; it was ten o’clock. Therese had been late with my coffee. The delay was clearly caused by the unexpected arrival of Mr. Blunt’s mother, which might or might not have been expected by her son. The existence of those Blunts made me feel uncomfortable in a peculiar way as though they had been the denizens of another planet with a subtly different point of view and something in the intelligence which was bound to remain unknown to me. It caused in me a feeling of inferiority which I intensely disliked. This did not arise from the actual fact that those people originated in another continent. I had met Americans before. And the Blunts were Americans. But so little! That was the trouble. Captain Blunt might have been a Frenchman as far as languages, tones, and manners went. But you could not have mistaken him for one. . . . Why? You couldn’t tell. It was something indefinite. It occurred to me while I was towelling hard my hair, face, and the back of my neck, that I could not meet J. K. Blunt on equal terms in any relation of life except perhaps arms in hand, and in preference with pistols, which are less intimate, acting at a distance—but arms of some sort. For physically his life, which could be taken away from him, was exactly like mine, held on the same terms and of the same vanishing quality.

  I would have smiled at my absurdity if all, even the most intimate, vestige of gaiety had not been crushed out of my heart by the intolerable weight of my love for Rita. It crushed, it overshadowed, too, it was immense. If there were any smiles in the world (which I didn’t believe) I could not have seen them. Love for Rita . . . if it was love, I asked myself despairingly, while I brushed my hair before a glass. It did not seem to have any sort of beginning as far as I could remember. A thing the origin of which you cannot trace cannot be seriously considered. It is an illusion. Or perhaps mine was a physical state, some sort of disease akin to melancholia which is a form of insanity? The only moments of relief I could remember were when she and I would start squabbling like two passionate infants in a nursery, over anything under heaven, over a phrase, a word sometimes, in the great light of the glass rotunda, disregarding the quiet entrances and exits of the ever-active Rose, in great bursts of voices and peals of laughter. . . .

  I felt tears come into my eyes at the memory of her laughter, the true memory of the senses almost more penetrating than the reality itself. It haunted me. All that appertained to her haunted me with the same awful intimacy, her whole form in the familiar pose, her very substance in its colour and texture, her eyes, her lips, the gleam of her teeth, the tawny mist of her hair, the smoothness of her forehead, the faint scent that she used, the very shape, feel, and warmth of her high-heeled slipper that would sometimes in the heat of the discussion drop on the floor with a crash, and which I would (always in the heat of the discussion) pick up and toss back on the couch without ceasing to argue. And besides being haunted by what was Rita on earth I was haunted also by her waywardness, her gentleness and her flame, by that which the high gods called Rita when speaking of her amongst themselves. Oh, yes, certainly I was haunted by her but so was her sister Therese—who was crazy. It proved nothing. As to her tears, since I had not caused them, they only aroused my indignation. To put her head on my shoulder, to weep these strange tears, was nothing short of an outrageous liberty. It was a mere emotional trick. She would have just as soon leaned her head against the over-mantel of one of those tall, red granite chimney-pieces in order to weep comfortably. And then when she had no longer any need of support she dispensed with it by simply telling me to go away. How convenient! The request had sounded pathetic, almost sacredly so, but then it might have been the exhibition of the coolest possi
ble impudence. With her one could not tell. Sorrow, indifference, tears, smiles, all with her seemed to have a hidden meaning. Nothing could be trusted. . . Heavens! Am I as crazy as Therese I asked myself with a passing chill of fear, while occupied in equalizing the ends of my neck-tie.

  I felt suddenly that “this sort of thing” would kill me. The definition of the cause was vague, but the thought itself was no mere morbid artificiality of sentiment but a genuine conviction. “That sort of thing” was what I would have to die from. It wouldn’t be from the innumerable doubts. Any sort of certitude would be also deadly. It wouldn’t be from a stab—a kiss would kill me as surely. It would not be from a frown or from any particular word or any particular act—but from having to bear them all, together and in succession—from having to live with “that sort of thing.” About the time I finished with my neck-tie I had done with life too. I absolutely did not care because I couldn’t tell whether, mentally and physically, from the roots of my hair to the soles of my feet—whether I was more weary or unhappy.

  And now my toilet was finished, my occupation was gone. An immense distress descended upon me. It has been observed that the routine of daily life, that arbitrary system of trifles, is a great moral support. But my toilet was finished, I had nothing more to do of those things consecrated by usage and which leave you no option. The exercise of any kind of volition by a man whose consciousness is reduced to the sensation that he is being killed by “that sort of thing” cannot be anything but mere trifling with death, an insincere pose before himself. I wasn’t capable of it. It was then that I discovered that being killed by “that sort of thing,” I mean the absolute conviction of it, was, so to speak, nothing in itself. The horrible part was the waiting. That was the cruelty, the tragedy, the bitterness of it. “Why the devil don’t I drop dead now?” I asked myself peevishly, taking a clean handkerchief out of the drawer and stuffing it in my pocket.

  This was absolutely the last thing, the last ceremony of an imperative rite. I was abandoned to myself now and it was terrible. Generally I used to go out, walk down to the port, take a look at the craft I loved with a sentiment that was extremely complex, being mixed up with the image of a woman; perhaps go on board, not because there was anything for me to do there but just for nothing, for happiness, simply as a man will sit contented in the companionship of the beloved object. For lunch I had the choice of two places, one Bohemian, the other select, even aristocratic, where I had still my reserved table in the petit salon, up the white staircase. In both places I had friends who treated my erratic appearances with discretion, in one case tinged with respect, in the other with a certain amused tolerance. I owed this tolerance to the most careless, the most confirmed of those Bohemians (his beard had streaks of grey amongst its many other tints) who, once bringing his heavy hand down on my shoulder, took my defence against the charge of being disloyal and even foreign to that milieu of earnest visions taking beautiful and revolutionary shapes in the smoke of pipes, in the jingle of glasses.

  “That fellow (ce garçon) is a primitive nature, but he may be an artist in a sense. He has broken away from his conventions. He is trying to put a special vibration and his own notion of colour into his life; and perhaps even to give it a modelling according to his own ideas. And for all you know he may be on the track of a masterpiece; but observe: if it happens to be one nobody will see it. It can be only for himself. And even he won’t be able to see it in its completeness except on his death-bed. There is something fine in that.”

  I had blushed with pleasure; such fine ideas had never entered my head. But there was something fine. . . . How far all this seemed! How mute and how still! What a phantom he was, that man with a beard of at least seven tones of brown. And those shades of the other kind such as Baptiste with the shaven diplomatic face, the maître d’hôtel in charge of the petit salon, taking my hat and stick from me with a deferential remark: “Monsieur is not very often seen nowadays.” And those other well-groomed heads raised and nodding at my passage—“Bonjour.” “Bonjour”—following me with interested eyes; these young X.s and Z.s, low-toned, markedly discreet, lounging up to my table on their way out with murmurs: “Are you well?”—“Will one see you anywhere this evening?”—not from curiosity, God forbid, but just from friendliness; and passing on almost without waiting for an answer. What had I to do with them, this elegant dust, these moulds of provincial fashion?

  I also often lunched with Doña Rita without invitation. But that was now unthinkable. What had I to do with a woman who allowed somebody else to make her cry and then with an amazing lack of good feeling did her offensive weeping on my shoulder? Obviously I could have nothing to do with her. My five minutes’ meditation in the middle of the bedroom came to an end without even a sigh. The dead don’t sigh, and for all practical purposes I was that, except for the final consummation, the growing cold, the rigor mortis—that blessed state! With measured steps I crossed the landing to my sitting-room.

  CHAPTER II

  The windows of that room gave out on the street of the Consuls which as usual was silent. And the house itself below me and above me was soundless, perfectly still. In general the house was quiet, dumbly quiet, without resonances of any sort, something like what one would imagine the interior of a convent would be. I suppose it was very solidly built. Yet that morning I missed in the stillness that feeling of security and peace which ought to have been associated with it. It is, I believe, generally admitted that the dead are glad to be at rest. But I wasn’t at rest. What was wrong with that silence? There was something incongruous in that peace. What was it that had got into that stillness? Suddenly I remembered: the mother of Captain Blunt.

  Why had she come all the way from Paris? And why should I bother my head about it? H’m—the Blunt atmosphere, the reinforced Blunt vibration stealing through the walls, through the thick walls and the almost more solid stillness. Nothing to me, of course—the movements of Mme. Blunt, mère. It was maternal affection which had brought her south by either the evening or morning Rapide, to take anxious stock of the ravages of that insomnia. Very good thing, insomnia, for a cavalry officer perpetually on outpost duty, a real godsend, so to speak; but on leave a truly devilish condition to be in.

  The above sequence of thoughts was entirely unsympathetic and it was followed by a feeling of satisfaction that I, at any rate, was not suffering from insomnia. I could always sleep in the end. In the end. Escape into a nightmare. Wouldn’t he revel in that if he could! But that wasn’t for him. He had to toss about open-eyed all night and get up weary, weary. But oh, wasn’t I weary, too, waiting for a sleep without dreams.

  I heard the door behind me open. I had been standing with my face to the window and, I declare, not knowing what I was looking at across the road—the Desert of Sahara or a wall of bricks, a landscape of rivers and forests or only the Consulate of Paraguay. But I had been thinking, apparently, of Mr. Blunt with such intensity that when I saw him enter the room it didn’t really make much difference. When I turned about the door behind him was already shut. He advanced towards me, correct, supple, hollow-eyed, and smiling; and as to his costume ready to go out except for the old shooting jacket which he must have affectioned particularly, for he never lost any time in getting into it at every opportunity. Its material was some tweed mixture; it had gone inconceivably shabby, it was shrunk from old age, it was ragged at the elbows; but any one could see at a glance that it had been made in London by a celebrated tailor, by a distinguished specialist. Blunt came towards me in all the elegance of his slimness and affirming in every line of his face and body, in the correct set of his shoulders and the careless freedom of his movements, the superiority, the inexpressible superiority, the unconscious, the unmarked, the not-to-be-described, and even not-to-be-caught, superiority of the naturally born and the perfectly finished man of the world, over the simple young man. He was smiling, easy, correct, perfectly delightful, fit to kill.

  He had come to ask me, if I had no other eng
agement, to lunch with him and his mother in about an hour’s time. He did it in a most dégagé tone. His mother had given him a surprise. The completest . . . The foundation of his mother’s psychology was her delightful unexpectedness. She could never let things be (this in a peculiar tone which he checked at once) and he really would take it very kindly of me if I came to break the tête-à-tête for a while (that is if I had no other engagement. Flash of teeth). His mother was exquisitely and tenderly absurd. She had taken it into her head that his health was endangered in some way. And when she took anything into her head . . . Perhaps I might find something to say which would reassure her. His mother had two long conversations with Mills on his passage through Paris and had heard of me (I knew how that thick man could speak of people, he interjected ambiguously) and his mother, with an insatiable curiosity for anything that was rare (filially humorous accent here and a softer flash of teeth), was very anxious to have me presented to her (courteous intonation, but no teeth). He hoped I wouldn’t mind if she treated me a little as an “interesting young man.” His mother had never got over her seventeenth year, and the manner of the spoilt beauty of at least three counties at the back of the Carolinas. That again got overlaid by the sans-façon of a grande dame of the Second Empire.

  I accepted the invitation with a worldly grin and a perfectly just intonation, because I really didn’t care what I did. I only wondered vaguely why that fellow required all the air in the room for himself. There did not seem enough left to go down my throat. I didn’t say that I would come with pleasure or that I would be delighted, but I said that I would come. He seemed to forget his tongue in his head, put his hands in his pockets and moved about vaguely. “I am a little nervous this morning,” he said in French, stopping short and looking me straight in the eyes. His own were deep sunk, dark, fatal. I asked with some malice, that no one could have detected in my intonation, “How’s that sleeplessness?”

 

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